DSE RH Series Quick guide

MANUAL CONFIGURATION
STANDARD RH - IP CAMERAS ONVIF
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Configuration Options
IP Cameras RH SERIES - GUI Version
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Introduction
The RH Series cameras boast a number of configurable operating options. Unlike the majority of network cameras on the market the
RH series cameras allow you to customize these settings by cameras with different types of client.
And 'possible to completely configure the cameras from a PC using any browser (IE, Chrome, Safari etc.), or through the supplied
monitoring software. It 'also possible to configure smartphone with the free DSE Smartlive application. In this manual we are
explained one by one all the configuration options by referring access by PC with the browser.explained one by one all the configuration options by referring access by PC with the browser.
The same options are found to be identical in the configuration software application DSE Smartlive, which are dedicated to specific
content in the CD manual.

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with browser access
In the camera installation manual explains how to access the cameras with your PC using a web browser
Thanks to Flash technology, supported by RH series cameras can use the browser of your choice, such as INTERNET EXPLORER,
SAFARI, FIREFOX, CHROME etc.
However, in order to have control of all configuration options you may want to access with Internet Explorer and activeX as shown in the
installation manual.
To access the camera using the Internet browser just type the address in the browser bar as in the following example:
A window will appear first log-in for entering username and password for access.

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The RH Series of cameras factory login details are:
USERNAME: admin PASSWORD:
admin
E 'can also choose the language for the web. In this manual, reference is made to
Italian language.
The access to the camera control mask.
On the left side of the window are The camera configuration buttons which will be discussed in this manual.
CAUTION - E 'can connect several clients simultaneously up to a maximum of 10 per camera client.
PLAYING WITH BROWSER ACTIVEX
The use of Flash technology in the face of great convenience, can increase the latency in the video stream. This means that the images
are visible on the screen with a small lag behind the actual event.
In the vision with the browser, provided you use Internet Explorer, you can reduce the

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Latency moving from vision to vision with FLASH ACTIVEX it plans to install in the browser control components.
To switch from display to display Flash ActiveX press the link located under the LIVE Vision window.
It will install the ActiveX component. If this does not happen, check the IE security settings as shown in the installation manual. Access
with Active X is not possible with browsers other than Internet Explorer.
In these cameras with access ActiveX makes visible some controls that are not available in FLASH mode:
MANAGEMENT AUDIO
PLAYING VIDEOS RECORDED ON SD CARD

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To switch between visualization with Flash than with ActiveX always use the link under the picture.

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live Vision
The live video window looks like this
At the top of your browser window there are tabs for selecting between live video and configuration (the PLAY tab is available only with
Internet Explorer and activeX)
In the viewing window in direct there are some controls at the bottom of the window
FLOW - Select which stream to use for playback between those managed by the camera CAMERA - For future implementations FLOW - Select which stream to use for playback between those managed by the camera CAMERA - For future implementations
PTZ - Opens the motion control of the motorized versions

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3D - This function is used when using motorized cameras and is active rule. 3D motion is to draw with the mouse The area of interest.
The motorized camera is suitably move to frame. If 3D is disabled, tracing the frame on the monitor will only get a digital zoom on the
detail as would happen if the camera had not PTZ movement.
- Pauses live TV
- Audio controls to enable playback of 'audio input and output
- Accesses sensor settings (see separate instructions)
- Catch a live frame
During LIVE viewing you can click the right mouse button
E 'can control the digital zoom in the image (ZOOM IN / OUT), and click PANORAMA RESET to return to the natural vision. With the
FULL SCREEN voice switch to watch one live full screen image.
Note that the digital zoom is controlled using the mouse wheel or by drawing a box with the mouse on detail to enlarge
With the SENSOR entry is accessed to the programming of the camera CMOS sensor to intervene on the video output.
The sensor configuration is the subject of a separate manual.

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Camera Configuration
All the camera setup pages are accessible via the buttons on the left of the web interface screen once clicked the CONFIGURATION tab
Here in this chapter we will analyze one by one all the options that are located in these folders.

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INFORMATION DEVICE

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This window shows all the camera data and its capabilities.
The device name can be edited on the basis of its position so that you can easily identify. To set a new name, type it in the text box.
Other data in the window are read-only and provide information on the hardware and software version of the camera and the range of
accessories.
STREAM / STREAM BASED

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In this section you will set all the parameters that regulate the camera video stream and determining their heaviness in terms of
bandwidth requirement available. It is a fundamental adjustment in the economy of a CCTV system over IP and is often mistakenly
overlooked with the result of burdening the client and obtain long latencies (delays between action and image).
The cameras fact are delivered with factory settings which require considerable bandwidth consumption in order to show the user the
highest quality video. However, it is not said that these settings are totally exploitable in the context in which it is located. The first factor
to consider is the network transfer capacity. The local networks typically support large transfer bandwidth and allow the use of streams in
full resolution, unlike the connection through the Internet requires the use of a lighter stream low resolution to avoid excessive loss of
frames. The second factor to consider is the device used as a client (PC, cell phone, etc.). More will be fast to its processing capacity,
The third factor is of course the number of cameras that the client should be able to play.
If you connected to a PC multiple cameras simultaneously with the software NetVMS Show us one at a time and adjust the bandwidth
occupied by the streaming that appears superimposed intervening in the settings of the camera so as to maintain it at a value not
excessive. On a local network typically by adjusting the streaming to engage a maximum of 2000 Kbps for camera you get one FullHD
streaming of good quality and can be connected to many cameras without introducing much latency.

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Each camera can generate up to 2 different types of video streams that you can choose from the client when making the connection. This
way you can easily adapt to the bandwidth that you have available. For example, if we have access to the camera through a mobile
connection with low bandwidth availability we will choose to receive a stream with low resolution and frame rate.
FLOW ID - Select the stream to program: 1 or 2. The one stream is the main stream with higher resolution to use when connecting to FLOW ID - Select the stream to program: 1 or 2. The one stream is the main stream with higher resolution to use when connecting to
internal network. Stream 2 is a lighter stream at reduced resolution may be used in connection via the Internet.
FIRST NAME - Assign a custom identification name to the stream FIRST NAME - Assign a custom identification name to the stream
ENCODE VIDEO - Select video compression to use for the selected stream. We recommend compression with greater performance: H264 ENCODE VIDEO - Select video compression to use for the selected stream. We recommend compression with greater performance: H264
HIGH PROFILE. However, there are, for coupling with particular devices, other H264 mode (Basic / Main Profile) and the now little-used,
high-quality compression MJPEG but high bandwidth consumption.

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CODE AUDIO - Choose compression for audio. Recommended the factory option: G711_ALAW used in Europe. GT11-ULAW is a format CODE AUDIO - Choose compression for audio. Recommended the factory option: G711_ALAW used in Europe. GT11-ULAW is a format
typically used in the US and Japan. RAW-PCM is an uncompressed format.
RESOLUTION - Defines the resolution of the video stream. RESOLUTION - Defines the resolution of the video stream.
FRAME RATE - The number of frames per second that make up the video stream (max. 25). Consider that 25 f / sec corresponds to the FRAME RATE - The number of frames per second that make up the video stream (max. 25). Consider that 25 f / sec corresponds to the
so-called real-time ie the television standard in which the human eye does not perceive the individual frames but a single uninterrupted
sequence. Generally it is also possible to reduce this parameter up to 10/12 f / sec without perceiving large video fluidity differences and
thus saving a lot of bandwidth.
INTERVAL FRAME - E 'the interval between two consecutive I-Frame in the H.264 compression and can be set from 1 to 75 (Default INTERVAL FRAME - E 'the interval between two consecutive I-Frame in the H.264 compression and can be set from 1 to 75 (Default
50). This parameter acts directly on compression. If you reduce the interval between I-frame stream will be heavier and less compression
(high quality video). Conversely, if you increase the compression interval increases and reduces the occupation of bandwidth. The default
value of 50 is normally a good compromise to get a good compromise between quality and bandwidth occupied.
BIT RATE - This section gives the possibility to choose between two different bandwidth management mode occupied: CONSTANT BIT BIT RATE - This section gives the possibility to choose between two different bandwidth management mode occupied: CONSTANT BIT BIT RATE - This section gives the possibility to choose between two different bandwidth management mode occupied: CONSTANT BIT
RATE (CBR) and VARIABLE BIT RATE (VBR). In the CBR mode, the camera maintains a constant bit rate that can be set in the box
below between 500 and 12000 Kbps. In the VBR mode instead of the camera change the bit rate in the various operating conditions so
as to maintain a constant video quality. In this mode, you set the maximum bandwidth to be occupied and video quality to keep (from 1 to
9, recommended: 5/7). If you decrease the quality below the value 5 you will notice a greater pixelization due to the increased
compression. It is recommended to set video quality in VBR above 7 with a low bit-rate value.
VBR mode is almost always recommended. By using it the camera will occupy more bandwidth (up to the maximum threshold) if you are
in the presence of a lot of movement and reduce the occupied bandwidth in the case of still images.
FLOW / STREAMING SVC

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In this section you configure an additional video stream of the camera said SVC stream. This is not a true native stream of the camera as
the two streams 1 and 2 that we saw in the previous chapter, but a third virtual stream by reducing the frame rate of one of the two main
streams of the camera.
ID STREAM SVC - Defines the number of virtual SVC stream (number 3) NAME STREAM SVC - E 'possible
to give an identifying name to the stream
ID STREAMING ELEMENTARY -Choose from which the main stream get streaming SVC 3.
NUMBER OF FRAME - Choose what percentage of reducing the number of streaming frame

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Elementary (1/2 to 1/8).
EXAMPLE - choosing as an elementary stream stream 1 to 25 f / sec, and the 1/5 frame rate streaming SVC Ranked # 3 will have the
same resolution of the stream 1 but only 5 frames per second.
As with other streams of the camera you can choose to use the stream 3 via the connecting client.
FLOW / ROI REGION OF INTEREST

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In this section it is possible for each video stream to manage the so-called ROI (Region Of Interest). If the image has an area of greater
importance, such as a passageway, it is possible to highlight it as ROI. The camera will dedicate more bandwidth to the ROI area and
less to the unimportant areas managing more efficiently the available bandwidth. FLOW - The ROI can be set for the main stream
(stream 1) and for the secondary stream (stream 2)
ACTIVE - Enables ROI Management AREA ID - You can set up
to 5 ROI
LEVEL - Each ROI may have a level of importance from 1 (most important) to 3.

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AREA NAME - Each ROI may have a custom name badge
live camera image you define the ROI by dragging the mouse. Click the right button to delete your selections.
DEVICE / LOCAL NETWORK