Eden World Tour WTX1000N Powered Navigator User manual

THE LEADER IN BASS AMPLIFICATION
World Tour
Bass Guitar Amplifier
Covering Model
WTX1000N Powered Navigator
Never Compromise
©04-16-2009 by U.S. Music Corp.

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Bass Guitar Amplifier
WTX1000N Powered Navigator
OPERATION MANUAL
Publishing Date 04-16-2009
FOREWORD
Congratulations on the purchase of your new Eden World Tour Integrated
Amplifier System. All of us at Eden are totally committed to providing you
with the very best bass guitar systems in their class. Our goals are to offer
you the outstanding performance quality of a top-notch, professional bass
amplification system at a reasonable price point and t o make World Tour
amplifiers the most musical and reliable Bass amplifiers available.
This manual will cover domestic and international versions of the WTX1000N
Powered Navigator Amplifier.
The WTX1000N is one of the most sophisticated Amplifiers on the market
today. This compact, rack mountable package houses modular circuits made
with superior components and designed for years of trouble-free service. It
boasts numerous patching options to connect with virtually all outboard gear. In
addition, weve incorporated a Tube Character circuit that allows the user to
control the amount of tube warmth in their sound, and more complete
compressor controls to help dial in the exact amount of compression you
need. To be blunt, if you cant do it with a WTX1000N, you probably
shouldnt be doing it any way.
The Eden World Tour product group is the result of our quest for ultimate
bass tone and maximum reliability. Your amplifier was designed, engineered
and manufactured equivalent to aircraft vibration standards and housed in a
one-piece aluminum case with steel top to ensure maximum reliability. The
modular design allows quick repair in the field should the need arise.
The Eden line of World Tour amplifiers is the result of our research and
development in combining high performance and compact size. Just as a
skilled craftsman needs good quality tools that won't let him down on the
job, so does a good musician. We hope you enjoy the tool weve created for
you. Have fun; play low!

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Please read this manual in its entirety before operating your new amplifier.
Failure to do so could result in misuse or damage. Weve taken the time to
write it, which was a lot longer than the time it will take for you to read it.
Help us help you by taking a few moments to learn how to properly use your
new amp. Youll be glad you did!
CAUTION!
Your ears are your most important piece of
equipment. Unfortunately, they cannot be replaced
as easily as your other gear. Please take the
following warning seriously.
This product, when used in combination with
loudspeakers and/or additional amplification may
be capable of producing sound levels that could
cause permanent hearing loss. DO NOT operate at
high volume levels or at a level that is
uncomfortable. If you experience any discomfort or
ringing in the ears or suspect hearing loss, you
should consult an audiologist.
Thank you for your purchase of an Eden bass
guitar product. This unit has been designed and
constructed to give you years of trouble-free service.

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FRONT PANEL FEATURES
Input Jack  Designed to accept a standard 1/4-inch mono phone plug. For
best results use a high quality shielded cable to connect your instrument to
the amplifier. The input is buffered and will handle standard passive, high
level active, and piezo input signals.
Mute switch  Mutes all the outputs except the Tuner Out, allowing for
silent tuning. Lead singers and guitarists love this feature! The indicator to
the left of the switch lights up when Mute is ON. This switch is duplicated
on the footswitch.
Compressor Bypass switch  Disengages the compressor circuit. The
indicator to the right of the switch lights up when the compressor is
disengaged. This switch is duplicated on the footswitch.
Gain Control  Regulates the first gain stage of the preamplifier and
controls the amount of signal available to the system.
Set Level Indicator  This light helps the user set the appropriate amount of
gain. When set properly, the indicator should light on your loudest/lowest
notes. Well go over this in more detail later in the manual.
Compressor Ratio and Threshold Controls The WTX1000N's internal,
studio-quality compressor uses a dbx-style, state of the art compressor chip
with a fully adjustable Ratio and Threshold. Ratio sets the amount of
compression, while Threshold determines when compression will take place.
Tube Character Control  Controls the amount of tube grit in your
sound. This unique feature allows you to set up the exact amount of edge, or
tube-style distortion, you need for your sound. The effect produces a subtle,
soft asymmetric (single-sided) distortion. It operates like a vacuum tube in a
light overload condition, producing a warm character. The overall effect is
much more pronounced at higher input levels. With the control set at the far
left position (sine wave), there is no effect on the signal. As you turn the
control toward the right side (square wave), the effect becomes more
noticeable.
Enhance Control  Called the Magic Knob by some, this complex
control simultaneously boosts the very low bass, upper middle, and high
frequencies while putting a dip in the lower middle frequencies.
It is flat when set to its minimum level (fully counterclockwise).

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Enhance Bypass Switch  disengages the Enhance control for a quick
change in tone. The indicator to the left of this control will be lit when the
Enhance circuit is bypassed. This switch is duplicated on the footswitch.
Turbo Boost Switch  Engages the +6dB Turbo Boost for instant volume
change. The indicator to the right of this switch will be lit when the boost is
activated. This switch is duplicated on the footswitch.
Tone Control Section
These controls allow you to boost or cut the tone at the desired frequency.
The spacing allows the controls to interact smoothly and musically. From
left to right, the controls and switches are:
Bass  This traditional shelving tone control provides 15 dB of boost or cut
at approx. 30Hz. The control is flat in the 12:00 position.
Semi-Parametric Controls
There are three sets of semi-parametric controls. Each set has a Frequency
control (top knob) and a Level control (bottom knob). The Level controls
provide 15 dB of cut or boost. The control is FLAT in the 12:00 position.
From left to right, the Frequency controls have the following ranges:
30-300Hz 200Hz-2Khz 1.2-12Khz
Treble  This traditional shelving tone control provides 15 dB of boost or
cut at approximately 11KHz. The control is flat in the 12:00 position.
EQ Clip Light  indicates clipping in the EQ section. Clipping is a very
bad thing and should be avoided at all times. Well tell you how to avoid
this later in the manual.
D.I. Select Switches  The D.I. on the WTX1000N can be set to three different
places on the signal chain: Pre-compressor and EQ, Post-compressor/Pre-
EQ, and Post-compressor and EQ. Use these switches to choose the point at
which the D.I. is sent.
D.I. Level Control  controls the gain of the D.I. In general, it is better to
send a hotter signal and pad it at the board than it is too send a weak signal.
However, this control allows you to adjust the D.I. to work with virtually all
boards.

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Mode Selector Switch  Your WTX1000N can be operated in Stereo or
Bi-amp mode. This switch allows you to choose which mode is used.
Limit Switch  This switch enables the internal stereo Output Limiters to be
engaged with the final Main Outputs. The Limiters are calibrated to two
standard Power Amplifier input voltage requirements: high voltage standard
(such as a Crown amplifier) @ 2.8VRMS and low voltage standard @
1.4VRMS. The selector switch for this is located inside the unit on the right
side of the top front PC board. This should be set up by a qualified service
tech to match the input specifications your particular amplifier at the time of
purchase. Your unit was shipped with the switch in the higher limit position.
This feature gives you the additional safety of having onboard limiting
available for your large power amplifier without the additional cost of an
outboard comp./limiter. With the Limiter switch in the off position, the Main
sends can reach +21 dBm.
NOTE: The limiters will also effect the Headphones and the Stereo D.I.
output.
Side Chain Level Control  This control sets the amount of side chain
effects return that is blended into the original signal.
Crossover Control  Determines the crossover point between amplifiers
when in Bi-Amp Mode. In all other modes of operation, this feature is
defeated.
Aux In Level Control  Sets the level for the stereo Auxiliary Inputs.
Balance Control  Balances power between the two amplifiers: High (or
Left) and Low (or Right). This is useful when using cabinets of different
impedance &/or efficiency.
Output Level Indicators  These give you an easy-to-read display of output
level of your amplifier. For lowest noise, you should set your output as high
as possible without overdriving, and adjust overall system volume using the
level controls on your amplifier.
Master Level Control  Adjusts overall system output and stage loudness.
Headphone Jack  Accepts a standard 1/4-inch stereo headphone plug.

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IMPORTANT NOTE: DO NOT use this jack for a Mono Signal Send!
It may be possible to damage the mono headphones inserted into this
jack, as well as your WTX1000N. USE ONLY STEREO HEADPHONES!
Dont say you werent warned, because you were!
Mains On/Off Switch  This switch turns the system power ON or OFF.
The switch illuminates to indicate the presence of AC power present in the
chassis. This switch is prior to the fuse. The light in the switch may flicker
depending on local voltage conditions. This is normal and nothing to be
concerned about.
NOTE: The Mains Switch will illuminate even if the fuse is blown.
However, the DC Indicators will not illuminate if the fuse is blown.
Extra Front-Panel Lights  You may have noticed there are several extra
LEDs underneath the controls of your WTX1000N which are always on. These
lights qualify as a really neat thing because they not only look really cool,
they also provide illumination to help you adjust controls in low-light
situations.
REAR PANEL FEATURES
Ground Lift Switches  These switches lift the ground from the D.I. sends
on the back panel. They do not lift the ground from the rest of the unit. If,
when connecting your amplifier to a power amplifier, sound board or
recording console, there is a ground loop causing hum, lift the ground using
these switches to minimize noise. There are separate switches for the Main
(left and right) D.I.s and the Recording D.I. (Mono).
Main Outputs  Use these 1/4-inch outputs to connect your WTX1000N to an
external power amplifier. If you wish to run your WTX1000N in mono, we suggest
you use the left output. These outputs can produce up to +21dBm without
clipping, and are low impedance, line level.
Speaker Outputs  Use these 1/4-inch and an NL-4 outputs to connect your
WTX1000N to a speaker. The total speaker load should not go below 4 ohms
per channel. The outputs can not be connected in bridge mono.
RMS output per channel:
300 watts rms @ 8 ohms
500 watts rms @ 4 ohms
On the NL-4 connectors, we use +1 and -1 connections.

Combination Power Cord Jack and Fuse Holder  The removable power
cord is attached here. To access the fuse holder, pull the holder out of the top
of the power receptacle. Your unit was shipped with a spare fuse inserted in
the fuse carrier.
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USE ONLY THE SAME SIZE AND TYPE FOR REPLACMENT.
Fuse Requirements:
USA @ 120 Volts /60 HZ  10 Amp, 5 x 20 mm GMC/T/slow blow
Europe @ 240 Volts/50 Hz  5 Amp, 5 x 20 mm GMC/T /slow blow
IMPORTANT NOTE: Always use slow blow or time delay type fuses.
Do not use fast blow fuses.
IMPORTANT NOTE: In order to operate properly in parts of the
world not listed above, your amplifier may require minor modifications
in addition to a different value fuse. These modifications must be made
by a QUALIFIED technician. Contact your local distributor for further
information.
Aux. Input - These standard 1/4-inch input jacks are designed to accept the
signal from an external source such as a CD or cassette player, drum
machine, synth. module, etc. The signal is summed (added in) prior to the
tone controls and Master Volume control. This jacks can also be used to
return a studio cue signal, allowing the WTX1000N to provide you with your
own headphone mix in the studio. The Aux signal is summed with the main
input and sent to all outputs, including the DI.
Stereo Post-EQ Effects Send/Return  These standard 1/4-inch jacks allow
you to send and receive your signal to and from external devices. This
effects loop is positioned post (behind) the tone section. This loop is at line
level; do not use instrument level effects in this loop as they tend to be
overloaded by the higher signal level which can cause distortion. To use
with mono effects, return the signal to the Left return.
Cooling System - Your amplifier features a passive, high-temperature thermal
safety system which will activate a thermal safety circuit if the operating
temperature goes above a safe operating point it will engage the internal protect
circuit and shut down the amplifier. This circuit will need to be reset. Turn off
the unit and then turn it back on.

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Main D.I. Outputs  These fully balanced stereo XLR outputs provide
+16dBm maximum. They can be used to send a stereo signal to a mixing
board or recording console, or to connect to a power amplifier. Please note,
however, that the signal from these outputs is not as hot as that from the
Main Outputs.
Recording Out (D.I.)  This fully balanced XLR output allows you to send
a signal to a recording or sound reinforcement mixing console. We use Pin 2
hot configuration. Adjusting the Master Volume control will not affect this
send. This output is designed to be used with phantom powered systems
However, it never hurts to turn off the phantom power at the board, if
possible.
This output can be set to send a signal from three points in the signal chain:
Pre-compressor and pre-EQ
Post-compressor and pre-EQ
Post compressor and post EQ
To set the point at which the D.I. is taken, use the switches on the front
panel.
Side Chain Effects Loop  This mono effects loop operates a bit differently
than the other two loops. The other two send the entire signal to an outboard
device and accept the return. This loop, however, splits the signal. The
unaffected part of the signal goes through the EQ section while the other part
goes to your outboard gear before the EQ section and returns to the chain
after the EQ. Then, using the blend knob on the front panel, the user can
blend the two signals together.
Footswitch Jack  Connect the Footswitch here. Even with the footswitch
connected, the Front Panel Controls take precedence.
Mono Pre-EQ Effects Send/Return  These standard 1/4-inch jacks allow
you to send and receive your signal to and from external devices. This
effects loop is positioned post (behind) the compressor and before the
Enhance control and the tone section. This loop is at line level; do not use
instrument level effects in this loop as they tend to be overloaded by the
higher signal level which can cause distortion.

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Tuner Out Jack  This standard 1/4-inch jack is designed to provide a pre-
gain signal for connection to a tuner. It can also be used to provide pre-tone
signal to other devices such as a direct box or console. The signal is enough
to provide adequate signal to virtually every tuner on the market.
FOOTSWITCH FEATURES
Your WTX1000N comes with its own footswitch, allowing you to make
changes on the fly while playing. All corresponding panel switches take
priority over the footswitch. The following functions can be controlled by
the footswitch:
Mute to Tune
Compressor Defeat
Enhance Defeat
Turbo Boost
OPERATING INSTRUCTIONS
Mechanical and Thermal Issues  During operation, your amplifier should
always be placed away from sources of moisture or heat. The supplied rack
ears can be used to install your amplifier in a conventional equipment rack
for protection during transportation.
Connections  Output connections should be made using balanced or
unbalanced cables. Unbalanced cables are fine for short runs, but for longer
runs, you should use balanced cables. All instrument-level input connections
(Effects Loops, etc.) should be made with high quality shielded cables. The
use of speaker cables for input connections will result in excess noise.