HÖSSAUDIO KLASSIK 106 User manual

KLASSIK 106
USER MANUAL

1
By HÖSS AUDIO
KONTAKT INSTRUMENTS DEVELOPER

2
TABLE OF CONTENTS
1 - Introduction and compatibility…………………………………………………………………....3
2 - What’s inside?........................................................................................................................4
3 - Effects Panel…………………………………………………………………………...…………….5
4 - Synth 106…………………………………………………………………………………...………...6
4.1 - LFO…………………………………………………………………………………….……..7
4.2 - DCO…………………………………………………………………………………………..8
4.3 - HP………………………………………………………………………………...…………..9
4.4 - VCF………………………………………………………………………………………….10
4.5 - VCA………………………………………………………………………………………….11
4.6 - ENV………………………………………………………………………………………….11
4.7 - Arpeggiator………………………………………………………………………………..12
4.8 - Chorus……………………………………………………………………………………...13
4.9 - Bender Panel……………………………………………………………………………...14
5 - Delay 201…………………………………………………………………………………………….15
6 - G-Compressor and Tube Overdrive…………………………………………………………….17
7 - Equalizer 611………………………………………………………………………………………..18

3
1 - Introduction and compatibility
KLASSIK 106 is a virtual analogue synthesizer instrument that can be
loaded ONLY IN THE FULL VERSION of Kontakt 6.6 or above. Designed
and tested by the startup Kontakt instruments developer HÖSS AUDIO.
KLASSIK 106 is developed based on Kontakt 6 new Wavetable engine.
KLASSIK 106 was designed to emulate the famous 80’s Analogue
synthesizer, alongside 4 effects modules based on classic hardware effects
(Tape Delay, Equalizer, Compressor, Tube Overdrive).

4
2 - What’s inside?
KLASSIK 106 includes 4 main modules:
MODULE 1:
A virtual vintage analogue synthesizer based on the iconic 80’s 106
hardware synth.
MODULE 2:
A Tape delay machine with 3 tape heads and a spring reverb (Impulse
Responses), based on the iconic Tape Delay 201 audio effect unit.

5
MODULE 3:
A Parametric equalizer based on the classic 611 Console Channel Strip.
MODULE 4:
A compressor based on the classic G series console master bus
compressor, alongside a Tube overdrive effect module.
3 - Effects Panel
The FX CHAIN is used to:
- Activate/Deactivate the effects modules
- Access each effect’s settings

6
1 - EFFECT ON/OFF
-Drag the jack connector Up/Down to Activate/Deactivate the effect.
-The Red Led indicator on the right of the connector indicates the
Active/Bypass state of each effect.
2 - EFFECT SETTINGS
Press on the “settings” logo on top of each module, to access the settings
of the corresponding effect
4 - Synth 106
Synth 106 is the main module containing the Synthesizer module.
Synth 106 automatically appears as the main module when the instrument
is opened.
4.1 - LFO

7
1 - LFO RATE
Sets the LFO RATE.
2 - LFO DELAY TIME
Sets the time that needs to pass before the LFO kicks in.
3 - LFO MANUAL/AUTO MODE
Sets the LFO trigger mode:
AUTO: The LFO is triggered automatically.
MANUAL: The LFO is only triggered when the LFO TRIGG ( in the Bender
panel) is pressed.
4 - LFO FREE/SYNC MODE
Sets the LFO Rate mode
FREE: the LFO RATE slider (1) sets the LFO rate in Hz.
SYNC: the LFO RATE slider (1) sets the LFO rates (Tempo synced)
4.2 - DCO

8
1 - RANGE SELECTOR
Sets the pitch of the DCO
4’: Octave down transpose
8’: No transpose
16’: Octave up transpose
2 - LFO DEPTH
Sets the depth of the LFO controlling the pitch.
3 - PWM (Pulse Width Modulation)
When (4) is set to Manual, the PWM slider controls the Pulse Width of the
square waveform.
When (4) is set to LFO, the PWM slider controls the depth of the LFO that
controls the Pulse Width.
4 - PWM MODE SWITCH
When set to Manual, the Pulse Width is controlled by the PWM slider (3).
When set to LFO, the Pulse Width is controlled by the LFO.
5 - DCO WAVEFORMS (On/Off)
Turns On/Off each of the DCO’s Waveforms individually.
Square - Saw - Sub
6 - DCO WAVEFORMS (Level)
Controls the volume of each of the DCO’s Waveforms individually.
Square - Saw - Sub
7 - SQUARE WAVEFORM DISPLAY
Displays the shape of the Square waveform.
8 - NOISE LEVEL
Controls the volume of the Noise.

9
4.3 - HP
Sets the Cutoff point of the High Pass Filter.
*If the HPF slider is set to 0 ( it’s minimum value ), lower frequencies are
boosted.
Over 0, the HPF slider sets the Cutoff point of the High Pass Filter.
4.4 - VCF