Canon Xlh1s User manual

Canon’s XL H1S and XL H1A High Definition HDV, shoulder-

mount camcorders stand out in the most demanding environ-

ments. Decades of Canon leadership in the design and manufacture of cameras and

lenses for broadcast and still photography ensure optical excellence and superb image

quality, while Canon’s technical prowess delivers industry standard connectivity and

an extraordinary level of custom control.

Definitive Control…

Professional Functionality.

Exceptional Image Quality…

Exceptional Image Quality

Only Canon Can Deliver

Canon Interchangeable XL Lens Mount

The XL H1S and XL H1A feature the XL mount system

that offers the added range and flexibility of using

optional interchangeable lenses, including the wide-

angle Canon 6x HD Video

Zoom XL 3.4–20.4mm L

lens (35mm equivalent

24.5–147mm), ideal for

applications requiring a

wider field-of-view. This L-series lens captures in

Full HD clarity and incorporates all of Canon’s leg-

endary optical superiority. The XL lens mount also

enables the use of the Extender XL 1.6x, which

increases the focal length

by 1.6x and the EF Adapter

XL, which enables users

to attach a wide array of

Canon photographic EF

lenses (only L-series is

recommended)—for specialized image capture.

SuperRange Optical Image Stabilizer

Steady images are ensured with Canon’s

Optical Image Stabilizer. The system

continuously compensates for shake and

jitter by activating a Vari-Angle prism when the

gyroscopic sensors detect camera movement. The

XL H1S and XL H1A can correct a wide range of

vibration because the cameras’ 20x HD Video Zoom

Lens III incorporates Canon’s SuperRange Optical

Image Stabilizer technology to analyze the image at

the CCD sensor. The result is extraordinary camera

shake correction, even at long focal lengths.

Three 1/3" Native 16:9

CCDs (1440 x 1080)

Its sophisticated 3CCD design

gives each primary color a dedicated

native 16:9 sensor. Each sensor has

approx. 1.67 million pixels (1440 x 1080), giving

the XL H1S and XL H1A a high pixel count (equal to

800 TV lines of horizontal resolution). Color is ren-

dered with exceptional accuracy, in a wide dynamic

range and with virtually no color noise.

Canon DIGIC DV II

HD Image Processor

Engineered and

manufactured

exclusively by

Canon and specifically for HD, the latest generation

DIGIC DV II HD Image Processor delivers optimal

image quality at the highest operating speeds.

The DIGIC DV II HD Image Processor is designed for

HD, operating at 1440 x 1080 pixels with 4:2:2 color

sampling. Color reproduction is exquisitely natural,

especially in skin tones and in dark or light scenes.

A hybrid noise reduction system employs dual

processes to create brilliantly clear HD images.

Genuine Canon 20x HD Video Zoom Lens III

The XL H1S and XL H1A have all the advantages of Canon’s

proven leadership in optical technology and optics drive HD

image quality. The interchangeable Genuine Canon 20x HD Video Zoom Lens III (35mm

equivalent 38.9–778mm) is a new high-performance L-series lens, specifically designed for HD

production. Now in its third iteration, this redesigned lens incorporates two aspherical lenses,

Canon’s world-renowned fluorite glass and SR multi-coating technologies that produce superior image

quality with excellent resolution, contrast and minimal chromatic aberration. The L-series designation that is

identified by the distinctive red ring has become the symbol of professional lenses worldwide for its unmatched

reputation as the choice of industry professionals the world over. The lens also features a new manual iris

ring in 1/16-stop increments for exceptional exposure control and two built-in ND (Neutral Density)

filters that reduce exposure by 1/6 (2 stops) or 1/32 (5 stops). Focus and zoom operations have also

been improved so that they allow manual focusing during zooming. Design and ergonomics have further

been improved such as a weightier zoom ring and an adjustable rotational angle for the zoom ring,

contributing to a lens feel that many professionals prefer. Lens Presets also allow the operator to store

any given focus or zoom point and return to that position with a single touch of a button.

SLOW Approx. 4.3 sec. (speed: 16x) to approx. 5 min. (speed: 1x)

NORMAL Approx. 2.0 sec. (speed: 16x) to approx. 3 min. (speed: 1x)

FAST Approx. 1.2 sec. (speed: 16x) to approx. 60 sec. (speed: 1x)

Zoom speed can be set to NORMAL, SLOW or FAST via C.Fn-02

Extender

XL 1.6x EF Adapter XL

Comprehensive Focus Control

The XL H1S and XL H1A deliver HD, which demands

precise focus. The highly responsive, independ-

ently functioning focus ring (with selectable oper-

ational direction) allows the videographer to focus

manually even while zooming—in both Manual Focus

and AF mode. 4 selectable preset focus speeds

are available along with three settings of sensitivity

for the focus ring allowing you to set the respon-

siveness to your liking. Push AF control lets you

temporarily override manual focus to quickly find

critical focus, while a Focus Limit function (selec-

table to on or off) limits the focusing range of the

lens such as when shooting macro. To further assist

in focusing, dedicated Peaking and Magnifying

controls are available. For Peaking, frequency (edge

thickness) and gain (edge density) levels are

adjustable. Two settings can be stored and accessed

quickly with a touch of a button. By attaching the

included external monitor cable to the component

terminal of a monitor, the operator can also use

peaking and magnify controls to check manual focus

on a larger screen rather than in the finder.

Fast, Responsive, Versatile Zoom

With a newly designed ring shape and increased

speed, the camera’s zoom starts and stops with

exceptional smoothness and provides a comprehen-

sive array of options. The zoom can be controlled in

three different ways—the lens zoom ring, grip zoom

lever or handle zoom lever (for low-angle shots). It

features three widely ranging zoom speeds, and

16 levels of speed control. With the new Genuine

Canon 20x HD Video Zoom Lens III attached, zooming

speeds from wide to tele range in speeds from 5 min-

utes to an astounding 1.2 sec. at the fastest setting.

Variable zoom speed operation with 16 levels of speed

control is also possible through the pressure-sensitive

zoom lever (rocker). Or choose from one of the 16

levels and set it so that zooming is done at a constant

pace. Furthermore, starting and stopping of zoom

movement is “ramped,” avoiding “zoom shock” in

your videos or broadcasts for a more natural effect.

Professional Functionality for

Today’s Production Environments

The XL H1S and XL H1A allow for advanced control over all aspects of audio during recording. The camcorder is

equipped with 2 built-in XLR terminals, each with an individual sensitivity setting. Sensitivity for the XLR line

input manual operation has been increased as well as the amplitude of the audio line output level being

switchable between 1 Vrms and 2 Vrms at full scale for added audio quality. This allows for audio output

at a maximum +6 dBV when video

is recorded at the standard +4 dBu

input setting. XLR and microphone

sensitivity selections include +12

dB, +6 dB, 0 dB, -6 dB and -12 dB.

2-channel recording is possible via

simultaneous use of the supplied

microphone and XLR inputs.

Automatic level control settings

for both XLR channels can be set to

link or remain independent to each

other. The camcorder is also equipped with a 3.5mm terminal for a camera microphone, 3.5mm stereo

mini-phono jack, and a rugged headphone terminal with level control. Additional audio controls include

an audio limiter function (manual recording mode) to prevent distortion in audio signals due to sudden

loud noises, a 1 kHz Reference Tone (selectable to -12 dB, -18 dB or -20 dB), and monitor output selec-

tions of LR/LL/RR/monaural.

Flexible Audio Control

2 Channel Recording via supplied microphone and XLR inputs

XLR input sensitivity can be set for Channel

1/2 individually

Use the supplied microphone and XLR input at

the same time

Audio and Connections

Sensitivity for the

XLR line has been

increased; output at

a maximum +6 dBV

is possible when

recorded at the

standard +4 dBu

2 built-in XLR terminals

allow for 2-channel

recording via simulta-

neous use of the sup-

plied microphone and

XLR inputs.

BNC style HD-SDI,

Genlock, TimeCode

input /output

terminals (available

on XL H1S only)

S-Video input/output;

composite video; audio

input/output (RCA)

Component output

terminal

Supplied microphone

6-pin IEEE1394 terminal for

HDV/DV input/output;

LANC terminal

HD-SDI, Genlock and Time Code

Connection Terminals (XL H1S only)

The Canon XL H1S is ready for any professional

application with HD-SDI, Genlock and Time Code

Connections (BNC). SDI outputs conform to industry

standards HD-SDI (SMPTE 299M) or SD-SDI (SMPTE

272M. The XL H1S includes embedded audio and

time code. The HD-SDI output provides an uncom-

pressed 1.485 Gbps 60i signal at 1920 x 1080

resolution with 4:2:2 color sampling. Because a

single industry standard connection carries video,

audio and SMPTE (LTC) Time Code, cabling com-

plexity is significantly reduced. This enables longer

cable runs, improves the operator’s mobility, and

simplifies the cabling process. Genlock input

enables synchronization of a multi-camera, live-

switched production environment in the studio or

on location. When shooting HD, it can accept either

an SD (blackburst) or HD (tri-level) sync signal.

A separate SMPTE Time Code Input and Output

terminal accommodates time code requirements

in multi-camera shoots, or when synching with

other devices.

Superior Connectivity

Additional standard con-

nectors include a resilient

6-pin IEEE1394 terminal

which provides a more

robust connection to

external hardware, com-

ponent analog video out-

put (1080/60i or 480/60i

connection), S-Video

input/output, composite

video output and LANC

terminal. The XL H1S and

XL H1A are also equipped

with a Flash Accessory Shoe for use with Canon

EX-series Speedlites.

Custom Presets

Store up to 9 custom presets (sets of custom image

adjustments) for instant access as needed. Custom

presets can be stored on an SDHC/SD Memory Card

or MultiMediaCard (along with custom functions,

display settings and photos), and shared with other

Canon XL H1S, XL H1A, XH G1 and XH A1 camcorders.

This capability enables uniform camera setup across

multiple camcorders. Three of the custom preset

channels (CP7–CP9) are presets designed by Canon:

CP7 optimizes images for viewing on consumer-use

TV monitors by minimizing noise in dark areas and

improving contrast. CP8 settings yield movie-like

images when viewed on TV. CP9 settings are ideal

for images that will be turned into film. Each of these

channels can be reset as desired.

The XL H1S and XL H1A provide numerous opportunities for customization. 23 image adjustments,

22 display options (40 sub-items) and 21 custom function settings (33 sub-items) can be adjusted to

fine-tune the cameras’ performance and operating characteristics for different environments, different

users or different jobs. Organizations that use many cameras can take advantage of this feature to easily

record sets of adjustments to match up multiple units for uniform capture characteristics.

Definitive Control Over Capture...

Your Vision Crafted with Precision

Custom

Function No. Description

C.Fn-00 Recording Mode Icon

C.Fn-01 Camera Data 1 (F/stop and Shutter Speed)

C.Fn-02 Camera Data 2 (Exposure, White Balance, Gain)

C.Fn-03 Zoom Indicator

C.Fn-04 Focus Distance Display

C.Fn-05 ND Filter Displays

C.Fn-06 Image Effects

C.Fn-07 Focusing Assist Functions (Peaking and Magnification)

C.Fn-08 Customized Functions (Custom Function and Custom Preset)

C.Fn-09 Video Recording Standard Definition

C.Fn-10 DV Recording Mode

C.Fn-11 Frame Rate Display

C.Fn-12 Tape-Related Icons and Displays

(Operation Mode, Time Code, DV Control)

C.Fn-13 Remaining Time on the Tape (Normal, Warning, Off)

C.Fn-14 Tape/Card-Related Displays

(Ext. Control, Image Stabilization, Image Size/Quality)

C.Fn-15 Light Metering-Related Displays

(Spot AE Point and Light Metering)

C.Fn-16 Still Images-Related Icons (Drive Mode, Flash)

C.Fn-17 Remaining Still Images on the Memory Card

(Normal and Warning)

C.Fn-18 Audio-Related Displays (Mic Mode, XLR and DV Audio)

C.Fn-19 Condensation Warning Icon

C.Fn-20 Battery-Related Displays (Off, Normal, Warning)

C.Fn-21 Wireless Remote Display (Off, Normal, Warning)

Custom

Function No. Function Description

C.Fn-00 Shockless WB/Gain Softens transitions when changing white balance or gain

C.Fn-01 Zoom Ring Control Changes Zoom Ring responsiveness

C.Fn-02 Zoom Speed Changes Zoom key speed

C.Fn-03 Focus Ring Control Sets the sensitivity of the Focus Ring control

C.Fn-04 Buttons OPER.1 Changes the responsiveness of the buttons

(Magnification and White Balance Set)

C.Fn-05 Buttons OPER.2 Changes the responsiveness of the buttons

(Record Review, Bars, Fade, End Search, and Gain Set)

C.Fn-06 Rings Direction The directional response of the Zoom, Focus, and Iris rings

can be set

C.Fn-07 OPER. Direction Changes the operation of the cursor and shutter

C.Fn-08 Iris Limit Sets the diffraction limit (On/Off)

C.Fn-09 Photo Button Selects function for Photo + CP Data, Photo, Magnifying

and OFF

C.Fn-10 Marker Level Intensity level of the frame overlays and markers on

screen can be set—40% (gray) or 100% (white)

C.Fn-11 Focus Assist

B/W Mode

Selects whether to change the display to black-and-white

when Focus Assist is activated

C.Fn-12 Object Distance

Units Display

Selects whether distance to object is displayed in feet or

meters

C.Fn-13 Zoom Indicator Selects whether the zoom indicator is a graphic bar or a

numeric display

C.Fn-14 Color Bars Selects EBU SD (Type 1) or ARIB Multiformat HDTV (Type 2)

color bars

C.Fn-15 1kHz Tone Selects the level of the reference audio tone—OFF,

-12 dB, or -20 dB

C.Fn-16 Wireless Remote Selects whether or not the camcorder will respond to

wireless controller commands

C.Fn-17 LANC AE Shift Exposure control selection using Canon ZR-2000 Zoom

Remote Controller

C.Fn-18 Tally Lamp Controls the function of the Tally Lamp—ON, Blink, or

OFF by wireless control

C.Fn-19 LED Selects whether and which set of LED indicators on the

camcorder will be active.

C.Fn-20 Custom REC Sets custom recording mode for character record and

magnifying

Custom Functions

With a wide array of ways to customize the cam-

corder’s operation, efficiency and uniformity of

capture are ensured.

Customization Features

Image Enhancements

Virtually any look the operator intends to create is

achievable, thanks to an extensive range of inde-

pendent adjustments.

Gamma: The NORMAL gamma curve is ideal for

viewing footage on TV monitors. The XL H1S and

XL H1A also offer CINE 1 to create images with the

quality and appearance of film for TV viewing. For

images that are intended to be transferred to film, the

CINE 2 setting provides an appropriate gamma curve.

Knee: To control overexposure when shooting high-

brightness subjects, there are 4 settings (AUTO,

HIGH, MIDDLE, LOW) that fine-tune dynamic range

(knee point) adjustments in highlight areas. HIGH

enables high-key shooting, while LOW protects the

image from overexposure.

Black: Adjustments to dynamic range in the dark

areas of the image are covered with 3 settings

(STRETCH, MIDDLE, PRESS). STRETCH expands the

range, providing greater shadow detail. PRESS

narrows the range, increasing the deep black content

of the image.

Master Pedestal: Adjustments in steps from –9 to

+9 set the video reference black. Higher values

brighten the darker areas of the image to reduce

overall contrast.

Setup Level: Black level can be adjusted from –9

to +9.

Sharpness: Control the sharpness of the image in

steps from –9 to +9.

Horizontal Detail: High, Middle and Low settings

adjust the horizontal detail center frequency.

Horizontal/Vertical Detail Balance: Settings from

–9 to +9 adjust the horizontal/vertical proportion

of the detail correction.

Coring: Subtle noise components can be adjusted

in steps from –9 to +9.

Noise Reduction 1/Noise Reduction 2: With Off,

High, Middle and Low options for each, these set-

tings deliver a variety of noise reduction methods

to be tailored to numerous shooting situations and

desired image

qualities.

Color Matrix:

Correct color

matrices are

provided for

NORMAL

(images to be viewed on a TV monitor), CINE 1

(images with the quality and appearance of film as

viewed on TV), and CINE 2 (images intended to be

transferred to film).

Color Gain/Hue: Color Gain and Hue are adjustable

from –50 to +50 and –9 to +9 respectively.

Master Red, Blue and Green Gain: Each setting is

independently adjustable from –50 to +50 to pro-

vide precise control over color balance.

Six Color Matrixes: By altering two of the three

primary colors, color matrixes including RG, RB, GR,

GB, BR and BG (each independently adjustable from

–50 to +50) provide extremely fine color control.

Display Adjustments

The XL H1S and XL H1A provide numerous opportu-

nities to customize the menu to the user’s individual

preferences, maximizing convenience and efficiency.

Color Matrix

Knee

*Only for video recording

Custom Presets Adjustable Items

Gamma Curve* Color Gain

Knee Point Adjustment Color Phase

Black Stretch/Black Press R Gain

Master Pedestal* G Gain

Setup Level* B Gain

Sharpness R-G Matrix

Horizontal Detail Frequency R-B Matrix

Horizontal/Vertical Detail Balance G-R Matrix

Coring G-B Matrix

Noise Reduction 1* B-R Matrix

Noise Reduction 2* B-G Matrix

Color Matrix*

in 100° Kelvin intervals in a range of 2,000–15,000°

Kelvin

Operational Enhancements: The camera’s Push

Auto Exposure button overrides manual aperture

and gain for convenient exposure setup when

shooting in Manual mode. The camera is equipped

with 2 custom keys that may be assigned to any of

a wide variety of functions at the user’s discretion.

Buttons can also be set not to respond in the event

of an accidental press. The camera can display Color

Bars (one for NTSC and the other for PAL) that can be

recorded and used as reference signals in playback.

Clear Scan: Clear Scan eliminates the flicker and

black bands typical when shooting CRT screens. A

total of 100 levels are available from 60Hz to 203.9Hz.

Program AE Modes

The camcorder’s seven pre-programmed Auto

Exposure modes cover a wide variety of shooting

situations. Ideal settings produce top-quality

results quickly and easily. To simplify operation,

Manual Mode is now located next to OFF on the

Power Dial.

Full Auto: The camera takes over for point-and-

shoot simplicity, setting focus, shutter speed,

aperture, gain, white balance, and AE program

shift to achieve ideal results.

Auto: This mode offers all the convenience of Easy

Recording, but allows the operator the option of

manually changing the settings.

Shutter Priority: The user selects the shutter speed

and the camera automatically selects the proper

aperture for correct exposure.

Aperture Priority: The user selects the lens aperture,

and the camera automatically sets the proper shutter

speed for correct exposure.

Manual: This mode allows the user to select aperture

and shutter speed in any combination. The viewfinder

indicates the relation of selected combinations to

the exposure as metered by the camera.

Spotlight: Perfect for an automatic solution to a

typically tricky situation: when the subject is illu-

Frame Rates

The XL H1S and XL H1A can select from any combi-

nation of frame rates in 1080 HD or SD (16:9 or

4:3 aspect ratio) formats. Selectable frame rates

include 60i, 30F or 24F as well as an optional

upgrade to add 50i/25F frame rates (performed by

a Canon Factory Service Center).

Operational and Image Enhancement

Control

The XL H1S and XL H1A incorporate numerous fea-

tures that deliver superb control over operation

and image enhancement.

Skin Tone Detail: Skin Tone Detail makes it easy to

minimize imperfections without removing other

details, offering fine adjustments in Hue, Chroma,

Area and Y

levelofskin

areas, plus a

level adjust-

ment for soft-

ening skin

tones.

Iris: The Iris Limit function can be set from OFF to

f/9.5. With the 20x HD Video Zoom Lens III attached,

the multi-level iris control becomes available beyond

the iris diffraction f number (f/9.5) all the way up

to closed (Iris Limit set to OFF). It can also be con-

trolled using LANC with the optional Canon ZR-2000.

Gain: Gain values can be fine-tuned in 0.5 dB

increments from 0 to +18 dB, allowing the operator

to fine tune sensitivity when shooting in low light.

Additionally, -3 dB and +36 dB settings are available.

The gain limit can also be set to your preference

during AGC, so you can control levels judiciously, for

example, when shooting in the dark. While selecting

a WB or Gain setting, a new function ensures shock-

less transitions.

Color Correction: Color Correction allows the user

to control R or B gain (-6 to +6) in 16 areas as well

as selected colors set at the Hue, Chroma, Area, Y

level while shooting. Selective Noise Reduction lets

the user apply noise reduction to targeted color areas.

The Menu selection bar uses numbers to simplify

EVF Setup, Skin Detail and Color Correction.

White Balance: The camera’s high-precision, through-

the-lens, 128-segment white balance features an

increased adjustment range of 2,000–15,000°

Kelvin. White subjects are captured white, even in

difficult lighting situations such as candle light.

Several automatic modes also deliver accurate

color in a variety of shooting situations.

Auto — The camera accurately and automatically

adjusts white balance

Outdoor — White balance is adjusted for bright sun-

light (5,600° Kelvin)

Indoor — White balance is optimized for incandes-

cent lighting (3,200° Kelvin)

Color Temperature — White balance can be selected

minated by a concentrated light source (such as a

spotlight) and the background is relatively dark, this

mode automatically adjusts exposure to compensate.

Night: As ambient light levels begin to fall, the

camera uses slower shutter speeds to achieve

optimal image quality.

Viewfinder

The XL H1S and XL H1A are equipped with a 2.4-inch

widescreen combination EVF/LCD monitor (approx.

215,000 pixels) for a clear, high-resolution image.

Numerous functions are supplied to maximize

convenience and boost the quality of capture. Aspect

guides provide industry-standard picture formats,

while Histogram and EXIF displays offer real-time

brightness information for highly accurate adjust-

ments. The operator can choose to display up to 8

characters of the Custom Preset name and the SDI

bit map display may be turned on or off. All Display

can be chosen to hide everything but the image in

the viewfinder. A Magnifying function (operable with

the Photo button) enlarges the viewfinder image,

making it easier to perform fine image adjustments.

Remaining memory is displayed when using Focus

Enhancements External Hard Disk Recorders.

Enhanced Operation

Versatility and convenience are hallmarks of the

XL H1S and XL H1A. Still images can be “grabbed”

from footage either while shooting or during play-

back. These images are transferred to the SD Memory

Card. The camera’s power LED illuminates green

when the camera is powered up and ready. Playback

mode preserves the letter-box format, allowing an

accurately proportioned view of captured footage.

A default write and protect function prevents acci-

dental erasures. Marker colors may be specified at

the user’s discretion. The XL H1S and XL H1A also

support 9 languages: German, English, Spanish,

French, Italian, Polish, Russian, Chinese (simplified)

and Japanese.

Skin Tone DetailSkin Tone Detail

Color Correction

Canon U.S.A., Inc. One Canon Plaza, Lake Success, NY 11042 U.S.A.

Canon Canada, Inc. 6390 Dixie Road, Mississauga, Ontario L5T 1P7 Canada

Canon Latin America, Inc. 703 Waterford Way, Suite 400, Miami, FL 33126 U.S.A.

Canon Mexicana S. de R.L. de C.V. Blvd. Manuel Ávila Camacho No. 138, Piso 17

Col. Lomas de Chapultepec, C.P. 11000 México, D.F. México

www.canondv.com 1-800-OK-CANON

Wireless

Controller

WL-D5000

Zoom Remote

Controller

ZR-1000/2000

Tripod Adapter

TA-100

Tripod Adapter

Base

Shooting Brace

SBR-1000

System Case

HC-3200

Shoulder Strap SS-1000

Circular

Polarizer

PL-C 82mm

Protect

Filter

82mm

HD 20x zoom

XL 5.4-108 mm L IS III

Speedlite 220EX,

430EX, 580EX II

Black and White

Viewfinder Unit

FU-1000

External Monitor Cable

XL H1S/XL H1A

DV Cable CV-250 (4p-6p)

DV Cable (6p-6p/4p-6p)

Color Viewfinder Unit

FU-2000

Battery Pack BP-950G

(included with XL H1S/XL H1A)

/970G/930/945

Compact Power Adapter CA-910/920

(included with XL H1S/XL H1A)

Car Battery Adapter CB-910/920

Dual Battery Charger/

Holder CH-910

BP900 series

Battery Pack

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