Korg SV-2 User manual

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1E
MIDI Implementation
December 16, 2019

2
SECTION A. MIDI IMPLEMENTATION
1. TRANSMITTED DATA
1-1. CHANNEL MESSAGES
[H]:Hex, [D]:(Decimal)
+------+----------+------------------+----------------------------------------------------------------------+
|Status| Second | Third | Description |
| [H] |[H] [D] | [H] [D] | |
+------+----------+------------------+----------------------------------------------------------------------+
| 8n | kk kk | vv vv | Note O *1|
| 9n | kk kk | vv vv | Note On (vv)=1-127 *1|
| Bn | 00 (00) | mm mm | Bank Select (MSB) (Sound/Favorite change) *2|
| Bn | 01 (01) | vv vv | Modulation *3|
| Bn | 02 (01) | vv vv | Breath *4|
| Bn | 05 (05) | vv vv | Portamento Time *3|
| Bn | 06 (06) | vv vv | Data Entry (MSB) *3|
| Bn | 0B (11) | vv vv | Expression *4|
| Bn | 20 (32) | bb bb | Bank Select(LSB) (Sound/Favorite change) *2|
| Bn | 26 (38) | vv vv | Data Entry (LSB) *3|
| Bn | 40 (64) | vv vv | Hold1 (Damper) |
| Bn | 41 (65) | vv vv | Portamento *3|
| Bn | 42 (66) | 00-7F (0-127) | Sostenuto On/O (Sostenuto ) |
| Bn | 43 (67) | 00-7F (0-127) | Soft Pedal (Soft ) *4|
| Bn | 47 (71) | 40 (64) | Harmonic content *3|
| Bn | 48 (72) | 40 (64) | Release time *3|
| Bn | 49 (73) | 40 (64) | Attack time *3|
| Bn | 4A (74) | 40 (64) | Brightness *3|
| Bn | 4B (75) | 40 (64) | Decay time *3|
| Bn | 4C (76) | 40 (64) | Vibrato rate *3|
| Bn | 4D (77) | 40 (64) | Vibrato depth *3|
| Bn | 4E (78) | 40 (64) | Vibrato delay *3|
| Bn | 64 (100) | 0r r | RPN Select (LSB) *3|
| Bn | 65 (101) | 00 0 | RPN Select (MSB) *3|
| Bn | 66 (102) | 00/7F (0/127) | EQUALIZER On/O |
| Bn | 67 (103) | 00/7F (0/127) | PRE FX On/O |
| Bn | 68 (104) | 00/7F (0/127) | AMPLIFIER On/O |
| Bn | 69 (105) | 00/7F (0/127) | MODULATION On/O |
| Bn | 70 (106) | 00/7F (0/127) | AMBIENT On/O |
| Bn | 71 (107) | 00/7F (0/127) | TOTAL FX On/O |
| Bn | 78 (120) | 00 0 | All Sound O *3|
| Bn | 79 (121) | 00 0 | Reset All Controllers *3|
| Bn | 7B (123) | 00 0 | All Notes O *3|
| Cn | pp pp | -- -- | Program Change (Sound/Favorite change) *2|
+------+----------+------------------+----------------------------------------------------------------------+
n : SV-2 MIDI Channel No. (0-15)
* : See related note in APPENDIX
1-2. SYSTEM COMMON MESSAGES
1-3. SYSTEM REALTIME MESSAGES
[H]:Hex
+--------+------------------------------------------------------------+
| Status | Description |
| [H] | |
+--------+------------------------------------------------------------+
| FE | Active Sensing |
+--------+------------------------------------------------------------+

3
1-4. SYSTEM EXCLUSIVE MESSAGES
1-4-1. UNIVERSAL SYSTEM EXCLUSIVE MESSAGE ( NON REALTIME )
IDENTITY REPLY MESSAGE (DEVICE INQUIRY)
[ F0,7E,00,06,02,42,59,01,mm,00,vv,ww,xx,00,F7 ] 6th byte 42[hex]: KORG ID
7th byte 59[hex]: SV-2 Series LSB
8th byte 01[hex]: SV-2 Series MSB
9th byte mm: 1F[hex] = SV-2 88-keys with speakers
16[hex] = SV-2 73-keys with speakers
0F[hex] = SV-2 88-keys without speakers
06[hex] = SV-2 73-keys without speakers
11th byte vv: System Version 1st
12th byte ww: System Version 2nd
13th byte xx: System Version 3rd
(i.e. Version 1.0.2: vv=01, ww=00, xx=02)
1-4-2. FILE DUMP
SV-2 implements File Dump protocol as dened in “MIDI 1.0 Detailed Specication” edited by AMEI/MMA.
See “Section C: File Dump” for details.
1-4-3. MANUFACTURER SPECIFIC SYSTEM EXCLUSIVE MESSAGES
EDITING MESSAGES
[ F0,42,30,60,00,… ]
Messages beginning with the above sequence of bytes are parameter editing messages.
See “Section B: Editing messages” for details.
2. RECOGNIZED DATA
2-1. CHANNEL MESSAGES
[H]:Hex, [D]:(Decimal)
+------+-----------+-----------------+----------------------------------------------------------------------+
|Status| Second | Third | Description |
| [H] | [H] [D] | [H] [D] | |
+------+-----------+-----------------+----------------------------------------------------------------------+
| 8n | kk kk | xx xx | Note O |
| 9n | kk kk | 00 (0) | Note O |
| 9n | kk kk | vv vv | Note On (vv) = 1-127 |
| An | kk kk | vv vv | Poly Key Pressure *5|
| Bn | 00 (0) | bb bb | Bank Select (MSB) (Sound/Favorite change) *2, *7|
| Bn | 01 (1) | vv vv | Modulation1 |
| Bn | 02 (2) | vv vv | Modulation2 (Breath) *6|
| Bn | 06 (6) | vv vv | Data Entry (MSB) |
| Bn | 07 (7) | vv vv | Volume |
| Bn | 0B (11) | vv vv | Expression |
| Bn | 20 (32) | bb bb | Bank Select (LSB) (Sound/Favorite change) *2|
| Bn | 26 (38) | vv vv | Data Entry (LSB) |
| Bn | 40 (64) | vv vv | Hold1 (Damper) |
| Bn | 42 (66) | 00-7F (0-127) | Sostenuto O/On *8|
| Bn | 43 (67) | vv vv | Soft Pedal |
| Bn | 64 (100) | 0r r | RPN Select (LSB) *9|
| Bn | 65 (101) | 00 (0) | RPN Select (MSB) *9|
| Bn | 66 (102) | 00-7F (0-127) | EQUALIZER On/O (3rd byte: 00-3F (0-63) = o, 40-7F (64-127) = on)|
| Bn | 67 (103) | 00-7F (0-127) | PRE FX On/O (3rd byte: 00-3F (0-63) = o, 40-7F (64-127) = on)|
| Bn | 68 (104) | 00-7F (0-127) | AMPLIFIER On/O (3rd byte: 00-3F (0-63) = o, 40-7F (64-127) = on)|
| Bn | 69 (105) | 00-7F (0-127) | MODULATION On/O (3rd byte: 00-3F (0-63) = o, 40-7F (64-127) = on)|
| Bn | 70 (106) | 00-7F (0-127) | AMBIENT On/O (3rd byte: 00-3F (0-63) = o, 40-7F (64-127) = on)|
| Bn | 71 (107) | 00-7F (0-127) | TOTAL FX On/O (3rd byte: 00-3F (0-63) = o, 40-7F (64-127) = on)|
| Bn | 78 (120) | 00 (0) | All Sound O |
| Bn | 79 (121) | 00 (0) | Reset All Controllers |
| Bx | 7A (122) | 00/7F (0/127) | Local Control On/O *10|
| Bn | 7B (123) | 00 (0) | All Notes O |
| Bn | 7C (124) | 00 (0) | Omni Mode O (as All Notes O ) *11|
| Bn | 7D (125) | 00 (0) | Omni Mode On (as All Notes O ) *11|
| Cn | pp pp | -- -- | Program Change (Sound/Favorite change) *2|
| Dn | vv vv | -- -- | Channel Pressure *5|
| En | bb bb | bb bb | Bender Change |
+------+-----------+-----------------+----------------------------------------------------------------------+
n : MIDI Channel No. (0 - 15)
* : See related note in APPENDIX

4
2-2. SYSTEM REALTIME MESSAGES
[H]:Hex
+--------+------------------------------------------------------------+
| Status | Description |
| [H] | |
+--------+------------------------------------------------------------+
| FE | Active Sensing |
+--------+------------------------------------------------------------+
2-3. SYSTEM EXCLUSIVE
2-3-1. UNIVERSAL SYSTEM EXCLUSIVE MESSAGE ( NON REALTIME )
IDENTITY REQUEST MESSAGE (DEVICE INQUIRY)
[ F0,7E,nn,06,01,F7 ] 3rd byte nn : = 0-7F
2-3-2. UNIVERSAL SYSTEM EXCLUSIVE MESSAGES ( REALTIME )
MASTER FINE TUNE (Control Master Tune (cent) in Global)
[ F0,7F,nn,04,03,vv,mm,F7 ] 3rd byte nn: 0-7F
6th byte vv: Value(LSB)
7th byte mm: Value(MSB)
mm,vv = 20,00:(-50); 40,00:(0); 60,00:(+50)
MASTER COARSE TUNE (Control Transpose (chromatic step) in Global)
[ F0,7F,nn,04,04,vv,mm,F7 ] 3rd byte nn: 0-7F
6th byte vv: Value(LSB)
7th byte mm: Value(MSB)
mm,vv = 34,00:(-12); 40,00:(0); 4C,00:(+12)
2-3-3. FILE DUMP
SV-2 implements File Dump protocol as dened in “MIDI 1.0 Detailed Specication” edited by AMEI/MMA.
See “Section C: File Dump” for details.
2-3-4. MANUFACTURER SPECIFIC SYSTEM EXCLUSIVE MESSAGES
EDITING MESSAGES
[ F0,42,30,60,00,… ]
Messages beginning with the above sequence of bytes are parameter editing messages.
See “Section B: Editing messages” for details.

5
3. APPENDIX
3-1. NOTES
*1 : kk range = (28-100) for 73-keys model
= (21-108) for 88-keys model
*2 : See TABLE 1 and TABLE 2 for Bank and Program numbers of Factory and Favorite Sounds.
*3 : Only transmitted by the “MIDI Panic” function.
Concerning the Registered Parameter Numbers (RPN), the values sent when “MIDI Panic” is performed
are the reset values for the following registered parameters:
r = 0 : Pitch Bend Sensitivity
= 1 : Fine Tune (Detune)
= 2 : Coarse Tune (Transpose)
= 5 : Modulation depth range
*4 : Function of a pedal plugged into the “Pedal 2” input:
If the pedal is a “switch”-type pedal, it works as a Soft controller.
If the pedal is a “continuous”-type of pedal, it controls Expression, unless PRE_FX is enabled and set
to “VOX Wah”, in which case the pedal works as a Breath controller.
*5 : Polyphonic After Touch and Channel Pressure work only on those programs where these parameters are ena-
bled.
*6 : If the Wah eect is selected and Auto/Pedal is ON, the Breath controls the lter.
*7 : Bank Select (MSB) values others than indicated in TABLE 1 and TABLE 2 are ignored.
*8 : If the Rotary eect is selected, Sostenuto controls the rotor’s speed.
*9 : Recognized parameter numbers (r) are:
+----------------------+------------------------------------------------------------+
| Parameter number (r) | Description |
+----------------------+------------------------------------------------------------+
| 1 | Fine Tune (Detune) |
| 2 | Coarse Tune (Transpose) |
+----------------------+------------------------------------------------------------+
*10: SV-2 performs Local Control On/O, regardless of the SV-2 MIDI channel
*11: SV-2 implements only Omni O/Poly mode.
Reception of dierent modes act as if it has received “All Notes O” mode message.

6
3-2. TABLES
TABLE 1: BANK AND PROGRAM NUMBERS FOR FACTORY SOUNDS
[H]:Hex, [D]:(Decimal)
+---------------+---------------+--------------+---------------------+
| Bank MSB (mm) | Bank LSB (bb) | Program (pp) | FACTORY SOUND |
| [H] [D] | [H] [D] | [H] [D] | TYPE | VARIATION |
+---------------+---------------+--------------+---------+-----------+
| 00 (0) | 00 (0) | 0 (0) | EP1 | A.1 |
| | | 1 (1) | | A.2 |
| | | 2 (2) | | A.3 |
| | | 3 (3) | | A.4 |
| | | 4 (4) | | A.5 |
| | | 5 (5) | | A.6 |
| | | 6 (6) | | B.1 |
| | | 7 (7) | | B.2 |
| | | 8 (8) | | B.3 |
| | | 9 (9) | | B.4 |
| | | A (10) | | B.5 |
| | | B (11) | | B.6 |
| | | C (12) | EP2 | A.1 |
| | | D (13) | | A.2 |
| | | E (14) | | A.3 |
| | | F (15) | | A.4 |
| | | 10 (16) | | A.5 |
| | | 11 (17) | | A.6 |
| | | 12 (18) | | B.1 |
| | | 13 (19) | | B.2 |
| | | 14 (20) | | B.3 |
| | | 15 (21) | | B.4 |
| | | 16 (22) | | B.5 |
| | | 17 (23) | | B.6 |
| | | 18 (24) | PIANO 1| A.1 |
| | | 19 (25) | | A.2 |
| | | 1A (26) | | A.3 |
| | | 1B (27) | | A.4 |
| | | 1C (28) | | A.5 |
| | | 1D (29) | | A.6 |
| | | 1E (30) | | B.1 |
| | | 1F (31) | | B.2 |
| | | 20 (32) | | B.3 |
| | | 21 (33) | | B.4 |
| | | 22 (34) | | B.5 |
| | | 23 (35) | | B.6 |
| | | 24 (36) | PIANO 2| A.1 |
| | | 25 (37) | | A.2 |
| | | 26 (38) | | A.3 |
| | | 27 (39) | | A.4 |
| | | 28 (40) | | A.5 |
| | | 29 (41) | | A.6 |
| | | 2A (42) | | B.1 |
| | | 2B (43) | | B.2 |
| | | 2C (44) | | B.3 |
| | | 2D (45) | | B.4 |
| | | 2E (46) | | B.5 |
| | | 2F (47) | | B.6 |
| | | 30 (48) | CLAVIER| A.1 |
| | | 31 (49) | | A.2 |
| | | 32 (50) | | A.3 |
| | | 33 (51) | | A.4 |
| | | 34 (52) | | A.5 |
| | | 35 (53) | | A.6 |
| | | 36 (54) | | B.1 |
| | | 37 (55) | | B.2 |
| | | 38 (56) | | B.3 |
| | | 39 (57) | | B.4 |
| | | 3A (58) | | B.5 |
| | | 3B (59) | | B.6 |
| | | 3C (60) | OTHER | A.1 |
| | | 3D (61) | | A.2 |
| | | 3E (62) | | A.3 |
| | | 3F (63) | | A.4 |
| | | 40 (64) | | A.5 |
| | | 41 (65) | | A.6 |
| | | 42 (66) | | B.1 |
| | | 43 (67) | | B.2 |
| | | 44 (68) | | B.3 |
| | | 45 (69) | | B.4 |
| | | 46 (70) | | B.5 |
| | | 47 (71) | | B.6 |
+---------------+---------------+--------------+---------+-----------+

7
TABLE 2: BANK AND PROGRAM NUMBER FOR FAVORITE SOUNDS
[H]:Hex, [D]:(Decimal)
+---------------+---------------+--------------+---------------------+
| Bank MSB (mm) | Bank LSB (bb) | Program (pp) | FAVORITE SOUND |
| [H] [D] | [H] [D] | [H] [D] | BANK | NUMBER |
+---------------+---------------+--------------+---------+-----------+
| 00 (0) | 40 (64) | 00 (0) | A | 1 |
| | | 01 (1) | A | 2 |
| | | 02 (2) | A | 3 |
| | | 03 (3) | A | 4 |
| | | 04 (4) | A | 5 |
| | | 05 (5) | A | 6 |
| | | 06 (6) | A | 7 |
| | | 07 (7) | A | 8 |
| | | 08 (8) | B | 1 |
| | | 09 (9) | B | 2 |
| | | 0A (10) | B | 3 |
| | | 0B (11) | B | 4 |
| | | 0C (12) | B | 5 |
| | | 0D (13) | B | 6 |
| | | 0E (14) | B | 7 |
| | | 0F (15) | B | 8 |
| | | 10 (16) | C | 1 |
| | | 11 (17) | C | 2 |
| | | 12 (18) | C | 3 |
| | | 13 (19) | C | 4 |
| | | 14 (20) | C | 5 |
| | | 15 (21) | C | 6 |
| | | 16 (22) | C | 7 |
| | | 17 (23) | C | 8 |
| | | 18 (24) | D | 1 |
| | | 19 (25) | D | 2 |
| | | 1A (26) | D | 3 |
| | | 1B (27) | D | 4 |
| | | 1C (28) | D | 5 |
| | | 1D (29) | D | 6 |
| | | 1E (30) | D | 7 |
| | | 1F (31) | D | 8 |
| | | 20 (32) | E | 1 |
| | | 21 (33) | E | 2 |
| | | 22 (34) | E | 3 |
| | | 23 (35) | E | 4 |
| | | 24 (36) | E | 5 |
| | | 25 (37) | E | 6 |
| | | 26 (38) | E | 7 |
| | | 27 (39) | E | 8 |
| | | 28 (40) | F | 1 |
| | | 29 (41) | F | 2 |
| | | 2A (42) | F | 3 |
| | | 2B (43) | F | 4 |
| | | 2C (44) | F | 5 |
| | | 2D (45) | F | 6 |
| | | 2E (46) | F | 7 |
| | | 2F (47) | F | 8 |
| | | 30 (48) | G | 1 |
| | | 31 (49) | G | 2 |
| | | 32 (50) | G | 3 |
| | | 33 (51) | G | 4 |
| | | 34 (52) | G | 5 |
| | | 35 (53) | G | 6 |
| | | 36 (54) | G | 7 |
| | | 37 (55) | G | 8 |
| | | 38 (56) | H | 1 |
| | | 39 (57) | H | 2 |
| | | 3A (58) | H | 3 |
| | | 3B (59) | H | 4 |
| | | 3C (60) | H | 5 |
| | | 3D (61) | H | 6 |
| | | 3E (62) | H | 7 |
| | | 3F (63) | H | 8 |
+---------------+---------------+--------------+---------+-----------+

8
SECTION B. EDITING MESSAGES
1. OVERVIEW
Each editing message has the following structure:
F0 42 30 60 00 Header
FUNCTION CODE 1 Byte, species the action of the message
PARAMETER ADDRESS 3 Bytes, species the object to which the action refers
(OPTIONAL DATA) Variable number of (optional) bytes, depending on the Function Code and Parameter
Address combined. Below in this document, each message and their optional data are
described apart.
F7 End of Message
FUNCTION CODE
Possible Function Codes are shown in the following table:
+--------------+------------------------------+-----------+------------------+------------------------+
|Function Code | Message name | Parameter | Parameter | Message direction |
| [H] [D] | | Access | data type | |
+--------------+------------------------------+-----------+------------------+------------------------+
| 60 (96) | Change Integer Parameter | R, W, RW | Integer | Received / Transmitted |
| 60 (96) | Change String Parameter | R, W, RW | String | Received / Transmitted |
| 62 (98) | Request Parameter Value | R, RW | Integer / String | Received only |
| 64 (100) | Command | C | (no data) | Received only |
| 65 (101) | Signal | S | (no data) | Transmitted only |
+--------------+------------------------------+-----------+------------------+------------------------+
PARAMETER ADDRESS
Each editing message refers to a specic parameter through a parameter address. Parameter address is
made of 3 bytes: GROUP, ADDR_LSB, ADDR_MSB.
See TABLE 2 for a complete list of all parameter addresses.
PARAMETER DATA TYPE
Most parameters represent data, whose type is either “integer” or “string”.
Depending on the parameter data type, either “CHANGE INTEGER PARAMETER” or “CHANGE STRING PARAMETER”
message is used to modify the value of that parameter data.
TABLE 2 shows the notation “(string)” for parameter data of type string. By default, any other parameter
data type is integer.
PARAMETER ACCESS
TABLE 2 also shows an “Access” property for each parameter.
The “Access” property provides information on which editing message(s) that particular parameter is
intended to be used with. It also tells if each parameter data is only readable (R), only writable (W),
or both readable and writable (RW).
2. MESSAGE FORMAT DETAILS
CHANGE INTEGER PARAMETER MESSAGE
Received: Change value of a given INTEGER parameter.
Transmitted: When a given INTEGER parameter has been changed.
F0 42 30 60 00 Excl Header
60 Function code
GROUP Parameter address
ADDR_LSB
ADDR_MSB
DATA_LSB_L Parameter value
DATA_MSB_L
DATA_LSB_H
DATA_MSB_H
F7
Parameter value is a 28-bit number. Negative values are represented in 2’s complement.
DATA_LSB_L = value & 0x7f
DATA_MSB_L = (value >> 7) & 0x7f
DATA_LSB_M = (value >> 14) & 0x7f
DATA_MSB_M = (value >> 21) & 0x7f
This message may only work in conjunction with parameters with “R”, “W” or “RW” Access property.
This message does not work in conjunction with parameters with “(string)” annotation TABLE 2.

9
CHANGE STRING PARAMETER MESSAGE
Received: Change value of a given STRING parameter.
Transmitted: When given STRING parameter has been changed.
F0 42 30 60 00 Excl Header
60 Function code
GROUP Parameter address
ADDR_LSB
ADDR_MSB
LENG_LSB string length
LENG_MSB
<ch1> <ch2> .. <ch n-1> ASCII string
00 string terminator
F7
String lenght is a 14-bit number.
LENG_LSB = length & 0x7f
LENG_MSB = (length & 0x3f80) >> 7;
This message may only work in conjunction with parameters with “R”, “W” or “RW” Access property.
This message works only in conjunction with parameters with “(string)” annotation TABLE 2.
REQUEST PARAMETER VALUE MESSAGE
Received only: Requires SV-2 to send the current value of a given INTEGER or STRING parameter. SV-2
will reply with either “Change Integer Parameter” or “Change String Parameter” message, depending on
the parameter data type.
F0 42 30 60 00 Excl Header
62 Function code
GROUP Parameter address
ADDR_LSB
ADDR_MSB
F7
This message works in conjunction with every parameter with “R” or “RW” Access property.
COMMAND MESSAGE
Received only: Requires SV-2 to perform the specied command.
F0 42 30 60 00 Excl Header
64 Function code
GROUP Parameter address
ADDR_LSB
ADDR_MSB
F7
This message works in conjunction with parameters with “C” Access property.
SIGNAL MESSAGE
Transmitted only: Status change notication.
F0 42 30 60 00 Excl Header
65 Function code
GROUP Parameter address
ADDR_LSB
ADDR_MSB
00
00
F7
This message works in conjunction with parameters with “S” Access property.
Signals may be transmitted at the end of operations on parameters with Access type “C” or “W”.

10
3. APPENDIX
3-1. TABLES
TABLE 1: GROUPS OF PARAMETERS
[H]:Hex, [D]:(Decimal)
+---------+---------------------------------------------------------------------------+
| GROUP | Description |
| [H] [D] | |
+---------+---------------------------------------------------------------------------+
| 0 (0) | Sound/Favorite |
| 1 (1) | Sound parameters (track parameters, Insert FX on/o, etc.) |
| 2 (2) | Scale parameters/Global parameters |
| 3 (3) | Sound/Favorite load/save signals |
| 4 (4) | General management signals |
| 5 (5) | General management signals |
| 6 (6) | Eects parameters: PRE FX (see “Section D: Eect parameters”) |
| 7 (7) | Eects parameters: AMP (see “Section D: Eect parameters”) |
| 8 (8) | Eects parameters: EQUALIZER (see “Section D: Eect parameters”) |
| 9 (9) | Eects parameters: CABINET (see “Section D: Eect parameters”) |
| A (10) | Eects parameters: MODULATION (see “Section D: Eect parameters”) |
| B (11) | Eects parameters: AMBIENT (see “Section D: Eect parameters”) |
| C (12) | (reserved) |
| D (13) | Eects parameters: TOTAL FX (see “Section D: Eect parameters”) |
| E (14) | (reserved) |
| F (15) | Sequencer |
| 10 (16) | General management |
+---------+---------------------------------------------------------------------------+

11
TABLE 2: LIST OF ALL PARAMETERS
[H]:Hex, [D]:(Decimal)
+-----+---------------+--------+----------+------+----------------------------------------------+------------+
|GROUP| ADDR_LSB |ADDR_MSB| Range |Access| Parameter | Notes |
| [D] | [H] [D] | [D] | [D] | | | |
+-----+---------------+--------+----------+------+----------------------------------------------+------------+
| 0 | 0-47 (0-71) | 0 | | R | SOUND name |(string) |
| 0 | 48-7F (72-127)| 0 | | R | FAVORITE name (from A.1 to G.8) |(string) |
| | | | | | | |
| 0 | 0-7 (0-7) | 1 | | R | FAVORITE name (from H.1 to H.8) |(string) |
| 0 | 8 (8) | 1 | (0/71) | RW | Select(ed) FACTORY SOUND | *1|
| 0 | 9 (9) | 1 | (0/63) | RW | Select(ed) FAVORITE SOUND | *2|
| 0 | 0A (10) | 1 | (0/5) | RW | PRE FX | *3|
| 0 | 0B (11) | 1 | (0/5) | RW | AMP | *4|
| 0 | 0C (12) | 1 | (0/10) | RW | CABINET | *5|
| 0 | 0D (13) | 1 | (0/5) | RW | MODULATION | *6|
| 0 | 0E (14) | 1 | (0/5) | RW | AMBIENT | *7|
| 0 | 0F (15) | 1 | (0/1) | RW | TOTAL FX | *8|
| 0 | 10 (16) | 1 | (0/100) | RW | Feedback (of AMBIENT Stereo Delay) | |
| 0 | 11 (17) | 1 | (0/15) | RW | MIDI channel | |
| 0 | 12 (18) | 1 | | R | Major Version of the system software | |
| 0 | 13 (19) | 1 | | R | Minor Version of the system software | |
| 0 | 14 (20) | 1 | (0) | R | Build Number of the system software | |
| 0 | 15 (21) | 1 | (0/1) | R | Preview on/o | |
| 0 | 16 (22) | 1 |(800/6000)| RW | BPM (of AMBIENT Stereo Delay) | *9|
| 0 | 17 (23) | 1 | (-1/63) | RW | Destination of Favorite’s save operation | *10|
| 0 | 18 (24) | 1 | (0/1) | RW | Pedals Calibration mode on/o | |
| 0 | 19 (25) | 1 | (0/1) | RW | Factory Restore on/o | |
| 0 | 1A (26) | 1 | | R | Revision count of the system software | |
| | | | | | | |
| 1 | 1 (1) | 0 | | W | Save FAVORITE |(string) *11|
| 1 | 2 (2) | 0 | | C | Compare mode toggle | |
| 1 | 3 (3) | 0 | (0/1) | R | Compare mode status on/o | |
| 1 | 4 (4) | 0 |(-36/36) | RW | MAIN Track Equalizer (Bass) | |
| 1 | 17 (23) | 0 |(-36/36) | RW | LAYER 1 Track Equalizer (Bass) | |
| 1 | 35 (53) | 0 |(-36/36) | RW | LAYER 2 Track Equalizer (Bass) | |
| 1 | 5 (5) | 0 |(-36/36) | RW | MAIN Track Equalizer (Middle) | |
| 1 | 18 (24) | 0 |(-36/36) | RW | LAYER 1 Track Equalizer (Middle) | |
| 1 | 36 (54) | 0 |(-36/36) | RW | LAYER 2 Track Equalizer (Middle) | |
| 1 | 6 (6) | 0 |(-36/36) | RW | MAIN Track Equalizer (Treble) | |
| 1 | 19 (25) | 0 |(-36/36) | RW | LAYER 1 Track Equalizer (Treble) | |
| 1 | 37 (55) | 0 |(-36/36) | RW | LAYER 2 Track Equalizer (Treble) | |
| 1 | 7 (7) | 0 | (0/1) | RW | MAIN Track Equalizer Bypass on/o | |
| 1 | 1A (26) | 0 | (0/1) | RW | LAYER 1 Track Equalizer Bypass on/o | |
| 1 | 38 (56) | 0 | (0/1) | RW | LAYER 2 Track Equalizer Bypass on/o | |
| 1 | 22 (34) | 0 | (0/1) | RW | MAIN Track FX Bypass on/o | |
| 1 | 16 (22) | 0 | (0/1) | RW | LAYER 1 Track FX Bypass on/o | |
| 1 | 2F (47) | 0 | (0/1) | RW | LAYER 2 Track FX Bypass on/o | |
| 1 | 3A (58) | 0 | | RW | MAIN track program change | *12|
| 1 | 3B (59) | 0 | | RW | LAYER 1 track program change | *12|
| 1 | 3C (60) | 0 | | RW | LAYER 2 track program change | *12|
| 1 | A (10) | 0 | (0/1) | RW | PRE FX on/o | |
| 1 | B (11) | 0 | (0/1) | RW | AMP (amplier section)on/o | |
| 1 | C (12) | 0 | (0/1) | RW | CABINET (amplier section)on/o | |
| 1 | D (13) | 0 | (0/1) | RW | MODULATION on/o | |
| 1 | E (14) | 0 | (0/1) | RW | AMBIENT on/o | |
| 1 | F (15) | 0 | (0/1) | RW | TOTAL FX on/o | |
| 1 | 3D (61) | 0 | (0/1) | RW | EQUALIZER on/o | |
| 1 | 20 (32) | 0 | (0/127) | RW | MAIN Track volume | |
| 1 | 14 (20) | 0 | (0/127) | RW | LAYER 1 Track volume | |
| 1 | 2D (45) | 0 | (0/127) | RW | LAYER 2 Track volume | |
| 1 | 21 (33) | 0 | (0/1) | RW | MAIN Track mute | |
| 1 | 15 (21) | 0 | (0/1) | RW | LAYER 1 Track mute | |
| 1 | 2E (46) | 0 | (0/1) | RW | LAYER 2 Track mute | |
| 1 | 23 (35) | 0 |(-64/63) | RW | MAIN Track detune | |
| 1 | 28 (40) | 0 |(-64/63) | RW | LAYER 1 Track detune | |
| 1 | 30 (48) | 0 |(-64/63) | RW | LAYER 2 Track detune | |
| 1 | 24 (36) | 0 | (-3/3) | RW | MAIN Track octave transpose | |
| 1 | 29 (41) | 0 | (-3/3) | RW | LAYER 1 Track octave transpose | |
| 1 | 31 (49) | 0 | (-3/3) | RW | LAYER 2 Track octave transpose | |
| 1 | 25 (37) | 0 | (0/1) | RW | MAIN Track damper pedal on/o | |
| 1 | 2A (42) | 0 | (0/1) | RW | LAYER 1 Track damper pedal on/o | |
| 1 | 32 (50) | 0 | (0/1) | RW | LAYER 2 Track damper pedal on/o | |
| 1 | 26 (38) | 0 | (0/1) | RW | MAIN Track pedal 1 on/o | |
| 1 | 2B (43) | 0 | (0/1) | RW | LAYER 1 Track pedal 1 on/o | |
| 1 | 33 (51) | 0 | (0/1) | RW | LAYER 2 Track pedal 1 on/o | |
| 1 | 27 (39) | 0 | (0/1) | RW | MAIN Track pedal 2 on/o | |

12
| 1 | 2C (44) | 0 | (0/1) | RW | LAYER 1 Track pedal 2 on/o | |
| 1 | 34 (52) | 0 | (0/1) | RW | LAYER 2 Track pedal 2 on/o | |
| 1 | 9 (9) | 0 | (0/7) | RW | Scale (tuning curve) | *13|
| 1 | 1D (29) | 0 | (-1/1) | RW | User scale (tuning curve) | *14|
| 1 | 10 (16) | 0 | | W | Rename the current FAVORITE |(string) |
| 1 | 11 (17) | 0 | (0/7) | RW | Touch curve | *15|
| 1 | 12 (18) | 0 | (1/127) | RW | Value for touch curve type “Fixed” | |
| 1 | 13 (19) | 0 | (0/1) | R | SOUND or FAVORITE changed by edit (1:changed)| |
| 1 | 1E (30) | 0 | (0/1) | RW | Keyboard mode (0: layer , 1: split) | |
| 1 | 1F (31) | 0 | (0/127) | RW | Split point | |
| | | | | | | |
| 2 | 1 (1) | 0 | (28/108) | RW | Keyboard note to be tuned | |
| 2 | 2 (2) | 0 |(-99/99) | RW | Tuning of the selected note | |
| 2 | 3 (3) | 0 | | C | Save user scale | *16|
| 2 | 4 (4) | 0 | (6/7) | RW | Destination of User scale’s save operation | |
| 2 | 5 (5) | 0 | | RW | Name to assign to the scale to save |(string) |
| 2 | 6 (6) | 0 | | R | Factory scale 1 name |(string) |
| 2 | 7 (7) | 0 | | R | Factory scale 2 name |(string) |
| 2 | 8 (8) | 0 | | R | Factory scale 3 name |(string) |
| 2 | 9 (9) | 0 | | R | Factory scale 4 name |(string) |
| 2 | A (10) | 0 | | R | Factory scale 5 name |(string) |
| 2 | B (11) | 0 | | R | Factory scale 6 name |(string) |
| 2 | C (12) | 0 | | R | User scale 1 name |(string) |
| 2 | D (13) | 0 | | R | User scale 2 name |(string) |
| 2 | E (14) | 0 | (-12/12) | RW | Master transpose | |
| 2 | F (15) | 0 | (0/1) | RW | Local OFF on/o | |
| 2 | 11 (17) | 0 |(-100/100)| RW | Master tuning | |
| 2 | 20 (32) | 0 | (0/1) | R | DEMO mode status (0: mode o, 1: mode on) | |
| 2 | 21 (33) | 0 | (0/1) | RW | Auto power o function (1: enabled) | |
| | | | | | | |
| 3 | 0 (0) | 0 | | S | SOUND/FAVORITE entered succesfully | |
| 3 | 1 (1) | 0 | | S | SOUND/FAVORITE not avaliable | |
| 3 | 2 (2) | 0 | | S | SOUND/FAVORITE not entered | |
| 3 | 3 (3) | 0 | | S | SOUND/FAVORITE saved succesfully | |
| 3 | 4 (4) | 0 | | S | SOUND/FAVORITE not saved | |
| | | | | | | |
| 4 | 0 (0) | 0 | | S | User scale saved succesfully | |
| 4 | 1 (1) | 0 | | S | User scale not saved | |
| 4 | 2 (2) | 0 | | S | Factory restore end | |
| | | | | | | |
| 5 | 0 (0) | 0 | | S | Editing via system exclusive disabled | |
| 5 | 1 (1) | 0 | | S | Editing via system exclusive enabled | |
| +---------------+--------+----------+------+----------------------------------------------+------------+
| 6 | (see “Section D: Eect parameters”) | Parameters for PRE FX eect |
| 7 | (see “Section D: Eect parameters”) | Parameters for AMP eect |
| 8 | (see “Section D: Eect parameters”) | Parameters for EQUALIZER eect |
| 9 | (see “Section D: Eect parameters”) | Parameters for CABINET eect |
| 10 | (see “Section D: Eect parameters”) | Parameters for MODULATION eect |
| 11 | (see “Section D: Eect parameters”) | Parameters for AMBIENT eect |
| 12 | (reserved) | |
| 13 | (see “Section D: Eect parameters”) | Parameters for TOTAL eect |
| +---------------+--------+----------+------+----------------------------------------------+------------+
| 15 | 0 (0) | 0 | | R | Name of the current demo song |(string) |
| | | | | | | |
| 16 | 0 (0) | 0 | | C | Panic reset | |
+-----+---------------+--------+----------+------+----------------------------------------------+------------+

13
3-2. NOTES
*1 : Values here are the same as Program values explained in “Section A: MIDI Implementation, TABLE 1”.
*2 : Values here are the same as Program values explained in “Section A: MIDI Implementation, TABLE 2”.
*3 : Enumerated values for parameter “PRE FX” (GROUP=0, ADDR_LSB=10(0AH), ADDR_MSB=1).
+--------+-------------------+
| Value | Meaning |
+--------+-------------------+
| 0 | Red Comp |
| 1 | Treble Boost |
| 2 | U-Vibe |
| 3 | Vibrato |
| 4 | Tremolo |
| 5 | WOX Wah |
+--------+-------------------+
*4 : Enumerated values for parameter “AMP” (GROUP=0, ADDR_LSB=11(0BH), ADDR_MSB=1).
+--------+-------------------+
| Value | Meaning |
+--------+-------------------+
| 0 | Clean |
| 1 | Twin |
| 2 | Tweed |
| 3 | AC30 |
| 4 | Boutique |
| 5 | Organ |
+--------+-------------------+
*5 : Enumerated values for parameter “CABINET” (GROUP=0, ADDR_LSB=12(0CH), ADDR_MSB=1).
[D]:(Decimal)
+--------+-------------------+
| Value | Meaning |
| [D] | |
+--------+-------------------+
| (0) | Tweed - 1x12 |
| (1) | Tweed - 4x10 |
| (2) | Black - 2x10 |
| (3) | Black - 2x12 |
| (4) | VOX AC15 - 1x12 |
| (5) | VOX AC30 - 2x12 |
| (6) | VOX AD412 - 4x12|
| (7) | UK H30 - 4x12 |
| (8) | UK T75 - 4x12 |
| (9) | US V30 - 4x12 |
| (10) | Bypass |
+--------+-------------------+
*6 : Enumerated values for parameter “MODULATION” (GROUP=0, ADDR_LSB=13(0DH), ADDR_MSB=1).
+--------+-------------------+
| Value | Meaning |
+--------+-------------------+
| 0 | Classic Chorus |
| 1 | Black Chorus |
| 2 | Orange Phaser |
| 3 | Small Phaser |
| 4 | MIX Flanger |
| 5 | Rotary |
+--------+-------------------+
*7 : Enumerated values for parameter “AMBIENT” (GROUP=0, ADDR_LSB=14(0EH), ADDR_MSB=1).
+--------+-------------------+
| Value | Meaning |
+--------+-------------------+
| 0 | Room |
| 1 | Plate |
| 2 | Hall |
| 3 | Spring |
| 4 | Tape Echo |
| 5 | Stereo Delay |
+--------+-------------------+

14
*8 : Enumerated values for parameter “TOTAL FX” (GROUP=0, ADDR_LSB=15(0FH), ADDR_MSB=1).
+--------+-------------------+
| Value | Meaning |
+--------+-------------------+
| 0 | Stereo Limiter |
| 1 | St.MasteringLimtr |
+--------+-------------------+
*9 : Parameter value is BPM * 20. Eg.: Value = 800 stands for BPM = 40
*10: Values range depends on the access mode: -1/63 when reading, 0/63 when writing. Values in the range
0/63 are the same as Program values explained in “Section A: MIDI Implementation, TABLE 2”. Value -1
means that currently selected Sound is a Factory one.
*11: Must carry the name to be assigned to the FAVORITE to save.
Must be preceded by setting a value on parameter address GROUP=0, ADDR_LSB=23(17H), ADDR_MSB=1.
*12: See “Section E: Programs” for a complete reference on the program numbers.
*13: Enumerated values for parameter “Scale (tuning curve)” (GROUP=1, ADDR_LSB=09(09H), ADDR_MSB=0).
+--------+-------------------+
| Value | Meaning |
+--------+-------------------+
| 0 | Equal Temperament |
| 1 | G.Piano 1 Stretch |
| 2 | G.Piano 2 Stretch |
| 3 | E.Piano Stretch |
| 4 | Electric Grand |
| 5 | Upright Stretch |
| 6 | User 1 |
| 7 | User 2 |
+--------+-------------------+
*14: Enumerated values for parameter “User scale (tuning curve)” (GROUP=1, ADDR_LSB=29(1DH), ADDR_MSB=0).
+--------+-------------------+
| Value | Meaning |
+--------+-------------------+
| -1 | Any factory scale |
| 0 | User 1 scale |
| 1 | User 2 scale |
+--------+-------------------+
*15: Enumerated values for parameter “Touch” (GROUP=1, ADDR_LSB=17(11H), ADDR_MSB=0).
+--------+-------------------+
| Value | Meaning |
+--------+-------------------+
| 0 | Normal |
| 1 | Soft 1 |
| 2 | Soft 2 |
| 3 | Medium 1 |
| 4 | Medium 2 |
| 5 | Hard 1 |
| 6 | Hard 2 |
| 7 | Fixed |
+--------+-------------------+
*16: Must be preceded by setting a value on following two parameters:
GROUP=2, ADDR_LSB=4, ADDR_MSB=0 (Destination of User scale’s save operation)
GROUP=2, ADDR_LSB=5, ADDR_MSB=0 (Name to assign to the User scale to save)

15
SECTION C. FILE DUMP
1. OVERVIEW
SV-2 implements File Dump protocol, with optional handshake, as dened in “MIDI 1.0 Detailed Specication”
edited by AMEI/MMA.
File Dump is intended for exchanging Favorite Sounds and/or User Scales (collectively, Resources) between
the instrument and an external MIDI device (typically, a computer application).
The external MIDI device has always the role of beginning a File Dump session, by either sending a FILE DUMP
REQUEST message to the instrument, which in turn causes the instrument to output a le, or by sending a
le to the instrument, starting by the initial FILE DUMP HEADER message and then continuing with the
subsequent DATA PACKET messages, up to the nal END OF FILE message.
Thanks to the FILE DUMP, SV-2 supports three functions:
BACKUP RESOURCE
Through FILE DUMP REQUEST, to allow an external MIDI device to retrieve one or more Resource(s) from the
instrument’s internal memory.
RESTORE RESOURCE
Through FILE DUMP, to allow an external MIDI device to transfer one or more Resource(s) into the
instrument’s internal memory.
SOUND PREVIEW
Through FILE DUMP, to allow an external MIDI device to transfer one sound to the instrument, placing it as
currently selected Sound, in order to listen to the sound without aecting current sounds arrangement
into the instrument’s internal memory.
2. MESSAGE DETAILS
DEVICE ID
The whole FILE DUMP implementation in SV-2 assumes following DeviceIDs:
[H]:Hex, [D]:(Decimal)
+-------------+-----------------------------+
| Device ID | Actual device |
| [H] [D] | |
+-------------+-----------------------------+
| 0 (0) | External MIDI device |
| 60 (96) | SV-2 |
+-------------+-----------------------------+
FILE TYPE
FILE DUMP protocol requires that REQUEST and HEADER messages provide a le type information.
SV-2 assumes “SV2 “ (0x53, 0x56, 0x32, 0x20) as le type.
FILE NAMES
File names provided by FILE DUMP REQUEST and FILE DUMP HEADER messages are meaningful. In fact, thanks to
a specic le naming convention, they contribute to determining the function associated to the le
transfer.
CONVENTIONAL FILE NAME FOR “BACKUP RESOURCE” FUNCTION
The le name included into a FILE DUMP REQUEST message species which resource it is intended to be
transferred. As SV-2 stores resources into its internal Resource Locations, le name represents one (or
more) Location(s). A Location is made of three numbers, said “Family”, “Bank” and “Position”.
See TABLE 1 for a list of Locations and associated Resources. The format of a le name is, in general:
FxByPz.SV2
where x, y and z are the decimal values of Family, Bank and Position converted to ASCII.
For example, in order to transfer the Favorite Sound “A-1”, the le name is: “F16B6P0.SV2”.

16
“Fx”, “By” and “Pz” tokens may appear multiple times in a le name, allowing to group multiple
resources into a single le. For example, in order to transfer the 4 Resources located in:
Family=3, Bank=4, Position=6 (Resource 1)
Family=16, Bank=6, Position=0 (Resource 2)
Family=16, Bank=7, Position=0 (Resource 3)
Family=16, Bank=7, Position=1 (Resource 4)
the le name would be:
“F3B4P6F16B6P0B7P0P1.SV2”
and the resulting le would have 4 resources inside.
As you may have noticed from the above example, the last occurrences of “Fx” and “By” take place as
default values when “Fx” and “By” are not specied by subsequent “By” and “Pz” tokens.
The above rules of le naming only allow to select the exact resources you want to backup. Regardless
of the le name, the original Resource Location of each resource is stored into the le itself, and will
be preserved when performing the RESTORE RESOURCE function.
CONVENTIONAL FILE NAME FOR “RESTORE RESOURCE” FUNCTION
This function allows to restore one or more resource(s) from an external le to SV-2’s internal memory.
In order to enable this function the le name for the FILE DUMP session must be: “BKP.SV2”.
Note that the resource(s) will be restored into the same Location(s) they had when the Resource Backup
function was performed.
CONVENTIONAL FILE NAME FOR “SOUND PREVIEW” FUNCTION
This function allows to temporarily upload a Sound to SV-2, as currently selected Sound, for being
listened without aecting the sounds arrangement into the instrument’s internal memory.
In order to enable this function the le name for the FILE DUMP session must be: “PREVIEW.SV2”.
3. APPENDIX
3-1. TABLES
TABLE 1: LOCATIONS AND ASSOCIATED RESOURCES
[H]:Hex, [D]:(Decimal)
+-----------------------------------------+----------------------------------------------+
| LOCATION | |
+-------------+-------------+-------------+ RESOURCE |
| FAMILY | BANK | POSITION | |
| [H] [D] | [H] [D] | [H] [D] | |
+-------------+-------------+-------------+----------------------------------------------+
| 3 (3) | 0 (0) | 0 (0) | Global (Misc. global data) |
| 3 (3) | 1 (1) | 0 (0) | Global (MIDI Settings) |
| 3 (3) | 4 (4) | 6 (6) | Global (user scale (tuning curve) 1) |
| 3 (3) | 4 (4) | 7 (7) | Global (user scale (tuning curve) 2) |
| | | | |
| 10 (16) | 6 (6) | 0 (0) | Favorite Sound (Bank = A, Number = 1) |
| 10 (16) | 6 (6) | 1 (1) | Favorite Sound (Bank = A, Number = 2) |
| 10 (16) | 6 (6) | 2 (2) | Favorite Sound (Bank = A, Number = 3) |
| 10 (16) | 6 (6) | 3 (3) | Favorite Sound (Bank = A, Number = 4) |
| 10 (16) | 6 (6) | 4 (4) | Favorite Sound (Bank = A, Number = 5) |
| 10 (16) | 6 (6) | 5 (5) | Favorite Sound (Bank = A, Number = 6) |
| 10 (16) | 6 (6) | 6 (6) | Favorite Sound (Bank = A, Number = 7) |
| 10 (16) | 6 (6) | 7 (7) | Favorite Sound (Bank = A, Number = 8) |
| | | | |
| 10 (16) | 7 (7) | 0 (0) | Favorite Sound (Bank = B, Number = 1) |
| 10 (16) | 7 (7) | 1 (1) | Favorite Sound (Bank = B, Number = 2) |
| 10 (16) | 7 (7) | 2 (2) | Favorite Sound (Bank = B, Number = 3) |
| 10 (16) | 7 (7) | 3 (3) | Favorite Sound (Bank = B, Number = 4) |
| 10 (16) | 7 (7) | 4 (4) | Favorite Sound (Bank = B, Number = 5) |
| 10 (16) | 7 (7) | 5 (5) | Favorite Sound (Bank = B, Number = 6) |
| 10 (16) | 7 (7) | 6 (6) | Favorite Sound (Bank = B, Number = 7) |
| 10 (16) | 7 (7) | 7 (7) | Favorite Sound (Bank = B, Number = 8) |
| | | | |
| 10 (16) | 8 (8) | 0 (0) | Favorite Sound (Bank = C, Number = 1) |
| 10 (16) | 8 (8) | 1 (1) | Favorite Sound (Bank = C, Number = 2) |
| 10 (16) | 8 (8) | 2 (2) | Favorite Sound (Bank = C, Number = 3) |
| 10 (16) | 8 (8) | 3 (3) | Favorite Sound (Bank = C, Number = 4) |
| 10 (16) | 8 (8) | 4 (4) | Favorite Sound (Bank = C, Number = 5) |
| 10 (16) | 8 (8) | 5 (5) | Favorite Sound (Bank = C, Number = 6) |
| 10 (16) | 8 (8) | 6 (6) | Favorite Sound (Bank = C, Number = 7) |
| 10 (16) | 8 (8) | 7 (7) | Favorite Sound (Bank = C, Number = 8) |
| | | | |

17
| 10 (16) | 9 (9) | 0 (0) | Favorite Sound (Bank = D, Number = 1) |
| 10 (16) | 9 (9) | 1 (1) | Favorite Sound (Bank = D, Number = 2) |
| 10 (16) | 9 (9) | 2 (2) | Favorite Sound (Bank = D, Number = 3) |
| 10 (16) | 9 (9) | 3 (3) | Favorite Sound (Bank = D, Number = 4) |
| 10 (16) | 9 (9) | 4 (4) | Favorite Sound (Bank = D, Number = 5) |
| 10 (16) | 9 (9) | 5 (5) | Favorite Sound (Bank = D, Number = 6) |
| 10 (16) | 9 (9) | 6 (6) | Favorite Sound (Bank = D, Number = 7) |
| 10 (16) | 9 (9) | 7 (7) | Favorite Sound (Bank = D, Number = 8) |
| | | | |
| 10 (16) | A (10) | 0 (0) | Favorite Sound (Bank = E, Number = 1) |
| 10 (16) | A (10) | 1 (1) | Favorite Sound (Bank = E, Number = 2) |
| 10 (16) | A (10) | 2 (2) | Favorite Sound (Bank = E, Number = 3) |
| 10 (16) | A (10) | 3 (3) | Favorite Sound (Bank = E, Number = 4) |
| 10 (16) | A (10) | 4 (4) | Favorite Sound (Bank = E, Number = 5) |
| 10 (16) | A (10) | 5 (5) | Favorite Sound (Bank = E, Number = 6) |
| 10 (16) | A (10) | 6 (6) | Favorite Sound (Bank = E, Number = 7) |
| 10 (16) | A (10) | 7 (7) | Favorite Sound (Bank = E, Number = 8) |
| | | | |
| 10 (16) | B (11) | 0 (0) | Favorite Sound (Bank = F, Number = 1) |
| 10 (16) | B (11) | 1 (1) | Favorite Sound (Bank = F, Number = 2) |
| 10 (16) | B (11) | 2 (2) | Favorite Sound (Bank = F, Number = 3) |
| 10 (16) | B (11) | 3 (3) | Favorite Sound (Bank = F, Number = 4) |
| 10 (16) | B (11) | 4 (4) | Favorite Sound (Bank = F, Number = 5) |
| 10 (16) | B (11) | 5 (5) | Favorite Sound (Bank = F, Number = 6) |
| 10 (16) | B (11) | 6 (6) | Favorite Sound (Bank = F, Number = 7) |
| 10 (16) | B (11) | 7 (7) | Favorite Sound (Bank = F, Number = 8) |
| | | | |
| 10 (16) | C (12) | 0 (0) | Favorite Sound (Bank = G, Number = 1) |
| 10 (16) | C (12) | 1 (1) | Favorite Sound (Bank = G, Number = 2) |
| 10 (16) | C (12) | 2 (2) | Favorite Sound (Bank = G, Number = 3) |
| 10 (16) | C (12) | 3 (3) | Favorite Sound (Bank = G, Number = 4) |
| 10 (16) | C (12) | 4 (4) | Favorite Sound (Bank = G, Number = 5) |
| 10 (16) | C (12) | 5 (5) | Favorite Sound (Bank = G, Number = 6) |
| 10 (16) | C (12) | 6 (6) | Favorite Sound (Bank = G, Number = 7) |
| 10 (16) | C (12) | 7 (7) | Favorite Sound (Bank = G, Number = 8) |
| | | | |
| 10 (16) | D (13) | 0 (0) | Favorite Sound (Bank = H, Number = 1) |
| 10 (16) | D (13) | 1 (1) | Favorite Sound (Bank = H, Number = 2) |
| 10 (16) | D (13) | 2 (2) | Favorite Sound (Bank = H, Number = 3) |
| 10 (16) | D (13) | 3 (3) | Favorite Sound (Bank = H, Number = 4) |
| 10 (16) | D (13) | 4 (4) | Favorite Sound (Bank = H, Number = 5) |
| 10 (16) | D (13) | 5 (5) | Favorite Sound (Bank = H, Number = 6) |
| 10 (16) | D (13) | 6 (6) | Favorite Sound (Bank = H, Number = 7) |
| 10 (16) | D (13) | 7 (7) | Favorite Sound (Bank = H, Number = 8) |
+-------------+-------------+-------------+----------------------------------------------+

18
SECTION D. EFFECT PARAMETERS
===============================================================
| PREFX |
===============================================================
| Red Comp |
---------------------------------------------------------------
| Group | ADD_LSB | ADD_MSB |Range |Description
---------------------------------------------------------------
| 6 | 0 | 0 | 0 - 99 | Sens
| 6 | 2 | 0 | 0 - 100 | Level
| 6 | 1 | 0 | 0 - 99 | Attack
---------------------------------------------------------------
Treble Boost |
---------------------------------------------------------------
| Group | ADD_LSB | ADD_MSB |Range |Description
---------------------------------------------------------------
| 6 | 0 | 0 | 0 - 99 | Drive
| 6 | 1 | 0 | 0 - 100 | Level
| 6 | 2 | 0 | 0 - 99 | Tone
---------------------------------------------------------------
U-Vibe |
---------------------------------------------------------------
| Group | ADD_LSB | ADD_MSB |Range |Description
---------------------------------------------------------------
| 6 | 0 | 0 | 50 - 210 | Speed
| 6 | 1 | 0 | 0 - 100 | Depth
| 6 | 2 | 0 | 0 - 100 | Mix
---------------------------------------------------------------
Vibrato |
---------------------------------------------------------------
| Group | ADD_LSB | ADD_MSB |Range |Description
---------------------------------------------------------------
| 6 | 1 | 0 | 0 - 1 | Mode
| 6 | 2 | 0 | 0 - 5 | Type
| 6 | 5 | 0 | 0 - 100 | Vib/Ch Mix
| 6 | 8 | 0 | 0 - 100 | Depth
| 6 | 11 | 0 | 1 - 230 | Speed
| 6 | 14 | 0 | 0 - 100 | Mix
---------------------------------------------------------------
Tremolo |
---------------------------------------------------------------
| Group | ADD_LSB | ADD_MSB |Range |Description
---------------------------------------------------------------
| 6 | 0 | 0 | 5 - 210 | Speed
| 6 | 1 | 0 | 0 - 100 | Depth
| 6 | 2 | 0 | 0 - 100 | Spread
| 6 | 4 | 0 | 0 - 100 | Mix
---------------------------------------------------------------
VOX Wah |
---------------------------------------------------------------
| Group | ADD_LSB | ADD_MSB |Range |Description
---------------------------------------------------------------
| 6 | 2 | 0 | 0 - 99 | Close
| 6 | 1 | 0 | 0 - 99 | Open
| 6 | 5 | 0 | 0 - 99 | Manual
| 6 | 0 | 0 | 0 - 1 | Model
---------------------------------------------------------------

19
===============================================================
AMP
===============================================================
Clean |
---------------------------------------------------------------
| Group | ADD_LSB | ADD_MSB |Range |Description
---------------------------------------------------------------
| 7 | 0 | 0 | 0 - 100 | Pre Vol
| 7 | 1 | 0 | 0 - 100 | Amp Vol
| 7 | 2 | 0 | 0 - 100 | Bass
| 7 | 3 | 0 | 0 - 100 | Middle
| 7 | 4 | 0 | 0 - 100 | Treble
| 7 | 5 | 0 | 0 - 100 | Presence
---------------------------------------------------------------
Twin |
---------------------------------------------------------------
| Group | ADD_LSB | ADD_MSB |Range |Description
---------------------------------------------------------------
| 7 | 0 | 0 | 0 - 100 | Pre Vol
| 7 | 1 | 0 | 0 - 100 | Amp Vol
| 7 | 2 | 0 | 0 - 100 | Bass
| 7 | 3 | 0 | 0 - 100 | Middle
| 7 | 4 | 0 | 0 - 100 | Treble
| 7 | 5 | 0 | 0 - 100 | Presence
---------------------------------------------------------------
Tweed |
---------------------------------------------------------------
| Group | ADD_LSB | ADD_MSB |Range |Description
---------------------------------------------------------------
| 7 | 0 | 0 | 0 - 100 | Pre Vol
| 7 | 1 | 0 | 0 - 100 | Amp Vol
| 7 | 2 | 0 | 0 - 100 | Bass
| 7 | 3 | 0 | 0 - 100 | Middle
| 7 | 4 | 0 | 0 - 100 | Treble
| 7 | 5 | 0 | 0 - 100 | Presence
---------------------------------------------------------------
AC 30 |
---------------------------------------------------------------
| Group | ADD_LSB | ADD_MSB |Range |Description
---------------------------------------------------------------
| 7 | 4 | 0 | 0 - 100 | Pre Vol
| 7 | 17 | 0 | -18 - 18 | Amp Vol
| 7 | 8 | 0 | 0 - 100 | Bass
| 7 | 9 | 0 | 0 - 100 | Middle
| 7 | 10 | 0 | 0 - 100 | Treble
| 7 | 11 | 0 | 0 - 100 | Presence
---------------------------------------------------------------
Boutique |
---------------------------------------------------------------
| Group | ADD_LSB | ADD_MSB |Range |Description
---------------------------------------------------------------
| 7 | 0 | 0 | 0 - 100 | Pre Vol
| 7 | 1 | 0 | 0 - 100 | Amp Vol
| 7 | 2 | 0 | 0 - 100 | Bass
| 7 | 3 | 0 | 0 - 100 | Middle
| 7 | 4 | 0 | 0 - 100 | Treble
| 7 | 5 | 0 | 0 - 100 | Presence
---------------------------------------------------------------
Organ |
---------------------------------------------------------------
| Group | ADD_LSB | ADD_MSB |Range |Description
---------------------------------------------------------------
| 7 | 4 | 0 | 0 - 2 | Amp type
| 7 | 5 | 0 | 0 - 100 | Amp Gain
| 7 | 8 | 0 | -10 - 10 | Bass
| 7 | 9 | 0 | -10 - 10 | Middle
| 7 | 10 | 0 | -10 - 10 | Treble
| 7 | 11 | 0 | 0 - 100 | Output Level
| 7 | 14 | 0 | 0 - 100 | Mix
---------------------------------------------------------------

20
===============================================================
EQUALIZER
===============================================================
St.Parametric4EQ |
---------------------------------------------------------------
| Group | ADD_LSB | ADD_MSB |Range |Description
---------------------------------------------------------------
| 8 | 7 | 0 | -36 - 36 | Bass
| 8 | 8 | 0 | 0 - 995 | Middle Freq
| 8 | 9 | 0 | 0 - 95 | Middle Q
| 8 | 10 | 0 | -36 - 36 | Middle
| 8 | 16 | 0 | -36 - 36 | Treble
---------------------------------------------------------------
===============================================================
CABINET
===============================================================
Tweed - 1x12 |
---------------------------------------------------------------
| Group | ADD_LSB | ADD_MSB |Range |Description
---------------------------------------------------------------
| 9 | 1 | 0 | 0 - 100 | Power Att.
| 9 | 4 | 0 | 0 - 100 | Prog Level
| 9 | 0 | 0 | 0 - 100 | NR Sens
---------------------------------------------------------------
Tweed - 4x10 |
---------------------------------------------------------------
| Group | ADD_LSB | ADD_MSB |Range |Description
---------------------------------------------------------------
| 9 | 1 | 0 | 0 - 100 | Power Att.
| 9 | 4 | 0 | 0 - 100 | Prog Level
| 9 | 0 | 0 | 0 - 100 | NR Sens
---------------------------------------------------------------
Black - 2x10 |
---------------------------------------------------------------
| Group | ADD_LSB | ADD_MSB |Range |Description
---------------------------------------------------------------
| 9 | 1 | 0 | 0 - 100 | Power Att.
| 9 | 4 | 0 | 0 - 100 | Prog Level
| 9 | 0 | 0 | 0 - 100 | NR Sens
---------------------------------------------------------------
Black - 2x12 |
---------------------------------------------------------------
| Group | ADD_LSB | ADD_MSB |Range |Description
---------------------------------------------------------------
| 9 | 1 | 0 | 0 - 100 | Power Att.
| 9 | 4 | 0 | 0 - 100 | Prog Level
| 9 | 0 | 0 | 0 - 100 | NR Sens
---------------------------------------------------------------
AC 15 - 1x12 |
---------------------------------------------------------------
| Group | ADD_LSB | ADD_MSB |Range |Description
---------------------------------------------------------------
| 9 | 1 | 0 | 0 - 100 | Power Att.
| 9 | 4 | 0 | 0 - 100 | Prog Level
| 9 | 0 | 0 | 0 - 100 | NR Sens
---------------------------------------------------------------
AC 30 - 2x12 |
---------------------------------------------------------------
| Group | ADD_LSB | ADD_MSB |Range |Description
---------------------------------------------------------------
| 9 | 1 | 0 | 0 - 100 | Power Att.
| 9 | 4 | 0 | 0 - 100 | Prog Level
| 9 | 0 | 0 | 0 - 100 | NR Sens
---------------------------------------------------------------
AD 412 - 4x12 |
---------------------------------------------------------------
| Group | ADD_LSB | ADD_MSB |Range |Description
---------------------------------------------------------------
| 9 | 1 | 0 | 0 - 100 | Power Att.
| 9 | 4 | 0 | 0 - 100 | Prog Level
| 9 | 0 | 0 | 0 - 100 | NR Sens
---------------------------------------------------------------
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