Coda ?5 User manual

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Coda Audio
C5 DSP amplifier
User Guide version 1

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Important Safety Information
Please read carefully and keep the following instructions and safety information Heed all
warnings and follow all instructions
•Do not remove covers. There are no user serviceable parts inside; please
refer servicing to qualified service personnel
•This equipment must be earthed.
•Protect the power cord from being walked on or pinched, particularly at plugs,
convenience receptacles and the point where they exit from the apparatus
•Only use attachments/accessories specified by the manufacturer
•Servicing is required when the apparatus has been damaged in any way, such as
the power supply cord or plug is damaged, liquid has been spilled or objects have
fallen into the apparatus, the apparatus has been exposed to rain or moisture, does
not operate normally, or has been dropped
Regulatory Compliance
This product complies with both the EMC Directive (89/336/EEC) and the Low Voltage
Directive (73/23/EEC) as issued by the Commission of the European Community
Compliance with these directives imply conformity with the following European standards:
•EN60065 Product safety
•EN55103-1 Electromagnetic Interference (Emission)
•EN55103-2 Electromagnetic Susceptibility (Immunity)
This product is intended for operation in the E2 (commercial & light industrial) and E3
(urban outdoors) Electromagnetic Environments

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Table of Contents
Important Safety Information 2
Regulatory Compliance 2
Thanks and Unpacking 5
Introduction and Key Features 6
Front Panel 13
Power Switch 13
Power ON indicator 13
Bridged Mode indicator 13
Control Software Online indicator 13
Protect 14
User DSP indicator 14
User DSP Setting Defeat button 14
Input Signal Indicators 14
Rear Panel 15
Power Inlet 15
Audio Input Connectors 15
Audio Output Connectors 15
Communications Port Connections 16
Mechanical Installation 7
AC Power Connection 9
Audio Connections 10
Using unbalanced connections 11
Amplifier output connections 11
100V line operation 12
C-Net Amplifier Control Panel 17
Amplifier Channels 18
User Controls 18
Monitoring Section (MonIcon) 19
User DSP 19
Main Control Panel 20
Hidden Controls 22
Saving & Recalling Data 22
Loading Factory Presets 22
Tool Bar 23
Keyboard Shortcuts 23
Audio Processing 24
Equalisation Filters 25
Bridge Mode 25
Protection 26
Limiters 26
Indication
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EQ and Filter Response Graphs 27
Signal Processing Block Diagram 30
Technical Specifications 31

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Thanks and Unpacking
Thank you for choosing a Coda Audio C5 DSP amplifier system for your application Please
spare a little time to study the contents of this manual, so that you obtain the best
possible performance from this unit
All Coda Audio products are carefully engineered for world-class performance and
reliability If you would like further information about this or any other Coda Audio
product, please contact us We look forward to helping you in the near future
Unpacking the Coda udio C5 DSP amplifier
After unpacking the unit, please check carefully for damage If damage is found, please
notify the carrier concerned at once You, the consignee, must instigate any claim Please
retain all packaging in case of future re-shipment

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Introduction and Key Features
Introduction
The C5 DSP amplifier systems from Coda Audio integrate light-weight power supplies, high
power sonically transparent class D amplifiers, complete system monitoring and a fully
featured USB or network controlled 24 bit 96kHz DSP processing platform as standard
Key features
•One or two dual amplifier sections : two or four channels
•Each section is completely independent with discrete PSU, amplifier and DSP
•Fully featured PC control and telemetry of single devices or networks as standard
•Coda Audio class leading Class D amplifier stages
•Minimal signal path and refined DSP algorithms for clean, dynamic and musical
audio performance

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Mechanical Installation
The C5 DSP amplifier system is designed to be mounted in a standard 19” rack enclosure
Where the amplifier is used in a fixed installation, it is possible to use only the front panel
19” rack mounting holes to mount it in a standard rack enclosure If the amplifier is
mounted in a mobile rack it is recommended that the rear rack mounting kit is fitted so

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the amplifier can be well supported Damage caused by insufficient support is not covered
by the warranty
To prevent damage to the front panel it is recommended that plastic cups or washers are
fitted underneath the rack mounting bolt heads
It is possible to mount multiple C5 amplifiers without ventilation gaps between them but it
is essential that an unobstructed flow of clean air is available from the back of the unit to
the front It is important the neither the air intakes at the rear of the unit or the exhaust
vents at the front are covered
The amplifier should never be exposed to rain or moisture during operation or storage If
the unit does come into contact with moisture, remove the AC power cord immediately
and leave it in a dry and warm location to dry out
Note that when any equipment is taken from a cold location into a hot humid one,
condensation may occur inside the device Always allow time for the equipment to attain
the same temperature as its surrounding environment before connecting the AC power
cord

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C Power Connection
W RNING! THIS PPLI NCE MUST BE GROUNDED.
The amplifier must always be connected using a 3-wire, grounded AC supply The
framework of the rack mount enclosure should also be connected to the same grounding
circuit The unit should never be operated unless the AC power cable ground is correctly
terminated; this is important for personal safety and for control of the system grounding
The amplifier is supplied with a Neutrik PowerCon
TM
type locking AC power connector Use
only an AC power cord with a correctly terminated PowerCon
TM
type connector to make
the connection to the mains power supply
The C5 amplifiers are designed to operate on 50/60 Hz AC power The power supply
sections automatically configure themselves for either 115V or 230V nominal voltage at
turn on The amplifiers will operate over an extended range of supply voltages from;
nominal 115V / 230V +/- 10%
Note that whilst the amplifier will operate correctly at voltages indicated, the specified
output power will only be achieved when operating with the stated nominal voltages

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udio Connections
For each amplifier channel there are female and male XLR input connectors which are
wired in parallel Typically the female connector is used for the audio input, the male XLR
connector being available to link the same audio signal to another amplifier channel
The HOT, + or ‘in phase’ connection should be made to pin 2 of the XLR connector
The COLD, - or ‘out of phase’ connection should be made to pin 3 of the XLR connector
Pin 1 of the XLR connectors is internally connected to the chassis The screen of the input
cable should always be connected to one of these points to ensure that EMC performance
and regulations are met The cable shield ground should also be connected to the source
device which is providing the input signal to the amplifiers

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Using unbalanced connections
When connecting the C5 amplifier to an unbalanced audio source, the signal conductor
should be terminated to XLR pin2 and the cable screen terminated to both pins 1 and 3
In bridged mode output channel 1 signal chain provides the signal for the 1 & 2 pair of
amplifier channels, output channel 3 signal chain provides the signal for the 3 & 4 pair
Amplifier output connections
The C5 amplifier is fitted with one Speakon
TM
connector per amplifier channel The
appropriate conductor terminations are shown below and on the rear panel of the unit
The Speakon
TM
connector for amplifier channel 1 carries the output for amplifier channels
1 and 2 In addition this connector can also be used if the pair of amplifier channels is
being operated in bridged mode

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More than one speaker can be connected to each channel provided the total impedance
per channel is not less than 2 ohms In bridged mode the minimum total impedance
should not be less than 4 ohms
100V line operation
A single channel of an C5 can deliver 1250W in to 2 Ohms, therefore the RMS voltage at
the speaker terminals when delivering this will be √(1,250 x2) = 50V
If each channel is not loaded to full capacity of 1,250W (typically a 70V / 100V application
will not load it this heavily) then the voltage will be higher than this because the power
rails will not be sagging so much; approximately 60V
Dependent on which voltage you use, a single channel will drive a 70V line to within either
3dB or 1 3dB of maximum and it will drive a 100V line to within 6dB or 4 5dB of
maximum
A bridged pair of channel can deliver 2,500W in to 4 Ohms which equates to an RMS
voltage of 100V or approximately 120V with a lower load than the full 2,500W
Dependent on which voltage you use with a bridged pair of channels, the C5 will be able
to overdrive a 70V line by either 3dB or 4 7dB and a 100V line being driven perfectly or
overdriven by 1 6dB

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Front Panel
Power Switch
The C5 amplifier is fitted with either one or two dual channel power modules As the
power modules operate independently there is a separate power switch for each When
the power switch is operated, the protect indicator will flash while the DSP and amplifier
control systems are prepared After approximately 3-4 seconds the amplifier will be
operational and the audio level is gradually ramped up
Power ON indicator
Each Power Switch is associated with a POWER indicator This green indicator is lit when
power is applied and the power switch is in the ON position
Bridged Mode indicator
It is possible to use the dual channel power modules in Bridged Mode This is enabled
using the C-Net PC control application Further details on Bridge Mode can be found in the
C-Net control section of this user mode
Control Software Online indicator
A network of C-Net compatible products including the C5 range of DSP amplifiers can be
controlled, configured and monitored using the C-Net PC application The Online indicator
will light when the amplifier is correctly connected to C-Net

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Protect
The C5 DSP amplifier system has sophisticated protection and monitoring systems which
keep the amplifier within its safe operating window whenever possible This indicator
lights when the protection systems are active in any way
User DSP indicator
Using the C-Net PC application the user can introduce audio processing such as EQ, gain
and delay These settings can be bypassed using the User DSP settings defeat button The
indicator will be lit when these DSP settings are in use
User DSP Setting Defeat button
This button allows the user to bypass the user DSP settings; its status is shown by the
User DSP indicator
Input Signal Indicators
A set of three pairs of indicators show signal present, 6dB below limit, and limit for each
channel The signal present indicators operate at approximately 50 dB below maximum
output, giving a useful indication of even relatively low input signal levels The -6dB
indicators are intended to show when the output is almost at maximum level The Limit
indicators warn the user that the output has reached maximum and that the signal limiters
are now constraining the output

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Rear Panel
Power Inlet
The C5 amplifier should be connected to a suitable mains electricity supply using the cable
supplied The unit uses auto ranging switch mode power supplies which are capable of
operating with a nominal mains voltage of either 115V or 230V, 50/60Hz without re-
configuration
Audio Input Connectors
All audio connections are fully balanced and wired pin-1 ground, pin-2 hot & pin-3 cold
The two inputs have pin-1 connected directly to the chassis and feed the signal processing
chains If an unbalanced source is used, a connection should be made between the pin-3
‘cold’ signal and the ground connection of the unbalanced source
Audio Output Connectors
Each amplifier pair has two speaker outputs
There are two Neutrik Speakon
TM
connectors for each amplifier pair:
Speakon 1 (or 3) carries both channel 1 (or 3) and channel 2 (or 4) outputs
Speakon 2 (or 4) carries channel 2 (or 4) output
For non-bridge connections, use Speakon 1 (or 3) for the first speaker, and Speakon 2 (or
4) for the second speaker Use pins 1+ and 1-

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Or alternatively, if you want to have one cable feeding two speakers, use Speakon 1 (or 3)
pins 1+ and 1- for the first speaker, and pins 2+ and 2- for the second speaker
For Bridge operation, use Speakon 1 (or 3) pins 1+ and 2+ (1+ for Speaker + and 2+ for
speaker -)
Communications Port Connections
Coda Audio C5 DSP amplifiers may be controlled and monitored using the C-Net PC
application There are two ways of connecting your computer to the C5:
1 – Using the USB socket (when you want to connect your computer to just one C5)
2 – Using the C-Net network sockets (when you want to control several products)
When using the C-Net sockets, you will need to use a C-Net Interface accessory to allow
your computer to communicate with the C-Net network
Before connecting a USB port from your computer to either the USB socket on C5, or to a
C-Net Interface, you will first need to run the USB driver installation utility which you will
find on the CD-ROM supplied with this product, or may be downloaded from
www codaaudio com
Once the USB driver utility has been installed, you can then plug in your USB lead from
your computer With operating systems such as Vista or Windows7, you should not need
to intervene in any way With other operating systems (such as XP), you will need to go
through the USB driver installation process which will initiate when you plug your USB
cable in This generally involves accepting the default answers For further help on this
process, please see the USB driver installation notes on the CD-ROM or on the website
When using the C-Net Network, you should connect from a Link socket on one device to
the In socket on another device The C-Net network may be ‘daisy chained’ in this way
through as many devices as you require (although a sensible limit would be perhaps 24
devices, after which you should consider using more than one C-Net Interface to create
more than one sub-network) A C-Net network can have a total length of up to 1km using

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Cat5 cable If you are using USB to connect to the C-Net Interface, then the Interface will
usually power itself via USB However, if you are using RS232, or if you are using an
unpowered USB hub, or you have some network powered C-Net network equipment in the
network, then you will need to use an Accessory Power Supply to power the Interface
The ux In socket may be used to select between a number of ‘Voices’ that may have
been programmed into the C5 using factory files (* dfa) supplied Coda Audio These files
would be loaded into the C5 via the C-Net application Coda Audio will give you details of
how to make connections to the Aux port when using their factory files The currently
selected Voice is indicated on the C-Net panel The ux Out socket allows you to chain
the Aux connections on to further C5 so that the same voice selection is done on all of
them There is no practical limit to the number of C5 that may be chained together via the
Aux sockets
Please note that although the C-Net and the Aux ports are standard RJ45 sockets, these
are not Ethernet Do not connect these to Ethernet equipment
C-Net mplifier Control Panel
The C5 amplifier is shipped with standard settings in the Digital Signal Processor (DSP) so
it will function in the same way as any ‘standard’ amplifier without on-board processing
However each two channel amplifier section contains a fully featured DSP which can be
configured to process the audio signals as required for a given application or loudspeaker
system In addition to the digital processing the amplifiers also provide complete telemetry
and status information
The powerful and easy to use C-Net PC application provides control and monitoring of one
unit or a whole network of devices
C-Net and related driver software are provided on the CD which comes with the C5
amplifier or can be downloaded free from:
www codaaudio com

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This section of the user guide explains the functions of the C-Net control panel for the C5
DSP amplifiers For further help and information on the main C-Net application please click
on the help button on the main application For more detailed help about the C5 control
panel, click the “?” in the right-hand corner of the C5 control panel in C-Net
Amplifier Channels
It is important to realize that each two channel amplifier section contains its’ own DSP So
a four channel amplifier is logically split into two sections, each with two channels There
is an independent two channel control panel associated with each section Each section
will appear in C-Net as an independent ‘device’ in the Network Tree
The Tree will add the Device Name with the Role Number for each of the sections in
square brackets The Role Number 1 section is for Channels 1 and 2, and Role Number 2
for channels 3 and 4
The descriptions of the C-Net control panel therefore relate to a 2-channel section
The amplifier has two or four inputs and two or four outputs There is not necessarily a
1:1 correspondence between inputs and output because the routing between inputs and
outputs may be changed; either by you or by Coda Audio (see the Hidden Controls section
for more details) For example, one input may be used to feed two outputs
User Controls
The control panel for the DSP amplifier allows the parameters to be viewed and adjusted
The panel may have one of two different formats: A monitoring panel (the ‘MonIcon’)
where the status of the amplifier may be viewed, or a full control panel where all the
controls to adjust parameters are located The full panel has a ‘tabbed’ area which allows
you to choose from a number of different areas of interest
There are some controls such as mute, which are displayed constantly; the remaining
parameter controls being organised into tabbed groups depending upon function

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Monitoring Section (MonIcon)
This allows you to view what is going on inside the amplifier at a glance There are input
signal level meters showing the input signal level on each input, signal level meter(s) for
each output which indicate signal level relative to the limiter setting for each output, a
thermal meter giving an impression of the temperature inside the amplifier, an amplifier
status indicator showing when an amplifier is protecting itself from damage due to
abnormal operating conditions, and Driver indicator(s) showing when the impedance of a
driver is outside normal range Generally, the indicators show green whilst all is well and
red when something is wrong
You may also mute the amplifier inputs using the mute buttons You can change the view
to the main panel by clicking the “>>” button
User DSP
The amplifier can either use:
•Factory settings determined entirely by the Factory preset file from Coda Audio
(called “Factory voice”) – see Loading Factory Presets, or
•Your own settings (called “User voice”) which overlay these basic factory settings
A recessed Defeat button on the front of the amplifier allows you to select between
Factory and User DSP settings Click the button to toggle between these two modes
When the User DSP indicator is off, the amplifier is in Factory voice In the Factory voice,
you cannot change any of the settings; they are fixed by Coda Audio (and thus are a safe
‘fallback’ if something goes wrong with your settings) Only when the indicator is on will
changes you make in C-Net be heard Note however that if you make adjustments on the
C-Net control panel when the amplifier is set to Factory voice, the settings are changed
and stored in the amplifier, but you will not be able to hear the changes until the button is
set to User DSP A red warning message will be shown on the C-Net panel when in
Factory voice
An indicator at the top of the C-Net panel to the right of the status indicators also shows
the Voice setting of the amplifier (Voice 1 – User, or Voice 2 - Factory)
If you wish to make the amplifier entirely secure from tampering, you can disable the User
DSP button by ticking the “Disable User Defeat Button” tickbox on the Properties / Options

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tab of the C-Net control panel This locks the amplifier into the User Voice regardless of
the setting of the push button
Also see Loading Factory Presets and Aux In Port
Main Control Panel
The Input area allows you to adjust the input sensitivity of each input of the amplifier, and
to change the polarity of each input, allowing you to reverse the phase of the
loudspeakers fed from that input
The Output section allows you to control the output drive level of each amplifier Also,
depending on which parameters have been hidden by Coda Audio, you may also be able
to:
•Adjust the routing from inputs to outputs (allowing you for example to feed two
outputs from one input) Regardless of hiding, you will always be able to see the
routing in use
•Control Bridge mode (see Bridge Mode)
•Adjust the protection limiters (see Limiters)
The EQ / Delay tab(s) allows you to adjust the equalization, High-pass and Low-pass
filters, and delays
The equalization allows you to adjust the frequency and Gain (boost/cut) for each of the
equalization filters, and the bandwidth of the parametric equalisers The latter controls
allow the responsiveness of the filters to be adjusted either as Octaves or Q, depending on
the setting of Preferences>Show Bandwidth As There is also a Low-shelf and a High-shelf
filter, each with Frequency, Slope and Gain controls
A 'Frequency Response' curve shows the shape of each filter individually (by colour), and
the combined effect of all equalization (in white)