JL Audio XD700/5v2 User manual

Thank you for purchasing a JL Audio amplifier for
your automotive sound system.
Your amplifier has been designed and manufactured to exacting
standards in order to ensure years of musical enjoyment in your vehicle.
For maximum performance, we highly recommend that you have
your new amplifier installed by an authorized JL Audio dealer. Your
authorized dealer has the training, expertise and installation equipment
to ensure optimum performance from this product. Should you
decide to install the amplifier yourself, please take the time
to read this manual thoroughly to familiarize yourself
with its installation requirements and setup procedures.
If you have any questions regarding the instructions in this
manual or any aspect of your amplifier’s operation, please contact your
authorized JL Audio dealer for assistance. If you need further assistance,
please call the JL Audio Technical Support Department
at (954) 443–1100 during business hours.
OWNER’S MANUAL
700W 5-Channel Amplier with 2-Way / 3-Way Crossover

2 | JL Audio - XD700/5v2 Owner’s Manual
PROTECT YOUR HEARING!
We value you as a long-term customer. For
that reason, we urge you to practice restraint in
the operation of this product so as not to damage
your hearing and that of others in your vehicle.
Studies have shown that continuous exposure to
high sound pressure levels can lead to permanent
(irreparable) hearing loss. This and all other
high-power amplifiers are capable of producing
such high sound pressure levels when connected
to a speaker system. Please limit your continuous
exposure to high volume levels.
While driving, operate your audio system in
a manner that still allows you to hear necessary
noises to operate your vehicle safely (horns,
sirens, etc.).
SERIAL NUMBER
In the event that your amplifier requires
service or is ever stolen, you will need to have
a record of the product’s serial number. Please
take the time to enter that number in the space
provided below. The serial number can be found
on the bottom panel of the amplifier and on the
amplifier packaging.
Serial Number:
INSTALLATION APPLICATIONS
This amplifier is designed for operation in
vehicles with 12 volt, negative-ground electrical
systems. Use of this product in vehicles with
positive ground and/or voltages other than 12V
may result in damage to the product and will void
the warranty.
This product is not certified or approved for
use in aircraft.
Do not attempt to “bridge” the outputs of this
amplifier with the outputs of a second amplifier,
including an identical one.
Status
LED
(pg. 12)
Ch. 1 & 2 Filter
Frequency
Selector
(pg. 9)
Ch. 1 & 2
Filter Mode
Selection
(pg. 8)
Ch. 1 & 2 Input
Sensitivity Control
(pg. 7)
Remote Level
Mode Switch
(pg. 10)
Ch. 3 & 4 Filter
Frequency
Selector
(pg. 9)
Ch. 3 & 4
Filter Mode
Selection
(pg. 9)
Ch. 3 & 4 Input
Sensitivity Control
(pg. 7)
Sub. Ch. Filter
Frequency
Selector
(pg. 9)
Sub. Ch.
Filter Mode
Selection
(pg. 9)
Sub. Ch. Input
Sensitivity Control
(pg. 9)
Input
Mode
Switch
(pg. 7)
Input
Voltage
(pg. 7)
Turn-On
Mode
(pg. 6)

3
PLANNING YOUR INSTALLATION
It is important that you take the time to
read this manual and that you plan out your
installation carefully. The following are some
considerations that you must take into account
when planning your installation.
Cooling Efficiency Considerations:
The outer shell of your JL Audio amplifier
is designed to remove heat from the amplifier
circuitry. For optimum cooling performance,
this outer shell should be exposed to the
largest possible volume of air. Enclosing the
amplifier in a small, poorly ventilated chamber
can lead to excessive heat build-up and degraded
performance. If an installation calls for an
enclosure around the amplifier, we recommend
that this enclosure be ventilated with the aid
of a fan. In normal applications, fan-cooling is
not necessary.
Mounting the amplifier upside down is
strongly discouraged. If mounting the amplifier
under a seat, make sure there is at least 1 inch
(2.5 cm) of space above the amplifier’s outer
shell to permit proper cooling.
Safety Considerations:
Your amplifier needs to be installed in a dry,
well-ventilated environment and in a manner
which does not interfere with your vehicle’s safety
equipment (air bags, seat belt systems, ABS brake
systems, etc.). You should also take the time to
securely mount the amplifier so that it does not
come loose in the event of a collision or a sudden
jolt to the vehicle.
Stupid Mistakes to Avoid
• Check before drilling any holes in your vehicle
to make sure that you will not be drilling
through a gas tank, brake line, wiring harness or
other vital vehicle system.
• Do not run system wiring outside or underneath
the vehicle. This is an extremely dangerous
practice which can result in severe damage to
your vehicle and person.
• Protect all system wires from sharp metal edges
and wear by carefully routing them, tying
them down and using grommets and loom
where appropriate.
• Do not mount the amplifier in the engine
compartment, under the vehicle, on the roof or
in any other area that will expose the amplifier
circuitry to the elements.
Remote Turn-On
Connector
(pg. 6)
Chassis Ground
Connector
(pg. 5)
Channels 1 & 2
Preamp Input Jacks
(pg. 7)
Subwoofer Ch.
Preamp Input Jacks
(pg. 7)
+12 V Power
Connector
(pg. 5)
Mono
Subwoofer Outputs
(pg. 11)
Channels 3 & 4
Speaker Outputs
(pg. 10)
Channels 1 & 2
Speaker Outputs
(pg. 10)
Jack for
Remote Level
Control Knob
(pg. 9)
Channels 3 & 4
Preamp Input Jacks
(pg. 7)

4 | JL Audio - XD700/5v2 Owner’s Manual
PRODUCT DESCRIPTION
The JL Audio XD700/5v2 is a five-channel,
system amplifier utilizing JL Audio NexD™ ultra
high speed switching technology for its four main
channels and NexD™ high-speed switching for
its subwoofer channel. The NexD™ technologies
deliver outstanding fidelity and efficiency.
The XD700/5v2 can be operated with a wide
variety of source units and system configurations.
TYPICAL INSTALLATION SEQUENCE
The following represents the sequence
for a typical amplifier installation, using an
aftermarket source unit or OEM Interface
processor (like the CleanSweep CL441dsp).
Additional steps and different procedures may
be required in some applications. If you have any
questions, please contact your authorized
JL Audio dealer for assistance.
1) Disconnect the negative battery post
connection and secure the disconnected cable
to prevent accidental re-connection during
installation. This step is not optional.
2) Run 4 AWG power wire from the battery
location to the amplifier mounting location,
taking care to route it in such a way that it will
not be damaged and will not interfere with
vehicle operation. Use 2 AWG or larger power
wire and a fused power distribution block if
additional amplifiers are being installed with
the XD700/5v2.
3) Connec wer wire to the positive battery post.
Fuse the wire with an appropriate fuse block
(and connectors) within 18 inches (45 cm)
wire length of the positive battery post. This
fuse is essential to protect the vehicle.
Do not install the fuse until the power wire
has been securely connected to the amplifier.
4) Run signal cables and remote turn-on wire
from the source unit to the final amplifier
mounting location.
5) Run speaker cables from the speaker systems
to the amplifier mounting location.
6) Find a good, solid metal grounding point
close to the amplifier and connect the
negative power wire to it using appropriate
hardware (use of the JL Audio ECS master
ground lug, XB-MGLU is recommended).
Use 4 AWG wire, no longer than 36 inches
(90 cm) from the amplifier to the ground
connection point. In some vehicles, it may
be necessary to upgrade the battery ground
wire. (See page 5 for important notice).
7) Securely mount the amplifier.
8) Connect the positive and negative
power wires to the amplifier. A fuse
near the amplifier is not necessary if
the XD700/5v2 is the only device being
run from the fused main power wire.
If the fused main power wire is shared
by the XD700/5v2 and other amplifiers
or devices, fuse each amplifier/device
within 12 inches (30 cm) of wire length,
via a fused distribution block or multiple
individual fuse blocks/on-board fuses.
9) Connect the remote turn-on wire to the
amplifier or configure the “Turn-On Mode”
switch for automatic turn-on.
10) Connect the input cables to the amplifier.
11) Connect the speaker cables to the amplifier.
12) Carefully review the amplifier’s control
settings to make sure that they are set
according to the needs of the system.
13) Install the power wire fuse (60A for a single
XD700/5v2) and reconnect the negative
battery post terminal. Install the fuse (60A)
near the amplifier (if applicable).
14) Turn on the source unit at a low level to
double-check that the amplifier is configured
correctly. Resist the temptation to crank it up
until you have verified the control settings.
15) Make necessary adjustments to the
input sensitivity controls to obtain the
right overall output and the desired
balance in the system. See Appendix
A (page 16) for the recommended
input sensitivity setting method.
16) Enjoy the fruits of your labor with your
favorite music.

5
POWER CONNECTIONS
Before installing the amplifier, disconnect the
negative (ground) wire from the vehicle’s battery.
This will prevent accidental damage to the system,
the vehicle and your body during installation.
The XD700/5v2’s “+12 VDC” and “Ground”
connections are designed to accept 4 AWG
power wire. 4 AWG is the required wire size for
this amplifier.
If you are installing the XD700/5v2 with other
amplifiers and wish to use a single main power
wire, use 2 AWG or 1/0 AWG main power wire
(depending on the overall current demands of
all the amplifiers in the system). This 2 AWG
or 1/0 AWG power wire should terminate into a
fused distribution block mounted as close to the
amplifiers as possible (within 12 inches / 30cm of
wire length). The fused output of the distribution
block will connect to the XD700/5v2 with 4 AWG
power wire. JL Audio ECS fused distribution
blocks are recommended (XD-FDBU–2 and
XD-FDBU–4).
Note: Smaller AWG numbers mean bigger wire
and vice-versa (1/0 AWG is the largest, 2 AWG is
smaller, then 4 AWG, then 8 AWG, etc.).
To connect the power wires to the amplifier,
first back out the set screw on the top of the
terminal block, using the supplied 2.5 mm hex
wrench. Strip 1/2 inch (12 mm) of insulation from
the end of each wire and insert the bare wire into
the terminal block, seating it firmly so that no
bare wire is exposed. While holding the wire in
place, tighten the set screw firmly, taking care not
to strip the head of the screw.
The ground connection should be made
using 4 AWG wire and should be kept as short
as possible, while accessing a solid piece of sheet
metal in the vehicle. The surface of the sheet
metal should be sanded at the contact point to
create a clean, metal-to-metal connection between
the chassis and the termination of the ground
wire. For optimal grounding, we recommend
the use of a JL Audio ECS master ground lug
(XB-MGLU). Alternatively, a sheet metal screw or
bolt can be used with a star washer.
AAny wires run through metal barriers (such
as firewalls), must be protected with a high
quality rubber grommet to prevent damage to the
insulation of the wire. Failure to do so may result
in a dangerous short circuit.
Many vehicles employ small (10 AWG -
6 AWG) wire to ground the battery to the
vehicle chassis and to connect the alternator's
positive connection to the battery. To prevent
voltage drops, these wires should be upgraded
to 4 AWG when installing amplifier systems
with main fuse ratings above 60A.
FUSE REQUIREMENTS
It is absolutely vital that the main power
wire(s) to the amplifier(s) in the system be
fused within 18 inches (45 cm) of the positive
battery post connection. The fuse value at each
power wire should be high enough for all of the
equipment being run from that power wire. If
only the XD700/5v2 is being run from that power
wire, use a 60A fuse.
If fusing the amplifier near its power
connections (when more than one amp is being
run from the main power wire), use a 60A fuse
(MAXI™ big plastic-body fuse is recommended).

6 | JL Audio - XD700/5v2 Owner’s Manual
TURNON OPTIONS
The XD700/5v2 can be switched on and off
using one of three methods, determined by the
position of the amplifier’s “Turn-On Mode”
switch. Please read these options and decide
which is best suited for your specific system.
1) +12V remote turn-on lead
2) Signal-sensing turn-on circuit.
3) DC offset-sensing turn-on circuit
+12 V Remote Turn-On: This is the preferred
method for turning the amplifier on/off. The
amplifier will turn on when +12 V is present at
its “Remote” input and turn off when +12 V is
switched off. This +12 V remote turn-on signal
is typically controlled by a source unit’s remote
turn-on wire. The XD700/5v2’s “Remote” turn-on
connector will accept 18 AWG – 12 AWG wire. To
connect the remote turn-on wire to the amplifier,
first back out the set screw on the top of the
terminal block, using the supplied 2.5 mm hex
wrench. Strip 1/2 inch (12mm) of wire and insert
the bare wire into the terminal block, seating it
firmly so that no bare wire is exposed. While
holding the wire in the terminal, tighten the set
screw firmly, taking care not to strip the head of
the screw and making sure that the wire is firmly
gripped by the set screw.
If a source unit does not have a dedicated
remote turn-on output, consider one of the
following alternative turn-on options:
These methods are useful when a conventional
+12 V remote turn-on signal is not available in a
system. These allow you to operate the amplifier
without having to locate a remote turn-on lead at
the source unit, which can be very useful when
interfacing the amplifier with OEM (factory)
audio systems that do not use conventional +12 V
turn-on leads.
Depending on the characteristics of the audio
signal, one of the following methods may work
better than the other. We recommend trying DC
Offset-Sensing first as it does not require a long
delay to turn the system off after the signal is
shut off.
DC Offset-Sensing: The amplifier will turn on
and off by detecting the presence of a very small
DC signal (offset) that is typical in the audio
output of most OEM (factory) source units and
amplifiers. The amplifier will turn on and off in
reaction to the presence or absence of this DC
Offset. The sensitivity of this circuit is designed
for high-level (speaker level) signals, not for low-
level (preamp level) signals. The circuit senses
the left-channel signal only.
Signal-Sensing: The amplifier will turn on
and off by detecting the presence of a full-range
audio signal at its left-channel input. After
approximately 30 seconds, the amplifier will shut
off. The sensitivity of this circuit is designed for
high-level (speaker level) signals, not for low-level
(preamp level) signals. The circuit is tuned to
react to signals at mid-range frequencies. This
prevents false switching from signals created by
moving loudspeakers that are in parallel with the
amplifier’s input signal.
In signal sensing and DC offset sensing
applications, the amplifier’s “Remote” turn-on
terminal becomes a remote turn-on output.
This allows the XD700/5v2 to turn on other
amplifiers in the audio system that do not have
signal sensing or DC offset sensing. Of course
the XD700/5v2 must be the first amplifier in the
signal path for this to function properly.
INPUT SECTION
The XD700/5v2’s input section allows
you to send signals to the amplifier
section through the use of two, four or
six differential-balanced inputs.
Input connections are via up to three
pairs of traditional RCA-type jacks.

7
If you wish to send six discrete channels into
the XD700/5v2, simply use all six inputs and set
the “Input Mode” switch in the “6 Ch.” position.
The amplifier will automatically combine the
left and right “Sub Ch.” input signals to mono.
If you have only one channel of subwoofer signal
available, it is acceptable to only use one of
the “Sub Ch.” inputs, but for optimal gain, we
recommend using a Y-adaptor and feeding both
“Sub Ch.” inputs.
If you prefer to use only four channels of input
into the XD700/5v2, set the “Input Mode” switch
in the “4 Ch.” position and use the Ch 1 & 2 and
Ch 3 & 4 Inputs. In this mode, the XD700/5v2
will derive its subwoofer channel signal from a
sum of all four input signals. The bass will not
fade when the signal is faded by the head unit
from front to rear.
You may also choose to apply only two
channels of input to deliver signal to all five
amplifier channels. To do this, set the “Input
Mode” switch to “2 Ch.” and use only the inputs
to channels 1 & 2. In this mode, Channel 3 will
operate with the Channel 1 signal and Channel
4 will operate with the Channel 2 signal. The
amplifier will automatically combine the main
input signals to mono for the Subwoofer Channel.
Input Voltage Range:
A wide range of signal input voltages can
be accommodated by the XD700/5v2’s input
section (200mV – 8V). This wide range is split
up into two sub-ranges, accessible via the “Input
Voltage” switch:
“Low”: for preamp level signals
“High”: for speaker level signals
This switch affects all channels of the amplifier
equally. The “Low” position on the “Input
Voltage” switch selects an input sensitivity
range between 200mV and 2V. This means that
the “Input Sens.” rotary controls will operate
within that voltage window. If you are using
an aftermarket source unit, with conventional
preamp level outputs, this is the position you
should select.
The “High” position on the “Input Voltage”
switch selects an input sensitivity range between
800mV and 8V. This is useful for certain high-
output preamp level signals as well as speaker
level output from source units and small
amplifiers. To use speaker level sources, splice the
speaker output wires of the source unit or small
amplifier onto a pair of RCA cables or plugs,
or use the JL Audio ECS Speaker Wire to RCA
adaptor (XD-CLRAIC2-SW).
Line output converters are usually not needed
with the XD700/5v2. If you find that the output
cannot be reduced sufficiently with a direct
speaker level signal applied to the amplifier and
the “Input Voltage” switch in its “High” position,
you may use a line output converter or voltage
divider to reduce the signal level.
INPUT SENSITIVITY CONTROLS
The controls labeled “Input Sens.” located in
each channel section can be used to match the
source unit’s output voltage to the input stage of
each pair of amplifier channels for maximum
clean output. Rotating the control clockwise will
result in higher sensitivity (louder for a given
input voltage). Rotating the control counter-
clockwise will result in lower sensitivity (quieter
for a given input voltage.)

8 | JL Audio - XD700/5v2 Owner’s Manual
To properly set the amplifier for maximum
clean output, please refer to Appendix A (page
16) in this manual. After using this procedure,
you can then adjust any or all “Input Sens.”
levels downward if this is required to achieve the
desired system balance.
Do not increase any “Input Sens.” setting for
any channel(s) of any amplifier in the system
beyond the maximum level established during
the procedure outlined in Appendix A (page
16). Doing so will result in audible distortion
and possible speaker damage.
FILTER CONTROLS
Most speakers are not designed to reproduce
the full range of frequencies audible by the human
ear. For this reason, most speaker systems are
comprised of multiple speakers, each dedicated
to reproducing a specific frequency range. Filters
are used to select which frequency range is sent
to each section of a speaker system. The division
of frequency ranges to different speakers can be
done with passive filters (coils and/or capacitors
between the amplifier outputs and the speakers),
which are acceptable and commonly used
for filtering between mid-range speakers and
tweeters. Filtering between subwoofer systems
and satellite speaker systems is best done with
active filters, which cut off frequency content at
the input to the amplifier. Active filters are more
stable than passive filters and do not introduce
extraneous resistance, which can degrade
subwoofer performance.
The active filter built into each channel section
of the XD700/5v2 can be used to eliminate
potentially harmful and/or undesired frequencies
from making their way through the amplifier
sections to the speaker(s). This serves to improve
tonal balance and to avoid distortion and possible
speaker failure. Correct use of these filters can
substantially increase the longevity and fidelity of
your audio system.
1) “Filter Mode” Controls: The XD700/5v2
employs 12dB per octave filters for each pair
of main channels (one high-pass filter for
channels 1&2 and another high-pass / bandpass
filter for channels 3&4. The subwoofer channel
provides a low-pass filter with the option of
12dB or 24dB / octave slopes. Each of these
filters can be controlled or defeated completely
by way of the three-position “Filter Mode”
switches in each channel section:
Channel 1 & 2 Filter: 12dB/octave High-Pass
only, with x10 multiplier switch
“Off”: Defeats the filter completely, allowing
the full range of frequencies present at the inputs
to feed these channels. This is useful for systems
utilizing outboard active crossovers or requiring
full-range reproduction from this channel pair.
“x1” (High-Pass): Configures the filter
to attenuate frequencies below the indicated
filter frequency at a rate of 12dB per octave.
This is useful for connection of component
speakers or coaxials to this channel pair in a
bi-amplified system.

9
“x10” (High-Pass): Configures the filter
to attenuate frequencies below a frequency
TEN TIMES HIGHER than the indicated
filter frequency at a rate of 12dB per octave.
This is useful for connection of tweeters to
this channel pair in a tri-amplified system.
Channel 3 & 4 Filter: 12dB/octave High-Pass
or Bandpass Filter
“Off”: Defeats the filter completely, allowing
the full range of frequencies present at the inputs
to feed these channels. This is useful for systems
utilizing outboard active crossovers or requiring
full-range reproduction from this channel pair.
“BP” (High-Pass): Configures the filter to
attenuate frequencies below the indicated filter
frequency and above the Channel 1 & 2 Filter
Frequency, at a rate of 12dB per octave. This is
useful for connection of mid-bass or mid-range
speakers in a tri-amplified system.
“HP” (High-Pass): Configures the
filter to attenuate frequencies below the
indicated filter frequency at a rate of 12dB
per octave. This is useful for connection
of component speakers or coaxials to this
channel pair in a bi-amplified system.
Subwoofer Channel Filter: 12dB/octave
or 24dB / octave, Low-Pass only
“Off”: Defeats the filter completely, allowing
the full range of frequencies present at the inputs
to feed this channel. This is useful for systems
utilizing outboard active crossovers.
“12dB” (Low-Pass): Configures the filter
to attenuate frequencies above the indicated
filter frequency, at a rate of 12dB per octave.
This is useful for connection of subwoofers in a
bi-amplified system. This shallower slope gently
attenuates high-frequencies from your subwoofer
signal and is often well-suited for sedans and
coupes with trunks.
“24dB” (Low-Pass): Configures the filter
to attenuate frequencies above the indicated
filter frequency, at a rate of 24dB per octave.
This is useful for connection of subwoofers in
a bi-amplified system. This sharper slope more
aggressively removes high-frequencies from your
subwoofer signal and is often well-suited for
SUV’s, wagons and hatchbacks.
2) “Filter Freq. (Hz)” The filter frequency
markings surrounding these rotary controls
(one in each Channel Section) are for reference
purposes and are generally accurate to within
1/3 octave or better. If you would like to select
the filter cutoff frequency with a higher level
of precision, consult the chart in Appendix B
(page 17).
Tuning Hint: If you are using the XD700/5v2
to drive a subwoofer system (“LP”mode), and
component satellite speaker systems (“HP”mode),
80 Hz is a good baseline “Filter Freq. (Hz)” setting.
After properly adjusting the “Input Sens.”, as
outlined in Appendix A (page 16), you can fine
tune the “Filter Freq. (Hz)” control to achieve the
desired system frequency response.
REMOTE LEVEL CONTROL OPTIONAL
With the addition of the optional Remote
Level Control (HD-RLC), you can control the
volume of the subwoofer channel (Subwoofer
Level) or of the entire XD700/5v2 from the front
of the vehicle (Master Volume).
The HD-RLC connects to the jack labeled
“Remote Level Control” on the Connection
Panel of the amplifier using a standard telephone
cable (supplied with the HD-RLC). If desired,
multiple XD (and HD) amplifiers can be
controlled from a single HD-RLC controller using
a single-line, four-wire phone line splitter and
multiple phone cables.
When connected to the amplifier, the
HD-RLC operates as follows. At full counter-
clockwise rotation, the audio of the selected
channels will mute completely. At full clockwise
rotation the level will be the same as if the
HD-RLC was not connected at all. In other
words, it operates strictly as a level attenuator.

10 | JL Audio - XD700/5v2 Owner’s Manual
“Remote Level Mode” Switch: This switch
allows you to assign the operation of the HD-RLC
to the entire amplifier or only the subwoofer
channel. In the “A ll” position, the HD-RLC knob
will affect all channels equally. In the “Sub Ch.”
position, only the level of the subwoofer channel
will be affected by the HD-RLC knob.
SPEAKER OUTPUTS
The XD700/5v2’s speaker outputs are designed
to accept 16 AWG - 8 AWG wire. To connect the
speaker wires to the amplifier, first back out the
set screws on the top of the terminal block, using
the supplied 2.5 mm hex wrench. Strip 1/2 inch
(12 mm) of insulation from the end of each wire
and insert the bare wire into the terminal block,
seating it firmly so that no bare wire is exposed.
While holding the wire in place, tighten the set
screw firmly, taking care not to strip the head of
the screw.
Each pair of the XD700/5v2’s main channels are
designed to deliver power into speaker loads equal
to or greater than 2 ohms when using a “stereo”
configuration and speaker loads equal to or greater
than 4 ohms when using a “bridged” configuration.
The subwoofer channel is designed to deliver power
into subwoofer loads equal to or greater than 2 ohms.
Speaker loads below 2 ohms nominal per
channel (or 4 ohms bridged) are not
recommended and may cause the amplifier to
initiate a protection mode which reduces
power output.
BRIDGING CONSIDERATIONS
Bridging is the practice of combining the
output of two amplifier channels to drive a single
load. When bridged, each channel produces
signals of equal magnitude, but opposite polarity.
The combined output of the two channels
provides twice the output voltage available from a
single channel. The XD700/5v2 has been designed
for bridging of its main channel pairs without the
need for input inversion adaptors.
To bridge a pair of main channels, use the
“Left +” and “Right –” speaker connectors only
(the “Left –” and “Right +” remain unused). Each
bridged channel pair will deliver optimum power
into a 4 ohm load.
When a pair of the XD700/5v2’s main channels
are bridged, they will deliver 200W x 1 into a
4 ohm load or 150W x 1 into an 8 ohm load.
Operating a pair of bridged channels into a
load lower than 4 ohms is not recommended.
A bridged pair of channels requires that both
channels in the pair receive input. You must
connect the mono or stereo source signal to
both the left and right inputs of the bridged
channel pair. Connection of only one input will
result in reduced power output, increased
distortion and can cause the amplifier to
overheat. Do not do this!
When a pair of the XD700/5v2’s main channels
are operating in bridged mode, the output will be
in mono (only one channel). This mono channel
can contain only right channel information, only
left channel information, or the sum of the signals
from right and left input channels. In order to
achieve one of these options, configure the inputs
to that pair of channels in one of these two ways:
1) Left Channel Only or Right Channel Only
Information: If you wish to send a left-only or
right-only signal to a pair of the XD700/5v2’s
channels you must use a “Y-Adaptor” to split
the single channel signal into both left and
right RCA inputs of the bridged channel pair.

11
This option is used when deploying a pair of
the XD700/5v2’s main channels to drive left
channel speakers only and the other pair of
the XD700/5v2’s main channels to drive right
channel speakers only.
2) Left + Right Channel Information: When
bridged and fed by a stereo source signal, a
bridged pair of the XD700/5v2’s channels will
automatically combine the left and right input
signals into a summed mono (left + right)
input signal.
SUBWOOFER OUTPUTS
The XD700/5v2’s single subwoofer channel is
designed to deliver power into subwoofer loads
equal to or greater than 2 ohms. It is rated for
300W into 2 ohms, 250W into 3 ohms and 200W
into 4 ohms (Continuous Power, RMS Method).
Subwoofer loads below 2 ohms nominal are not
recommended and may cause the amplifier
to initiate a protection mode which reduces
power output.
The XD700/5v2’s subwoofer outputs are
designed to accept 16 AWG - 8 AWG wire. To
connect the subwoofer wires to the amplifier, first
back out the set screws on the top of the terminal
block, using the supplied 2.5 mm hex wrench.
Strip 1/2 inch (12 mm) of insulation from the
end of each wire and insert the bare wire into the
terminal block, seating it firmly so that no bare
wire is exposed. While holding the wire in place,
tighten the set screw firmly, taking care not to
strip the head of the screw.
You will notice that there are two “+” positive
connections and two “–” negative connections.
This is to facilitate multiple subwoofer wiring.
The two positive and two negative
connections are connected in parallel inside
the amplifier They are not stereo outputs.
Connecting two subwoofers, each to one set
of positive and negative terminals, will result
in a parallel subwoofer connection. If only
connecting one pair of subwoofer wires, it is
not necessary to use both sets of connections.

12 | JL Audio - XD700/5v2 Owner’s Manual
STATUS LED / PROTECTION CIRCUITRY
There is a single multi-color LED on the top
surface of the amplifier to indicate the amplifier’s
operating status.
1 ) F l a s h i n g G r e e n : The amplifier is powering up,
audio output is muted.
2) Constant Green: The amplifier is on and
functioning normally, audio output is active.
3) Constant Red: lights to indicate that the
amplifier has exceeded its safe operating
temperature, putting the amplifier into a
self-protection mode, which reduces the
peak power output of the amplifier. When
its temperature returns to a safe level, the red
light will return to green and the amplifier will
return to full-power operating mode.
4) Constant Amber (Yellow): Indicates that
an over-current condition has occurred
and is accompanied by a muting of the
amplifier’s output. Because the muting
behavior may be very short in duration, it
may manifest itself as an audible, repetitive
ticking or thumping noise in the output.
Over-current conditions can be caused by a
speaker impedance lower than the optimum
load impedance range for the amplifier or
a short-circuit in the speaker wiring. The
latter can result from a short circuit between
the positive and negative speaker wires or
between either speaker wire and the vehicle
chassis. The “Status LED” will remain amber
for a few seconds, even if the over-current
condition is of a very short duration.
5) LED off / Amplifier Shuts Off Unexpectedly
The only condition that will shut down an
undamaged XD600/6v2 completely is if battery
voltage or remote turn-on voltage drops below
10 volts. The “Status LED” will turn off when
this occurs. The amplifier will turn back on
when voltage climbs back above 11 volts. If
this is happening in your system, have your
charging system and power wiring inspected.
For more information on troubleshooting this
amplifier, refer to Appendix D (pages 18, 19).
Ò

13
SERVICING YOUR JL AUDIO AMPLIFIER
If your amplifier fails or malfunctions, please
return it to your authorized JL Audio dealer so
that it may be sent in to JL Audio for service.
There are no user serviceable parts or fuses inside
the amplifier. The unique nature of the circuitry
in the JL Audio amplifiers requires specifically
trained service personnel. Do not attempt
to service the amplifier yourself or through
unauthorized repair facilities. This will not only
void the warranty, but may result in the creation
of more problems within the amplifier.
If you have any questions about the installation or
setup of the amplifier that have not been covered
in this manual, please contact your dealer or
technical support.
JL Audio Technical Support:
[phone]
9:00 AM – 5:30 PM (Eastern Time Zone)
Monday - Friday

14 | JL Audio - XD700/5v2 Owner’s Manual
SYSTEM CONFIGURATIONS
The XD700/5v2 is a very flexible amplifier,
well-suited for a multitude of system
configurations. In this section, the most likely
configurations for a system with a single
XD700/5v2 are explained in detail.
Once you have selected your desired
configuration, you can use the amplifier panel
drawing on pages 18 & 19 to mark the required
switch positions for easy reference.
BIAMPLIFIED SYSTEMS
Bi-amplified systems are defined as systems
in which separate amplifier channels drive low-
frequency (LF) and high-frequency (HF) speakers
and are separately filtered to send appropriate
frequency ranges to each speaker system.
The most common application of
bi-amplification in mobile audio is to drive a
subwoofer system from one or more amplifiers or
channels and component speakers from separate
amplifiers or channels.
The XD700/5v2 can be configured to drive a
bi-amplified system by itself.
Bi-Amplified System with one XD700/5v2
In this configuration, the Subwoofer Channel
of the XD700/5v2 will drive a subwoofer system
with low-pass filtering. The Main Channels (1&2,
3&4) will drive component speakers in stereo
with high-pass filtering.
Crossover Setup for Bi-Amplified System
with one XD700/5v2:
Once the input sections have been configured
appropriately (see page 6), go to the “SUB CH.”
control section and select “12dB” or “24dB”
(low-pass) on the “LP Filter Mode” switch and
an appropriate “Filter Freq.” (80 Hz is a good
starting point). The “12dB” setting engages a
shallow filter slope that gradually attenuates
frequencies above the selected “Filter Freq.”
setting. The “24dB” setting engages a sharper
filter slope that more aggressively attenuates
frequencies above the selected “Filter Freq.”
setting. Neither setting is “better”, but in general,
the shallower “12dB” setting is more desirable for
a subwoofer having to fire from a trunk into the
cabin of a sedan or coupe. The sharper “24dB”
setting is typically better in a hatchback, SUV or
wagon application. Experiment to find the slope
setting that results in the smoothest subwoofer to
midbass transition.
Next, turn your attention to the “CH 1 & 2”
Controls and select “x1” (high-pass) on the “HP
Filter Mode” switch and select an appropriate
“Filter Freq.” (again, 80 Hz is a good starting
point). The “x1” setting means that the Filter
Freq. indicated on the dial is exactly what you are
selecting. (In the “x10” mode, the actual Filter
Frequency is ten times higher than the indicated
value. This setting is generally not used in
bi-amplified systems.)
Finally, turn your attention to the “CH 3 & 4”
Controls and select “HP” (high-pass) on the “Filter
Mode” switch and select an appropriate “Filter
Freq.” (again, 80 Hz is a good starting point).
Tri-Amplified Systems with one XD700/5v2
The XD700/5v2’s 3-way crossover capability
allows you to create true, tri-amplified systems by
selecting the appropriate settings described below.
In a tri-amplified configuration, the
Subwoofer Channel of the XD700/5v2 will
drive a subwoofer system, in mono, with
low-pass filtering. Channels 3 & 4 will drive
component woofers (or mid-range speakers) in
stereo with bandpass filtering (both a high-pass
and a low-pass filter applied). Channels 1 & 2
will drive high-frequency speakers (tweeters,
typically), in stereo, with high-pass filtering.
To operate a single XD700/5v2 in Tri-Amplified
mode, set the “Input Mode” switch in “2 Ch.”
mode, and apply a single set of stereo inputs to the
Ch. 1 & 2 Inputs only!

15
Crossover Setup for Tri-Amplified System
with one XD700/5v2:
First go to the “SUB CH.” control section
and select “12dB” or “24dB”(low-pass) on the
“LP Filter Mode” switch and an appropriate
“Filter Freq.” (80 Hz is a good starting point). The
“12dB” setting engages a shallow filter slope that
gradually attenuates frequencies above the selected
“Filter Freq.” setting. The “24dB” setting engages
a sharper filter slope that more aggressively
attenuates frequencies above the selected “Filter
Freq.” setting. Neither setting is inherently
“better”, but in general, the shallower “12dB”
setting is more desirable for a subwoofer having
to fire from a trunk into the cabin of a sedan or
coupe. The sharper “24dB” setting is typically
better in a hatchback, SUV or wagon application.
Experiment to find the slope setting that results in
the smoothest subwoofer to midbass transition.
Next, turn your attention to the “CH 3 &
4”Controls and select “BP” (bandpass) on
the “Filter Mode” switch. A bandpass filter is
actually composed of two filters (one high-pass
and one low-pass), which in combination allow a
defined “band” of frequencies to pass through the
amplifier channels and onto the speakers. These
are ideal for actively filtered mid-bass or mid-
range speakers in automotive sound systems.
Now that you have engaged Bandpass Mode
for Channels 3 & 4, select an appropriate “Filter
Freq.” (again, 80 Hz is a good starting point).
The Filter Frequency you are adjusting with this
control is the high-pass portion of the bandpass
filter. The low-pass portion is automatically set by
the tweeter channel’s “Filter Freq.” adjustment
(CH 1 & 2). The low-pass portion of the bandpass
filter will always track with the CH 1 & 2 “Filter
Freq.” setting.
Finally, turn your attention to the “CH 1
& 2”Controls and select “x10” (high-pass)
on the “HP Filter Mode” switch. This switch
position multiplies the indicated “Filter
Freq.” value by a factor of 10, so that an
indicated frequency of 500 Hz is actually a
filter frequency of 5000 Hz (5 kHz). The filter
slope for this section is fixed at 12dB/octave.
Now, select an appropriate “Filter Freq.” for
your tweeters (5000 Hz is a good starting point).
Before attempting any lower frequency settings,
consult the documentation for the tweeters you
are using and make sure you will not be driving
the tweeters with frequencies lower than they are
designed to handle. JL Audio mobile component
tweeters should not be operated with Filter
Frequencies lower than 3 kHz.
After proper adjustment of the “Input
Sens.” controls for both main channel
pairs and the subwoofer channel using the
method shown in Appendix A (page 16),
you can fine tune filter frequencies and
attenuate either pair of channels to achieve
proper balance. For precise filter frequency
information refer to Appendix B (page 17)
To operate two XD700/5v2’s in Tri-Amplified
mode (one for left channel and the other for right
channel), set the “Input Mode” switches of both
amplifiers in “2 Ch.” mode, and apply the left
channel signal to both the left and right inputs of
the first amplifier’s Channel 1 & 2 Inputs, using
an RCA y-adaptor with one female and two male
ends. Then apply the right channel signal to both
the left and right inputs of the second amplifier’s
Channel 1 & 2 inputs, using a second RCA
y-adaptor with one female and two male ends.

16 | JL Audio - XD700/5v2 Owner’s Manual
APPENDIX A:
Input Sensitivity Level Setting
Following the directions below will allow the
installer to adjust the input sensitivity of each
amplifier channel pair simply and easily in just a
few minutes using equipment which is commonly
available in installation bays.
Necessary Equipment
• Digital AC Voltmeter
• CD with a sine-wave test tone recorded at
0 dB reference level in the frequency range
to be amplified for that set of channels
(50 Hz for subwoofer channels, 1 kHz for a
midrange application). Do not use attenuated
test tones (-10 dB, -20 dB, etc.).
The Nine-Step Procedure
1) Disconnect the speaker(s) from the
amplifier’s speaker output connectors.
2) Turn off all processing (bass/treble, loudness,
EQ, etc.) on the source unit, processors (if
used) and amplifier. Set the fader control to
center position and the subwoofer level control
to 3/4 of maximum (if used to feed
the XD700/5v2).
3) Switch the “Input Voltage” switch to “Low”
and turn all three “Input Sens.” controls all
the way down.
4) Set the source unit volume to 3/4 of full
volume. This will allow for reasonable gain
overlap with moderate clipping at full volume.
5) Using the chart on this page, determine the target
voltage for input sensitivity adjustment according
to the nominal impedance of the speaker system
connected to the amplifier outputs.
6) Verify that you have disconnected the speakers
before proceeding. Play a track with an
appropriate sine wave (within the frequency
range to be amplified by the channel you are
adjusting) at 3/4 source unit volume.
7) Connect the AC voltmeter to the speaker output
connectors of the amplifier. If the channel
pair is operating in stereo, it is only necessary
to measure one channel. If bridged, make sure
you test the voltage at the correct connectors
(L+ and R–).
8) Increase the “Input Sens.” control until the
target voltage is observed with the voltmeter.
9) Once you have adjusted each channel
sectio of the XD700/5v2 to its maximum
low-distortion output level, reconnect the
speaker(s). The “Input Sens.” controls can
now be adjusted downward if the amplifier
requires attenuation to achieve the desired
system balance.
Do not increase any “Input Sens.” setting for
any amplifier channel or channel pair in the
system beyond the maximum level established
during this procedure. Doing so will result in
audible distortion and possible speaker damage.
It will be necessary to readjust the
“Input Sens.” for the affected channels if any
equalizer boost is activated after setting the
“Input Sens.” with this procedure. This applies
to any EQ boost circuit, including source unit
tone controls or EQ circuits. EQ cuts will not
require re-adjustment.
Nom.
Impedance
Target AC Voltage
Main CH
(Stereo)
Main CH
(Bridged)
Subwoofer
CH
8 17.3 V 34.6 V 26.8 V
4 17.3 V 28.2 V 26.8 V
3 16.2 V not recommended 28.6 V
2 14.1 V not recommended 24.5 V

17
APPENDIX C:
XD700/5v2 Specifications:
Recommended Fuse Value: 60A
Recommended Fuse Type: MAXI® or AGU
Input Sections:
No. of Inputs: Three Stereo Pairs
Input Type: Differential-balanced with RCA jack inputs
Input Range: 200mV - 8V RMS
Amplifier Section:
Amplifier Topology: NexD™ Ultra-High Speed Class D
Power Supply: Unregulated MOSFET switching type
Rated Power at 14.4V with less than
1% THD+Noise (20Hz - 20 kHz), RMS Method
Main Channels, Stereo, all channels driven:
75W x 4 @ 4 ohms, 100W x 4 @ 2 ohms
Main Channels, Bridged, all channels driven:
150W x 2 @ 8 ohms, 200W x 2 @ 4 ohms
Subwoofer Channel, Mono, all channels driven:
180W x 1 @ 4 ohms, 240W x 1 @ 3 ohms, 300W x 1 @ 2 ohms
Rated Power @ 12.5V with less than
1% THD + Noise (20Hz - 20 kHz), RMS Method
Stereo, all channels driven:
60W x 4 @ 4 ohms, 90W x 4 @ 2 ohms
Rated Power Bridged, all channels driven:
120W x 2 @ 8 ohms, 180W x 2 @ 4 ohms
Subwoofer Channel, Mono, all channels driven:
180W x 1 @ 4 ohms, 240W x 1 @ 3 ohms, 300W x 1 @ 2 ohms
S/N Ratio (A-weighted, 20 Hz-20 kHz noise bandwidth):
Main Channels: >104 dB referred to rated power,
>84 dB referred to 1W
Subwoofer Channel: >103dB referred to rated power,
>83dB referred to 1W
Frequency Response:
Main Channels: 12 Hz - 22 kHz (+0, -1dB)
Subwoofer Channel: 10 Hz - 1 kHz (+0, -1dB)
Damping Factor:
Main Channels: >150 @ 4 ohms per ch./ 50 Hz,
>75 @ 2 ohms per ch. / 50 Hz
Subwoofer Channel: >120 @ 4 ohms per ch./ 50 Hz,
>60 @ 2 ohms per ch. / 50 Hz
Crossover Filters:
Filter Type: State-variable / Sallen-Key, with continuously
variable cutoff frequency selection, defeatable
Ch 1&2: 12dB/oct. High-Pass (50-500 Hz, switchable to 500-
5000 Hz via”x10” switch)
Ch. 3&4: 12dB/oct. High-Pass (50-500 Hz) or Bandpass (uses
Ch 1&2 Filter Frequency as Low-Pass cutoff)
Sub Ch: 12dB or 24dB/oct. Low-Pass (50-500 Hz)
Dimensions (LxWxH):
10.23" x 7.09" x 2.05" (260mm x 180mm x 52mm)
APPENDIX B:
Precise Frequency Selection Chart
“FILTER FREQ”
Detent Panel Actual
Number Marking Freq.
Full counter-clockwise: 49
01............................49
02...........“50” ............49
03............................50
04............................50
05............................52
06............................53
07............................55
08...........“60” ............57
09............................59
10............................61
11............................63
12............................65
13............................68
14............................70
15............................73
16...........“80” ............76
17............................79
18............................83
19............................86
20.......“12 o’clock” ........90
21............................95
22...........................100
23...........................105
24.......... “120” ..........111
25...........................118
26...........................126
27...........................135
28...........................146
29...........................160
30...........................174
31...........................192
32.......... “200” ..........217
33...........................243
34...........................286
35...........................339
36...........................406
37...........................444
38.......... “500” ..........482
39...........................483
Full-clockwise: 483
Due to ongoing product development, all specifications are subject to
change without notice.

18 | JL Audio - XD700/5v2 Owner’s Manual
“How do I properly set the input sensitivity on my amplifier?”
Please refer to Appendix A (page 16) to set the input sensitivity for
maximum, low-distortion output.
“My amplifier doesn’t turn on.”
Check the fuse, not just visually, but with a continuity meter. It is
possible for a fuse to have poor internal connections that
cannot be found by visual inspection. It is best to take the
fuse out of the holder for testing. If no problem is found with
the fuse, inspect the fuse holder.
Check the integrity of the connections made to each of the
“+12VDC”, “Ground”, and “Remote” terminals. Ensure
that no wire insulation is pinched by the terminal set screw
and that each connection is tight.
Check to make sure there is +12V at the “Remote” connection of the
amplifier. In some cases, the turn-on lead from the source unit
is insufficient to turn on multiple devices and the use of a relay
is required. To test for this problem, jump the “+12VDC” wire
to the “Remote” terminal to see if the amplifier turns on.
“I get a repetitive ticking or popping sound coming out of the speaker(s).”
Check the speaker wires for a possible short, either between the
positive and negative leads or between either speaker lead
and the vehicle’s chassis ground. If a short is present, you will
experience distorted and/or attenuated output. The “Status
LED” will turn amber in this situation. It may be helpful to
disconnect the speaker wires from the amplifier and use a
different set of wires connected to a test speaker.
Check the nominal load impedance to verify that each channel
of the amplifier is driving a load equal to or greater than
2 ohms in stereo mode (4 ohms bridged).
“My amplifier’s output fluctuates when I tap on it or hit a bump.”
Check the connections to the amplifier. Make sure that the
insulation for all wires has been stripped back far enough to
allow for a good contact area inside the terminal block.
Check the input connectors to ensure that they all are making good
contact with the input jacks on the amplifier.
APPENDIXD: TROUBLESHOOTING

19
“My amplifier shuts off once in a while, usually at higher volumes.”
Check your voltage source and grounding point. The power supply
of the XD700/5v2 will operate with charging system voltages
down to 10V. Shutdown problems at higher volume levels
can occur when the charging system voltage (or remote
turn-on voltage) drops below 10V. These dips can be of very
short duration making them extremely difficult to detect
with a common DC voltmeter. To ensure proper voltage,
inspect all wiring and termination points. It may also be
necessary to upgrade the ground wire connecting the battery
to the vehicle’s chassis and the power wire connecting the
alternator to the battery. Many vehicles employ small (10
AWG - 6 AWG) wire to ground the battery to the vehicle’s
chassis and to connect the alternator to the battery. To
prevent voltage drops, these wires should be upgraded to
4 AWG when installing amplifier systems with main fuse
ratings above 60A. Grounding problems are the leading
cause of misdiagnosed amplifier “failures.”
“My amplifier turns on, but there is no output.”
Check the input signal using an AC voltmeter to measure the
voltage from the source unit while an appropriate test tone is
played through the source unit (disconnect the input cables
from the amplifier prior to this test). The frequency used
should be in the range that is to be amplified by the amplifier
(example: 50 Hz for a sub bass application or 1 kHz for a full
range / high-pass application). A steady, sufficient voltage
(between 0.2 and 8.0-volts) should be present at the output of
the signal cables.
Check the output of the amplifier. Using the procedure explained in
the previous check item (after plugging the input cables back
into the amplifier) test for output at the speaker outputs of
the amplifier. Unless you enjoy test tones at high levels, it is
a good idea to remove the speaker wires from the amplifier
while doing this. Turn the volume up approximately
halfway. 5 volt AC or more should be measured at the
speaker outputs. This output level can vary greatly between
amplifiers but it should not be in the millivolt range with
the source unit at half volume. If you are reading sufficient
voltage, check your speaker connections as explained below.
Check to ensure that the speaker wires are making a good
connection with the metal inside the terminal block. The
speaker wire connectors are designed to accept up to 8 AWG
wire. Make sure to strip the wire to allow for a sufficient
connection with the metal inside the terminal block.

20 | JL Audio - XD700/5v2 Owner’s Manual
INSTALLATION NOTES:
Use this diagram to document your amplifier’s switch and control positions.