Dyna Dynakit SCA-35 Installation instructions

SERIAL
NUMBER
. I
15350075
This
number
must
be
men-
tioned
in
all communica-
tions concerning Dynakit.
,..
Price
$1.00
STEREO
CONTROL
AMPLIFIER.
INSTRUCTIONS
FOR
ASSEMBLY
AND
OP.ERATION
Patented
086315

• •
••
1)
5
6
7
9
SPECIFICATIONS
Inputs:
Outputs:
Controls:
Tone
Control
Range:
Sensitivity
for
Rated
Output:
Power
Output:
Frequency
Response:
Power
Response:
1M
Distortion:
Hum
and
Noise:
Tube
Complement:
Silicon
Diodes:
Power
Consumption:
Special
Features:
7pairs:
RIAA
magnetic
phono
low level,
magnetic
phono high level (50,000
ohms);
Ceramic
phono;
NAB
71j2
i.p.s.
tape
head
(100,000
ohms);
radio, tape,
spare
(250,000
ohms)
Constant
level
tape
output,
8
and
16 ohm
loudspeaker
outputs,
center-channel
loudspeaker
output,
provision for
headphone
connection.
Selector, Volume, Balance, Bass,
Treble,
Stereo-Mono
Switch, Loudness
Compensation
Switch,
Filter
Switch, Power Switch.
±12
db
at
50
cps
and
15 kc.
2.5 mv
at
tape
head, 4mv
at
low level
magnetic
phono, 1volt
at
high level inputs.
35
watts
continuous, 45
watts
IHF
Music
Power
(both
channels).
±0.25
db
from 20 cps
to
20 kc.
20 cps
to
20 kc
without
exceeding 1%
distortion
within 1
db
of 17.5
watts
(each
channel)
.
Less
than
1%
at
17.5
watts
(each
channel)
.
Less
than
0.2%
on
any
input
at
average
listening levels.
70
db
below
rated
output
on
low level inputs.
80
db
down
on
high
level inputs.
12AX7/ECC83
(2),
7199
(2),
6BQ5/EL-84/7189
(4).
500
MA,
1000
PIV
(2).
110 watts, 120 volts 60 cycle AC,
or
120/240volts
50/60
cycle
AC
with
optional
PB-028
power transformer.
Attractive
Champagne-gold anodized
aluminum
front
panel
and
die-cast knobs; 2
AC
convenience
outlets; provision for
headphone
output
or
center-channel level control;
center
speaker
output;
power
transformer
sealed
in
special
encapsulating
material
for coolest,
quietest
operation.

INSTRUCTIONS
FOR
ASSEMBLY
AND
OPERATION OF
THE
DYNAKIT
SCA-3S
STEREO
CONTROL AMPLIFIER
The
SCA-35
is
a
high
quality
stereo preamplifier
and
amplifier combination which serves
as
acontrol
center
for
various program sources
such
as
phonograph,
tape
and
radio.
The
SCA-35
permits
selection of
the
program
source
desired, modification of
the
tonal characteristics of
the
sound
source,
and
change
of volume;
it
provides
output
con-
nections for loudspeakers
and
headphones.
The
connection of various types of program sources
is
made on
the
back
panel
through
the
several sockets pro-
vided.
The
shielded
audio
cable'S
and
plugs
supplied
with
the program source
equipment
are
used
for connection be-
tween these components.
There
are
screw terminals for
connection of loudspeakers to
the
unit.
The
upper
row of
inputs
and
outputs
is
used
for
the
left channel,
and
the
bot-
tom row for
the
right
channel.
FRONT PANEL CONTROLS
The
front
panel
controls
have
been designed to
make
thf:
operation of
the
SCA-35 simple
and
obvious while pro-
viding
suitable
flexibility. Although
it
is possible to enjoy
use of
the
SCA-35 using
only
the
power
and
selector
switches
and
the
volume control, knowledge of
the
function
of
the
other
switches
and
controls
can
provide increased
listening pleasure.
Each
of these will be described briefly.
.Jeledor
Switch
•
Rotation
of
the
selector switch
to
the
marked
positions
permits
use of
the
marked
input
source. After switching to
"phono"
for example,
start
the
record player,
and
its
signal
will
be
available to you.
The
stereo-mono switch
beneath
the selector switch
extends
its
utility.
For
stereo signal sources, leave the
switch
in
the
"stereo"
position.
When
amono source is
being played,
the
"mono"
position of
the
switch brings
this
single channel signal
through
both
loudspeakers. When
playing monophonic recordings with astereo cartridge,
the
"mono"
position eHminates
most
of
the
vertical noise com-
ponents
of the signal.
When
astereo
FM
tuner
is
tuned
to
amonophonic station,
the
"mono"
position of
the
switch
frequently eliminates noise
and
distortion.
Volume
Control
Clockwise rotation of
the
volume control increases
the
level of
the
signal
through
both
loudspeakers:
The
normal
setting
of
the
control will
depend
on
the
efficiency of
the
loudspeakers
and
the size of
the
signals from
the
cartridges
and/or
tuners.
It
should be recognized
that
the
position of
the
control is
not
related to
the
power level
at
which music
is
played-you
may
have awide range of settings to give
aspecific
sound
level.
Adjustment
should be
made
to
the
loudness level desired
without
regard
to
the
position of
the
knob pointer.
If
the
tuner,
or
other
input
equipment, has
its
own level
setting
or
volume control, this should be
set
so
that
when
...
witching from one
input
to
another,
the
sound is close to
~e
same loudness.
..
Beneath
the
volume control is
the
loudness switch.
When
it
is
switched to
"loudness"
there
is additional bass intro-
duced
into
the music when
the
volume control is
at
the
mid-point
or
below.
At
high settings of
the
volume control,
the
loudness switch has no effect.
The
reason for this fea-
ture
is
that
the
human
ear
has decreased sensitivity to low
frequencies
at
low volume levels,
and
the
loudness switch
helps to correct for this.
It
will
add
afullness to low level
music which
can
enhance
its
pleasure.
Balance
Control
The
balance control is used to equalize
the
signals
at
the
two loudspeakers, which helps
to
center
the
sound.
Turning
the
balance control to
the
left will diminish
the
sound
to
the right speaker,
thus
making the sound source move to
the
left.
Turning
to
the
right
will move
the
sound source
to
the
right.
Normally
the
balance control is centered when
it
is in
the
mid-point
(12
o'clock),
but
differences
in
program-
ming,
in
speaker
efficiencies,
in
room acoustics,
and
in
com-
ponent
tolerance
in
the
SCA-35
may
require a
setting
off
the
mid-point. Since
the
effects of
this
control
are
very
gradual
in
the
area
of rotation from 9o'clock
to
3o'clock,
offsetting
it
in
this
region does
not
indicate abnormality.
When
rotated
to
either
extreme, the balance control cuts
off one
speaker
completely.
This
can
be
used
if different
signals
appear
in
the two stereo channels
(such
as
the
reverse
track
of amono
tape
machine),
and
the
two
are
not
wanted
simultaneously.
Tone
Controls
The
bass
and
treble controls
operate
in
similar fashion
with
the
treble control affecting high frequencies,
and
the
bass control
the
low frequencies.
Each
of these gives "flat"
response
without
frequency discrimination when
the
pointer
is
at
12 o'clock. Clockwise rotation provides boost,
and
counter-clockwise rotation gives
attenuation.
When
program
sources
are
harsh
or
strident, treble
atten-
uation will improve
the
sound.
If
there is boominess, bass
attenuation
should be used.
Some
thin sounding
material
can
benefit from bass boost.
These
controls should be
set
to
whatever position
sounds
best,
but
it
should be remembered
that
departures
from
"flat"
are
ofacorrective
nature;
and
the
user
should
not
get
in
the
habit
of listening to acorrected
tonal characteristic.
Beneath
the
tone controls is
the
filter switch. When
this
is
in
the
"filter" position
it
gives anarrow
band
response,
attenuating
both
high
and
low frequencies simultaneously.
This
should be
used
with poor program material,
such
as
scratchy
records, excessive rumble, noisy radio broadcasts,
and
so on.
By
attenuating
at
both
ends
of
the
spectrum,
it
does
not
create
ashift
in
overall tonal balance.
It
can
be
used
in
Conjunction with
the
tone controls for
great
extremes of tonal correction.
Power
Switch
The
power switch has
the
obvious function of turning
the
SCA-35
on
and
off (along with
any
equipment
in
the
switched
outlet
on
the
back
panel).
Allow
about
15 seconds
for
warmup
after
turning
this
switch to
"power."
3

BACK
PANEL
CONNECTIONS
Phono
Connections
Either
arecord
changer
or
aprofessional
type
turntable
can
be used.
There
are
three
pairs
of
phono
inputs,
allowing
for use of all
types
of
phonograph
cartridges.
There
is
a
choice of
(1)
low level
magnetic
cartridge,
(2)
high
level
magnetic
cartridge,
or
(3)
crystal
or
ceramic
type.
Most
pop-
ular
magnetic
cartridges
are
of
the
low level type. However,
if
the
cartridge
is
rated
at
more
than
20 millivolts
this
is a
high
level model,
and
the
high
level
magnetic
input
should
be used.
If
you
are
using
alow level
magnetic
cartridge
and
find
that
there
seems to
be
too
much
amplification when
using
it
in
the
low level
phono
input,
then
the
high
level
magnetic
input
may
be used.
This
will reduce
the
total
amplification
without
detriment
to performance. Always
read
instructions
which
accompany
the
cartridge
to
deter-
mine
whether
its
manufacturer
has
any
special recommen-
dations
for
its
connections
and
use.
In
many
of
the
turntables
and
record changers
made
today
there
is a
separate
ground wire.
This
should
be con-
nected
to
the
screw
on
the
back
panel
of
the
SCA-35 above
the
phono
inputs.
If
such
a
ground
wire is
not
supplied
with
yout
phonograph,
then
it
may
be necessary to
connect
a
wire,
in
addition
to
the
audio
signal cables from
the
car-
tridge, from a
ground
point
on
the
turntable
motor
or
arm
to
the
grounding screw
on
the
SCA-35.
Normally
it
is
not
desirable
to
make
further
ground
conections
to
water
pipes
or
to
an
"earth"
ground.
If
the
phono
cartridge
is amono one,
then
it
is suggested
that
you
COlUlcct
its
output
to
only
one
input
(either
chan-
nel).
If
you
want
to
hear
sound
through
both
channels,
turn
the
stereo-mono
switch
on
the
front
panel
to
its
mono posi-
tion
to
hear
the
program
through
both
loudspeakers.
Tape
Connections
The
SCA-35
can
be
used
either
with
a
tape
machine
which has
its
own
tape
amplifier, or
playback
electronics, or
with
a
tape
deck
having
direct
output
from
the
tape
head.
If
the
machine
has
a
tape
playback
amplifier,
then
the
out-
put
is
at
a
relatively
high
level.
In
this
case
this
output
is
connected to
the
input
of
the
SCA-35
marked
"From
TAPE
AMP."
If
the
machine
is
a
deck
only,
the
output
is
very
low
and
the
input
marked
"From
TAPE
HD"
is
used.
The
tape
head
input
has
very
high
amplification
and
the
required
NAB
7%
i.p.s.
equalization
for
tape
head
playback.
Generally, when
the
tape
head
input
is used, a
ground
wire
must
be
connected
from aspecific
point
on
the
tape
deck
(see
instructions
supplied
with
tape
deck)
to
the
grounding
screw
on
the
SCA-35.
Try
it
with
and
without
this
ground
wire for lowest
hum.
If
the
tape
machine
has
arecording amplifier,
you
can
connect
the SCA-35
to
the
tape
machine
for recording from
the
phonograph
or
from
the
tuner.
The
high
level
input
of
the
tape
recorder
(not
the
microphone
input)
should
be
connected
to
the
socket
marked
"To
TAPE
RECORD."
Whatever
is being
played
through
the
SCA-35 will be re-
corded
unaffected
by
volume
and
tone
controls
of
the
SCA.
Thus
you
can
listen
to
a
program
and
adjust
volume
and
tone
controls
to
suit,
without
affecting
the
signal going
into
the recorder.
In
the
special case where
it
is
desired
to
play
a
multi-
track
tape
with
a
monophonic
recording
on
all
tracks
4
through
the
SCA-35,
the
track
recorded
in
the
opposite
direction
will
come
through
one
channel
of
the
SCA-35
unless
one
of
two
expedients
is
used
to
prevent
this:
(1)
One cable
can
be
removed
from
the
unwanted
chann*,
then
by
using
the
mono
position of
the
stereo-mono
swit~)
the
sound
will come
through
both
speakers,
or
(2)
The-
balance
control
can
be
turned
to
either
extreme
position to
eliminate
sound
through
the
unwanted
channel.
The
SCA-35
can
be
used
for
playing
recorded
tape,
but
it
cannot
be
used
for recording
with
a
tape
deck which
has
no
recording preamplifier.
Radio
Connections
Radio
tuners
which
can
supply
one
volt
or
more
audio
output
can
be
used
with
the
SCA-35.
If
the
tuncr
is
FM
stereophonic,
then
its
left
output
is COlmected
to
the
upper
radio
input
and
the
right
output
goes
to
the
lower
radio
input
of
the
SCA-35.
If
the
tuncr
is monophonic,
it
can
be
connected
either
with a
"Y"
connector
to
both
radio
inputs,
or
to
only
one
input.
If
one
input
is used,
you
will have
to
turn
the
stereo-mono
switch
to
the
mono
position to receive
sound
from
both
speakers.
If
the
tuner
has
separate
outputs
for
AM
and
FM
with-
out
its
own provision for switching these,
you
may
use
one
(or
both)
of the
radio
inputs
for
FM
and
the
spare
inputs
for
AM.
Then
selection of
FM
or
AM
broadcasts
can
be
made
with
the
selector switch
on
the
SCA-35.
Additional
Inputs
The
spare
input
of
the
SCA-35 will
accommodate
any
type
of
high
level
input
source which provides
one
volt
or
more
of
audio
signal. Asecond
tape
machine
(having
play-
~
back
electronics huilt
in)
or
tuner
may
be
used
in
this
inpue
'
or
a
second
phonograph
which
includes
its
own preamplifier.
Loudspeakers
The
SCA-35
can
provide
sufficient power to
drive
all
but
the
most
inefficient
loudspeaker
systems.
Check
the
specifi-
cations
of
the
loudspeaker
to
determine
its
impedance.
Generally
this
will be 8
or
16 ohms.
The
speaker
terminals
of
the
SCA-35
are
marked
for
speakers
of
these
values,
but
these
terminals
will
accommodate
awider range of imped-
ances
than
marked.
For
example,
the
8
ohm
output
can
be
used
for
speakers
of 4to 11 ohm ratings;
the
16
ohm
output
can
be
used
with
speakers
from 12
to
20 ohms.
The
left
channel
loudspeaker
should
be
connected
to the
upper
output
strip. A
pair
of wires,
such
as
#18
lamp
cord,
should
be
used
with
one
wire going to
the
common
terminal
(marked
HC")
and
the
other
to
the
8
or
16
ohm
terminal.
The
right
speaker
should
be
similarly
connected
to
the
lower
output
strip.
Note
that
the
extreme
left
hand
screws
on
each
strip
are
connected
together
by
awire
strap.
N
either
of
the
two
speakers
should
be
connected
to
these
terminals. However,
it
is possible to
connect
athiJ:d loud-
speaker-as
a
center
or
remote
speaker--·to
these
terminals.
Details
on
this use
are
given later.
It
is also possible to
connect
headphones
to the
loudspeaker
terminals, a
subject
covered
in
detail
later.
In
any
music
system
it
is
best
that
both
loudspeakers
be
identical.
If
this
is
not
possible, the
stereo
effect
may
be
considerably
distorted,
and
there
will be shifting of
positicA'
of
sounds
between the
speakers
in away which is
unrelat~P'
to
the
correct
localization of those sounds.
-

CONNECTING
A
CENTER
LOUDSPEAKER
Ventilation
,
When
using
the
SCA-35
it
is essential
that
it
have ade-
quate
ventilation.
This
unit
dissipates 110
watts
of heat,
and
you
can
see
that
there
is
the
same
heating effect
as
with a110
watt
incandescent
lamp
in
asmall metal con-
tainer-the
case will get
quite
watm
to the touch,
and
should
have
air
space
above to
permit
the
heat
to dispell.
There
should
always be several inches of
air
space above the
unit
and
behind
it. Never
place
anything
directly
on
top
of
the
cover when
the
amplifier is operating.
Under
some conditions
it
is advantageous to be
able
to
use a
center
loudspeaker
which
handles
the
monophonic
signal
(sum
of left
and
right
channels) derived from
the
two
parts
of
the
stereophonic signal.
This
center
speaker
can
eliminate
the
"hol.e-in-the-middle" effect of
speakers
which
are
widely
separated.
The
composite
center
signal
can
also
be
used
with
aremote
loudspeaker
for monophonic
reproduction
in
another
area.
The
signal for
the
center.
speaker
is available
on
the
back
panel
of
the SCA-35 with-
out
need
for
another
amplifier.
5
-
Switch
the
stereo-mono switch to
"mono."
Then
adjust
the
balance
so
that
the sound
is
equal
from both loud-
speakers.
Stand
slightly forward of the speakers
at
an
equal
distance
from each. Move from side to side while
trying
to loeate
the
sound
source.
If
the
speakers
are
phased
correctly,
the
source will
be
in
the
center, when
you
are
in
the
center,
and
will
shift
smoothly to whichever
speaker
you
approach.
If
the
speakers
are
phased
incorrectly, there
will
be
an
abrupt
jump
in
the location of the sound,
and
it
will
shift
suddenly
from one side to the
other
with
little
or
no
apparent
centering.
To
correct
the
phasing
of the loudspeakers, if
it
is incor-
rect,
you
must
interchange
the two wires between the
SCA-35
and
one of the speakers.
This
can
be
done
either
at
the
amplifier
or
at
the speaker.
Cabinet
Mounting
The
oversize
front
panel
on
the SCA-35 facilitates cab-
inet
installations.
The
rubber
feet
are
not
used.
A
supporting
shelf
installed
flush with
the
bottom of a
31:;{o"
by
13Yto"
cutout
in
the
cabinet
panel is required.
A
3Y2"
square
ventilation
cutout
should
be
made
in the
shelf to coincide with
the
punched-out
section of
the
SCA
bottom
plate,
under
the
output
tubes. A
PBK
bracket
kit,
which eliminates
the
need for the shelf, is available directly
from
Dynaco
for $2.00.
No
C.O.D.'s please.
Adequate
ventilation
is
imperative.
The
warranty
does
not
cover
equipment
which
has
been
subject
to abuse as
the
result
of insufficient ventilation.
Cabinet
installations fre-
quently
require
the
use
of
a
small
circulating fan, particu-
larly
where
the
SCA
must
be
mounted
close to atuner,
or
where vertical (face
up)
mounting
is necessary.
Under
no
circumstances
should
the
SCA
be stacked immediately
above
or
below
the
Dynatuner.
USING
YOUR
SCA-35
Other
Back
Panel
Connections
There
are
two AC
outlets
on
the
back
panel to which the
wer cords of
auxiliary
equipment
may
be connected.
One
these
outlets
is
switched
in
unison
with
the
SCA-3S when
e
SCA's
power switch is operated.
The
other
outlet
is
not
switched
and
will
furnish
power
at
all times
that
the
SCA's
power cord is plugged in.
The
switched
outlet
may
be
used
to power aradio
tuner
so
that
this
can
be
turned
on
and
off
with
the
SCA-3S.
The
lUlswitched
outlet
should
be
used
for
a
turntable,
record changer,
or
tape
machine.
These
devices
require mechanical switching
and
should
not
be switched
automatically
when
the
SCA-35 is
turned
on
or
off.
The
line cord of
the
SCA-35
should
be plugged
into
a
suitable
outlet
furnishing
nominally
120 volts, 60 cps
alter-
nating
current
(120
or
240 volts, 50
or
60 cycles for
export
models) .
There
are
two
knurled
shafts
on
the
back
panel
which
are
used for
hum
adjustment
of
the
two channels.
Their
func-
tion is explained below.
Phasing
Loudspeakers
For
best stereo effect,
the
loudspeakers
should
be prop-
erly
phased-an
adjustment
which is
made
once
and
can
then
be
left fixed.
Phasing
consists of
arranging
the
polarity
{
the
speaker
connections so
that
both
speakers
function
In
unison, moving
in
the
same
direction
at
the
same
time,
on
monophonic signals.
Hum
Adjustments
Turn
the
volume down low,
set
the
selector switch on
"phono,"
and
turn
on
the
SCA
power switch. After the first
5seconds,
advance
the
volume control slowly
until
you
v
ear
some
hum
from the loudspeakers.
Then
turn
the
bal-
ance
control to
cutoff
the
right
loudspeaker,
and
adjust
the
left
hum
control
(on
the
back
panel)
for
minimum
hum.
Repeat
this
with
the
balance
control
set
to
cut
off the left
loudspeaker,
adjusting
the
right
channel
hum
control.
These
controls
should
give some
minimum
point
{or hum;
and
this
point
should
be
low enough to
be
inaudible
at
normal listening levels.
Turn
the
volume down,
place
arecord
on
the
turntable,
and
advance
the volume
until
you
have a
suitable
level;
then
you
can
adjust
balance
and
tone controls to
your
satisfaction.
The
same
setup
procedure
can
be followed
with
a
tape
deck, using
the
tape
head
input.
The
minimum
hum
point
will
be
at
about
the
same
point
as
with phono.
If
neither
phono
or
tape
head
inputs
are
to be used,
the
hum
level
will be
much
lower,
and
it
may
be difficult to
determine
where
the
minimum
settings
of
the
hum
controls fall.
In
this case, since
hum
should
be inaudible,
it
is
not
important
whether
the
controls
are
set
accurately.
Once
the
associated
equipment
is connected to
the
SCA-35
and
you
are
familiar
with
the
operation
of
the
con-
trols,
you
are
ready
to
try
it
out.
Lliiiiiiiiiliiiiiiililll
iiiiiiiiiiiiiil

SWITCH
CRAFT
TYPE
128
TO
TO
LEFT
RIGHT
SPEAKER
SPEAKER
-
If,
after
the
headphones
are
installed,
it
is
found
that
the
right
and
left sides
are
incorrect
and
the
phones
are
not
of aconstruction which
can
be reversed
on
the
head,
this
can
be
most simply corrected
by
disconnecting
th
\
• I
resistors from
the
two
jack
lugs
and
interchanging
the
connections.
USING HEADPHONES WITH
THE
SCA-35
Headphones
made
for
high
fidelity usage
are
generally
of
the
low
impedance
type, designed
to
be connected
the
loudspeaker terminals of
the
amplifier.
These
can,
course, be
used
directly with
the
SCA-35
in
accordance
with
the
instructions of
the
headphone
manufacturer.
In
addition, for ease of
headphone
connection
and
use,
ahole for a
headphone
jack
is available on
the
back
panel
of
the
SCA-35. A
jack
of
the
Switchcraft
type
12B,
or
equivalent,
can
be
mounted
in
this
hole. A
type
290 plug,
or
equivalent, should be
used
with the 12B jack.
If
the
headphones
are
supplied with adifferent
type
of plug,
the
proper
jack
should
be obtained for
the
plug
used.
The
diagram
below shows
the
best
method
of connection
to
the
headphone
jack.
The
100 ohm, %watt, resistors
drop
the
signal
to
the
level which is required for head-
phones.
If
there
is
inadequate
level
after
installation, these
resistors
can
be reduced
to
47 ohms,
or
to
any
specific
value recommended
by
the
manufacturer
of
the
head-
phones. Some headphones have
the
resistors
built
in.
Then
it
is
not
necessary
to
install them,
and
straight
wires (insu-
lated
to
avoid
short
circuits) .should
be
connected
in
place
of
the
resistors shown.
If
it
is desired to
cut
out
the
loudspeakers completely
for
headphone
listening,
the
pictorial diagram shows how a
double pole switch
can
be
used
to eliminate sound from
the
loudspeakers
during
headphone
use.
This
switch
can
be
mounted
any
place along
the
loudspeaker wires so
that
it
can
be
kept
in
aconvenient place if switching is required
frequently. '\\
It
is
best
that
all
the
speakers should
be
identical types
when using
this
arrangement.
If
this is done,
the
sound
level
at
the
center
speaker
will be comparable with
that
of
the
stereo speakers.
The
volume control will reduce
the
level of
the
extra
speaker.
It
can
be used to reduce
the
level
of this
speaker
to
zero,
and
then
the
stereo speakers will
function
in
their
normal
way.
If
the
control is
not
added,
and
it
is desired
to
cut
out
the
center
speaker
to restore
normal
stereo operation, this
can
be done
by
re-installing
the
jumper
on
the
back
panel.
This
can
also
be
done
by
adding
aswitch to connect
together
the
two leads
to
the
center
loudspeaker.
This
switch
can
be
located
any
place which is convenient -
at
the
speaker
location,
or
at
the amplifier.
When
the
switch
is closed,
there
will be
no
sound from
the
center
speaker,
and
normal
stereo reproduction will
be
obtained.
The
center
speaker
should be
phased
properly.
This
can
be done
by
listening to
the
smoothness of
transition
of
sound
between speakers while moving back
and
forth
between them.
If
there
are
sudden
jumps
in
localization of
the
sound,
the
two wires to
the
center
speaker
should
be
interchanged. Correct phasing should provide asmooth
change
in
location of
sound
from side speakers to
center
speaker.
If
the
center
speaker
is
used
remotely, phasing is
not
important.
NOTE:
At
any
time
that
the
center
speaker
is removed,
the
jumper
between
the
screw terminals must be reinstated.
If
neither
the
jumper
nor
center
speaker
is connected,
the
resulting
sound
will have no monophonic components.
There
will be
no
sound
with monophonic sources
and
unrealistic effects with stereo sources.
CENTER
RIGHT
LEFT
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Connection of
the
center
speaker is accomplished by
removing
the
wire link,
or
jumper,
which connects
the
left-
most screws
on
the
two loudspeaker
terminal
strips
and
connecting
the
two wires from
the
extra
speaker
to
these
two screws.
The
diagram below also shows how avolume,
or
level setting, control
can
be optionally
added
to control
the
level of
the
center
speaker.
The
control itself is a 4 watt,
wirewound, potentiometer
or
rheostat.
They
are
available
at
all
radio
parts
supply
stores.
The
control for
the
center
speaker
can
be connected
on
the
back
panel
of
the
SCA
using
the
hole which is avail-
able,
or
it
can
be
connected
at
the
loudspeaker
location-
this
is
particularly
convenient for aremote speaker.

TECHNICAL DESCRIPTION
The
DYNA
Stereo Control Amplifier, SCA-35, is acom-
lete stereo preamplifier
and
stereo power amplifier com-
ed on asingle chassis with asingle power supply.
The
SCA-35 uses new
circuitry
and
new components in aunique
arrangement
which provides highest
quality
performance
ill
acompact
and
moderately priced unit. Superficial ex-
amination
of
the
circuit
of
the
SCA-35
might
indicate
an
apparently
simple
and
conventional design. However,
closer
scrutiny
will reveal
an
extremely sophisticated
and
carefully refined design.
There
are
four basic sections of
the
SCA-35:
(1)
the
stereo preamplifier; (2) the dQal tone control section;
(3)
the stereo power amplifiers,
and
(4)
the power supply.
Each
of these utilizes novel circuitry
with
premium grade com-
ponents conservatively operated.
The
four sections combine
in
an
inter-relationship which develops the maximum poten-
tial of these components.
The
Preamplifier
The
preamplifier section of
the
SCA-35
is
a
printed
cir-
cuit
module
in
which a12AX7
tube
is
used
for
each
stereo
channel. All low level
inputs
are
fed to
the
input
stages of
these tubes via aportion
of
the
selector switch.
High
and
low level magnetic cartridges
and
crystaVceramic cartridges
are
introduced to the
input
switch through a
PEC
(packaged electronic
circuit).
The
switch also selects a
tape
head
input.
These
low level signals
are
amplified
'through two stages
(the
two halves of
the
12AX7).
The
amplification of
this
tube
is increased almost to
its
theoreti-
cal
maximum
by
the
application of positive feedback from
cathode to cathode.
Anegative feedback loop containing
the
proper
equaliza-
tion circuits to
shape
the
response of phono
and
tape
head
is carried
around
the
12AX7. Operating
parameters
are
selected to enable this stage to
carry
signals
at
distortion
levels below 0.1
%.
A 4 millivolt magnetic cartridge will
produce
one volt
at
1000
cps
at
the
output
of this section.
The
output
of
the
12AX7 is fed to
another
section of the
selector switch, which
at
this
point
can
also select higher
level
inputs
such
as
radio
and
tape
preamplifier.
The Tone Controls
Dual tone controls
are
used
in
anetwork' which is com-
pletely passive;
it
has
no distortion
or
noise.
This
network
is also a
PEC
in
which
all
components
are
encapsulated.
Associated with
the
tone controls
are
the
filter switch,
the
balance control,
and
the
volume control. Signal levels to
this section normally
are
about
one
volt (which is also the
normal
output
of
the
preamplifier
stage).
However,
the
design is such
that
signals of
any
magnitude
can
be
handled
without possibility of overloading the power amplifier
inputs.
he
Power
Amplifiers
Each
power amplifier is on its individual
printed
circuit
module.
These
are
truly
unique circuits
in
which optimum
use is
made
of
the
components.
The
first stage is apentode section of a7199 tube.
This
is
directly coupled to acathodyne
phase
inverter. Negative
dc
feedback is
taken
from cathode to screen to stabilize
the
dc
operating
point
of
this
pair. Apositive feedback loop
from cathode to
cathode
augments
the
amplification of the
stage.
The
cathodyne
inverter
has
the
unusual
advantage
that
its
phase
inversion capabilities
are
dependent
solely
on
the values of its associated resistors.
The
accuracy of phase
inversion is unaffected
by
tube aging
and
similar variations.
The
phase
inverter drives a
pair
of 6BQ5
output
tubes.
Careful investigation
has
determined
the
precise operating
parameters for
the
output
tubes
and
output
transformer.
The
output
transformer designed for the circuit
(DYNACO
Z-565) provides maximum linearity
in
this configuration.
This
transformer represents
an
advance in
the
state
of
the
art
as
it
permits
the full power of
the
output
tubes
tJ
be
handled
throughout
the
audio spectrum
in
a
unit
of very
small size.
It
also permits ahigh
order
of feedback with
complete stability of operation
under
all amplifier load
conditions.
Contrary
to traditional usage, asingle cathode resistor
is
used
for
all
four ou.tput tubes.
This
improves the per-
formance of
the
output
stage,
but
it
makes
it
desirable to
match
the
four
output
tubes.
The
output
tubes supplied
are
carefully
matched
for this circuit.
The
Power
Supply
The
SCA-35 is powered
by
apower transformer
and
full
wave rectifiers using silicon diodes.
Separate
heater
wind-
ings
are
included
in
the
power transformer to provide means
for individual
hum
adjustments
on
each
stereo channel.
The
power transformer is impregnated with
an
epoxy
resin which serves the
dual
purpose of
heat
dissipation
from
the
core
and
prevention of noise
and
vibration.
GENERAL
WIRING
PRACTICE
Assembly of the SCA-35 is exceptionally simple when
compared to
that
of other similar kits.
The
circuit boards
are
supplied with
all
components mounted,
and
the remain-
ing
parts
arranged
on
the chassis
in
an
open,
uncluttered
way
that
makes wiring quick
and
easy.
The
construction
of
the
SCA-35 should
take
no more
than
afew hours.
When
you
unpack
the
kit, check
the
components
against
the
parts
list
first. You
can
identify unfamiliar components
by
matching them to
parts
illustrated
in
the
pictorial
diagrams supplied.
Have
the
proper
tools
at
hand
before beginning to build
your
kit. You will need apencil-type soldering iron of 30-
to 60-watt rating; long-nosed pliers; diagonal cutters;
and
ascrewdriver.
If
you have asoldering gun,
it
should be
used
with care, especially when working
on
the
circuit board,
because of
its
higher
than
necessary
heat
output.
Although
not
essential, awire-cutting
and
stripping tool will help
considerably; these
are
available for less
than
adollar.
7
J

The
only
procedure involved
in
building a
Dynakit
which requires a
bit
of technique is soldering,
and
this is
quite
easy
to
master.
There
are
four steps to making agood
solder connection:
1.
Make
agood mechanical connection.
2.
Heat
both
parts
of the connection with
the
iron.
3. Apply solder to
the
connection
until
it
melts
and
runs.
4.
Allow
the
connection to cool undisturbed.
WRONG
ALL
SOLDERING
MUST
BE
DONE
WITH
ROSIN
CORE
SOLDER.
nection
almost
immediately.
Solder
should
then
be
applied
directly to
the
parts
to be soldered,
as
shown
in
the
middle
illustration
above,
and
both
iron
and
solder removed
as
soon
as
the
solder flows freely.
To
transfer
heat
from the iron to the wire
and
terminal,
the
tip
of
the
iron should be
kept
brightly
tinned
with
solder.
If
this is properly done
the
first time
the
iron
is
used,
the
tinning
may
be
maintained
by
wiping
the
tip with
acloth
or
sponge every few
minutes
while soldering.
When
correctly tinned,
the
tip
will
heat
both
parts
of
the
con-
The
circuit
boards of
the
SCA-35
are
supplied with all
components (resistors
and
cap;:lcitors)
already
mounted
and
soldered in place.
The
circuit boards
are
connected
to
the
other
sections of
the
amplifier channels
by
soldering
wires to eyelets on
the
boards.
These
eyelets, which
are
numbered for identification,
are
filled with solder already.
To
solder awire to them, first
"tin"
the
bared wire
by
heat-
ing
it
with
the
iron
and
flowing
solder
over it.
The
eyelet
is
then
heated
with
the
tip of
the
iron,
and
the
end
of
the
wire
inserted
as
soon
as
the
solder
in
the
eyelet
flows. A
correctly
made
connection looks like the illustration
at
th
right, above, which shows asmooth
transition
from
eyelet
to wire.
There
is
no
warranty
on
any
equipment
in
which acid
core solder
has
been used.
Make
sure
that
the
solder
you
use is
plainly
marked
"ROSIN
CORE."
Do
not
use cheap
solder
or
solder of doubtful origin. Recommended solder
is
60/40
(60%
tin,
40%
lead)
rosin core.
Whenever one
(l)
wire is to be soldered to aconnection,
the
instructions will
indicate
this
by
the
symbol
(S).
When
two
(2)
wires
are
to be soldered to aconnection,
the
sym-
bol (S-2) is shown; when
three
(3)
wires
are
to be soldered,
the
symbol (S-3) appears, etc.
There
may
be
as
many
as
five
(5)
wires to be soldered to aconnection.
If
no
symbol
is shown, do
not
solder;
further
wiring will be
made
to
that
connection before soldering.
Components
can
be identified
by
comparison with
the
pictorial diagrams. Capacitors
are
individually marked.
Resistors will be
marked
either
with
their
values,
or
with
the
color code specified
in
the
instructions.
The
first color
is
nearest
the
end
of
the
resistor,
and
any
fourth color
band
may
be ignored.
A
number
of
steps
in
the
instructions begin,
"Connect
one
end
of
awire
...
", with
the
length
of
the
wire specified.
In
each case, first
cut
apiece of wire to
the
correct
length
from
the
roll
supplied
with
the
kit,
and
then
remove
about
%" of insulation from
each
end
before making
the
connec-
tion.
The
leads on components should be trimmed
as
they
are
used,
the
length chosen being
that
which permits acon-
nection to be
made
from
point
to
point
without
strain
on
terminals
or
components.
The
position of all wire
leads
should follow
that
shown
in
the
pictorial
diagram
as
closely
as
possible.
Care
must
be exercised to see
that
uninsulated
wires
do
not
touch
each
other,
and
cannot
do
so
through
vibration
or
sagging, unless, of course,
they
are
connected
to
the
same
point.
It
is especially
important
that
uninsu-
lated
wires
and
component
leads
or
terminals
do
not
touch
the
chassis
or
bottom
plate
accidentally.
Check
your
work
after
each
step,
and,
when
you
are
sat-
isfied
that
it
has
been
correctly done,
mark
the
space pro-
vided
and
go on
to
the
next
step.
Examine
the pictorial
diagrams often; if
you
check
your
work methodically,
your
amplifier should work
as
soon
as
the
wiring
is
complete.
One of
the
best
ways to
make
agood mechanical con-
nection is
to
bend
asmall hook
in
the
end
of awire,
and
then
to
crimp
this
hook
onto
the
terminal to be connected.
The
amount
of bare wire exposed
at
the
end
need
not
be
exactly
lit
-inch; however,
if
it
is too long,
there
is
danger
of
the
excess touching
another
terminal
or
the chassis.
There
is
no
need
to
wrap
the
wire
around
the
terminal more
than
one time,
as
this makes aconnection
that
is
much
more
difficult
to
remove if
an
error
has
been made.
8-

fRONT
PANEL
MECHANICAL
ASSEMBLY
1(
/)
Place
the
front
panel
before
you
so
that
its
"wings"
are
facing you,
with
the
rectangular
switch
cutouts
at
the
bottom~
as
in
the
pictorial diagram.
Refer
to
the
pictorial
diagram
before
and
after
each
step
to
be
sure
that
you
are
proceeding correctly.
Install
the
pilot
light
socket
at
the
extreme left
end
of
the
panel
with a
#4
screw
inserted
from
the
outside,
and
a
lockwasher
and
nut
from
the
inside
(the
side
of
the
panel
which
is toward
you).
The
#4
screws
are
the
smallest
size
supplied
with
the
kit.
2
(v'>
Install
the
treble control
(marked
167504) next to
the
pilot
light (see
the
pictorial
diagram).
Place
a
%/f lockwasher on
the
shaft
before inserting
the
shaft
through
the
panel,
and
secure
it
with a%"
nut.
Before tightening
the
nut,
see
that
the
con-
necting lugs of
the
control
are
positioned
as
shown
)n
the
diagram.
3
("""'"
Install
the
bass control (167205) in
the
next hole.
Place
a%" lockwasher
on
the
shaft,
insert
the
shaft,
and
secure
it
from
the
outside with a%/f
nut.
Be-
fore tightening
the
nut,
observe
the
orientation
of
the
connecting lugs shown on
the
pictorial diagram
and
see
that
the
bass control is positioned correctly.
4
(\A
InstaIl
the
balance control (167754)
in
the
next
hole
using %"
hardware
and
positioning
the
connecting
lugs
as
shown
in
the
pictorial diagram.
5
(v,
Install
the
volume control (177254)
in
the
next
hole
with
%" hardware, positioning
the
connecting lugs
..,.as shown
in
the
pictorial diagram.
6(
I"}
The
power switch
is
the
only
one of
the
slide
switches
with
only
two connecting lugs.
Install
the
power switch from
the
inside,
in
the
rectangular
cut-
out
nearest
the
pilot
light socket so
that
its
connect-
ing lugs
are
in
the
position shown
in
the pictorial
diagram.
The
slide switch
mounting
holes
are
threaded
and
do
not
require lockwashers
and
nuts.
Install
the
power switch
with
two
#4
screws in-
fierted
from
the
front side of
the
panel.
7(
VJ
The
three
remaining slide switches
are
identical.
They
should
be
mounted
in
the
three rectangular
cutouts--their
orientation
is
not
important.
NOTE:
The
selector
switch
should
not
be
installed
until
later.
when
called
lor
in
the
instructions.
fRONT
PANEL
WIRING
These
instructions frequently specify
that
you
twist to-
gether some wires.
This
twisting should
not
be done too
tightly
or
the
wire
may
cut
through
the
insulation.
The
twist
is
sufficiently
tight
as
long
as
the
wires
are
neat
and
will remain together;
there
is
no
need
for excessive twisting.
1(
0"
Twist
together two
9"
green wires.
Connect
one
end
of one wire to
pilot
light
socket lug # 1
(8).
Connect
the
same
end
of
the
other
wire to
pilot
light socket
lug
#2
(8).
The
opposite
ends
of these wires will
.)ater
be connected to
the
main
chassis assembly.
2(
v1
Twist
together a
12%"
and
a
15/f
black wire so
that
they
are
even
at
one end.
Connect
one
of
the
match-
ing
ends
to power
switch
lug #
1.
Connect
the
same
pd
of
the
other
wire
to
power switch lug
#2.
3(""'f
Cut
each
lead
of
the
.02
mid
disc
capacitor
to
1;2/f.
A
Connect
one
lead
of
the
.02
mfd
disc capacitor
to
~.
power
switch lug
#1
(8-2).
Connect
the
other
lead
to
power switch
lug
#2
(8-2).
4(
~
The
numbering of
the
lugs
on
the
controls
is
shown
on
the
pictorial diagram.
Connect
one
end
of a
2Vz"
red
wire
to
treble control lug
#5
(8).
Connect
the
other
end
to bass control lug
#5.
5(
~Connect
one
end
of a21
12"
green wire to treble con-
trollug
#2
(8).
Connect
the
other
end
to bass con-
trol lug
#2.
6(
vr
Connect one
end
of a
2"
red
wire to bass control
lug
#5. Connect
the
other
end
to balance control
lug
#6(8).
7( ...,--connect one
end
of a
2"
green wire to bass control
lug
#2.
Connect
the
other
end
to
balance control
lug
#1
(8).
8(..-)
Twist
together a
5"
black
and
a
5/f
red
wire. Con-
nect
one
end
of
the
black wire to
balance
control lug
#
4.
Connect
the
same
end
of
the
red
wire to balance
control
lug
#5
(8).
9(
~bserve,
on
the
pictorial diagram, the
manner
in
which
the
PEC-555002 tone control modules
are
wired to
the
bass, treble,
and
volume controls. Begin
by
carefully Gutting
the
leads of
one
of
the
circuit
modules exactly to
the
following lengths; slip black
insulating sleeving on the leads
as
specified.
The
PEC
modules should be connected while
in
their
final
position.
Lead
#1
2/f
lo/i" of sleeving
#2
2" 1%" of sleeving
#3
Ph/f
1"
of sleeving
#4
1%"
1"
of sleeving
#5
1114"
1"
of sleeving
#6
2"
1
%"
of sleeving
#7
DO
NOT
CUT
3%"
of sleeving
The
PEC
modules
should
be connected
as
shown
in
the
picture.
Place
the
first module flat
against
the
bass control so
that
the
numbers
marked
on
it
are
visible; this
module
connects to
terminals
nearest
to
the
front panel. After
all
connections
are
made
to
the
first module,
the
second module will be placed
flat
against
it
in
the
same position,
and
its
leads
connected to
the
terminals
on
the
rear
sections of
the
controls.
The
complete assembly should look
like
the
diagram.
10(
..,
Connect
PEC
lead
#1
to
treble control lug
#4
(8).
11("")
Connect
PEC
lead
#2
to treble control lug
#6
(8).
12(
"'1'
Connect
PEC
lead
#3
to bass control lug
#4
(8).
13(
-?l
Connect
PEC
lead
#4
to bass control lug
#5
(8-3).
14(
~
Connect
PEC
lead
#5
to bass control lug
#6
(8).
15(
~onnect
PEC
lead
#6
to balance control lug
#4.
16(...-r
Connect
PEC
lead
#7
to volume control lug
#5
(8).
17
(V)
The
remaining PEC-555002 will now
be
connected.
First, carefully
cut
its
leads exactly to
the
following
lengths
and
slip
the
specified lengths of black insu-
lating
sleeving on
the
leads which require it.
Lead
#1
2"
1
%"
of sleeving
#2
10/0" !
#3
7/s"
#4
%"
No
sleeving required
#5
%"
#6
IVz
lI
#7
DO
NOT
CUT
3%"
of sleeving
-9

18
(~
Connect
PEC
lead
# 1 to treble control lug # 1
(S).
19 (
'1'
Connect
PEC
lead
#2
to treble control
lug
#3
(S).
20(
,)
Connect
PEC
lead
# 3 to bass control lug # 1
(S).
21
(~
Connect
PEC
lead
#4
to bass control lug
#2
(S-3).
_
22(..{
Connect
PEC
lead
#5
to
bass control
lug
#3
(.8).
23(,,1)
Connect
PEC
lead
#6
to balance control lug
#3.
24(~
Connect
PEC
lead
#7
to volume control lug
#2
(S).
25(
v('Connect
one
lead
of a10
of
capacitor
to filter switch
lug
#1.
Connect
other
lead to filter switch
lug
#2.
26(
~Connect
one
lead
of
the
other
10
nf
capacitor
to
filter switch lug
#4.
Connect
the
other
lead to filter
switch lug #5.
27 (
~
Connect one
lead
of a3.3
nf
capacitor
to filter switch
lug
#3
(S).
Connect
the
other
lead to balance con-
trollug
#4.
28
(0'
Connect one
lead
of
another
3.3
of
capacitor
to filter
switch lug
#6
(S).
Connect
the
other
lead to bal-
ance
control lug
#3.
29(
~
Connect one
end
of a
6%"
green wire to filter switch
lug
#4
(S-2).
Connect
the
other
end
to volume
control lug
#3
(S).
30(~nnect
one
end
of a
6%"
red
wire
to
filter switch
lug
#1
(S-2).
Connect
the
other
end
to volume con-
trol lug
#6
(S).
31 (
~
Connect
one
end
of
an
81
12'"
green wire to filter
switch lug
#5
(S-2).
Conn'ect
the
other
end
to
stereo-mono switch lug
#4.
Note
the
manner
in
which this
lead
is positioned
in
the
diagram.
32(v)Connect one
end
of a
9"
red
wire to filter switch lug
#2
(S-2).
Connect
the
other
end
to stereo-mono
switch lug
#5,
positioning this lead above
the
switches
as
shown
in
the
pictorial diagratp..
33
(~wist
together
a
9"
green
and
a
9"
black wire. Con-
nect
one
end
of
the
black wire to balance control-lug
#3.
Connect
the
same
end
of
the
green wire
to
bal-
ance
control lug
#2
(S).
34(
~onnect
one
end
of a
3Vz"
black wire
to
balance
"-
control lug
#3
(S-4).
Connect
the
other
end
to
vol-
ume
control
lug
#
1.
35(vr-Connect
one
end
of a 31
/2"black wire to balance
control
lug
#4
(S-4).
Connect
the
other
end
to
volume control lug
#4.
36(
~nnect
one lead of
an
18,000
ohm
(brown-gray-
orange) resistor to loudness switch lug
#1.
Connect
the
other
lead to volume control lug
#4
(S-2).
37(~
Connect
one
lead
of
the
other
18,000
ohm
(brown-
gray-orange) resistor
to
loudness switch lug
#4.
9'>nnect
other
lead
to volume control
lug
# 1
(S-2).
38(
..,..
Connect one
lead
of a22
of
tubular
capacitor
to
loudness switch
lug
#1
(S-2).
Connect the
other
lead
to
volume control lug #
8.
- .
39M
Cut
one
lead
of
the
other
22
of
capacitor
to
I".
Place
a%" piece of insulating sleeving
on
this lead
and
connect
it
to loudness switch lug
#4
(S-2).
Con-
nect
the
other
lead
to volume control lug
#7.
10
40(
~onnect
one
end
of a
2"
red
wire to loudness switch
lug
#2
(S).
Connect
the
other
end
to volume
control lug
#8
(S-2).
-
41
(~Connect
one
end
of a21
12"
green wire to loudnes
switch lug
#5
(S).
Connect
the
other
end
to
vo
...;rme control lug
#7
(S-2).
42(
1'5
Connect
one
lead of a10,000
ohm
(brown-black-
orange) resistor to stereo-mono switch lug
#1.
Con-
nect
other
lead to stereo-mono switch lug
#4
(S-2).
43 (0'Connect one lead of the
other
10,000
ohm
(brown-
black-orange) resistor to stereo-mono switch
lug
#
3.
Connect
the
other
lead
to stereo-mono switch
lug
#5
(S-2).
-
44
(....f
Connect
one
end
of a
5"
green wire to stereo-mono
switch lug
#1
(S-2).
45(v1"Connect
one
end
of a
4"
red wire to stereo-mono
switch lug
#3
(S-2).
This
completes
the
front panel sub-assembly.
Every
con-
nection
on
the
front
panel
shoulld have been soldered;
check to see
that
this has been done
The
hole in
the
front
panel which is still
empty
will
later
be filled by
the
selector
switch.
Set
aside
the
front
panel
sub-assembly for the
present
time.
REAR
PANEL
MECHANICAL
ASSEMBLY
1
(.I)
Place
the
rear
panel
so
that
its
"wings" face you.
Four
identical
input
socket strips
are
supplied,
each
with
four
input
sockets on it.
Mount
one of these
in
each
of
the
cutouts
as
shown
in
the
pictorial
diagram; -ihese
strips
are
mounted
from
the
inside.
Use a
#4
screw,
inserted
from
the
outside, alock-
washer
and
nut\
for
each
mounting hole.
NOTE:
When
mounting
the
two
strips
in
the
two large cut-
outs,
center
the
strips
so
that
the
metal
portions do
.J)Ot touch
the
chassis.
2
(~
There
are
two identical
output
terminal strips,
each
with
four screw terminals.
Mount
one
of these
in
each of
the
two
cutouts
provided
at
the
locations
shown
on
the
pictorial qiagram; these
strips
mount
from
the
outside.
Be
sure
to
mount
the
ground lug
over
the
screw
at
the
place
indicated
on
the
pictorial
diagram
instead
of alockwasher.
Use
#4
hardware
7each hole.
3(V"fThere
are
two AC convenience outlets.
Mount
one
of these
in
each of
the
cutouts
provided,
as
shown
in
the
pictorial diagram.
The
outlets
mount
from
the
inside. Use
#4
hardware.
4
(~ount
the
fuse holder.
The
rubber
washer provided
should
be fitted
against
the
shoulder of
the
fuse
holder
before
it
is inserted
in
its
hole, from
the
out-
side
of
the
panel. While pressing
the
fuse holder
against
the
panel,
use
the
special
%"
circular
nut
to
fasten
it
,in
place.
Note
position of connecting
lug B. .
.,.-
5(vJ
I~>the
rubber
grommet for
the
line cord in
its
6(
~he
two
hum
controls
are
"snap-in"
types. Observe
the
position of
the
locating lug on each control which
fits ahole
in
the
chassis.
Snap
them
in
place
by
pressing
them
firmly
into
the
mounting
holes on the
panel
from
the
inside.

REAR
PANEL
WIRING
1(
~There
are
atotal of sixteen
input
sockets on
the
rear
panel; the
center
(long) lug of each socket
has
a
number, shown
in
the
pictorial diagram. Connect
\,
one
end
of a
1112"
black wire
to
the
pair
of short
lugs between sockets
#1
and
#2.
Connect
the
other
end
to
the
pair
of short lugs between sockets
#3
and
#4
(8).
2(
~
Connect
another
11
12"
black wire to
the
short lugs
between
#5
and
#6
(8).
Connect
the
other
end
to
the
short lugs between
#7
and
#8.
3
(/
Connect
another
1112"
black wire to
the
short lugs
between
#9
and
#10,
and
the
other
end
to
the
short
lugs between
#11
and
#12
(8).
4(
i
Connect
one
more
11;2"
black wire to
the
short lugs
between
#13
and
#14
(8);
and
the
other
end
to
}he
short lugs between #15
and
#
16.
5(
tI)
Connect
one
end
of a
11;2"
black wire to
the
short
lugs between
#7
and
#8
(8-2).
Connect
the
other
end
to
the
short lugs between
#15
and
#16.
6(
0'Connect
one
end
of a
2%"
black wire to
the
short
lugs between #15
and
#16
(8-3).
The
other
end
remains free for
the
present
time.
7( L?"Note
the
method
of connecting
the
PEC-555003
input
circuit module to
the
long lugs of sockets #1,
#2,
#3
and
#4,
and
to
the
short lugs between
sockets
#1
and
#2.
Connect
lead 1to socket
#
1,
lead
0to
the
short lugs between # 1
and
#2,
lead
2to socket
#2,
lead 3
to
socket
#3
(8),
and
lead 4to socket
#4
(8).
~(.4'Connect
the
other
PEC-555003
input
circuit
module
U"
to
the
following lugs: lead 1to socket
#9,
lead 0
to
the
short lugs between
#9
and
#10,
lead
2to
socket #10,
lead
3to socket #11
(8),
and
lead 4
to socket #12
(8).
9(
0'
length of flat, 4-conductor cable
has
been 'sup-
plied
with
the
kit.
Cut
the
cable
into
two pieces,
one 10" long
and
the
other
12"
long.
Carefully
sepa-
rate
the
four wires
at
each
end
of each piece for
about
11;2",
and
strip
If.t'' of insulation from all 16
ends. Connect
one
end
of
the
!O"
piece to
the
long
lugs of
the
input
sockets in
the
following
manner:
Brown to socket # 5
(8).
Red
to
socket
#6
(8).
Orange
to
socket
# 7
(8).
Yellow
to
socket
#8
(8).
The
opposite
ends
are
not
to be connected
until
)pter.
10(!""')
Connect
one
end
of
the
12" piece of flat cable to
the
long lugs of
the
input
sockets
as
follows:
Brown to socket #13
(8).
Red
to socket
#14
(8).
Orange to socket #15
(8).
Yellow
to
socket
#16
(8).
The
opposite
ends
are
not
to
be connected
until
later.
11
(0
Connect one
end
of a101;2"
red
wire
to
lug''''#10
(8-2).
Bend
the
free
end
of
this
wire to
mark
it
so
(i
that
it
can
be identified
later
when
it
is twisted to-
gether
with
other
wires.
i.2(~
Connect
an
end
of a
101;2"
red
wire to
lug
#9
(8-2).
13 (vt'
Connect
one
end
of a
12"
black
wire to
the
pair
of
short lugs between sockets
#9
and
#10
(8-3).
Twist
this
wire together with
the
two
red
wires con-
nected
to
lugs
#9
and
#10.
14(~onnect
one
end
of
an
8%"
green wire
to
lug
#2
(8-2).
Bend
the
free
end
of
this
wire
to
mark
it.
15(~
Connect
one
end
of
an
8112"
green wire
to
lug
#1
.
Y:;-2).
16(
~
Connect one
end
of
an
11
%" black wire to
the
pair
of short lugs between sockets # 1
and
# 2
(8-3).
Twist
this
wire
together
with
the
green wires con-
nected
to
lugs
#1
and
#2.
17
(..-1'
The
lugs
on
the
rear
of
the
output
screw
terminal
strips
are
numbered
from # 1 to #8,
as
shown
on
the
pictorial
diagram~onnect
one
end
of al,,%"
bare wire
to
the
ground lug on
the
mounting
screw
of
the
upper
output
terrpinal strip.
Connect
the
other
end
to
output
lug
ff8. '
18
(wi.!
Connect one
end
of a
4"
black wire to
the
ground
lug
on
the
mounting
screw of
the
upper
output
ter-
minal
strip
(8-2).
19
(
,;(Connect
one
end
of a
2"
bare wire to
output
lug
#7
(8).
Feed
the
other
end
of
the
wire
through
the
hole
in
output
lug
#3
(8)
and
connect
it
to
output
lug
#4
(8).
On
the
outside of
the
back
panel
connect
apiece of bare wire across
the
two screw
terminals
which correspond to
#4
and
#8
output
lugs.
(The
amplifier will furnish asignal
to
aderived
center
channel
speaker
if
this
wire is removed
and
aloud-
speaker
connected
in
its place.
Instructions
for
this
connection
are
covered
in
another
section.)
20(/(
Connect one
end
of a
Ph"
black wire to lug
#2
of
AC
outlet
A. Connect
the
other
end
to lug
#1
of
AC
outlet
B.
21
(0'Connect one
end
of
a
1"
black wire to lug
#2
of
AC
outlet
B.
Connect
the
other
end
to
terminal
B
of
the
fuse holder
(8).
22(
.....,
Connect
one
end
of a
2"
black wire to lug
#2
of
the
left
hum
control
(8).
Connect
the
other
end
to
lug
#2
of
the
right
hum
control.
23 (
~onnect
one
end
of a
10"
black wire to lug
#2
of
the
right
hum
control
(8-2).
24
(6Twist
together two 11" green wires. Connect one
end
of one green wire to lug
#1
of
the
left hum
control
(8).
Connect
the
same
end
of
the
other
wire
to lug
#3
of
the
left
hum
control
(8).
25
(v(Twist
together two 11" green wires.
Connect
one
end
of one green wire
to
lug # 1 of
the
right
hum
control
(8).
Connect
the
same
end
of
the
other
wire
to lug
#3
of
the
right
hum
control
(8).
'.
26( )
Insert
asheet-metal screw
in
the
hole
marked
"GRND"
above
the
input
sockets, from
the
outside
of
the
chassis.
This
will furnish aconnection
point
for
an
external
ground wire when installing
the
amplifier.
This
completes
the
first portion of work on
the
rear
panel sub-assembly.
Note
that
there
are
several non-
soldered connections.
8et
aside
this
assembly for
the
present.
1-

-
MAIN
CHASSIS
MECHANICAL
ASSEMBLY
1
(~ss
the
leads of one of
the
output
transformers
Z-565 through
the
two holes provided
nearest
the
front of
the
chassis (see
the
pictorial
diagram
for
the
correct
location).
The
leads of
the
transformer
are
in
two groups:
the
orange, black,
and
yellow
leads which pass
through
the
rear
chassis hole;
and
five
other
leads which
pass
through
the
front hole.
Before
attaching
the
transformer
to
the
chassis with
four
sets
of
#8
hardware
(the
largest
size
supplied
with
the
kit),
mount
a5-lug terminal
strip
and
the
cable clamp
under
two of
the
transformer
mounting
screws
as
indicated
on
the
pictorial diagram.
Insert
the
lockwasher between
the
nut
and
cable clamp,
and
between
the
nut
and
terminal
strip
mounting
lug,
and
under
all
the
other
nuts.
Do
not
tighten
the
nut
under
the
cable clamp.
2(V)
Pass
the
leads of
the
power transformer PA-774
through
the
two holes provided
at
the
rear
corner
of
the
chassis, observing
the
lead
orientation
shown
in
the
pictorial diagram.
Mount
the
transformer
with
#8
hardware,
and
install
a5-lug terminal
strip
on
one
of
the
mounting
screws
as
shown
in
the
diagram.
NOTE:
Instructions
for
PB-028. a120/240
volt
transformer
for
use
outside
the
United
States.
will
be
found
at
the
end
of
the
regular
assembly
instructions.
3(....-)Use
#8
hardware
to
mount
the
other
Z-565
output
transformer
at
the
rear
of the chassis,
in
the
posi-
tion
indicated
on
the
pictorial diagram.
The
orange,
black
and
yellow leads should pass through
the
holE!
closest to
the
rear
of
the
chassis,
and
the
remaining
.
~ds
through
the
other
hole. .
4(V)
Before
mounting
the
two
PC-lO
circuit
boards in-
stall
the
four
sockets
supplied
for V-5, V-6, V
-7
~d
V-8
on
the
top
of
the
boards
(the
side on which
the
components
are
mounted).
Note
that
the
pairs
of
sockets
on
each
board
do
not
face
in
the
same
direc-
tion. Refer to
the
pictorial for
the
correct orienta-
tion.
Use
#4
hardware;
insert
the
screws from
the
bottom
of
the
circuit
board
and
install
the
lock-
washer
and
nut
from
the
top.
5
(~Mount
the
two
PC-lO
circuit
boards from
the
bottom
of
the
chassis,
as
shown
on
the
pictorial dia-
gram,
using
four
sets
of
#4
hardware
to
mount
each
board.
Note
their
orientation,
and
leave
air
space
~ween
the
boards.
6tv"'5
Mount
the
PC-11 preamplifier
circuit
board
in
the
position shown
on
the
pictorial diagram, using
#4
hardware, from
the
bottom
of
the
chassis.
7(
v5"
Install
the
two filter
capacitor
mounting wafers from
the
bottom of
the
chassis
in
the
cutouts
provided
at
the
rear
corner, using two sets of # 4
hardware
to
secure
each
wafer.
8
(1,1'
The
four-section filter
capacitor
(marked
60/40/20/
1(0)
mounts
in
the wafer
nearest
to
the
center
of
the
chassis; note
the
position of the symbols
stamped
on
the
underside
.of
the
capacitor,
as
shown
on
the
pictorial diagram.
The
capacitor
must
be
mounted
in
this
position.
Insert
the
mounting
lugs
in
the slots
provided, from
the
top of
the
chassis; check
the
diagram
to
'see
that
the
markings
are
correctly
located.
Then,
twist
each
of
the
mounting
lugs
%-turn
with
pliers, while holding
the
capacitor
firmly
against
the
wafer from above.
12
9(
~The
same procedure
as
in
the
preceding
step
is
used
to install
the
two-section filter
capacitor
(marked
50/50)
in
the
remaining wafer.
Note
that·
the
symbols
stamped
in
the
underside
of
the
capacitor
are
differently positioned
than
for
the
other
filte
capacitor.
Mount
the
two-section filter
capacitor
b
inserting
and
twisting
its
mounting
lugs.
MAIN
CHASSIS
WIRING
The
leads of
the
transformers
may
often be somewhat
longer
than
is necessary to
make
the
connections required
with
proper
lead
positioning. In
each
case where atrans-
former
lead
is to be connected, first
run
the
lead to
its
connection point, following
the
path
shown
in
the
pictorial
diagram. After
cutting
the
proper
length of
the
lead,
strip
%"
of
the
insulation
from
the
end
of
the
lead,
and
"tin"
the
end
by
heating
it
and
applying
solder to it; this pre-
vents fraying
strands
and
ensures
amore secure mechani-
cal bond before soldering.
1(
..('
Connect
the
red
lead from
the
rear
output
trans-
former to
lug
#4
(square
symbol) of
the
four-
section filter capacitor.
See
pictorial for wire
position.
2 (
\t
Connect
the
red
lead
from
the
front
output
trans-
former to lug
#4
(square
symbol) of
the
four-
section filter capacitor.
See
pictorial for wire
"'position.
3
(V'J
Twist
together
the
blue-and-white
and
green-and-
white leads from
the
output
transformer
nearest
to
the
front
of
the
chassis. Connect
the
blue-and-white lead
to
pin
#7
of V-7
(S).
Connect
the
green-and-white
lead
to
pin
#9
of V-7
(S).
4 (
~Twist
together
the
blue
and
green leads from
the
output
transformer
nearest
to
the
front of
the
chassis. Connect
the
blue lead to
pin
#7
of
N-
(S).
Connect
the
green
lead
to
pin
#9
of
V-B.
5
(V"')
Twist
together
the
blue-and-white
and
green-and-
white leads from
the
output
transformer
nearest
to
to
the
rear of
the
chassis.
Connect
the
blue-and-
white
lead
to
pin
#7
of V-5
(S).
Connect
the
green-
and-white lead to
pin
#9
of V-5
(S).
6( vf
Twist
together
the
blue
and
green
leads
of
the
out-
put
transformer nearest to
the
rear of
the
chassis.
Connect
the
blue
lead
to
pin
#7
of V-6
(S).
Con-
nect
the
green
lead
to
pin
#9
of V-6.
7(vr--Twist
together
the
two red leads from
the
power
transformer
PA-774. Connect
either
one of
the
red
leads to
lug
#4
of terminal
strip
TS-l.
8(
~Connect
the-
other
red power transformer
lead
to
.
~
#5
of terminal
strip
TS-l.
9 ( J.1""Connect
the
red-and-yellow power transformer lead
Jp-mounting
lug.:A
of
the
four-section filter capacitor.
10(0"Twist
together
the
brown
and
brown-and-white leads
from
the
power transformer.
Pass
the
leads
under
the
cable clamp,
and
connect
the
brown lead to
lug # 1 of terminal
strip
TS-2.
Connect
the
brown-
and-white
lead
to
lug
#2
of TS-2.
NOTE:
These
transformer leads
should
be
inserted
into
the
eyelet
that
holds
the
terminal to
the
strip,
thereby
providing
more
space
on
the
lug
for
the
other
wires
to
be
connected.
11
(prTwist
together
the
green
and
green-and-white leads
from
the
power transformer.
Pass
these leads
unde
the
cable clamp,
and
connect
the
green
lead
to lug
\
I

~
UJ
Cl
UJ
O~Cl
.~~~.
U
<t
#4
of
terminal
strip
TS-2.
Connect
the
green-and-
white
lead
to lug
#5
of TS-2.
NOTE:
These
transfonner
leads
should
be
inserted
into
the
eyelet
that
holds
the
tenninal
to
the
strip,
thereby
providing
more
space
on
the
lug for
the
other
wires
to
be connected.
12
(nhe
silicon rectifier diodes
supplied
with
the
kit
may
be
any
of
the
three
types
shown
in
the
illustration;
although
different
in
appearance,
they
are
electrically
equivalent. Con-
nect
the
cathode
(or
plus)
lead
of
one
of
the
rectifier diodes
to
lug
~
#2
of
terminal
strip
TS-l.
Connect
"
the
other
lead
of
the
diode
to
lug
#4
of
terminal
strip
TS-1
(S-2).
IMPORTANT:
Arrange
the
diode
leads
exactly
as
shown
in
the
pictorial diagram.
When
soldering,
hold
pliers
on
the
lead
between
the
diode
body
and
the
solder
connection to avoid
application
of exces-
sive
heat
to
the
diode.
13(""""Connect
the
cathode
(or
plus)
lead
of
the
second
diode to
lug
#2
of
terminal
strip
TS-l.
Connect
the
other
lead
to
lug
#5
of
terminal
strip
TS-l
(S-2).
14("""-Connect
one
end
of
a
7"
red
wire to
lug
# 2 of
the
terminal
strip
TS-1
(S-3).
Use
caution
to
avoid
excessive
heating
of
the
diodes.
Connect
the
other
end
to
lug
#3
(semi-circle
symbol)
of
the
four-
section filter capacitor.
15
V)
Connect
one
lead
of
the
50 ohm, 5
watt
resistor to
lug
#3
(semi-circle
symbol)
of
the
four-section filter
capacitor
(S-2).
Connect
the
other
lead
to
lug
#4
(square
symbol)
of
the
same
capacitor.
~6(
v1"'Connect
one
lead
of a2200
ohm
(red-red-red)
1
watt
resistor
to lug
#4
(square
symbol)
of
the
four-
section filter
capacitor
(S-4).
Connect
the
othef..lead
to
lug
#1
(triangle
symbol)
of
the
same
capacitor.
17
(Vf
Connect
one
lead
of
the
other
2200
ohm
(red-red-
red)
1
watt
resistor
to
lug
#1
(triangle
symbol)
of
the
four-section filter
capacitor
(S-2).
Connect
the
other
lead
to
lug
#2
(semi-circle
symbol)
of
the
two-section filter capacitor.
~~onnect
one
end
of a61!z" red wire
to
lug
#2
-====
(semi-circle
symbol)
of
the
two-section filter capaci-
tor.
Connect
the
other
end
to
eyelet
#5
of
the
rear
PC-lO
circuit
board
(S).
19(
~Connect
one
lead
of a22,000
ohm
(red-red-orange)
Ih
watt
resistor
to
lug
#2
(semi-circle
symbol)
of
the
two-section filter
capacitor
(S-3).
Connect
the
other
lead
to
lug
# 1
(triangle
symbol)
of
the
same
capacitor.
20(
\1"'Connect
one
end
of a61!z"
red
wire
to
lug
#1
(triangle
symbol)
of
the
two-section filter
capacitor
(S-2).
Connect
the
~ther
end
to
eyelet
#12
on
the
PC-l1
circuit
board
(S).
21
(0'Connect
one
lead
of
the
95 ohm, 5
watt
resistor
to
mounting
lug
Bof
the
four-section filter capacitor.
Connect
the
other
lead
to
lug
#2
(no
symbol)
of
the
same
capacitor.
22(
"'fConnect
one
end
of a
2"
black wire
to
mOlmting
lug Bof
the
four-section filter
capacitor
(S-2).
ton-
nect
the
other
end
to
mounting
lug Dof
the
two-
section filter
capacitor.
23(0
Connect
one
end
of a61!z"
black
wire
to
mounting
lug
Dof
the
two-section filter
capacitor
(S-2).
Con-
nect
the
other
end
to
eyelet
#4
on
the
PC-ll
cir-
cuit
board
(S).
24(
v(Connect
one
end
of a
2Y2"
red
wire to
eyelet
#5
on
the
rear
PC-lO
circuit
board
(S-2).
Note
one
wire
is
already
connected;
reheat
the
eyelet
and
insert
the
second
wire.
Connect
the
other
end
to
eyelet
#5
on
the
front
PC-lO
circuit
board
(S).
25 (
V"'Connect
one
end
of a 41
h"
black
wire to
mounting
lug
Cof
the
four-section filter
capacitor.
Connect
the
other
end
to
eyelet
#6
of
the
rear
PC-lO
cir-
cuit
board
(S).
26(
W"'Connect
one
end
of a 61
/2"black wire
to
mounting
lug
Cof
the
four-section filter
capacitor
(S-2).
Con-
nect
the
other
end
to
eyelet
#6
on
the
front
PC-lO
eircuit
board
(8).
27(
~onnect
one
end
of
a
11;4"
red
wire to
pin
# 3 of
V-7
(8).
Connect
the
other
end
to
pin
#3
of V-8.
28(,0Connect
one
end
of a
21!z"
red
wire to
pin
#3
of
V-8
(8-2).
Connect
the
other
end
to
pin
#3
of V-6.
29
(U
Co~p.ect
.
one
end
of a11
14"
red wire
to
pin
# 3 of
V-6
(S-2).
Co~.he
other
encLt.9-Pin..#3 of-V-5,-
30
(VConnect
one
end
'of a
7."
red
wire
to
pin
# 3 of V-5
(8-2).
Connect
the
other
.fmd
to
lug
#2
(no
symbbl)
of
the
four-section filter capacitor.
31
(~Connect
one
end
of a11;4" green wire to
pin
# 2 of
V-7 of
the
front
PC-lO
(S).
Connect
the
other
end
JP.
eyelet
#9
(S).
-
32(~Connect
one
e~d
of a1Yt" green wire
to
pin
#2
of V-8 of
the
front
PC-lO
(S).
Connect
the
other
end
to
eyelet
#8
(S).
33(
~Connect
one
end
of
a1Yt" green wire
to
pin
# 2 of
V-5 of
the
rear
PC-lO
(S).
Connect
the
other
end
to
eyelet
#9
(S).
34(
~onnect
one
end
of a 1J
14"
green wire
to
pin
#2
of
V-6 of
the
rear
PC-lO
(S).
Connect
the
other
end
to
eyelet
#8
(S).
35(
'1""
Connect
one
end
of a 1
Y2"
green wire to
pin
# 9 of
V-8 of
the
front
PC-lO
(S-2).
Connect
the
other
end
to
eyelet
#
11
(S).
36(....,..-connect
one
end
of a
Ph"
green wire to
pin
# 9 of
V-6 of
the
rear
PC-lO
(S-2).
Connect
the
other
end
to
eyelet
#
11
(S).
37(
1>'Connect
one
end
of a41!z" green wire
to
eyelet
#2
of front
PC-10
(S).
Connect
the
other
end
to
eyelet
#10
(S).
38(
~onnect
one
end
of a4Yz" green wire
to
eyelet
#2
of rear
PC-lO
(S).
Connect
the
other
end
to
eyelet
#10
(S).
39(A'"
Twist
together
a
pair
of
black
and
green
wires,
each
3"
long.
Connect
one
end
of
the
black wire to
eyelet
#3
on
the
rear
PC-10
(S).
Connect
the
same-end
of
the
green wire
to
eyelet
#4
on
the
rear
PC-10
(8).
Connect
the
other
end
of
the
black wire to
pin
#5
of
V-5.
Connect
the
remaining
end
of
the
green
wire
to
pin
#4
of V-5.
40
(V!.wist
together
a
pair
of
black
and
green wires,
each
2%"
long.
Connect
one
end
of
the
black wire
to
pin
#5
of
V-5
(S-2).
Connect
the
same-end of
the
green
wire
to
pin
#4
of V-5
(S-2).
Connect
the
other
end
of
the
black
wire
to
pin
#5of V-6,
and
the
other
end
of
the
green
wire
to
pin
#4
of
V-G.
13
--
--
--------------
-----

41
(vf
Twist
together a
pair
of green
and
black wires,
each
2%"
long. Connect one
end
of
the
black wire to
lug
#1
of terminal
strip
T8-2;
connect
the
other
end
to
pin
#5
of V-6
(8-2).
Connect one
end
of the
green wire to lug
#2
of T8-2'. Connect
the
other
end
Jof
the
green wire to
pin
#4
of V-6
(8-2).
42(
~
Twist
together a
pair
of green
and
bla<;k
wires,
each
10%"
long. Connect one
end
of
the
black-wire to
eyelet
#9
on
PC-11
(8).
Connect
the
same
end
of
the
green wire to
eyelet
#10
on
PC-ll
(8).
Connect
the
other
end
of
the
black wire to lug # 1 of
tenninal
strip
T8-2. Connect
the
other
end
of
the
green wire
jto lug
#2
of T8-2.
43 (.,J)
Twist
together a
pair
of black
and
green wires, each
3"
long.
Connect
one
end
of the black wire to
eyelet
#3
on
the
front
PC-lO
(8).
Connect
the
same
end
of
the
green wire to
eyelet
#4
on
the front PC-lO
(8).
Connect the
other
end
of the black wire to
pin
# 5 of V
-7.
Connect the
other
end
of
the
green wire
j!!
pin
#4
of V-7.
44 (
V!wist
together a
pair
of black
and
green wires, each
2%"
long. Connect one
end
of the black wire
to
pin
# 5 of V
-7
(8-2).
Connect
the
same
end
of
the
green
wire to
pin
#4
of V-7
(8-2).
Connect the
other
end
of
the
black wire to
pin
# 5 of V-8,
and
the
other
end
of
the
green wire
to
pin
#4of V
-8.
45(Vf'Twist
together a
pair
of green
and
black wires, each
3"
long. Connect one
end
of
the
black wire to lug
#4
of
tenninal
strip
T8-2. Connect the same
end
of
the
green wire
to
lug
#5
of T8-2.
Connect
the
other
end
of
the
black wire to
pin
#5
of V-8
(8-2).
Con-
nect
the remaining
end
of
the
green wire
to
pin
#4
/!.f V-8
(8-2).
46
(1'>
Twist
together a
pair
of green
and
black wires each
12" long. Connect
one
end
of
the
black wire to eye-
let
#15
on
PC-11
(8).
Connect the
same
end
of
the
green wire to
eyelet
#13
on
PC-11
(8).
Connect
the
other
end
of
the
black wire to lug
#4
of
tenninal
strip
T8-2.
Connect
the
remaining
end
of
the
green
wire
to
lug # 5 of T8-2.
WIRING
TO
THE
PC-11 CIRCUIT BOARD
The
following wires
are
all
to be connected from
the
top
of
the
PC-11 preamplifier circuit board to
the
selector
switch.
To
make
the
wiring to
the
selector switch easier
when
it
is
done
later
in
the
assembly process,
the
wires
are
connected
to
the
circuit
board
now.
The
pictorial dia-
gram shows exactly which wires
are
connected
to
each
of
the
eyelets.
Insert
the
wires from the top,
and
solder
the
wires
in
place
by
heating
the
eyelets from below
the
board,
while
checkin~
the
eyelet
numbers to be
sure
that
they have
been
inserted
in
the
proper
eyelets.
\LENGTH
COLOR
EYELET
1(
Vl
1%"
red
#16
2('£{
2"
red
#17
3(
2%"
red
#14
4(0
1%"
red
#19
5(a
4"
red I
#20
6(
5Hblack
#5.
7(~
1%"
green
#2
8('
4"
green
#3
9(
~
51,4" black
#1
10(~
1%"
green
#8
H(
2%"
green
#11
12(
)
2"
green
#7'
14
FINAL
ASSEMBLY
The
top of
the
selector switch
is
marked
with ared dot.
With
the
shaft pointing toward you,
and
the
dot
at
the
top,
alocating lug
protrudes
from
the
left front.
The
pictori
diagram shows the
tenninal
numbers,
and
identifies
th
wafers
as
A
(front)
and
B
(rear).
Whenever
a
terminal
location has separate lugs
on
the
front
and
back
of
the
wafer, be
sure
you
solder each wire to
both
lugs.
1
(n
Connect one lead of a1.5 megohm (brown-green-
green) resistor to selector switch lug B-2. Connect
the
other
lead to lug B-5. .
2
(Y5
Connect one lead of a3.3
nf
capacitor
to
selector
switch lug B-5
(8-2).
Connect
the
other
lead to
lug B-2.
3
(VConnec1
one
lead of
the'
other
1.5 megohm (brown-
green-green) resistor to selector switch lug A-2.
"connect
the
other
lead to lug A-5.
4(v'fConnect
one
lead
of
a.
3.3
nf
capacitor to selector
switch lug A-5
(8-2).
Connect
the
other
lead to
lug A-2.
5("-'r"Attach
the
front
panel
sub-assembly to the main
chassis with four
sheet
metal screws, using two
on
each
side
in
the
holes provided.
Note
that
all
but
the
two wires from
the
stereo-mono switch
pass
under
the
chassis.
6(\IfCarefully install the selector switch
on
the
front
panel
as
shown
in
the
pictorial diagram.
Place
a
%" lockwasher
on
the
bushing
at
the
front
of
the
switch,
insert
the
switch
in
the
hole providf'd
on
the
front
panel
and
rotate
it
so
that
the
red
dot
which
indicates
the
top of
the
switch
is
toward
the
top
of
the panel.
In
this position
the
locating lug
on
the
front of
the
switch should engage
the
small hole
in
the
front panel.
Fasten
the
switch securely
in
plac
with a
%"
nut.
7(
~Connect
the
red
wire from
eyelet
#16
on
the pc-n
circuit board to lug A-7
on
the
selector switch
(8).
B(
if
Connect
the
red
wire from eyelet
#17
on
the
PC-11
circuit
board
to
lug A-9
on
the
selector switch
(8).
9(
lI"I
Connect
the
red
wire 'from
eyelet
#19 to lug
>-J;.
(8).
lOvP0sition
the
black wire from
eyelet
#5
over to
the
red
wire from
eyelet
#20
and
twist
them
together.
Position
the
twisted
pair
in
front of selector switch
wafer A(between the wafer
and
the front flange of
the
main
chassis).
Connect
the
red
wire to lug A-4
(8).
Connect
the
black wire to lug A-3
(8).
11
(~onnect
the
red
wire from
eyelet
#14
to lug
A-2
(8-3).
'
12
C0
Connect
the
green wire from eyelet #8to lug
B-7
(8).
13(lIIf
Connect
the green wire from
eyelet
#7to lug
B-9
(8).
14(
~
Connect
the
green wire from
eyelet
#2
to
lug?
fi-6
(8).
15(
"'1'
Position
the
black wire from
eyelet
#
lover
to
the
green wire from
eyelet
#3
and
twist them together.
Position
the
twisted
pair
in
front of selector switch
wafer B(between wafers B
and
A,
but
close
to
B).
Connect
the
green wire to lug B-4
(8).
Connect
the
black wire to B-3
(8).
16
C,j)
Connect
the
green wire from
eyelet
#11 to
lu
B-2
(8-3).
17
(\l'.Connect
the
red wire from
the
stereo-mono switch •
to lug
A-l.
-

18(y(Connect
the green wire from
the
stereo-mono switch
to
lug
B-lo
19
(
~
Connect
the
black wire of
the
red-and-black twisted
a
pair
from
the
balance
control to eyelet
#6
on
the
,'.
front
PC-10
(8-2).
This
is
the
second wire con-
.nected to this eyelet. Connect
the
red
wire of
this
pair
to eyelet
#7
(8).
20(
~
Connect
the
black wire of
the
green-and-black
twisted
pair
from
the
balance control
to
eyelet
#6
on
the
rear
PC-10
(8-2).
This
is
the
second wire
.connected to
this
eyelet. Connect
the
green wire of
.)his
pair
to
eyelet
#7
(8).
21
(
""'Feed
the
twisted
pair
of green wires from
the
pilot
light socket through
the
cable clamp. Connect one
of these wires to
lug
#4
of terminal
strip
-'1'8-2.
...£onnect
the
other
green wire to lug
#5
of TS-2.
22 (
"1'"
Place
the
main
chassis
upside
down so
that
the
front
panel faces you. Bring
the
rear
panel sub-assembly
close
to
the
proper
position (also upside
down),
but
do
not
fasten in place
at
this
time. Position
the
flat
four
conductor
cables
and
the
twisted three sets of
wires from
the
input
sockets
on
the
top side of
the
chassis. All
the
other
wires will be connected
on
the
.
~tom
of
the
chassis.
23
(~~nnect
the
black wire from the
ground
lugs
between
input
sockets #15
and
#16 to
mounting
lug Aof the four-section filter
capacitor
(8-2).
24
(Y1'"
Connect the black wire from
the
ground lug
on
the
output
terminal
strip
mounting
screw
to
lug
#3
of
terminal
strip
T8-l
(8).
25(
"'~onnect
one of
the
black power transformer
(PA-
y774) leads to lug
#1
of
AC
outlet
B
(8-2).
Connect
the
other
black power transformer
lead
to lug A
on
the
fuse holder
(8).
tt
NOTE:
If
u.inl<
the
120/240
volt
power
transformer,
PB-028.
replace
this
steP
with
the
steps
specified
on
Page
16.
26(A
Connect the longer black wire of
the
pair
from
the
power switch to lug # 1 of
AC
outlet
A.
Connect
the
other
black wire of this
pair
to lug
#2
of
AC
outlet
B
(8-2).
Position these twisted wires
under
the
;;able
clamp.
27
(\-("Cut
the
black, orange
and
yellow leads from
the
out-
put
transformer Z-565
nearest
to
the
rear of
the
chassis to
3/1
each.
Twist
these together
and
connect
the
black
lead
to
output
lug
#8.
Connect
the
orange
lead
td
lug
#2
(8).
Connect
the
yellow
lead
to
Jug #1.
28 (
'ItI'f
Connect
one
end
of a71
12/1
green wire to
output
strip
lug # 1
(8·2).
Connect
the
other
end
of
this
wire
/to
eyelet
#1
on
the
rear PC-lO
(8).
29
(./)
Twist
together
the
black, orange
and
yellow leads
from
the
output
transformer
nearest
to
the
front
of
the
chassis.
Place
these leads
under
the
cable clamp.
Connect the black
lead
to
output
strip
lug
#8
(8-3).
Connect
the
orange lead to lug
#6
(8).
Connect
the
.
yellow
lead
to
lug
#5.
30("A'"Connect one
end
of a
9"
red wire
to
output
strip
lug
#5
(8-2).
Connect
the
other
end
of this wire to
eyelet
# 1
on
the
front
PC-10
(8).
31
(
it
Connect
the
black wire from
lug
#2
of
the
right
-hum
control
to
lug
#2
(no
symbol)
of
the
four-
section filter
capacitor
(8·3).
Place
this
wire
against
.
~he
rear
panel.
r1
32(
11
Connect one of
the
green wires from
the
left
hum
~
control to lug
#1
of terminal
strip
T8-2
(8-4).
Connect
the
other
green wire to lug
#2
of
T8-2
(8-4).
Position these wires
under
the
cable clamp.
33 V
Connect
one of the green wires from
the
right
hum
control to lug
#4
of terminal
strip
T8-2
(8-5).
Connect
the
other
green wire to lug
#5
of
T8-2
(8·5).
Position
these
wires
under
the
cable clamp.
Now
tighten
the
hardware
holding
the
cable clamp.
34(.,t
Attach
the
rear
panel sub-assembly to
the
main
chassis with four sheet-metal screws, using two on
each
side in
the
holes provided.
35
(~Pass
the
line
cord
through
the
rubber
grommet
mounted
in the
rear
panel,
and
push
it
through far
enough to tie a
knot
4"
from
the
end.
Tie
the
knot
.
Then,
separate
the
two conductors of
the
line cord
for 2".
Cut
'h" from one of them,
and
strip
and
tin
~
ends
of both.
36
(VConnect
the
shorter
of
the
two line
cord
conductors
to
lug
#2
of AC
outlet
A
(8-2).
Connect
the
longer
conductor to lug
#1
of
AC
outlet
A
(8-2).
Now
tum
the
chassis over.
37(vj
Twist
together the two red wires from
input
sockets
#9
and
#10
and
the
black wire from
the
short
lugs
between them. Connect
the
red
wire with
the
pre-
viously
bent
end
to
eyelet
#18
on
the
PC-ll
cir-
cuit
board
(8).
(Note
the
correct wire position
shown on
the
pictorial diagram.)
Twist
another
tum
of
the
black wire
around
the
remaining
red
wire
and
connect
the
black wire
to
eyelet
#5
on
the
PC-ll
circuit
board
(8-2).
This
is
the
second wire con-
nected
to
this
eyelet. Connect
the
remaining
red
wire to lug A-8 of
the
selector switch
(8).
Position
these wires from
the
rear
panel
against
the
main
chassis.
38(~ist
together
the
two
gr~en-·Wires
from
input
sockets
#1
and
#2
and
the
black wire from the
short
lugs betweeft them. Connect
the
green wire
with
the preyiously
bent
end
to
eyelet
#6
on
the
PC-ll
circuit
board
(8).
(Note
the
correct wire
position shown
on
the
pictorial
diagram.)
Twist
another
tum
of
the
black
wi,re
on
the
remaining
green wire
and
connect
the
black wire to
eyelet
# 1
on
the
PC-ll
circuit
board
(8-2).
This
is
the
second
wire connected to this eyelet. Connect
the
remain-
ing
green wire to lug B-8 of the selector switch
(8).
Position these wires from
the
rear
panel
against
the
main
chassis.
39 (
eI
Connect
the
yellow wire from
input
socket #16 on
)he
rear
panel to lug A-I of
the
selector switch
(8-2).
40(
D(Connect the orange wire from
input
socket
#15
to
/Iug
A-12
(8).
41(""') Connect
the
red
wire from
input
socket
#14
to lug
A-ll
(8).
42~
Connect the brown wire from
input
socket
#13
to
lug A-lO
(8).
43
(v{
Connect
the
yeUow wire from
input
socket # 8 to
lug B-1
(8-2).
44(JConnect
the
orange wire from
input
socket
#7
to
lug B-12
(8).
45(
VConnect
the
red
wire from
input
socket
#6
to lug
B-ll
(8).
46
(J
Connect
the
brown wire from
input
socket # 5 to
lug B-lO
(8).
This
completes
the
wiring of the..-ubit. DO
NOT
PLUG
IN
THE
AC CORD
UNTIL
THE
TUBES
HAVE
BEEN
INSTALLED
AND
THE
COVER
AND
BO'ITOM
PLATE
ARE
SECURELY
IN
PLACE.
15

SPECIAL
INSTRUCTIONS FOR OPTIONAL
120-240
VOLT POWER TRANSFORMERS
BLACK
BLACK
Dynakit
8CA-35 amplifiers
supplied
with optional power
transformer PB-028
can
be
wired for
use
with
either
120
or 240 volt, 50
or
60 cycle,
AC
power sources,
as
follows:
For r
20
Volt
Operation
1( ) Connect
the
black lead from
the
power transformer
to lug
#1
of AC
outlet
B.
2( )
Connect
the
black-and-white
lead
from
the
power
transformer to lug #1of AC
outlet
B
(8-3).
3( ) Connect
the
violet lead to lug Aon
the
fuse hoide
4(
)Connect
the
violet-and-white lead to lug Aon
the
fuse holder
(8-2).
VIOLET
a
WHITE
t
BLACK
aWHITE
.
VIOLET
240·yolt
•
VIOLET
aWHITE
I
BLACK
aWHilE
,
.
VIOLET
120·Yol'
The
bottom
plate
and
the cover
are
attached
at
the
same
time, by
setting
the
amplifier chassis
on
the
bottom plate,
which fits outside
the
main
chassis,
and
then
lowering
the
cover
onto
the
chassis.
The
chassis, bottom
plate
and
cove
are
fastened together by four
sheet
metal screws throu
the
sides of
the
cover.
This
should be done before
the
fron
panel
is installed.
Install
the
pilot
light
jewel
by
in-
serting
it
from
the
front of
the
panel,
gripping
the
jewel
spring
with pliers
to squeeze
it
open,
and
sliding
the
spring over
the
jewel
to
hold
it
in
place.
The
panel
should
then
be
placed
over
the
control shafts,
and
%"
nuts
placed
on
the
control
shaft
bushings
to
hold
the
panel
in
place.
Use
care
in
attaching
the
nuts
to avoid scratching
the finish of
the
panel.
The
cover
can
afterward
be removed,
if necessary,
without
removing
the
front panel.
All
the
knobs of
the
8CA-35 use small
set
screws to
secure
them
to
the
shafts. Asmall tip screwdriver is
required.
The
two large knobs go
on
the
selector switch
shaft
and
the
volume control shaft.
The
selector switch
shaft
has aflatted portion,
and
the
set
screw
in
the
knob
should be tightened
against
the
flat.
Then
when
the
knob
is
rotated
fully counter-clockwise,
the
index
mark
on
the
knob
should
point
to
"Tape
head".
The
balance control
and
volume control knobs should be
set
so
that
the
full counter-clockwise
point
corresponds to
7o'clock
on
aclock face,
and
then
full clockwise
rotation
will correspond to 5o'clock.
This
makes
the
index on
the
balance control
point
to 12 o'clock for nominally
balanced
operation. However,
either
of these knobs
can
be
installed
offset if desired so
that
the
12 o'clock position represents
average volume
and
balance
in
your
individual system.
The
bass control knob should be
set
so
that
full counter
clockwise is
at
6o'clock,
and
the
treble control knob
set
so
that
full clockwise is
at
6o'clock.
The
12 o'clock position
will
then
be
the
electrically "flat"
setting
for each.
Tum
the
chassis upside down,
and
shake
it
vigorously to
dislodge
any
wire clippings
or
bits of
sol~er.
.
The
tubes
and
the
fuse should now be mstalled.;
the
pIC-
torial
diagram
shows
the
location of each tube.
IMPOR-
TANT:
When
inserting
the tubes
in
their
sockets for
the
first time,
the
socket should be
supported
from below
the
chassis to avoid
strain
on
the
circuit
board
because of
the
tight
fit of
new
sockets.
V-I
and
V-2
are
12AX7;ECC-83
tubes
and
are
installed
in
PC-ll.
V-3
and
V-4
are
7199
tubes; one of each is
installed
on each
PC-10
in
the
socket
closest
to
the
PC-ll
board. V-5, V-6, V-7
and
V-8
are
6BQ5;EL-84/7189 tubes,
and
they
go
in
the
remaining
PC-10 sockets.
Insert
the
pilot
lamp
in
its
socket.
The
four
rubber
feet should be
installed
in
the
corner
holes of
the
bottom plate.
To
mount
each foot,
insert
a
#6
machine screw
in
the
recessed
end
of
the
foot,
and
secure
it
with
a
#6
nut
on
the
inside of
the
bottom
plate.
PLACES
TO DOUBLE-CHECK
AFTER
WIRING
Be
sure
that
all
mounting
screws
and
nuts
are
tight.
Compare
the
wiring of each of
the
tube sockets
to
that
shown
in
the
pictorial diagram. All connections should be
securely soldered, with enough space between connections
to
the
tube
socket connecting lugs so
that
there is
no
chance
of
an
accidental short-circuit.
Compare
the
wiring to each lug of
the
filter capacitors
to
that
shown
in
the
pictorial
diagram. Check carefully to
see
that
all connections
have
been soldered,
and
that
excess
lead
length
has
not
caused
any
connection to short-circuit
to
the
chassis.
Examine
all
connections with
particular
care,
to
be sure
that
none
of
them
have solder blobs which
project
enough
to touch
the
bottom
plate
when
it
is installed. Check
the
terminal
strips
and
the
filter capacitors
in
particular.
Check
each
lug on
each
of
the
controls
on
the
front
panel, to be
sure
that
all of them
have
been soldered.
Check
the
twisted wires
at
the
ends
where
they
have been
soldered to see
that
the
insulation has
not
melted
to cause
a
shorted
condition.
This
will occur
if
too
much
heat
has
been
applied
when soldering these wires
and
they have been
twisted too tightly.
Pay
particular
attention
to
the
leads
going to
pins
#4
and
#5
of tube sockets V-5, V-6, V-7
and
V-B,
and
to lugs
#1,
#2,
#4
and
#5
of terminal
strip
T8-2.
The
wires to
the
selector switch
should
be positioned
as
shown below.
Note
particularly
the
twisted
pairs
to
lugs A3
and
A4,
and
to lugs B3
and
B4.
These
should
be close
to
the
front surface of
each
wafer.
16

for
240
Volt
Operation
1( ) Connect
the
violet-and-white
lead
to lug # 1 of ter-
minal
strip
TS-l.
)Connect
the
black-and-white
lead
to lug
#1
of ter-
minal
strip
TS-1
(S-2).
3( ) Connect
the
black
lead
to
lug # 1 of
AC
outlet
B
(S-2).
4( ) Connect
the
violet lead to lug Aon
the
fuse
.holder
(8).
When using
the
240 volt connection, aone
ampere
slo-
blo fuse should be
used
instead
of
the
two
ampere
fuse
recommended for
the
120 volt connection.
IN
CASE
OF TROUBLE
Although
your
SCA-35 should function
properly
after
assembly, sometimes
an
error
of wiring
or
adefective com-
ponent
may
require trouble shooting.
The
location of a
difficulty
can
be determined most efficiently if asyste-
matic
approach
is
used.
This
is based
on
understanding
the
inter-relationship between
the
different sections of
the
circuit,
and
reference to
the
section which describes
the
circuit will be helpful in achieving
this
understanding.
The
suggestions for servicing which follow
are
based on
trying
to localize the circuit section which is
at
fault.
Naturally,
you
should
check
and
double check
your
wir-
ing
as
afirst
step
in trouble shooting.
It
is good
to
have
somebody else check
it
through for you,
as
he
may
see
an
error
which
you
overlook consistently.
This
checking
can
be done with
the
pictorial diagrams
or
with
the
step-by-
step instructions.
If
you
use both,
you
will have adouble
check
on
the
accuracy
of wiring. Look
not
only
to see if
all
ires
and
components
go
to
the
correct points,
but
also to
see
that
all
solder connections
are
good
and
that
no
wires
or
parts
touch spots where
they
should not. Sometimes a
bit
of solder will
run
from one
point
to
another
where no
connection is desired. Sometimes alead is left too long
and
hangs out, touching
another
point. All connections
should be examined
with
this
in mind.
Another
source of trouble is
that
wires
are
twisted so
tightly together
that
they
break
through
the
insulation
and
cause
short
circuits -
or
the
wire itself
may
be broken
within the insulation if twisted too tightly.
One general test should be
made
before serious trouble
shooting begins.
This
is to determine whether
the
fault
is
in
the
SCA-35
or
in
associated equipment. Sometimes, con-
nections to
the
loudspeakers
are
at
fault,
or
it
may
be
that
the
pickup cartridge is
not
connected properly in
the
player.
Pilot
Light
and/or
Tubes
Do
Not
light
If
after
plugging
the
SCA-35
into
an
AC
outlet
and
turning
the
power switch on,
the
pilot light does
not
go
on,
see whether
there
is a
normal
glow
in
the
center
of
the
tubes.
If
the
tubes glow while
the
pilot
light does
not
light,
then
the
fault
is in
the
pilot
light itself -
and
the
bulb
should be replaced -
or
in
the
wiring to
the
pilot
light
socket.
This
wiring should be traced to see whether
the
connections
are
correct
and
soldering makes good contact.
If
some of
the
tubes light,
but
others
do not,
then
the
heater
wiring to
the
unlighted
tubes
should be traced.
There
are
two sets of
heater
wires, a
set
for
each
channel, one of
~hich
is brown
and
brown-white,
the
other
green
and
green-
\
....
hite.
These
should be traced from
the
PA-774 transformer
to TS-2 to see
if
the
wiring compares with
the
pictorial
diagram.
If
all
the
tubes
in
one
channel
light,
but
none
in
the
other
channel,
interchange
the
brown with green wires
and
brown-white with green-white
temporarily
to
determine
whether one of these sets
of
windings is defective.
For
example,
if
the
interchange
should
make
tubes
light which
were formerly
not
lighted,
then
there
is
nothing
wrong
with
the
wiring to the tubes,
hut
most probably there is
something wrong with
the
wiring from
the
transformer
(which should be
returned
to
DYNA
Company
for replace-
ment
in
this
case).
This
principle of
substitution
is helpful
for locating
the
source of trouble.
If
neither
tubes
nor
pilot lamp light,
then
the
first
thing
to check is
the
fuse.
If
this is blown,
another
of
the
same
rating
should be used, 2
ampere
(except
1
ampere
for 240
volt
models).
If
the
second fuse blows,
then
it
is essential
to
determine
the
reason for this
instead
of continuing to
replace fuses.
Under
no circumstances should. afuse
of
higher rating be used.
Siown
fuses
The
fuse will blow
if
there
is a
short
circuit in
the
equip-
ment.
If
an
ohmmeter
is available, resistance measurements
should be
made
at
the two
and
four-section electrolytic
capacitor
terminals.
Unplug
the
power cord
and
discharge
each section of
the
capacitor
to ground before making
any
of
these
measurements.
The
resistance to ground should be
over 50,000 ohms
on
all sections except
the
blank
terminal
of
the
four-section
capacitor
where
it
should be
about
95
ohms. Any lesser resistance values indicate
either
capacitor
failure
or
a
path
to chassis which
should
not
exist. Discon-
nect
wires to each
capacitor
section to isolate
the
capacitor.
All sections should
read
high resistance once wires
are
disconnected -if not,
the
capacitor
is
at
fault.
If
one of
the
silicon diodes is defective,
or
if
it
has been
installed
backwards,
the
four-section
capacitor
will prob-
ably
have been
permanently
damaged.
In
similar
fashion,
if
the
four-section
capacitor
is defective,
it
may
cause the
failure of
the
silicon diodes. Therefore, if
either
capacitor
or
diodes
are
found to be
at
fault, both should be replaced.
Blown fuses
can
also indicate adefective PA-774 trans-
former
(though
this
is
a
rare
possibility).
To
check for
this, disconnect all leads of the PA-774 except the two
black
primary
leads;
and
with these leads
in
position where
they touch
neither
each
other
nor
other
components, plug
in
the
unit
and
turn
it
on.
If
the
fuse blows
under
this con-
dition, the trouble is definitely in
the
PA-774.
If
the·PA-774
is proven satisfactory
in
this test,
test
the
diodes
and
capacitors
by
disconnecting all wires to
the
capacitors
except
the
wire from lug
#2
on
TS-l
to lug
#3
of
the
four-section filter capacitortleaving
the
resistors on
the
capacitor
terminals.
If
plugging in
the
unit
and
turning
it
on
then
does
not
blow afuse, these components
are
exoner-
ated,
and
it
is necessary to seek a
short
circuit elsewhere
in
the
circuit.
The
output
tubes
can
be tested
as
the
source of blown
fuses by removing all
the
6BQ5's
simultaneously
from
their
sockets.
If
this cures fuse blowing,
then
one of
them
is
probably bad.
The
unit
should
never be
operated
with
only
one, two
or
three
of
these
four tubes
inserted
or
damage to
the
remaining tubes is probable.
Heater
glow
at
the
top
and
bottom of each tube is normal,
but
if
the
plate
(the
large
black metal
part)
of
the
output
tubes glows red
it
indicates
aprobable
short
in
the
tube
or
at
pin
#3
of
any
of
the
out-
put
tube
sockets,
or
a
short
to
the
chassis of some
part
of
the
heater
wiring.
17

Both
Channels
Not
Working
Should
neither
channel
function,
there
is
the
possibility
that
a
similar
mistake
has
been made in
the
wiring to both
sides.
This
is
an
unlikely situation,
but
it
should be checked
by visual comparison of
the
wiring with
the
diagrams.
Generally,
the
cause of
malfunction
of
both
channels
together lies
in
the
one section of
the
unit
which
is
com-
mon to both channels -
the
power supply.
The
checking of
this
section is covered earlier.
It
is also possible
that
the
unit
is working on
radio
or
other
high level
input,
but
not
on phono
or
tape
head.
If
this is
true
for
both
channels
together, then
the
power
supply
wiring which connects to
the
PC-ll
board should be
checked,
as
this is
the
only
element
common to both chan-
nels in
the
preamplifier section.
One
Channel
Not
Working
If
tubes
in
one
channel
do
not
light,
the
heater
circuits
must
be checked
as
described above.
Tubes
can
be inter-
changed between
the
two sides to see if
substitution
shows
up
a
faulty
tube.
If
this cures
the
bad
channel,
then
evi-
dently
the
faulty tube has been located.
If
it
is
not
a
tube
which causes
the
trouble,
then
it
is
necessary to determine whether
it
is
in
the
preamp
section
(the
PC-ll)
or
the
amplifier section
(the
PC-lO).
If
radio
input
is
satisfactory while
phono
is not,
then
the
trouble
is
in
the
PC-ll
section which
handles
phono
and
tapehead
inputs,
or
in
the
wiring associated with
the
selector switch.
If
no
inputs
function,
then
the
difficulty is
either
in the
front panel wiring which includes the tone control sections,
or
in
the
PC-lO
section
or
in
the
Z-565
output
trans-
former which connects to
that
channel.
The
wiring of the
front
panel
must
be
carefully
compared
on both left
and
right
channels.
It
is possible to re-do
the
wiring
and
to inter-
change
the
two PC-lO
boards
to
determine
whether
the
fault
is
on
one of these.
It
is also possible
to
interchange
the
Z-565
output
transformers
to
try
to
isolate
the
trouble.
However, afault
in
the
output
transformer is most unlikely,
and
this should be tried
as
a
last
resort.
If
both
channels work
on
radio
or
other
high level
input,
but
only
one works
on
phono or tapehead
input,
then
the
trouble is in
either
the
PC-ll
board
or
in
the
selector
switch
or
in
the
front
panel
wiring from selector switch
through
the
front panel controls.
The
PC-ll
board has
both
preamplifier sections
in
aparallel
arrangement,
so com-
parison visually of wiring
and
parts
should
indicate
whether
there
is
any
difference between these sections.
Each
section of
the
selector switch should be identical
in
appearance
and
in wiring.
These
should be compared care-
fully.
The
12AX7's on
the
PC-ll
should be interchanged to
see if one is
at
fault.
Hum
and
Noise
If
the
unit
is working,
but
there
is excessive
hum
or
noise,
the
first
step
is to see whether
the
trouble is in
the
SCA-35
or
associated equipment.
The
SCA-35 should be
checked alone, with all
other
equipment
except
the
speakers
disconnected,
and
with
the
cover
and
bottom
plate
on
the
SCA
secured in place.
If
the
hum is reduced
without
the
other
equipment,
then
it
will be necessary to determine
what
kind
of ground connections
are
necessary between
equipment
to
reduce
the
hum. Sometimes connecting wires
from chassis to chassis
are
good, sometimes
they
are
harm-
ful. Reversing line plugs on associated
equipment
may
be
helpful.
It
must
be
understood
that
hum
which disappears
when associated
equipment
is disconnected
or
turned
off,
is
not
aproblem of
the
SCA-35.
18
Hum
which persists
after
other
equipment
is eliminated
as
asource of trouble
is
generally a
result
of
either
faulty
wiring
or
afaulty tube. Wires which
are
not
positioned
as
shown
in
the
diagrams,
may
be a
cause
of hum.
This
.
particularly
true
for
the
wires which lead from
the
PA-7
transformer, since these wires
carry
AC
currents
which
may
be asource of hum.
If
a
tube
causes
the
problem, then
it
is
not
likely to
appear
in both
channels
simultaneously.
If
the
hum
is loud
with
the
volume control
turned
.down,
then
it
is most likely
to be associated with
the
7199 tube.
If
it
occurs
on
phono
or
tapehead
inputs
with
the
volume
turned
up
abit,
then
it
is
most
likely to be associated with
the
12AX7 tube for
the
channel which shows
the
hum.
These
tubes
can
be
checked
by
substituting
in
the
other
channel.
An
objectionable level of hiss is
most
likely caused by a
defective resistor
on
a
printed
circuit
board.
If
it
is
heard
with
the
volume
turned
down,
it
is likely to be
part
of the
7199
circuit
-
it
can
often be located by wiggling
the
body
of
the
resistor (using insu]ated pliers) to see if
the
hiss is
affected.
If
it
is on
phono
or
tapehead
input,
with volume
turned
up,
then
the
same possibility
applies
to
the
12AX7
circuit.
Some
hum
and
hiss will always exist -
depending
on
speaker
efficiency
and
other
factors. However,
it
should be
negligible
at
normal listening levels.
At
very
high
levels,
some noise will always be audible,
but
of course this will be
masked
by
the
loud sound.
With
the
volume control
at
minimum, noise with a
shorted
input
should be less
than
2
millivolts across
the
16 ohm
output;
with volume
at
maxi-
mum,
it
should
not
exceed 40 millivolts
at
this point.
Sometimes,
the
magnetic field
around
the
PA-774 trans-
former
may
cause some vibration of
the
cover which is
audible
as
abuzzing sound.
This
can
be e]iminated by
placing a' small wedge of fibreboard
or
wood
on
top of
th
transformer, between
it
and
the
cover.
Distorflon
If
distortion is encountered,
the
first thing to do is to
make sure
that
all
inputs
and
outputs
are
properly con-
nected
and
properly
functioning.
If
the
leads to aloud-
speaker
have
frayed cables
and
touch
several screws simul-
taneously,
this
can
be asource of distortion.
If
aceramic
cartridge is
inserted
into
the
magnetic
cartridge
input
(or
if a
tape
amp
goes
in
the
tapehead
input)
there will be
overloading of
the
input
and
severe distortion.
If
the
trouble seems to be
in
the
SCA-35,
then
determine
if
it
is
in
one channel
or
both.
If
in both channels,
the
only
circuitry
common to
both
channels is
that
of
the
power
supply
and
the
95
ohm
resistor in
the
cathode circuits of
the
6BQ5 tubes.
If
only
one
channel
has
distortion, tests similar to those
described previously should be used to localize
the
prob-
lem
and
tubes should be
interchanged
to
see if they
are
a
cause of it.
Inspection
of
parts
on
the
printed
circuit boards
should
be
made
to see if both sides of
the
circuit
are
identical.
Voltage
Measurements
The
voltage
chart
shown with
the
schematic diagram will
be of considerable
aid
in troubleshooting if
there
is
a
vacuum
tube
voltmeter
or
similar
test
instrument
available.
Voltages
through
the
circuit
should
be compared carefully
with this chart. Deviations
up
to 20%
are
not
signs 0
abnormality,
but
past
this
range
they
indicate amalfunc
tioning of
the
circuit
at
that
point.
Such
measurements
can
help
to
locate defective
parts,
miswiring,
or
bad
tubes.
-

volume
balance
bass
co
treble c
hum
co
V 1 1
V 2 1
V 3 •
V 4
V 5
V 6
V 7
V 8
o
D 2
All
resistors are
Y2
watt, 10% unless otherwise noted.
R35 470.000 ohms C 9 330
pf
mica
5%
R36 470,000 ohms C10 3.3
nf
10%
R
37
82,000 ohms 5% C
11
10 nf 10%
R38 22.000
ohms
C12 10
nf
10%
R39 2200 ohms 1watt C13 3.3
nf
10%
R40 2200 ohms 1watt C14 3.3
nf
10%
R
41
50
ohms
5watts C
lS
22 nf 10%
R
42
95
ohms
5watts
5~
C16 22 nf 10%
..
C17
.lmfdI16V.
C1
.1.
mfd @16
v.
C18 1mfd
250v.
C222 nf @400v. C19
.1
mfd 400
v.
C3
.1
mfd
@4oov.
C20 1mfd 400 v
C4330 pf mica 5% C
21
i2
pf @600
v.
5%
c53.3 nf 10% C22 .02 mfd @500
v.
C 6
.1
mfd @16
v.
C23
50/50
mfcl
@
450
v.
C 7
22nf@400v.
C2460/40/[email protected]
C8
.1
mfd @400
v.
100 @25
v.
1.2
megohms
47,000 ohms
390 ohms
18,000 ohms 5%
100,000
ohms
5%
4~000
ohms
1.:>
megohms
10,000 ohms
10,000 ohms
18,000 ohms
18,000 ohms
4.7
megohms
270.000 ohms 1watt
5%
560 ohms 5%
22,000
ohms
1watt
5%
120,000
ohms
5%
27,000 ohms 1watt 5%
R
18
R19
R20
R21
R22
R
23
R24
R25
R26
R27
R
28
R29
R30
R
31
R32
R33
R34
1.2 megohms
150,000 ohms 1watt 5%
5,600 ohms 5%
120
ohms
1watt 5%
120
ohms
1watt 5%
1.2
megohms
47,000
ohms
390 ohms
18,000 ohms 5%
100,000 ohms 5%
47,000 ohms
1.5
megohms
1.2
megohms
150,000 ohms 1watt
5%
5,600 ohms 5%
120
ohms
1watt 5%
120 ohms 1watt 5%
R 1
R 2
R 3
_i
R 7
R 8
R 9
R10
R
11
R12
R13
R14
R15
R16
R17
19
VOLTAGE
CHART
~
tlNtlSED PINS
MAY
HAVE
INTERNAL
CONNEI
SOME
TtlBES
(DEPENDING
ON
BRAND),
MAYI
PEAR
AT
THESE
POINTS.
VOLTAGES
MEASURE
f)
WITH
V.
Tv.
M.
PIN I2345
via
V2
180
-.2
.5
6d
(12AX7) I
V3aV4
r----l
(7199) 255
55
32
6.3
AC
V-5-6-7-8
0"
r----l
(68Q5)
0
16
6.3
A
TS-I
LUG
0
380
0
315 315
...
•
.to
-
C24
LUG
380
370
350
14
...
•
C23
LUG
320
250
ST~"EOI
"0"0
Ri5
7
CII
CI3
0:
~~
/
~
or
'r/
:1
(
"V
tr
rI
."
CI2
~I
:II '
..
31
'•
0•
I
g,
•
112
:
:1
I
..
R271
..
z
..
III
gl
I
31
'"r'
"-
"
"-
110
1,,
I
I
l
::
:
•
•
E
..
-
HI
LEVEL(ot'---+;
SPAREl~----o
TO
TAPE
RECORD(Ot~-----r1""'-""-""'--:
RAOIO(~---o
PHONO
FROM
TAPE
AMP(~-----()
RAOIOCo}------<>
HI
LEVELlQ1'---+,
FROM
TAPE
HO(Q'~-""""-o
FROM
TAPE
AMPfoT------<>AII
SPARE~
__
---()
LO
LEVELl
C»--'-.IJ'--o
TO
TAPE
RECORO(~----~!-o'-"';";_
LO
LEVEL(~--+J~
e
FROM
TAPE
HOll»---.I-<lU

SCHEMATIC
DIAGRAM
Silicon rectifier, 500
ma,
1000 PIV
2Silicon rectifier, 500
ma,
1000 PIV
'olume control-250,OOO ohms
lalance control-750,OOO ohms
lass
control-2
megohms
reble control-500,OOO ohms
lum control-l,OOO ohms
, 1 12AX7/
ECC-83
, 2 12AX7/ECC-83
, 3 7199
, 4 7199
, 5 6BQ5/EL-84
, 6 68Q5/EL-84
, 7 68Q5/
El-84
, 8
6BQ5/El-84
IART
56789
i.3
10~
0.25
At
--,
U
.7
0
70
55
AC
--,
0*
360
0·
;,3
365
At
315
~
IL
CONNECTIONS,
THEREFORE
lOJ,
AlAYHAVE
VOLTAGES
AP-
V,M.
TO
EYELET
12
PC-II
C23
J
~24
~_-.-'V..::.:[L~
16il
)o-_+,O=.::A~
8il
c
'----;f-8,LK
~----'T"""'"
~
Q:
W
111:
ce
W
...
C22
en 4
Q:
...
BLJ:
J20
...
z
...
AC
v
ac
0
Q:
...
...
PA-774
:.
:::)
...
....
v
....
z
~
v
".-_-t-'v",n'-f2}
16il
>--_+-,O!.!!.A~
ao
c
...
20
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