JMK CLOCKstep:MULTI User manual

version 1.0 (build 0050)
CLOCKstep:MULTI
Copyright 2023 JMK Music Pedals
JMK MUSIC PEDALS
1
Product Specificaons 25
Table of Contents
Introducon 2
Patch Bay Connecons 3
Rear Connecons 4
USB Connecon 4
Global Sengs 16
Presets 15
Metronome 11
User Interface 5
Limited Warranty 25
MIDI In Specificaon 22
Connecons 3
Transport and Clock 6
Tempo 9
Sync Rates 13
External Clock Sync 19

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CLOCKstep:MULTI
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2
A full MIDI Implementaon allows CLOCKstep:MULTI to be controlled remotely
from an external MIDI device.
CLOCKstep:MULTI is a MIDI Clock, CV Sync, Transport Controller and Audio
Metronome all in one box.
All of these features can be organized and stored into 40 Presets.
Clock and Transport funcons can either be controlled independently or in unison
depending on the user’s Transport Mode selecon.
The Audio Metronome is configurable with a variety of sounds, independent
subdivision volumes and Time Signatures.
Hooked up to a dedicated Audio Output from a DAW, it can deliver perfectly med
sync between the DAW and other connected hardware devices. (aka: Sample
Accurate Sync)
The two (2) CV Trigger Sync Outs can be independently configured for different
sync rates to interface with a variety of modular/Eurorack Synths, Sequencers,
Drum Machines and Loopers.
Introducon
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TEMPO
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:
SYNC
12
PLAY RESET
START STOP
SYNC 1SYNC 2PRESET
START/
STOP
MIDI
OUT
View Introduction Video

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3
Patch Bay Connecons
START/STOP
0/+5 Volt Trigger to toggle sending
both Start and Stop commands.
PLAY
0/+5 Volt Gate for
sending Transport
Start and Stop
commands. Signal
is HIGH when
Transport is started
and LOW when
stopped.
0/+5 Volt Triggers for sending clock signals. Clock rate is
configurable independently for each sync output.
SYNC 1 & 2
PLAY RESET
START STOP
SYNC 1SYNC 2
START/
STOP
MIDI
OUT
RESET
0/+5 Volt Trigger for
sending a command
to reset a sequence
from the beginning.
Sent with a Start
command, except
when resuming from
Pause.
0/+5 Volt Trigger for
sending a discrete
Transport Start
command.
START STOP
0/+5 Volt Trigger for
sending a discrete
Transport Stop
command.
MIDI OUT
TRS “Type A” MIDI Output which
mirrors the MIDI DIN Output.

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4
Rear Connecons
MIDI IN MIDI OUT
9v DC
ON
OFF
AUDIO OUT
(CLICK)
AUDIO IN
(SYNC)
JMK MUSIC PEDALS
AUDIO IN
(SYNC)
TS Line Level
Audio Input for
receiving 24
PPQN audio
pulses from a
DAW or other
compatible audio
device.
AUDIO OUT
(CLICK)
TS Line Level
Audio Output for
sending Click
audio to a mixer
for tempo
monitoring.
Standard DIN Connector for
receiving MIDI data.
MIDI IN MIDI OUT
Standard DIN Connector for
sending MIDI OUT and THRU
data.
POWER
Center Negative.
2.1mm Barrel
Connector.
9v DC. 200 mA
Nominal current.
On the right side is a USB connecon. This is a Class-Compliant MIDI Client
connecon that will be seen as a 1x1 MIDI connecon on a host computer. It’s also
used for updang the firmware.
USB Connecon

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User Interface
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PRESET
Each buon is labeled for its primary funcon.
The User Interface is comprised of a grid of 16 backlit buons.
When accessing certain features, the arrangement will change
to indicate a new set of choices. In many cases, the new
arrangement is for selecon of a value between 1-16 from le
to right and top to boom, where the Top Le buon is 1 and
the Boom Right buon is 16.
All arrangements and selecons are detailed in the coming
chapters.

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6
There are 2 buons for controlling Start,
Stop, Pause and Connue.
How these buons work will be determined
by the user’s choice of Transport Mode. The
descripon of each of the modes is covered
below.
Changing the Transport Mode is covered in
the Global Sengs chapter.
Transport and Clock
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SYNC
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PLAY RESET
START STOP
PRESET
4
While paused, this buon is used to resume the Clock and send
Start/Connue commands to all connected devices.
While started, this buon is used to Pause the Clock, which results in
sending a Stop commands to all connected devices.
Simple Transport Mode
The Clock/Stop buon is used to Stop the unit if it is currently
started or paused.
Starng or Stopping the Clock cannot be performed independent of the
Transport commands in Simple Transport Mode.
This is the default mode of CLOCKstep:MULTI.
The Start/Pause buon is used to simultaneously begin
running the Clock and send Start commands to all connected
devices.
connued ...
View Transport Video
View Synchronize Video

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Resync Transport Mode
If the Clock is not currently running, the Start/Pause buon is
used to simultaneously run the Clock and send Commands to
all connected devices.
Similar to Simple Transport Mode, but in this mode Pause is replaced by a
Resync funcon.
While started, this buon is used to Resync the Metronome Bar and all
connected devices (by sending Stop, Reset, Song Posion Pointer=0 and
Start in that order).
If the clock is currently running, this buon sends the Resync command set
while simultaneously aligning the Metronome Bar to this point.
Starng or Stopping the Clock cannot be performed independent of the
Transport commands in Resync Transport Mode.
While started, the Clock/Stop buon is used to send Stop
commands to all connected devices. This does not stop CS:M’s
own Clock and Metronome unl you press it a second me.
While started, this buon is used to Pause the Clock and send a Stop
command to all connected devices.
A hybrid of the previous 2 modes, this mode offers more funconality from
using only 2 buons.
The Start/Pause buon is used to simultaneously begin
running the Clock and sending Start commands to all
connected devices.
The Clock/Stop buon is used to Stop the unit if it is currently
started.
While paused, this buon is used to resume the Clock and send
Start/Connue commands to all connected devices.
Align Transport Mode
While stopped, this buon can be used to begin running CS:M’s internal
Clock independently of Transport commands, which also begins running the
Metronome. Only the Clock pulses are sent to other devices, there are no
other commands transmied.
Transport and Clock (connued)
connued ...

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Quanze Transport Mode
If the Clock is currently running, this buon will place Start into a pending
state unl the top of the next Bar is reached, at which me all of the Start
commands are sent (in perfect me with the top of that Bar).
While started, this buon is used to Pause the Clock and send a Stop
command to all connected devices.
If the Clock is not currently running, the Start/Pause buon
will only respond by flashing, indicang that it is in a pending
state. The Start commands will be sent once the Clock begins
running.
This mode doesn’t have any rules. The Transport and the Clock funcons
are independent from each other except in the case of Pausing.
While started, the Clock/Stop buon is used to send Stop
commands to all connected devices. This does not stop CS:M’s
own Clock and Metronome unl you press it a second me.
While paused, this buon is used to resume the Clock and send
Start/Connue commands to all connected devices.
This mode ensures that the Start commands are always perfectly aligned
with the downbeat of the next Metronome Bar.
While stopped, this buon can be used to begin running CS:M’s internal
Clock independently of Transport commands, which also begins running the
Metronome. Only the Clock pulses are sent to other devices, there are no
other commands transmied.
Independent Transport Mode
Transport and Clock (connued)

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9
Internal Clock rates range from 10 - 255
BPM.
Tap Tempo
Simply tap on the Tempo buon to
set a new tempo, using a Quarter
Note feel.
It’ll take several taps in order for the
tempo calculaon to begin.
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12
PLAY RESET
START STOP
PRESET
Tempo
Once 3 numbers have been entered, the
display will change and the boom row will
look like this image on the right.
One of the lights in the keypad will actually
be green, but ignore that for the moment.
It’ll be explained a lile further down.
Press the Red buon to Cancel.
Only input that is within the valid BPM
range is accepted, so for instance the first number entered cannot be a 5.
The operaon for entering BPM is exactly
the same as you would use a 10-key on a
calculator or keyboard, accepng 3
numbers in sequence. As you input the
numbers, the column of buons on the
right will turn green from top to boom to
indicate that the number has been
registered.
Exact Tempo
You can input an exact BPM by holding down the Tempo buon for 2
seconds. The lighng display will change to a calculator 10-key layout. (the
numbers overlaying the graphic below are for illustraon)
Press the Green buon (the calculator
‘Enter’ key) to immediately Execute the new Tempo with a .0 decimal.
connued ...
3
TEMPO
0
123
6
5
4
78 9
234
TEMPO
SYNC
12
View Tempo Video

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10
Tempo (connued)
Tempo Decimal
Aer inpung the decimal value, you will be given only the opon of
Execung or Cancelling again.
Somemes you need to know what tempo CLOCKstep:MULTI is currently set
at. This is where that green light shown within the 10-key layout comes into
play.
If you’d like to enter a 1 point decimal
value, press the white buon at the final
stage, which is in the same place as a
calculator 10-key decimal. A 10-key layout
will appear again, waing for you to input
one more value.
To read the current tempo, press the Tempo key for 2 seconds to bring up
the calculator 10-key. The green light show in the 10-key is the current
value used. Follow pressing the green lights within the 10-key and you will
be re-entering the same BPM value that is currently running. Once at the
last stage, you can either Execute or Cancel.
Read the Tempo
External Clock Tempo
When CLOCKstep:MULTI is following an External Clock, the Tempo buon is
deacvated. Tempo can only be set by the External Clock device. See the
External Clock Sync chapter for more details.
234
TEMPO
SYNC
12

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Subdivision Dynamics = 2nd Row
Time Signatures = 3rd Row
The Metronome can be configured to get
exactly the kind of dynamic feel that you
want from a Click Track.
Audio Adjustment = 1st Row
The Metronome sengs can be viewed on
the UI as 3 logical groups of controls:
Audio Adjustment
Special Sound Note: The 16th Sound choice is a very short square wave
sample that is mainly used for sending an Audio Sync pulse. See Audio
Sync OUT Enable in the Global Sengs chapter.
Sound
Volume
You can choose from 16 different sounds stored
within the unit. Pressing the Sound buon
expands the view to make 1 of 16 selecons.
Choosing a new sound will instantly load that
sound and return to the main CLOCKstep:MULTI view.
Mute
Turns the Sound engine ON and OFF without effecng the running Clock.
Adjust the global volume of the Click Audio. Expands the view to 16
choices with lowest volume at the Top Le and the highest volume and
the Boom Right. The selected volume will be permanently stored unl
you change it again.
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TEMPO
TRIPLET
SYNC
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PLAY RESET
START STOP
PRESET
Metronome
MUTE
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234
TRIPLET
PRESET
MUTE
SOUND VOLUME
connued ...
View Metronome Video

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12
Subdivision Dynamics (Interval)
You can set the volume of each of the
Click’s subdivisions.
Pressing on a subdivision presents a selecon of 16 volume levels. The
Upper Le buon will turn that subdivision completely off. The highest
volume is at the Boom Right.
For a visual clue, the intensity of the light for each buon reflects its
volume.
Triplet
Pressing the Triplet buon will change Eighth Notes into Eighth Note
Triplets and Sixteenth Notes into a Sixteenth Note Triplets.
Time Signatures
Number of Beats (2, 3 & 4)
The buons that are turned ON
(selected) will have their values added up to equal the number of Beats in
the Time Signature. In the image above, only 4 is selected so the Time
Signature is 4/4.
If you were the deselect 4 and select 2 & 3, then the result of 2 + 3 equals
5, and the Time Signature would be 5/4.
The 2, 3 & 4 buons can each be
turned ON or OFF.
Deselecng all of the buons will disable Time Signature and Bar tracking;
the loud accent at the beginning of each Bar will no longer stand out
above any other quarter note sound.
If the Clock is running, pressing any of these buons will place them into a
pending state and they will begin flashing. The change in Time Signature
will execute at the top of the next Bar.
The 4|8 buon toggles between Quarter Note and Eighth Note Beats,
making the Time Signature x/4 or x/8. When the buon is deselected, the
beat length is a Quarter, as in 5/4. When selected it is an Eighth, as in 5/8.
Length of Beat (4|8)
Quarter, Eighth, Sixteenth Subdivisions
Metronome (connued)
MUTE
SOUND VOLUME
TRIPLET
PRESET
234
TRIPLET

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13
MUTE
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TEMPO
TRIPLET
SYNC
12
PLAY RESET
START STOP
PRESET
2
SYNC
12
Sync Rates
Begin to adjust the rates by pressing the
SYNC 1 | 2 buon.
The rate of the two (2) 3.5mm CV Trigger
Sync outputs can be adjust to match the
rates expected by the external gear that
they control.
Each output can have its own independent
rate.
Pressing the SYNC 1 | 2 buon will
display the choices shown to the right.
In the sequencing world, sync rates are
normally expressed in PPQN (pulses per
quarter note), indicang the number of pulses or clock cks expected during
the span of 1 Quarter Note.
The blue buon at the Boom Right exits
back to the main view without making
any choices.
Sync 1 | 2
Rates
PPQN is also used as a rate designaon within CLOCKstep:MULTI, but there
are a couple excepons. Very slow rates are expressed as PPM (pulses per
measure).
Press buon 1 or 2 to set the sync rate
for the related 3.5mm output.
You may find other designaons used by sequencers such as PPS (pulses per
step). You want to pay close aenon to the designaon used for sync rates
and what they mean.
12
connued ...
View Synchronize Video

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14
16
PPQN
1
PPM
2
PPM
1
PPQN
2
PPQN
4
PPQN
8
PPQN
1.5
PPM
3
PPM
1.5
PPQN
3
PPQN
6
PPQN
12
PPQN
24
PPQN
Sync Rates (connued)
There are 14 selecons to choose from. On the buon pad, they ascend
from Le to Right and Top to Boom, beginning with 1 PPM and ending with
24 PPQN.
Rate Selecons
“Standard” values are on the 1st and 3rd columns and Triplet values are on
the 2nd and 4th columns. If you want to double the rate that’s being sent,
select the seng that is over 2 spaces from the current one.
Standard Values
Triplet Values

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Presets
Press the Preset buon. A selecon of 16 preset locaons will appear in the UI
with the currently acve preset displayed with a blue light. Press and Release
the preset locaon you wish to load.
Load a Preset
Press the Preset buon. A selecon of 16 preset locaons will appear in the UI
with the currently acve preset displayed with a blue light. Press and Hold the
preset locaon for 2 seconds where you wish to save the current configuraon.
Save a Preset
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PLAY RESET
START STOP
PRESET
PRESET
You can store and recall up to 40 Presets.
The first 16 Presets can be saved and loaded
from the User Interface.
All 40 Presets can be loaded using MIDI
Program Change commands. Saving to any
locaon can be done though a MIDI
Connuous Control command (See MIDI IN
Implementaon).

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16
Global Sengs
Turn MIDI DIN Input On or Off. Green = ON. Red = OFF.
MIDI DIN IN Enable
MIDI USB THRU Enable
Turn MIDI USB THRU On or Off. When enabled, MIDI data arriving at the MIDI
USB Input will be sent out of the MIDI USB Out, MIDI TRS Out and MIDI DIN
Out. Green = ON. Red = OFF.
MIDI USB IN Enable
Turn MIDI DIN THRU On or Off. When enabled, MIDI data arriving at the MIDI
DIN Input will be sent out of the MIDI DIN Out, MIDI TRS Out and MIDI USB
Out. Green = ON. Red = OFF.
Turn MIDI USB Input On or Off. Green = ON. Red = OFF.
MIDI DIN THRU Enable
Access the Global Sengs by holding down the Preset buon while you turn on
CLOCKstep:MULTI. You will see a display like the one below, though some colors
may change based on the sengs you have already chosen.
MIDI DIN
IN
Enable
MIDI DIN
THRU
Enable
MIDI USB
IN
Enable
MIDI
RX
Channel
Audio
IN
Threshold
Transport
Mode Brightness
Audio
Sync OUT
Enable
Exit
MIDI USB
THRU
Enable
Trigger
Time
Force
External
Clock
connued ...

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17
Global Sengs (connued)
MIDI RX Channel
Useful for calibrang the Sample Accurate Clock Sync feature to match the
level of the audio signal being received. When pressed, a new screen will
appear for choosing a threshold seng (blue light) between 1-16. Lower
sengs will detect peaks in the audio at a lower threshold.
Select a seng (blue) somewhere between the Red and Green levels. The
auto-calibraon will make a recommendaon for this seng, but you don’t
have to accept it. You can select any of the 16 values you wish.
The MIDI Channel that CLOCKstep:MULTI responds to when receiving remote
MIDI Commands. Value = 1-16.
Transport Mode
The Green light represents the highest peak detected in the audio, which
should be the peak of the incoming audio clock pulses.
Audio IN Threshold
The Red light represents the noise floor of the signal.
Transport Modes are detailed in
the Transport and Clock chapter.
Pressing this buon will display
the possible Transport Mode
sengs.
If there is any signal present at the Audio Input, then aer a few seconds the
seng (blue) could change and you may see a Red and Green lights appear.
This is the auto-calibraon sequence running.
connued ...
Simple Align
Indepe-
ndent
Resync Quantize
View Synchronize Video (Input Calibration Chapter)

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18
Global Sengs (connued)
Normally, when CS:M’s internal clock is not running, it will auto detect any valid
incoming clock signal and begin following it.
Trigger Time
Brightness
The CV signals that are sent from the 3.5mm TRS Patch Bay will stay “HIGH” for
specific number of milliseconds. Some devices that receive these impulses will
may require a very sepcific length of pulse. Use this seng to set the length of
each pulse that CS:M sends between 1-16 milliseconds (default = 8ms).
Audio Sync OUT Enable
Press this buon to choose the brightness of the display lights. 16 selecons
are available.
Force External Clock
Green = ON, Red = OFF
You can turn the Audio Output of CS:M into a 24 PPQN audio clock source. This
can be useful for sending the signal into another CS:M’s Audio Input to sync
them together, or you can use the signal with any device that will accept 24
PPQN audio pulses.
Green = ON, Red = OFF
When using this feature, all Metronome funcons within CS:M will be disabled
and the Audio Output becomes dedicated to this task.
By turning this seng on, you can instruct CS:M to only follow incoming clock
signals and completely disable CS:M’s internal clock. Any funcon that would
normally start or stop the internal clock will no longer do so.
A seng like this can be an advantage if your workflow requires that you use a
certain combinaon of Transport Mode and Transport Start/Stop commands
along with an External clock, completely prevenng CS:M from sending it’s own
clock signals.

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19
Apart from those two items, the rest of the
operaons in CS:M are virtually the same.
CLOCKstep:MULTI will simply forward the MIDI Clock messages it is receiving
and will suppress sending any if its own MIDI Clock messages.
Using an external MIDI Clock is very simple. If MIDI Clock messages are
detected on either the MIDI DIN or MIDI USB connecons while
CLOCKstep:MULTI is stopped, then the behavior will be as if the user pressed
the Clock/Stop ( ) buon to run the clock.
When CLOCKstep:MULTI is running under an
external clock, the Clock/Stop buon ( ) is lit
white. This is how you will know at a glance if
CLOCKstep:MULTI is using an external clock.
There are two methods where CLOCKstep:MULTI can follow the clock sent by
another source:
‘Sample Accurate’ Audio Clock
In either case, external clock is detected automacally by CLOCKstep:MULTI. As
long as the internal clock is not already running, then external clock will
automacally take precedence when detected.
Also, while running under external clock, the Tempo
buon has no funcon.
External MIDI Clock
External MIDI Clock
The Click Audio will begin and the Trigger Sync outputs will acvate.
Sample Accurate Audio Clock
The Line Audio Input of CLOCKstep:MULTI can receive short pulses of audio that
will serve as a clock signal. The rate of the pulses should always equate to 24
PPQN (64th Note Triplets) at the desired tempo.
Special Note: MIDI Clock over DIN Connecon is preferable to MIDI Clock over
USB.
This is normally used for syncing external hardware to a DAW as ght as
possible.
External Clock Sync
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TEMPO
TRIPLET
SYNC
12
PLAY RESET
START STOP
PRESET
34
TEMPO
connued ...
View Synchronize Video (External MIDI Clock Chapter)

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20
If CLOCKstep:MULTI does not respond to the audio, use the Audio IN Threshold
funcon found in the Global Sengs to calibrate CLOCKstep:MULTI to the
audio input.
There are two ways to go.
Seng up the DAW to send Audio Clock
1. The first is to load an audio file containing only 1 short square wave pulse,
and Paste it into the beginning of a new audio track in the DAW. (A suitable
audio file is downloadable from the Support secon at jmkmusicpedals.com.)
Then use the DAWs “snap to grid” feature set for 64th Note Triplets and Paste a
copy of that audio file 23 more mes, making up 1 Quarter Note of length.
From there, depending on the DAW, you could loop this segment of audio, or
use “Select All”, “Copy” and “Paste” repeatedly to grow the length of the track
exponenally to make 1 long track of pulses.
With either of these 2 choices, you must have a dedicated audio output from
your computer to send the clock signal.
2. The second and easier method is to install an instrument plugin, such as a
VSTi, that will use the DAWs Tempo to send out a 24 PPQN audio signal. At this
me, JMK Music Pedals has not created a branded plugin, but we have tested
CLOCKstep:MULTI using plugins that are available. See our Support secon for
a list of any plugins that have been tested.
Other control features of CS:M, such as Time Signatures and Transport Control,
exist at a higher level than clock data for maximum flexibility and control.
Combining Audio Clock and MIDI Control makes a very powerful system for
synchronizing with a DAW.
With the ‘Sample Accurate Clock’ method, the DAW sends audio for clock
instead, and due to the virtue of a DAWs ability to priorize playing tracks of
audio at a given digital sample rate, the audio pulses for the clock are
guaranteed to be in sync with the rest of the tracks.
The ‘Sample Accurate Clock’ method is more reliable and solid than having a
DAW send MIDI Clock. The reasons for that are beyond the scope of this
manual, but simply stated: DAWs are resource intensive applicaons running
on a mul-tasking computer that cannot place a high enough priority on
sending MIDI Clock, especially once the project grows to a certain size.
External Clock Sync (connued)
connued ...
View Synchronize Video (Sample Accurate Clock Chapter)
View Ableton Sync Video