Focusrite ISA TWO User manual

ISA Two User Guide
Version 2.0

Table of Contents
About this User Guide ............................................................................................................... 3
Box Contents .................................................................................................................. 3
Introduction ................................................................................................................... 3
Controls and Features .............................................................................................................. 4
Front Panel ..................................................................................................................... 4
Channel Controls ............................................................................................................. 4
Input Selection ........................................................................................................ 4
Phase .................................................................................................................... 4
Mic Input Gain ......................................................................................................... 5
+48V ...................................................................................................................... 5
Line Input Gain ........................................................................................................ 5
Instrument Input ..................................................................................................... 5
Z in (Input Impedance) ............................................................................................. 5
Filter ...................................................................................................................... 5
Insert ..................................................................................................................... 6
Channel Meters ....................................................................................................... 6
Meter Calibration ..................................................................................................... 6
Rear Panel ...................................................................................................................... 7
AC Mains Inlet ......................................................................................................... 7
Channel Mic Inputs .................................................................................................. 7
Channel Line Inputs ................................................................................................. 7
Channel Outputs ..................................................................................................... 7
Channel Insert Sends and Returns .............................................................................. 7
Meter Calibration Pot ............................................................................................... 7
Physical Characteristics ............................................................................................................ 8
Power Requirements ........................................................................................................ 8
Appendices ............................................................................................................................. 9
Connector Pinouts ........................................................................................................... 9
Preamp Input Impedance ................................................................................................. 10
Switchable Impedance - In-Depth Explanation ............................................................ 10
Pro Tools interfacing ....................................................................................................... 12
Performance and Specifications ................................................................................................ 13
Notices ................................................................................................................................. 15
Focusrite Warranty and Service ......................................................................................... 15
Registering Your Product .................................................................................................. 15
Customer Support and Unit Servicing ................................................................................ 15
Troubleshooting ............................................................................................................. 15
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About this User Guide
This user guide applies to the ISA Two mic pre.
It provides information about installing and using the unit and how it can be connected to your system.
Should this User Guide not provide the information you need, then please consult focusritepro.zendesk.com,
which contains a comprehensive collection of common technical support queries.
Pro Tools® and Pro Tools | HD™ are trademarks or registered trademarks of Avid Technology, Inc. or its subsidiaries
in the United States and/or other countries.
Audinate® and Dante® are registered trademarks of Audinate Pty Ltd.
Box Contents
• ISA Two
• AC power lead
• Safety information cut sheet
Introduction
Thank you for purchasing the Focusrite ISA Two.
The ISA Two provides two of Focusrite’s prestigious transformer-based microphone preamps and can be used
to record microphone, line-level or instrument sources. Microphones and line-level sources are connected via
the rear panel, whilst instrument inputs can be plugged directly into the front panel jack sockets.
The front panel also features gain, adjustable filter frequency and other settings such as phantom power,
phase and input impedance for both inputs. Peak level LED metering in dBFS is provided for each channel to
indicate when the output is reaching the digital clipping point; a meter calibration control is provided on the
rear panel.
First introduced in 1985, the ISA microphone preamp is renowned for outstanding transparency and subtle
warmth contributed by transformer core saturation. The variable impedance circuit allows ISA users to match
the preamp with a wide range of microphones.
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Controls and Features
Front Panel
1. Instrument Inputs
2. Channel 1
3. Channel 2
4. LED meters
5. Power switch
Channel Controls
1. Mic input impedance (Z In) selection
2. Selects the high (30-60 dB) mic gain range on the Gain switch
3. 10 dB stepped Mic/ Line Gain switch Mic: 0-30 / 30-60 Line: -20 +10
4. Filter roll-o frequency pot
5. Applies the variable-frequency high-pass Filter to the selected input
6. Switches the external Insert return into the channel path
7. Input Trim pot Mic/Line: 0 +20 dB Instrument: +10 +40 dB
8. Applies +48V phantom power to the mic input XLR
9. Inverts polarity (Phase) of the selected input
10. Input source selection
Input Selection
The Input button selects the input source for the main channel path: Mic/Line/Instrument.
Phase
Pressing Phase inverts the polarity of the selected input. This can be useful when multiple mics are used in
close proximity (ie., on a drum kit).
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Mic Input Gain
The Gain switch adjusts the mic gain in 10 dB steps. Its range is either 0–30 dB or 30–60 dB when the 30–60
switch is pressed. An additional 0–20 dB of continuous gain adjustment is available using the Trim control.
Caution
To avoid an excessive jump in level, It is recommended that the stepped Gain switch is turned to
minimum before pressing the 30-60 switch.
Before starting a recording, set the Trim control to near its centre position. This will allow for some
gradual gain adjustment up or down without the use of the stepped control.
+48V
Pressing the +48V button applies phantom power to the Mic input XLR. This switch does not aect the Line or
Instrument inputs.
If you are unsure whether your microphone requires phantom power please refer to its handbook. Certain
microphones (most notably ribbon and unbalanced mics) could be damaged by applying phantom power.
Line Input Gain
The Gain switch adjusts the gain between -20 dB and +10 dB in 10 dB steps. Continuous gain adjustment of up
to 20 dB can be added using the Trim control.
Instrument Input
The Instrument input is via a standard 1/4” mono jack (DI) on the front panel. The level is set using the Trim
control and is continuously adjustable from +10 dB to +40 dB.
Z in (Input Impedance)
With the Mic input selected, pressing the Z In button steps through the four transformer preamp input
impedance options. The values are shown in the table.
Table 1. Mic Impedance
Low 600Ω
ISA 110 1.4kΩ
Med 2.4kΩ
High 6.8kΩ
Tip
For information on impedance selection see Preamp Input Impedance [10].
The Line input impedance is fixed at 10 kΩ and is not aected by the Z In switch.
Filter
Pressing the Filter button inserts the 18 dB/octave high-pass filter into the channel path; it is applied to
whichever input is selected. The High Pass Filter control allows the roll-o frequency to be set within the 16 Hz
to 420 Hz range.
Tip
The filter is useful for removing any unwanted low frequencies, eg., rumble transmitted through
floor-mounted mic stands, etc.
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Insert
Pressing Insert places the Insert Return signal into the channel path before the Output connector, allowing the
inclusion of external eects units.
The Insert Send is always available and is post the input Gain and Filter & Phase controls.
Channel Meters
The LED meters indicate the level at the channel output connectors. The scale is in dBFS, ie., the level in dB,
relative to maximum output (reached when the ‘0’ LED illuminates).
The default calibration is for ‘0’ to indicate a signal level of 22 dBu
Meter Calibration
The level at which the ‘0’ LED illuminates can be adjusted using the Peak Meter Calibration pot on the rear
panel. The default setting of 0 dBFS = 22 dBu occurs when the knob is in its central, detent position.
Rotating the pot sets the value between 0 dBFS = 16 dBu (fully anticlockwise) and 0 dBFS = 24 dBu (fully
clockwise).
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Rear Panel
1. Mains inlet
2. Insert Send and Return
3. Channel Output
4. Line input
5. Mic input
6. Meter calibration trim pot
AC Mains Inlet
Standard IEC receptacle for AC mains. ISA Two features a ‘Universal’ PSU, enabling it to operate on any supply
voltage between 100 and 240 V AC
Channel Mic Inputs
On latching XLR-3 female connectors, with switchable phantom power per channel.
Channel Line Inputs
On balanced 1/4” TRS jack sockets.
Channel Outputs
On XLR-3 male connectors.
Channel Insert Sends and Returns
Balanced 1/4” TRS Jack sockets for Insert Send and Return. The insert can be added to the channel path by
pressing the front panel Insert switch
Meter Calibration Pot
Adjusts the level at which the channel meter ‘0’ LED illuminates. See page Meter Calibration [6].
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Physical Characteristics
ISA Two dimensions are illustrated in the diagram above.
ISA Two requires 1U of vertical rack space. Allow an additional 75mm of rack depth behind the unit to allow for
cables.
ISA Two weighs 3.7 kg / 8.12 lbs and for installations in a fixed environment (eg., a studio rack), the front-panel
rack mountings* will provide adequate support. However, if the unit is to be used in a mobile situation (eg.,
flight-cased for touring, etc.), it is recommended that side support rails or shelves are used within the rack.
Important
*Always use M6 bolts and cage nuts specifically designed for 19” equipment racks. An Internet search
using the phrase “M6 cage nuts“ will reveal suitable components.
Cooling vents are provided at each side; ensure that when mounted in a rack these vents are not obstructed.
Do not mount the unit immediately above any other equipment which generates significant heat, for example,
a power amplifier.
Note
The maximum operating environmental temperature is 40°C / 104°F.
Power Requirements
ISA Two is mains-powered. It incorporates ‘Universal’ power supplies which can operate on any AC mains
voltage from 100 V to 240 V. The AC connections are made via standard 3-pin IEC connectors on the rear panel.
A mating IEC cable is supplied with each unit – this should be terminated with a mains plug of the correct type
for your country.
The AC power consumption of the ISA Two is 35 W.
Note
There are no fuses in ISA Two or other user-replaceable components of any type. Please refer all
servicing issues to the Customer Support Team (see Customer Support and Unit Servicing [15]).
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Appendices
Connector Pinouts
Mic Input
Connector: XLR-3 female
Pin Signal
1 Screen
2 Hot (+ve)
3 Cold (-ve)
Output
Connector: XLR-3 male
Line Input / Insert Send / Return
Connector: Balanced (TRS) 1/4” Jack socket
Pin Signal
1 - Tip Hot (+ve)
2 - Ring Cold (-ve)
3 - Sleeve Ground
Insturment Input
Connector: Unbalanced (TS) 1/4” Jack socket
Pin Signal
1 - Tip Hot (+ve)
2 - Sleeve Ground
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Preamp Input Impedance
A major element of the sound of a mic pre is related to the interaction between the specific microphone
being used and the type of mic preamp interface technology it is connected to. The main area in which this
interaction has an eect is the level and frequency response of the microphone, as follows:
Level
Professional microphones tend to have low output impedances and so more level can be achieved by
selecting the higher impedance positions of the ISA Two mic preamp.
Frequency response
Microphones with defined presence peaks and tailored frequency responses can be further enhanced by
choosing lower impedance settings. Choosing higher input impedance values will tend to emphasise the
high-frequency response of the microphone connected, allowing you to get improved ambient information
and high-end clarity – even from average-performance microphones. Various microphone/ISA Two preamp
impedance combinations can be tried to achieve the desired amount of colouration for the instrument or voice
being recorded. To understand how to use the impedance selection creatively, it may be useful to read the
following section on how the microphone output impedance and the mic preamp input impedance interact.
Note
Impedance Setting – Quick Guide
In general, the following selections will yield the following results:
High mic preamp impedance settings:
• Generate more overall level
• Tend to make low- and mid-frequency responses of the microphone flatter
• Improve the high-frequency response of the microphone.
Low preamp impedance settings:
• Reduce the microphone output level
• Tend to emphasise the low- and mid-frequency presence peaks and resonant points of the
microphone.
Switchable Impedance - In-Depth Explanation
Dynamic Moving Coil and Condenser Microphones
Almost all professional dynamic and condenser microphones are designed to have a relatively low nominal
output impedance of between 150 Ω and 300 Ω when measured at 1 kHz. Microphones are designed to have
such low output impedance because of the following advantages result:
• They are less susceptible to noise pickup
• They can drive long cables without high-frequency roll-o due to cable capacitance
The side-eect of having such low output impedance is that the mic preamp input impedance has a major
eect on the output level of the microphone. Low preamp impedance loads down the microphone output
voltage and emphasizes any frequency-related variation in microphone output impedance. Matching the mic
preamp resistance to the microphone output impedance (eg., making a preamp input impedance 200 Ω to
match a 200 Ω microphone) still reduces the microphone output and signal-to-noise ratio by 6 dB, which is
undesirable.
To minimise microphone loading, and to maximise signal-to-noise ratio, preamps have traditionally been
designed to have an input impedance about ten times greater than the average microphone, around 1.2 kΩ to
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