
neck pickup uses the north coil only (single coil). Dusk iger enters this mode automatically when
turned off.
3.3.1 About the Wiring in Les Paul Controls
he volume controls in a classic Les Paul interact with each other when the pickup toggle is in the
middle position (i.e., selecting both pickups). Due to this interaction, if either the neck or bridge
volume control is at “0” (all the way down), the signal is grounded and you will not hear any output—
regardless of the other control's setting.
If you want to change the mix of the magnetic pickups with the pickup toggle in the middle position,
start with both magnetic pickup volume controls on “5” (up halfway), then adjust to taste.
3.4 Other Factors Affecting Chameleon Tone
here are very significant differences in each Dusk iger Chameleon one setting. he tones were
worked on for some time in studio settings to match vintage guitars.
However, note that a guitar's tone results from a combination of factors. For example, putting a single
coil in a guitar does not necessarily make it sound like the classic guitars that use single coil pickups.
he four main factors influencing tone are:
he position of the transducer (pickup) between the nut and bridge
he pickup characteristics (coil windings, wire, magnets, etc.)
Guitar construction details, including wood type
Post-processing of the guitar (e.g., the amp you use, or adding effects in the studio)
he guitar construction imparts a characteristic tone by altering the vibrating string's frequency
response. It's possible to re-create this characteristic frequency curve by using very precise equalizer
circuits; Dusk iger does this primarily by using two 4-band parametric equalizers to mold the
frequency response. ( he reason for using analog technology is that digital processing requires
converting analog signals into digital streams, and then converting back to analog. his introduces a
delay that players often find disconcerting.) he placement of the pick up coils and their construction
allows Dusk iger to reproduce phase and other tone modifying affects.
Finally, remember that the classic Chameleon sounds require that no Piezo sound is blended in, and
the tone controls should be up full. But with so many options available to change tone in addition to
the Chameleon ones, it's possible to stray from the original, classic sounds. his makes it easy to
create useful variations on these classic sounds for even more tonal possibilities, but if Dusk iger
doesn't sound quite like the guitar you're trying to emulate, make sure you have the pickup switch,
Piezo blend, and tone controls set properly. Also, remember that any post processing you use (i.e.,
anything the modifies the tone after the signal leaves the guitar, like your amplifier) impacts the
sound. Some “classic” guitar sounds result from combining the guitar sound with a particular amplifier
—for example, a Les Paul going through a British stack will sound very different compared to going
through an American combo amp.
he bottom line is that each Chameleon one setting is very different, and factors other than the
guitar itself can change these sounds even further.
Gibson Dusk Tiger Manual V1.0,1 page 15