Korg M1r User manual

Congratulations and thank you

for

purchasing the Korg Music Work Station MIR. Please read this manual

carefully

to

obtain optimum performance and help assure long term reliability.

PRECAUTIONS

ENVIRONMENT

Avoid

using

this

unit

in

environments

where

it

will be

exposed

to the

following

conditions

:

*Direct

sunlight

*

High

temperature

or

humidity

*

Dust

or

sand

*Excessive

vibration

POWER

SUPPLY

Use

this

unit

only

with

the

rated

AC

voltage.

If

you

intend

to use this

unit

in

areas

where

the

voltage

is

different

from

the

rated

AC

voltage,

consult

your

KORG

dealer

about

a

suitable

voltage

transformer

unit.

INTERFERENCE

WITH

OTHER

APPLIANCES

This

unit uses

microprocessor

circuitry

that

may

cause

interference

with

nearby

radio

or

TV

receivers

.

If

problems

occur,

use

at

a

greater

distance

from

the

radio

or

TV.

HANDLE

GENTLY

Although

this

unit is

designed

and

constructed

to

KORG's

high

standards,

the

use

of

excessive

force

may

cause

damage

to its

keys

and

knobs.

CLEANING

Use

only

a

soft,

dry

cloth

to

clean

the

exterior

of

this

unit.

Never

use

benzene,

volatile

cleaners

or

solvents,

polish

or

cleaning

compounds.

WARRANTY

PROCEDURE

The

product

warranty

ensures

that

all

repairs

conducted

within

one

year

from

the

day

of

purchase

are

free

of

charge,

but

if

the

necessary

steps

were

not

taken

in

filling

out

the

warranty

card

at

the

time

of

purchase,

portions

or

all

of

the

warranty

may

be

invalid.

Make

certain

to fill

out

the

warranty

card

completely

at the

store

where

the

instrument

was

purchased

and

keep

the

card

in a

safe

place.

OWNER'S

MANUAL

The

MlRis

a

sophisticated

digital

music

device

with

many

functions.

Therefore,

we

suggest

that

you

keep

this

manual

handy

at all

times,

for

reference

.

1

CONTENTS

Precautions.............................................................................................................

...

....................................

.1

Front/Rear Panels..........................................................................................................................................4

BASIC OPERATION..............................................................................................................................................6

Structure

of

the

MIR

AI Synthesis.........................

..

.............................................................................

..

...............

..

....

..

..........

...

.....6

Keys &

controls

........................................................................................................................

..

..........

..

.

..

.9

Setting Up ...................................................................................................................................................

11

How to Play Combinations...........................................................

...

....

..

.........

..

..........................................

11

How to Play Programs .

......

.................

...

....................................................................................................

12

How to Operate the Sequencer ..................................................................................................................14

How to Record with the Sequencer...........................................................................................................

14

Sound Making Process ..............................................................................................................................

15

Internal Memory Allocation.......................................................................................................................16

Memory Card Format ................................................................................................................................ 16

MODES & FUNCTIONS......................................................................................................................................17

How to Read the Display Page Chart

1

-PROGRAM

MODE..............................................................................................................................

18

Editing in the Program Mode ...............................................................................................................18

2 - EDIT PROGRAM MODE....................................................................................................................20

Structure

of

the M1

R's

Program Parameters......................................................................................

20

Functions in the Edit Program Mode...................................................................................................

21

Editing in the Edit Program Mode

..

....................................

...

.....................

..

.

..

....................................22

3 - EFFECT PARAMETERS .............................

....

...

............

..

...

....

.....

...

...................................................36

Effect Placement...................................................................................................................................

.36

Names

of

the Effect Types and an Outline of their Parameters..........................................................40

Reverb....

..

.................

..

.................................................

..

.............

..

....................................................40

Early Reflection..............................................................................................................................

41

Delay................................................................................................................................................ 42

Chorus..............................................................................................................................................43

Flanger...............................

..

.............

..

....................

..

...

......................................

..

............................ 44

Phase Shift....................................................................................................................................... 45

Tremolo ..........

..

.......................

...

..

..............................................................

...

..

....

..

..........

..

......

....

46

Equalizer .....

..

.............

..

...

.............................................................................................................. 47

Overdrive......................................................................................................................................... 48

Exciter

..

...

.........

..

...........................................

..

.

..

.......

......

................

...

..

....

..

......................

..

.........

..

49

Ensemble ......................................................................................................................................... 49

Rotary Speaker.........

...

......................

...

................................

...

..

..........

..

........................................ 50

Combination Type Effects.........................................

..

...

................................................................50

Effect Parameters Default Values Chart ......................................

..

.

..

.............................

...

..

................

56

4 - COMBINATION MODE

..

............

...

.........

..

..............................

..

................................................

....

58

Editing in the Combination Mode........................................................................................................58

5 - EDIT COMBINATION MODE

Combination Types

61

Common Functions

of

Each Combination Type .................................................................................62

Single Type Functions ........................

....

.

..

..........................

...

........

..

.

..

.................

..

....

..

...

.

...

..

..........

..

65

Layer Type Functions .................................................................

..

....

..

.....................

....

..........

...

.......

...

. 66

2

Split Type Functions ..........................................................................

..

.......................

..

.

..

.........

..

.......

..

68

Velocity Switch Type Functions................:.....................................

'.

...........:.....................:..............:

..

70

Multi Type Functions.......................

...

........

..

...

........

..

..........................

..

........................................

...

72

6 - SEQUENCER MODE.........

..

.................................................

..

....

..

...............................................

..

... 79

Structure

of

Songs ................................................................................................................................ 79

Structure

of

Patterns ............................................................................................................................ 80

Editing Sequencer Data ........................................................................................................................80

Functions of Sequencer Mode..........................................................................

..

........

..

...

..

...................

81

Play .......................................................................

..

.........................................................................82

Starting Play from Midway Point

of

Song .

..

.................................................................................

.82

Real Time Recording ......................................................................................................................

83

Punch In Recording .

..

.....................................................................................................................

83

Multi Channel Recording................................................................................................................

85

Step Recording................................................................................................................................ 88

Song Initialize.......................................................................................

..

........................................

91

Track Copy......................................................................................................................................

93

Track Bounce..................................................................................................................................

93

Track Erase......................

...

..

......

...

...............................................

......

..

...

..

....

..

.......................... 94

Put/Copy Pattern............................................................................................................................. 94

Measure Copy .

..

...

..........

..

.......................................................................................................

..

......

95

Measure Insert................................................................................................................................. 96

Measure Delete 96

Measure Erase.............

..

...

................

..

...................

..

.....

..

.......

..

....

..

....

..

............................

...

.......

..

97

Quantize ......................................................................................................................................... 98

Pattern Real Time Recording ......................................................

..

.

..

.

..

......

..

...................................99

Pattern Step Recording

...

..

.............................................................................................................100

Get Pattern...........................................

..

..........

....

.........

..

...............................................................

101

Pattern Copy.............................................................

..

...............................................

..

.................. 102

Pattern Bounce......

..

...................................................................................................................... 102

Editing Event ......................................................

..

..................................

..

...

.....

..

...................... 103

7 - GLOBAL MODE ..............................................................

..

.....................

..

..............

..

..................

..

110

Functions in the Global Mode............................................................................................................110

MIDI SYSTEM EXCLUSIVE............................................................................................................................122

ERROR MESSAGES..........................................................................................................................................132

SPECIFICATIONS AND MISCELLANEOUS INFORMATION.................................................................134

Specifications...................................................................................................................................... 134

MIDI Implementation ..................................................................................

..

..........

..

........................ 135

3

FRONT/REAR

PANELS

[FRONT

PANEL[

(See

the KEYS

AND

CONTROLS

section,

p.9 for

explanations

on

each

key

and

control.)

(1) PROG/SEQ DATA slot

CD

®

r:---------

r

--

..

___

_

1PROG/SEQ

DATA:

1PCM

DATA

:

n..::n:

:

::

.....

:

I

.I

I

,,

''LJ

'---------J

~

- - - - J

®

-----~--

- 1

!~AOS~ER

.voL~M

.. !

I I

I•

.I

I I

:. . . . :

I 0

10

:

L---------

iPHONEs-

,

l@

'-----

--

@

®

r-----------------------------------------------------------,

I I

:

COMBI

100

8aseSin9le

Pro9ra~

I:

: I 01 E. 8

.;

:i:=.::;.

Le•.

..ie

l ='39

I - I

~-I

_______

_!

_______I_______

_!

___

----~-

_____

_!

______

_!

____

--~-

_____

1_

j

.--

-

----------

----

------------

---------

--------

1 A B C D E F G

:~

L------

~~~~~~~

[";AGE--_-

-;--PAGE-~

lc;;;!_~J

@ ®

~-oOWN

_f

_;

_

---u;-1

:c:=J~:

..._

______________

...

®

(6) MIDI indicator

Only cards that are stored or will be stored with Program (sound

color) and sequencer data should be inserted here. Remember that

the PCM (Multisound) data card should be inserted in the PCM

data slot on the front panel.

This lights

up

when MIDI signals are being received.

(7) CONTRAST dial

This controls the brightness

of

the display on the front panel.

Turning the dial clockwise darkens the characters on the display

and turning it counterclockwise lightens them.

(2) PCM DATA slot

Only cards that are stored with PCM (Multisound) data should be

inserted here. Do not insert the Program/sequence data cards here.

(3) MASTER VOLUME

(4) PHONES jack

For connection

of

a stereo headphone set. The outputs

of

OUTPUT

l/L

and 2/R can be monitored.

(5) Display

[REAR

-PANEL]

-ACY

D

(8) Cursor keys (A-H)

(9)

PAGE+

I -keys

(10) UP (.&)/DOWN

(T)

keys

(11) VALUE Dial

(12) INT key/CARD key

KORli

MODEL

M1A

SERIAL

NO

.

[

AC

1go,y

5

s~;,sgJ~;

13

wJ

NO

GUA fWITEEISAPPL

IE

OW!iENUSED

OOTSIOEJAPA~

4

(1) MIDI THRU jack

(2) MIDI OUT

jack

(3) MIDI IN

jack

CD

® ®

THRU

OUT

IN

'--MIDI----'

®

(j)

r

-,,---

--,

1MIDll

1CONTRAST1

I

It

I

11

• • • I

I

l/•o·•

r O

11

•

·:

L

__

J I 0 0 I

L-~--·-

.J

VALUE

...

0

..

.

. .

' .

. .

.

r-------

------,

l I

NT

CARD

:

I

<==J

c::=2'

~

==-=-====::.---------~

1 COMBI

EDIT

COMBI :

:<==J

c=J:

I I

I

PROG

EDIT

PROG

I

:<==Jc=]:

:

SEQ

GLOBAL :

l<==J

~:

t_

____________

.J

--'----

_:e~~-,

I

START/STOP

: I

REC

I

:<==]::~:

L.;

__

--~'---

---'

~--------------,

: Q 5 I

i<==J

c=J:

: l 6 :

:<==]

c=J:

: 2 7 :

1<==J

c=]:

I J 8 :

i<==J

c=J:

: 4 9 :

:<==J

c=J:

f

~~~~R~.:-~:~-~~-;o~c=:

:<==J:~c=::):

·---

__

11

___

--~

MIR

IMUSIC WORKSTATION

[I]

I

POWER

OWN

--~--·

KORG

(13) Mode Select keys

COMB!=

COMBINATION Mode

EDIT COMB! = EDIT COMBINATION Mode

PROG = PROGRAM Mode

EDIT PROG

=EDIT

PROGRAM Mode

SEQ =SEQUENCER Mode

GLOBAL= GLOBAL Mode

(14) START/STOP keys

(15) REC key

(16) Numeric keypad (0-9)

© @

2 4 3

2/R

l/L

ASS.

PEDAL/SW

L___

OUTPUT

----'

(4) ASS. PEDAL/SW jacks (1,2)

For connection

of

pedal and footswitches. Assigninglarameters

to be controlled

by

the switches is done

in

the GLOB L Mode,

Function F 2-1.

(5) OUTPUT jacks (1/L, 2/R, 3, 4)

These are the

Ml

R's

voice output jacks. The assignment

of

voices to the desired jacks

is

done in each

of

the Effect

Parameters sections

of

the EDIT PROGRAM, EDIT

COMBINATION and SEQUENCER Modes.

5

(17) COMPARE key

(18) BANK HOLD key

BASIC

OPERATION

!STRUCTURE

OF

THE

MIRI

4-Channel Digital Audio Signal (internal routing) 4-Channel Audio Output

SYNTHESIZER A -EFFECT SECTION

SECTION B -Dual system stereo effects

Maximum

of

8 Programs c -

(sound colors), 16 voices D -

t

8-Channel Sequencer Play Data

SEQUENCER SECTION

8tracks

k1

SYNTHESIS

SYSTEM

J

1/L

..___

-

2/RE-

3 -

4 -

The

AI

(Advanced

integrated)

synthesis

system

of

the

MIR

makes

it

possible

to

combine

all various sound types

-- from

conventional

synthesizer

sounds

to

sampled

sounds

and

drum

sounds.

For

sampled

sounds, the

large-capa

city

PCM

data

memory

of

16

bit

x 2

mega-words,

far

greater

than

that

of

conventional

samplers,

has

been

utilized,

and

a

carefully

selected

group

of

Multisounds

(a

sound

whose

original

wave

shape has

been

multi-sampled

1) has

been

installed.

For

its

synthesizer

sounds,

not

only

the D.W.G.S. waveforms2,

which

are

produced

by

a

process

much

the

same

as

that

of

an

analog

synthesizer,

but

also

aperiodic

or

irregu

lar

waveforms

created

by

extraction

of

harmonically

unrelated

frequency

components

3

are

part

of

the

M

lR

's

structure

.As a result,

creation

of

new

and unique

sounds

beyond

the

existing

limitations

of

the

conventional

synthesizer

is possible.

Processing

any

of

the

programs

or

individual

sounds

with

the

use

of

VDFs

(Variable

Digital

Filter)

and VDAs

(Variable

Digital

Amplifier)

is,

of

course,

possible

.

Moreover,

different

effects

can

be

assi

gned

to specific

programs

in a

configuration

of

2 systems

and

2

channels

through

theMlR's

MDE

(Multi Digital Effect) feature

when

playing

Multisounds.

With

the use

of

these

functions,

total

control

over

all aspects

of

sound

creation,

including

effects,

is

possible.

1 Multi Sampling

The

harmonic

structure

and

overtones

present

in high

pitched

sounds

usually

differs

from

that

of

low

pitched

sounds,

even

in

the

same

musical

instrument.

Multi

Sampling

is

a

method

to

recreate

those

characteristics

by

sampling

an

instrument

repeatedly

over

a

range

of

many

octaves.

2 D.W.G.S. (Digital Waveform Generator System) Waveform Data

The

instrument

sound

is

reproduced

by the

following

process

:

Computer

analysis

determines

the frequency

components

of

the

sampled

instrument

sound

and

reproduces

them

by

creating

a harmonic

table

for them as is

done

in

additive

synthesis.

3 Extraction

of

Harmonically Unrelated Frequency Components

Sep

arates

the

aperiodic

and ha

rmonically

unre

lat

ed

components

characteristic

of

such

sounds

as

objects

bein

g

hit

or

scraped

from the

sampled

wave

shapes.

6

MUL

TISOUND---

-

--

(Original Sound Waveforms)

The oscillator (OSC) is selected from

the Multisound (00 to 99).

Multisounds can be selected from

the

PCM

card.

See EDIT PROGRAM mode, F0-2

for more details.

An

original program can be created

by performing various processes to the

Multisound.

The VDF (Variable Digital Filter)

controls the sound color.

The VDA (Variable Digital

Amplifier) controls the sound

volume.

These processes are done in the

EDITPROGRAM Mode.

INSTRUMENT

SETTINGS

DRUM

KIT

Assigns drum sounds to

i.he

keys.

Example:

BASS DRUM 1

2 SNARE 1

3

HITOM

4 CLOSED HI HAT

5 OPENHIHAT

6 CRASH CYMBAL 1

7 RIDE CYMBAL 1

8 HANDCLAPS

9 HI CONGA

(MUTED)

10

LOBONGO

11

BASS DRUM 2

12

SNARE2

13 MIDTOM

14

LOTOM

15

CLOSEDHIHAT

16

PICCOLO SNARE 1

17

PICCOLO SNARE 2

18

CRASH CYMBAL 2

19

RIDECYMBAL 2

20

HI CONGA (OPEN)

21 LOCONGA(MUTED)

22

HIBONGO

Instrument settings, including pan,

are edited in the GLOBAL Mode.

PROGRAM

MODE-

-

--

---

--

-

--------,

The work "Program" as referred to in this manual is synonymous with "sound

color"

or

"preset voice" in other synthesizers.

Program numbers available for selection are from 00 to 99. (Selection from

only 00 to 49 is possible when large sequence allocation is selected.)

Single

osc

Double

OSC1

Drum Kit

ORMS

·.

, .

,'

.

' .

, .

.

TheEDIT PROGRAM Mode

can

be

used for making

settings up to this point.

OUTPUT

@[E!]

®

©~

©

Choose from 4 different

instrument settings.

The pan setting

of

the

Drum Kit, which is set

in the GLOBAL Mode,

has priority.

VDF

.

COMBINATION

MODE----

•The word "Combination" as referred to

in this manual means two

or

more

programs that have been grouped

together for simultaneous play.

Combination numbers available for selection are from 00 to 99. (Selection

from only 00 to 49 is possible when large sequence allocation is selected.)

Program changes received via MIDI in the COMBINATION Mode change the

Combination.

Layer Split

Timbre

Settings for Layer

or

Split can be made in

the EDIT COMBINATION Mode.

Separate MIDI channels can be assigned

to each Program (or timbre) when Multi

is chosen. In this way, one

MIR

Music

Work station can, with the aid

of

an

external sequencer, output eight different

sound colors at the same time.

When using

theMlR's

built-in sequencer,

'Programs can

be

assigned to each track

of

the sequencer without having to create a

Combination.

7

When Layer

or

Split are used:

OUTPUT

@[E!]

®

©~

©

When Multi is used:

OUTPUT

~

©~

®

©~

@

SEQUENCER MODE (Song 0 to

9)---

When using external sound sources:

1tr

)'>

2tr

JJ

3tr

C>

4tr

MIDI OUT

5tr

6tr w

7tr

J

Bir

®

[§2]

®

©

@

~

Programs are assigned to each song.

The pan setting can be madefor each track.

The effect setting can

be

made for each song.

1 song can

be

made up

of

8 tracks

OUTPUT

Tracks

c~

be

created by combining pattems(OO to 99).

PAN~~~~~~~~~~~~~

CD

-~--

A

A:B

B

+@

..,,,..@ @

®~®+®

@ @ @

c D

@ @

® ® ®

•©

..r

....

© ©

@~@•@

L @

<D

The volume difference between the two outputs can be

changed overa range

of

ratios from 1:9 -9:

1.

® Sends signals to C and D

at

the same volume.

8

--EFFECT

El,

E2------------,

When set to parallel operation:

A

EFFECT

B

EFFECT

2

c

...

t

IT

...

D

...

t ...

When set to serial operation:

A

B

c

D

EFFECT

2

1/L

2/R

3

4

1/L

2/R

3

4

Effect

1

and

Effect2

are

set

in

the

effects

pages

of

each mode.

IKEYS

AND

CONTROLS!

Numeric Keypad

,-6----

---

--

---

-

-5-

~

!

c::=::J

~

!

: l 6 i

i

c::=::J

~

i

: 2 7 :

i

c::=::J

~

!

: 3 8 :

i

c::=::J

~

i

: 4 9 :

!c::=::J

~

!

__

_ _ ,

__

___

________

J

C

OMPARE

BANK

HotD

c::=::J

~

BANK

HOLD

Key

0 5

c::=::J

C:=J

l 6

c::=::J

C:=J

2 7

c::=::J

C:=J

3 8

c::=::J

C:=J

4 9

c::=::J

C:=J

CO

MPARE

BANK HOLD

c::=::J

~

COMPARE Key

0 5

c::=::J

~

l 6

c::=::J

~

2 7

c::=::J

~

3 8

c::=::J

~

4 9

c::=::J

~

CO

MPAR

E BANK HOLD

~~

MODE

SELECT

Keys

INT

CARD

c::=::J

~

r-co

Msl

---

-e

o,r

COMB1-;

ic::=::J

~

:

PRO

G

ED

IT PROG i

ic::=::J

~!

: SEQ G

LOBA

L :

~c_

______

_

!__

~

j

r--

sea

----,

STA

RT/STOP

RE

C

c::=::J

~

INT Key

and

CARD Key

IN

T C

ARD

[

(

_

~::

:

.

·:

_

1

j

_

~::::::

)

]

CO

MBI

ED

IT COMBI

c::=::J

c=:>

PR

OG

ED

IT

PR

OG

c::=::J

c=:>

SEQ GLOBAL

c::=::J

c=:>

r--

sea--,

S

TART/

S

TOP

REC

c::=::J

~

These

are

used to:

Select

the

Combination

in

the

COMBINATIO

N

Mode.

*

Select

functions

in

other

modes.

The

tens

digit

of

the

program

or

combination

number

can

be

"held

"

while

changing

program

or

combination

numbers

by using the

BA

NK

HOLD

ke

y.

For

example

, p

ressi

ng

the

BANK

HOLD

key

once

aft

er

numb

er 21 has

been

selected

will allow you to

select

other

numb

ers

in

the

20

-29

range

simply

by

pressing

the

number

that

corresponds

to the

ones

digit

of

the

desired

number

; in

our

example

,

pressing

3 will

change

the

number

to 23,

pressing

to 7

will

change

it

to

27,

and

so on.

The

BANK

HOLD

key

will be lit when the

Bank

Hold

function

is on.

To

turn

the

function off,

pres

s the

BANK

HOLD

key

once

more

.

This

key

temporarily

returns

the

Program

or

Combination

which

is

being

edited

in the

EDIT

COMBINATION

or

EDIT

PROGRAM

Mode

to

the

setting

that

existed

before

editing

.

Pressing

the

COMPARE

key

again

restore

s

the

edited

parameter

values.

However,

data

edited

before

pres

sing the

COMPARE

key

will be lost

if

editing

of

other

parameter

s

or

s

witching

to

other

modes

is

don

e.

The

COMPAR

E

key

also

functions

as

a

MIDI

panic

button;

in

other

words,

when a s

tuck

note

occurs

in

sequencer

play

or

control

through

MIDI

IN,

one

press

of

the

COMP

ARE

key

will

turn

the

note

off. (This

can

be

used

in

any

of

the

modes.)

When

the

COMPARE

key

is

lit

, the

original

sound

can

be

heard

and

it

s

parameters

are

dis

played

;

unlit

,

the

COMPARE

key

indicates

that

the

edited

sound

is

display

ed

.

The

selected

mode will

be

lit.

Press

the

INT

key when u

sing

the

Combination

/

Program

/S

ong

data

of

the

internal

memory

of

the

MIR

.

Press

the

CARD

key to

access

the

ext

erna

l

(card)

data.

9

NOTE: The waveforms of the

PCM

(Multisound) card are selected

in

the Oscillator Assign function of the EDIT

PROGRAM Mode and the Drum Kit functions of the GLOBAL Mode.

In

these exceptions, the INT Key and

CARD Key are not used.

NOTE: Make certain

to

insert the card straight and firmly into the correct slot.

Cursor

Keys

and

VALUE Dial

A 8

CD

EFG

HQ)

Parameter

values can be

changed

by

pressing

the

cursor

key

below

the

parameter

to be

edited

on the

display,

then by

adjusting

the

VALUE

dial.

Cursor

keys used to access

different

function

and

parameters

will

be

indicated

in

squares

( D )

throughout

the

rest

of

this manual.

cc=

=1c=

IC

=~Ii==

=rr

_-_-

_I

l

=~=

n

===

JT_-

_=

Ir

UP/DOWN Keys

DOWN

I I

UP

c=--,

c=)

These

are

used

when

finely

adjusting

the

values

of

parameters

that

are

difficult

to set

only by

using

the

VALUE

dial

or

when

making

fine and

detailed

alterations

in the

sound.

Pressing

UP

increases

the

value by I and

pressing

DOWN

decreases

the value

by

1.

*

Concerning

the

UP/DOWN

keys:

The

cursor

will

appear

under

the

Combination/Program

number

at

the

bottom

left

of

the

screen

when

pressing

the

COMBI

key

or

PROG

key

of

the

MODE

SELECT

keys

(immediately

after

selecting

the

COMBI

or

PROG

Mode)

.

Pressing

the

UP

key

in this

condition

will

advance

the

Combination

or

Program

number

by one

and

pressing

the

DOWN

key

will

decrease

it

by

one

.

*

The

VALUE

dial

cannot

be

used

here

to

change

the

Combination

or

Program

.

*

Pressing

any

of

the

cursor

keys

(

~

through

!HJ

)

will

move

the

cursor

to

the

performance

edit

parameters,

and

editing

can

be

done

by

using

the

UP/DOWN

keys

and

the

VALUE

dial.

To

return

the

UP/DOWN

keys

to

function

as

Program

up and

down

after

selecting

the

performance

edit

mode:

in

PROGRAM

Mode,

press

the

PROG

button; in

COMBINATION

Mode, press the

COMBI

button.

In

each

case,

the

cursor

will

return

to its

position

under

the

Combination

or

Program

number

and the

UP/DOWN

keys

can

be

used

again

to

increment

and

decrement

the

Combination

or

Program

number.

PAGE+/-

Keys

PAGE

+

PAGE

C=-=1 I )

START/STOP Key

INT

CARD

c===i C==>

COMBJ

f DIT COMBI

c===i C==>

PROG

EDIT

PROG

c===i C==>

SEQ GLOBAL

c===i C==>

r-

SEQ

------,

START/STOP

REC

[~_-

I:::

-~::)J

REC Key

INT

CARD

c===i C==>

CO

MBI

EDIT

COMBI

c===i C==>

PROG

EDIT

PROG

c===i C==>

SEQ GLOBAL

c===i C==>

.--

sea

--,

START/STOP

RE

C

[~---~J

Each

function

of

the

MIR

is

organized

in display

pages.

These

keys

allow you to

access

succeeding

and

preceding

display

pages by using the

PAGE

+ and

PAGE

-

keys,

respectively.

·

This

key

is

used

to

start

or to stop the

sequencer.

If

you press this

key

in any

mode

other

than

the

SEQUENCER

Mode, the

MIR

will

automatically

move

to

the

SEQUENCER

Mode

and

play

will start.

When

the

sequencer

is

playing,

the

first

beat

of

the

measure

is

indicated

on

the

key by a flashing red light;

other

beats

are

indicated

by a

flashing

green light.

This

key

is

used

to

begin

recording

when in the SEQ mode.

The

lamp

remains

lit

while the

sequencer

is

running.

I

10

Is

E

TTIN

G--uP

I

I. First, check that the power switch on the

front

panel of the

MIR

is

OFF. Check that the power switches of all

connected equipment (amplifiers, mixers, etc.) are also OFF. For protection

of

all audio equipment (and your ears!)

tum

the volume

of

all equipment completely down.

2.

Insert the power cord (which is included as standard equipment) into the power plug on the rear panel, then insert the

other end

of

the cord into the proper power outlet.

3. Turn the

MIR's

power switch ON.

4.

Tum

the power switches

of

all connected equipment ON.

Then

turn

the

MIR's

volume

and

that

of

the

other

equipment

up

gradually

to the

desired

volume.

The

MIR

will

not

sound,

however,

if

the

MIDI

channels

of

the

MIR

and

the

connected

external

MIDI

devices

are not

matched.

Please

see

the

section

"How to

Match

MIDI

Channels"

below.

*

fAmplifier, mixer,

etc]

11 1

MIDI

IN

1/L

2/R

3 4

MIR

0

MIDI

OUT

All

note

data

from

C-I

to

G9

(note

numbers

O-I27)

are

received

through

MIDI

IN.

(Some

of

the

Programs

may

not

sound

when

played

in

higher

ranges.)

/How

to

M~tchuMIDTChannels

I

(1)

Press

GLOBAL

of

the

Mode

Select

keys.

(2)

Press

"5" on the

numeric

keypad.

(3)

Make

sure

that

the

cursor

is at the

"CH=

"

display.

If

it is not, press

cursor

key

ffi]

.

(4)

Adjust

the

VALUE

dial until

the

desired

MIDI

channel

is

displayed.

*

For

situations

in

which

MIDI

data

is

being

received

over

different

channels,

settings

are

made

using

Multi

functions

the

COMBINATION

Mode

or

SEQUENCER

Mode.

IHOW

TO

PLAY

COMBINATIONS

(SOUND

COLOR

GROUPS)

I

INT

CARO

c=J

[===:>

:--cOMsl--

--eo1T

COM81

-:

i~

c=:>:

:

Fl<OG

EDIT

PROG

i

ic=:J

C===>!

:

SEQ

GLOSAL :

ic=J

C===>i

-T.:_:_.:_:_:_-~.-$.;

1~~"Key

r--sea-,

STARTISTOP

REC

c:::::::::J

[===:>

,-----

Numeric

Keypad

f-6-------

--

-

----5-~

!c=J~i

i l 6 i

!c=J

~!

i 2 7 :

:c=J

~

i

! 3 8 :

ic=J~:

: 4 9 i

l~--~j

COMPARE

BANK HOLD

c=J~

(1)

Press

the

COMBI

key

of

the

mode

select

keys; this

puts

the

MIR

in the

COMBINATION

Mode.

(2)

Select

the

number

of

the

Combination

(00 to 99)

which

you

want

to

play

by using

the

numeric

keypad

.

(3)

Play

the

keyboard

to

hear

the

sound

of

the

combination

selected

in

step

#2.

These

are typical

displays

from the

COMBINATION

mode:

11

Example#!

Combination number

2 Combination name

3 Parameter

of

currently selected cursor position

COMB!

101

Piano+TrP

L~~er

1 Pro9raM

*IQ0

R.Piano

L70

102

TrUMPet

L82

4 Number, name and volume level

of

the program being

used

A 8 C D E F G H

I?\

__..__.__.__.____.__.__.-0

5

Cursorkeys

Example#2

COMB!

-104

MultiCoMbi

IQ1

102

103 Ip5 106

Tl=E.

Bass

109

IIO

I12

A 8 C D E F C H

--------

6

Program

name

of

cursor

position

7

Number

of

the

Program

being used

Example

1

shows

a

display

when

a

Layer

Combination

is

selected.

The

Program

number,

Program

name

and

volume

level

are

indicated

when

the

Combination

is a

Layer

or

Split.

When

replacing

the

Program

of

Layer

1

(Program

number

IOO,

directly

above

cursor

key

[Al

)

with

another

Program,

press

cursor

key

[Al

then

adjust

the

VALUE

dial.

The

display

pages

are

often

laid

out

such

that

one

parameter

description

will

occupy

the

space

over

several

cursor

keys.

The

cursor

keys

just

under

that

parameter

(and

up to the

cursor

key

of

the

can be

used

to

access

the

parameter.

The

sound

volume

of

Layer

1 can be

changed

by

pressing

cursor

key

[!2]

then

adjusting

the

VALUE

dial

(maximum

= 99,

minimum

=00).

Press

cursor

key

00]

when

you

want

to

replace

the

Program

of

layer

2.

Press

cursor

key

[HJ

when

changing

the

volume

of

layer

2.

Example

2

shows

a

display

when

a

multi

Combination

is

selected.

As in the

first

example,

the

Program

number

shown

directly

above

cursor

key

[gJ

(Program

number

106)

can

be

changed

by

pressing

cursor

key

[g)

then

by

adjusting

the

VALUE

dial.

IHOW

TO

PLAY

PROGRAMS

(ONE

SOUND

COLOR)

]

(1) Press the PROG key

of

the mode select keys; this puts the

Ml

in the PROGRAM Mode.

(2) Select the number

of

the Program (00 to 99) which you want to play by using the numeric keypad or UP/DOWN

keys.

(3) Play the keyboard to hear the sound

of

the Program selected in step #2.

Here

is a

typical

display

from

the

PROGRAM

mode:

INT

CARD

C:=J

c:::::=:J

:--COMsl-

--

-E01T

COMBr-;

!c=::J

c:::::=:Ji

:

PROG

EDIT

PROG

:

!~~!

: SEQ GLOBAL :

iC:=J

~:

--r.:_:__:_:_:_:_-~~~~-.;~

r---sea--,

START/STOP

REC

C:=J~

,_-ModeSelect Key

:--o---

-----

------

5-~

!c=::J

~!

: 1 6 :

!c=::J

~!

! 2 7 :

:c=::J

~:

: 3 8 :

ic=::J

~i

: 4 9 :

:c=::J

~

:

L-------------------

-l

COMPARE

BANK HOLD

c=::J

~

EXAMPLE

~

Cf

.--------------P

~

PROG

100

Universe

OSC

Balance

0+05

F+03

L-02

K+10

U-08

R+01

R-01

E+03

A 8 C D E F G H

--------

1

Program

2

Internal

program

number

3Program

name

4

Parameter

The

display

shown

when

selecting

the

PROGRAM

Mode

is

like

the one above.

While

this

display

is

shown,

the

pressing

of

any

single

cursor

key

and

adjusting

of

the

VALUE

dial will

change

the

value

of

the

parameter,

which

is

indicated

above

the

selected

cursor

key.

In

this way

Programs

may be

easily

edited

without

having

to

enter

the

EDIT

PROGRAM

Mode.

This

is

particularly

convenient

for

making

on-the-spot

sound

changes

during

live

performance.

12

*

The

functions

of

the

parameters

are

as

follows

(see

pp.18

·

-19

in

the

PROGRAM

Mode

for

more

details):

0 =

OSC

Balance

(Oscillator

balance)

This

parameter

controls

the

relative

sound

volume

of

the

two

oscillators

of

programs

having

two

oscillators.

The

larger

the

value,

the

greater

the

volume

of

OSC

1

becomes.

(Range:

-10

to

+10.)

F =VDF

Cutoff

(VDF

cutoff

frequency)

This

parameter

controls

the

frequency

point

from

which

all

lower

frequencies

are

pa

s

sed

and

all

higher

ones

are

cut

off

by the VDF.

The

higher

this

number

is

the

clearer

or

brighter

the

timbre

of

the

sound

becomes,

and

the

smaller

the

number

the

more

muted

or

soft

the

timbre

becomes.

(Range:

-10

to

+10

.)

L'

= VDA

Level

This

parameter

adjusts

the

level

of

the

entire

Program

by VDA.

(Range:

-10

to

+10

.)

K =KBD

Track

(Keyboard

tracking)

Used

in

conjunction

with

VDF

Cutoff,

this

parameter

sets

the

degree

to which

keyboard

pitch

aff

ects

the

amplitude

and

the

cutoff

frequency.

The

larger

the

number

set

with this

parameter,

the

wider

the

variation

in

timbre

becomes,

corresponding

to the

note

played.

(Range:

-10

to

+10

.)

V =Vel.

Sens.

(Velocity

Sensitivity)

This

parameter

sets

the

degree

to

which

key

ve

locity

affects

the

amplitude

and

the

cutoff

frequency.

The

larger

the

value

lis, the

greater

the

change

in

timbre

becomes,

corresponding

to how hard

the

keys

are struck.

(Range

:

-10

to

+10.)

A =

VDF/

A

EG

Attack

Time

(VDF

and

VDA

EG

attack

time)

This

parameter

controls

the

attack

time

of

the

program.

The

larger

the

value

is,

the

longer

the

attack

time

becomes.

(Range: -

10

to

+10.)

R =

VDF/

A

EG

Release

Time

(VDF

and

VDA

EG

release

time)

This

parameter

controls

the

release

time

of

the program.

The

larger

the

number

is,

the

longer

the

release

time

becomes.

(Range

:

-10

to

+10.)

E =

Effect

Balance

This

parameter

controls

the

volume

ba

lance

of

the

effect

and

direct

sounds.

The

larger

the

number

is,

the

greater

the

ratio

of

effect

sound

to

direct

sound

becomes.

(Range:

-10

to +10.)

NOTE: The values of the parameters here will return to their original settings when

you

select other programs.

When moving to other modes, the parameter value (and, hence, the sound) remains at its stored

or

edited

setting. When moving back to the PROGRAM Mode, the display value will be reset

to

zero, but the actual

value remains unchanged.

13

IHOW

TO

OPERATE

THE

SEQUENCER

I

Specially

prepared

sequencer

demonstration

data

has

been

loaded

into the

internal

memory

of

the :MlR

at

the

factory

.

Before

recording

your

own

data,

let's

listen

to the

demonstration

data.

1.

Press

the SEQ

key

of

the mode

select

keys; this puts the

Ml

in the

SEQUENCER

Mode.

2.

Press

cursor

key

ill].

SONG0

Ml

DEMO

31%Free

R/P

Son90

Trl

M001

J=120 *100

U99

c•~l

A B C D E F G H

3.

The

value

above

the

cursor

can

be

changed

by

adjusting

the VALUE dial.

Select

song

number

0 by

4iiiiiiiit

&iiiiiii

4iiiiiiiit

&iiiiiii

4iiiiiiiit

&iiiiiii

4iiiiiiiit

INT

CARD

c=::::J c=:>

r-co..;s1-

--

-E01T

COM81-:

!c=::::J

c=:>i

: PROG EDIT PROG :

!c=::::J c=:>j

: SEQ

GtOBAL

:

i~

c=:>

i

T~-~~~~-

s;,;~~~ey

r-

SEQ

--,

START/STOP

REC

c=::::J

c=:>

INT

CARD

c=::::J c=:>

COMBI EDIT COMBI

c=::::J c=:>

PROG

EDIT

PROG

c=::::J c=:>

SEQ GLOBAL

c=::::J c=:>

r-

seo

----,

STARTISTOP

REC

[~_-1:::-~::?J

turning

the

VALUE

dial

counterclockwise

as far as

it will go.

4.

The

sequence

can

be

played

by

pressing

the

START/STOP

key.

5.

Play

can

be

stopped

by

pressing

the

START/STOP

key

again.

IHOW

TO

RECORD

WITH

THE

SEQUENCER!

CARO

c=::::J

c=:>

:--coMsl-

---ED1i

COM81-:

!c=::::J

c=:>

i

] PROG EDIT PROG :

ic=::::J

c=:>

j

: SEQ GLOBAL :

:

~

c=:>

i

--r.:..:..:..:.:_-M~~-s~l~~~.v

r-SEO----,

START/STOP

REC

c=::::J

c=:>

SONG9

New

5on9

31%Free

R/P

Son99

Tri

M001

J=120 *100 U99

C•~l

A B C D E F G H

4iiiiiiiit

&iiiiiii

4iiiiiiiit

4iiiiiiiit4iiiiiiiit

4iiiiiiiit

CARD

c=::::J

c=:>

COMBI

EDIT

COMBI

c=::::J

c=:>

PROG EDIT PROG

c=::::J

c=:>

SEQ GLOBAL

c=::::J

c=:>

r-

seo

----,

START/STOP

REC

[~_-_-~}

Now

that

you've

heard

the

demo

sequence,

follow

these

steps

to

record

some

sequenced

music

of

your

own.

1.

Press

the

SEQ

key

of

the mode

select

keys; this

puts

the

MIR

in the

SEQUENCER

Mode.

2.

Press

cursor

key

~

.

3.

Select

the song to be

recorded

by

adjusting

the

VALUE

dial.

Select

number

9 here.

4

Select

the

track

to be

recorded

by

pressing

the

cursor

key

[g,

then

adjusting

the

VALUE

dial.

Select

[l]

for now.

5

Make

certain

that

the

MIDI

transmit

channel

of

the

external

keyboard

matches

the

MIDI

channel

of

the track.

6

Press

the

cursor

key

IEJ

,then

select

the

program

to be

used by

adjusting

the

VALUE

dial.

Select

any

Program

you

wish.

7

Press

the REC key.

8

Press

the

START/STOP

key. Begin

playing

after

a

lead-in

of

2 measures.

Recording

starts

at

this point.

9

After

finishing

recording,

press

the ST

ART/STOP

key

once more to stop

recording.

10

Playback

can

be

executed

by

pressing

the

START/STOP

key.

14

[SOUNIJ

--

MAK

I

NG

PROCESS

I

Here

is a

summary

of

the M1

R's

sound

making

process.

1.

Select the sound

to

be edited in the

PROGRAM

Mode.

c==i

c=)

;--cOMsl-

--

-ED1i

COMB

1

-:

:

c==i

c=)

i

: PROG

EDIT

PROG i

!

~c=)

j

:

SEO

GLOM.L :

:

C=:J

c=)

i

--~-

M".;.J~~~;~~

"

Key

r--

SEO---,

START/ST

OP

REC

c==i

c=)

j--------------

-----i

, See the MODES AND '

: FUNCTIONS chapter, :

section

#1

PROGRAM ;

; MODE (p. 18) :

L-- -- ----- -

-------

--l

...

2.

Create the sound color in

the EDIT PROGRAM mode

and write it to memory.

IN

T

CA

RD

c==i~

:-

-coMsl-

---

E01T

COMBI:

!

c=:::J

c=)

i

: PROG EDIT PROG :

i

c=:::J

~

!

: SEQ GLOBAL :

~

--

~

j

r-SEO---,

STARTISTO?

REC

c==i~

r--

-------

--

-

------

---,

1 See the MODES AND '

I

' FUNCTIONS chapter,

section #2 EDIT

: PROGRAM MODE(p.20):

L----

-----

----

- -

-----

_J

15

...

3. Create the Combination

by combining the Programs

created in step #2 in the

EDIT COMBINATION

Mode.

INT

CA

RD

c==i~

:--COMsl

---

-ED1TCO

M

81-

1

!

c==i~:

: PROG EDIT PROG i

[

c=:J

~

[

: SEQ GLOBAL :

:

c==i

~

:

-----

--

----------

-

-"

r-

SEO

---,

START/STOP

REC

c==i~

See the MODES AND

FUNCTIONS chapter,

section #5 EDIT COMBI-

' NATION MODE (p

..

61) I

I - - - - - - - - - - - - - - - - - - - - -

_1

3. Record a song using the

Programs created in step #2

in the SEQUENCER Mode.

I

NT

C

AR

O

c==i

c=)

:--cOMsl

--

-

-eo1T

COM81-:

!c==i

c=)

i

: PR

OO

EDJT

PROG

:

i

c=:J

c=)

j

: SEQ GLOBAL :

i

~

--

-~

j

r--

SEO

---,

STAR

T

/STOP

REC

c==i

c=)

I - - - - - - - - - - - - - - - - - - - - -

-,

See the MODES AND :

' FUNCTIONS chapter, :_·

section #6 SEQUENCER

I

MODE(p

.79)

'------------------

----

!INTERNAL

MEMORY

ALLOCATION

!

Large

Sequence

Allocation

Combination 10 Banks

Memory = 50 100 Patterns

Program Memory =

50

(a total

of

less

(memory numbers

150

than 7700 steps)

-

199

cannot

be

selected)

Large Program Combination Memory 10

Ban1cs

Allocation (set = 100 100Patterns

at the factory Program

Memory=

100 (a total

of

prior to to less than

shipment) 4400 steps)

There

are

two

different

kinds

of

internal

memory

allocation

(the way

available

memory

is

used) in the

MIR.

*

Changing

the

memory

allocation

setting

is

done

in

the

GLOBAL

Mode,

F6 - 4

(p.117)

NOTE:

Be

careful when switching the memory allocation setting, since much of your precious data

cou

ld

be

irretrievably lost.

!MEMOR

Y

CARD

FORMAT!

Program Card 100 Combinations

100 Programs

1Global Parameter

SequencerCard

Program/Sequence

50

Combinations

Card

10 Banks

100 Patterns

(a total

of

less than

7700 steps)

10 Banks

100 Patterns

(a total

of

less than

4200 steps)

The

M 1

has

three

kind

s

of

memory formats.

*

PCM

cards

are

not

included

in

this

c

la

ssification

.

Use

KORG

MCR-03

RAM

cards.

Two

RAM

car

ds

are

necce

sary

in

order

to

save

all

the

internal

memory

data.

Ca

rds

for

the

M 1R

and

the

M 1

can

be

used

int

e

rchangably

.

Writing

in and

reading

out

of

data

from

card

s

can

be

done

by using the

following

fun

ct

ions:

Read Out Write In

All

Programs,

Combinations,

;

sequence

data

All Programs, Combinations Global Mode F8 - 1 Global Mode F9 - 1

All sequence data

1 Combination COMBIMode EDIT COMBI Mode F9 - 1

1 Program

PROGMode·

EDIT PROG Mode F9 - 1

1 song SEQ Mode F9 - 2 - - - - -

1pattern SEQ Mode

F9

- 3 -----

16

MODES AND

FUNCTIONS

HOW

TO

READ

THE

DISPLAY

PAGE

CHART

F0-2

OS

Cl

(Oscillator

1)

------------------------------------

CD

~

Multisound Multisound OSC 1Multisound

Select Name (original waveform)

Selection (when the

OSC mode is set to

SINGLE or DOUBLE)

Drum Kit Drum Kit

1-

Drum Kit Selection

Drum

Kit4

(when the OSC mode

is set to DRUMS)

@]

sOscillator

0-99

Volume

of

Level Oscillator 1

00

LOctave

Octave setting

of

Oscillator 1

16'

1octave down

.---

8' standard pitch

4'

~

1octave up

~

!...

~

T T

CD

F 0-2

OSCl

(Oscillator

1)

: Indicates that this is the

second page

of

function 0 and that the function is called

Oscillator 1.

@ The cursor key to be used to access the parameter.

@ The abbreviation

of

the parameter that is shown on the

display.

of

the parameter.

® The range

of

values and settings

of

the parameter.

® Brief explanation

of

the parameter's function.

17

1

--

PROGRAM

MODE

In

this

mode

Programs

(sound

colors

or

preset

voices)

can

be

selected

and

played.

Programs

are

selected

by

the

numeric

keypad

(0-9),

UP/DOWN

keys,

footswitch

(PROG/COMBI,

UP/DOWN)

or

MIDI

program

change.

* A

Program

within

the

internal

memory

is

selected

when

INT

is

selected

and

a

Program

within

the

card

is

selected

when

CARD

is

selected.

*

Before

selecting

a

Program

by

footswitch

or

MIDI,

the

appropriate

function

has

to

be

set

for

operation

in

the

GLOBAL

Mode.

NOTE: Panpot settings are given a default value of A:B = 5:5 in all Programs except the Drum Kit. (Signals are

not output to Outputs 3 and 4.)

EDITING IN THE PROGRAM MODE

PROG

IOO

Universe

DSC

Balance

0+05 F+03 L-02

K+10

U-08

~+01

R-01

E+03

A B C D E F C H

................

~

............

~o

OSC Balance

-10

-+10 Controls the volume balance

of

OSC 1and OSC 2

of

the Programs when

setto DOUBLE.

[fil F

VDFCutoff

-10-

+10 Controls the cutofffrequency

of

VDF 1and VDF 2 (changes the tonal

quality

of

the sound).

@]

L

VDALevel

-10-

+10 Controls the level (volume)

of

OSC 1 and OSC 2.

@]

K Keyboard Track -

10-

+10 Controls the sensitivity

at

which changes in sound color and volume are

affected by the part

of

the keyboard played.

[ID

v Velocity

-10-

+10 Controls the sensitivity

at

which changes in sound color and volume are

Sensitivity affected by how hard the keyboard

is

played.

[E}A

Attack Time

-10-

+10 Controls theattack time

of

VDFs

1,

2 and

VD

As

1,

2.

@)

R Release Time

-10-

+10 Controls the release time

of

VDFs

1,

2 and VDAs

1,

2.

IBJ

E EffectBalance

-10-

+10 Controls the balance

of

the direct sound and the sound

of

Effects 1 and 2.

When

ed

itin

g

parameters

in the

PROGRAM

Mode

,

corresponding

Program

parameters

in the

same

Programs

of

the

EDIT

PROGRAM

Mode

are

assigned

the

same values.

*

Edited

Programs

should

be

written

to

memory

in

the

EDIT

PROGRAM

Mode

.

18

Program

parameters

change

as shown in the

chart

below when

selecting

positive

parameter

values("+"

settings).

The

reverse

changes

occur

when

negative

values("-"

settings) are used.

PROGRAM Mode Parameters Effect ofa positive value setting on each parameter

OSC Balance OSC 1Level The level

of

OSC I increases, while that ofOSC 2 decreases.*1

OSC

2Level

VDF

Cutoff VDF

1,

2 Cutoff Increases (or assumes a positive value).

*1

VDALevel OSC

1,

2 Level

Keyboard Track VDF

1,

2 KBD TRK Cutoff Increases in proportion to note number

of

key played.*2

EGTime

VDA

1,

2 KBD TRK Amplitude

EGTime

Even when set to a negative value, only the absolute value

Velocity OSC

1,

2 EG Level Vel Sens becomes smaller, but the sign("+"

or"-")

does not change

Sensitivity EG Time Vel Sens

VDF

1,

2 VEL SENS EG Int

EGTime

VDA 1,2 VEL SENS Amplitude Parameters with values set to

"O"

remain as

"O"

and do not

EG Time change.

Attack Time VDF

1,

2 Attack Time Increases (or assumes a positive value).

*3

VDA

1,

2 Attack Time

Release Time VDF

1,

2 Release Time Increases.

*1

Effect Balance EFFECT

1,

2 Balance

*1 Assuming that the original

value=

V, then the changed value

is

increased or decreased

by

5V.

*2 Assuming that the original

value=

V,

then the changed value increases

by

a power

of

1 + (V/10).

*3

Assuming that the original

value=

V,

then

tJie

increase or decrease of the VDF value

is

by

3V, while that of the

VDA value

is

by 5V.

19

Korg M1R User manual

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