LD LAX16D User manual

LD LAX16D
16 CHANNEL MIXER WITH DSP
16D
MIXING CONSOLE
USER´S MANUAL
BEDIENUNGSANLEITUNG
MANUEL D`UTILISATION
MANUAL DE USUARIO
INSTRUKCJA OBSŁUGI
MANUALE D‘ USO

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Thank you for choosing LD-Systems!
We have designed this product to give you reliable operation over many years. Therefore LD-Systems underwrites
high quality products with its name and many years of experience as a producer.
Please, take a few moments to read these instructions carefully, as we want you to enjoy your new LD-Systems
products quickly and to the fullest.
Further information about LD-Systems check our website WWW.LD-SYSTEMS.COM

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LD LAX16D
16 CHANNEL MIXER WITH DSP
16D
MIXINGCONSOLE

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PREVENTIVE MEASURES:
1. Please read the attached safety instructions as well as the following instructions carefully.
2. Please keep all the instructions.
3. Please use the device only as intended.
4. Please respect the valid waste management rules. Please deliver the packaging divided into plastic and
paper/ cardboard to the recycling management.
5. Please refer all servicing to qualified personel only if the device is damaged, exposed to liquid/rain or if it does
not operate normally.
6. Please, do not expose to any kind of heat such as ovens, radiators, or any other devices (incl. amplifiers).
Please check for enough distance between amplifiers and walls, racks, etc. to prevent overheating.
7. After connection please check the wiring to prevent any kind of accident or damage.
Please never use any kind of damaged cable and wiring.
8. Only use authorized and stable stands, brackets, shelfs, tables etc.. for installations. Please check for
adequate stability against collapse.
9. Appearance of interferences when using wireless systems.
The simultaneous use of wireless microphones and of mobile phones (if both devices are not very distant from
each other) can lead to the appearance of interferences in the microphone signal which can be heard in the
PA system.
CAUTION:
To reduce the risk of electric shock, do not remove cover (or back). No user serviceable parts inside. Refer
servicing to qualified personnel.
The lightning flash with arrowhead symbol within an equilateral triangle is intended to alert the
user to the presence of uninsulated “dangerous voltage” within the product´s enclosure that may be
of sufficient magnitude to constitute a risk to persons.
The exclamation mark within an equilateral triangle is intended to alert the user to the presence of
important operating and maintenance (servicing) instructions in the literature accompanying the
appliance.
CAUTION! HIGH VOLUME!
You will operate this transmission system for professional use. Therefore the commercial use of this equipment
is liable to the rules and regulations of the Accident Prevention & Insurance Association of your industry sector.
Adam Hall as a manufacturer is bound to inform you formally about the existence of eventual sanitary risks.
This system is able to induce an acoustic pressure of 80 db. 85 db is by law the maximum audio pressure
level which your ear can be exposed to during a work day. It was set according to the technical expertise of the
occupational medicine as a basis for the noise rating level. Higher sound levels or longer exposition times could
damage your ear. The time of exposition by higher sound pressure levels should be shortened in order to prevent
from ear damages. Here are a few reliable warning signals which show that you have exposed yourself for a too
long period to excessive sound pressure levels:
- You hear bell- or whistling sounds!
- You have the impression that you can’t hear high tones anymore!
CAUTI ON
RI S K O F ELEC T RIC SH O CK
DO NO T O P EN

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FEATURES & GETTING STARTED:
INTRODUCTION
Thank you for choosing this LD Systems audio product. The LAX16D is a professional compact mixer. It's
smooth, natural sound and precise reproduction make it ideal for gigs, recording, and fixed PA installations. The
LAX16D offers some features that are not often found in this price class. The mono channels stand out because
of their ultra-low-noise microphone preamps with +48V phantom power. In addition, all channels are equipped
with warm and natural sounding equalizers: the mono channels have 3-band EQs (MID: with adjustable centre
frequencies), the stereo channels with 4-band EQs with fixed centre frequencies. Moreover, the LAX16D has a
highly precise (12-segment) level meter, 2-track inputs that are assignable to both the main mix outputs and
the phones/control room outputs, and much more. In addition, the integral 24-bit effects processor provides 100
effects presets. The LAX16D mixer is extraordinarily easy to use. Nevertheless, we recommend that you read this
manual carefully before using the product for the first time. This will enable you to get the most out of your mixer.
FEATURES
The LAX16D mixer was developed for professional applications and offers the following features:
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FEATURES & GETTING STARTED:
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t"MXBZTUVSOPOUIFNJYFSmSTUBOEUIFOUIFQPXFSBNQMJmFS8IFOQPXFSJOHEPXOUIFTFRVFODFJTSFWFSTFEFirst turn off the power amplifier and then the mixer.
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First turn off the power amplifier and then the mixer.
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CONTROL ELEMENTS:
1MONO CHANNELS (MIC/LINE)
The mono channels offer balanced XLR connectors for low-impedance micro-
phones and other low-level equipment. In addition, there are 6.3 mm TRS jack
input connectors for microphones and line level equipment (e.g., synthesizers,
drum computers, effects processors, etc.). Synthesizer, Drum-Computer,
Effektprozessoren etc.) zur Verfügung.
Important: The MIC and LINE inputs cannot be used simultaneously on the
same channel.
+48V PHANTOM POWER
The XLR inputs on the mono channels provide +48V phantom power for
condenser microphones.
Important: Never connect a microphone without phantom power to the XLR
input when phantom power is on.
2INPUT GAIN ADJUSTMENT
The input gain control has two different scales: one for microphones and one
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LED is on constantly, this can lead to distortion.
3LOW CUT FILTER
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vocal microphones.
4STEREO CHANNELS
The stereo channels are configured as stereo pairs with 6.3 mm TRS jack
input connectors. Mono signal sources should be connected to the left jack
input connector.
5+4 dBu/-10 dBV SELECTION
The line inputs of the stereo channels have a button for selecting the input
TFOTJUJWJUZE#VGPSQSPGFTTJPOBMBVEJPFRVJQNFOUE#7GPSHFOFSBMIJmdevices, etc.). If you are uncertain which setting to use for the respectively
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These 6.3 mm TRS sockets can be used to split the signal and send it additio-
nally to external effects processors or the like. In addition, these outputs can
be used as submix outputs.
1
2
3
4
6
5
LINE IN 1
BAL OR
UNBAL
LINE
MIC
+15dB -25dB
0dB 40dB
LOW CUT
75Hz 18dB/Oct
MIC 1
LINE IN 19/20
+4dBu
-10dBV
LEFT(MONO)
RIGHT
AUX SENDS
1
PHONE
2

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CONTROL ELEMENTS:
7PHONE
Headphones for monitoring the output signal (MAIN MIX) can be
connected to this TRS socket.
EQUALIZER
The mono input channels of the LAX16D are equipped with 3-band
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This knob is used to control the high frequencies. You can use it to
add more brilliance and presence to the corresponding signal or
attenuate undesirably loud high frequencies (boost/cut range -15
E#UPE#DFOUSFGSFRVFODZL)[9MID
This knob is used to control the midrange frequencies. These are
the most important frequencies for musical instruments and the
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(100 Hz to 8 kHz).
10 HI-MID
This knob is used to control the hi-mids, which are slightly higher
than the frequencies covered by the MID EQ. This provides even
greater flexibility when it comes to equalization of the important
midrange frequencies.
11 MID-LOW
This knob is used to control the mid-low frequencies (boost/cut
SBOHFE#UPE#DFOUSFGSFRVFODZ)[12 LOW
This knob is used to control the low frequencies. You can use
it, for example, to boost a bass drum, bass guitar or male voice
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10
11
12
14
17
9
13
15
16
18
10
dB
-5
-10
-15
-20
-30
-40
-60
0
5
10
dB
-5
-10
-15
-20
-30
-40
-60
0
5
KAEPKAEP
OO O
O

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13 AUX SEND CONTROLS
These two knobs are used to adjust the level of the signals sent to AUX buses 1 and 2. This does not affect
the MAIN MIX output signal. AUX 1 can be configured as PRE or POST fader using the PRE/POST button. In
the POST position (button not pressed) the signal is sent after the channel fader, meaning that the volume set
for this channel also affects the AUX 1 signal. In the PRE position (button pressed), the signal is sent before
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The mono channels of the LAX16D have panorama (PAN) controls and the stereo channels have balance
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Each of the channels of the LAX16D has a MUTE/ALT3-4 switch. This switch can be used to send the signal
of the respective channel to the ALT3-4 output.
16 SOLO
The SOLO switch lets you hear only the signal of the channel for which the solo function is activated (button
pressed) without the other channels. The SOLO switch is especially useful for adjusting input levels (gain
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All channels of the LAX16D are equipped with a peak LED for monitoring the respective audio signal. If the
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CONTROL ELEMENTS:

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18 CHANNEL FADER
This fader controls the overall volume of the respective channel, i.e., the level at which the signal is sent to
the main mix.
19 2-TRACK IN/OUT
TAPE IN: Use the TAPE IN input to connect a tape recorder or DAT recorder. Press the 2TK IN button on the front
panel to send the signal coming from the connected device to the PHONES/CONTROL ROOM output or the 2TK TO
MAIN MIX button to send it to the MAIN MIX output.
TAPE OUT: The mix can be output to a tape recorder via these cinch (RCA) connectors.
2TK IN CONTROL: This control is used to adjust the level of the 2TK IN signal, which can be varied from ∞ to MAX.
20 STEREO AUX RETURNS
These 6.3 mm jack (TRS) sockets are primarily used to return the audio signal from an external effects processer
to the mixer (MAIN MIX). In addition, these connectors can be used as additional AUX inputs. Note: If no connector
is plugged into Aux Return 2, the signal of the internal effects processor is present on Aux Return 2.
CONTROL ELEMENTS:
LEFT
LEFT(MONO)
RIGHT
STEREO AUX RETURNS
2
1
RIGHT
TAPE IN TAPE OUT
2-TRACK IN/OUT
MAX
2TK IN
R
L
20 19

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21 AUX RETURN CONTROL
This control is used to adjust the return levels of AUX
paths 1 & 2, whereby the signals are added to the L/R
MAIN MIX.
22 EFX TO AUX 1
This switch routes the signal that is present at AUX
RETURN 2 to the AUX 1 output so that the effects
can also be heard in the monitor mix - which proves
extraordinarily helpful in practice.
23 AUX SEND CONTROLS
These controls adjust the master AUX SEND level (-∞
UPE#5IJTNBLFTJUQPTTJCMFUPCPPTUUIF"69TJHOBMTCZVQUPE#JGOFDFTTBSZ24 LED LEVEL METER
The stereo level meter (12 segments) is used to
monitor the level of the output signal.
25 SOLO MODE BUTTON & SOLO LED [25]
These buttons are used to toggle between the
two solo modes PFL (pre-fader listening, button
not pressed) and AFL (after-fader listening, button
pressed).
In PFL mode, the signals of the channels that have
been switched to SOLO are sent pre fader, i.e., the
fader position (channel volume) does not influence
the solo signal. In AFL mode, the signals of the
channels that have been switched to SOLO are sent
QPTUGBEFSQMVTQBOPSBNBDPOUSPMoXIJDIBMUIPVHIit is above the channel fader, comes after the fader in
terms of circuitry.
In this mode, the position of the channel fader and the
panorama control also influences the solo signal.
Note: The SOLO mode selection (PFL/AFL) does not
have any affect until at least one channel has been
switched to solo mode. In this case, the SOLO ACTIVE
LED is also illuminated.
CONTROL ELEMENTS:
AUX RTN 1
8
-
0
+15
2
AUX RTN 2
8
-
0
+15
EFX TO AUX 1
AUX SENDS
2
8
-
0
+15
SOLO
ACTIVE
SOLO MODE
LEVEL
SET
PFL
AFL
-2
0
-4
-7
-10
-20
+2
-30
OUTPUT LEVEL
L R
ALT 3-4
2TK
CLIP
+10
+7
+4
2TK IN
ASSIGN
TO MIX
MAIN MIX
LEVEL
10
dB
-5
-10
-15
-20
-30
-40
-60
0
5
10
dB
-5
-10
-15
-20
-30
-40
-60
0
5
10
dB
-5
-10
-15
-20
-30
-40
-60
0
5
ALT 3-4
1
PWRPHANTOM
MAIN MIX
ALT 3-4
CTR ROOM
SOURCE
+15
0
PHONES
CONTROL ROOM
10
+15
8
-
RIGHT
LEFT
DFX MUTE
PEAK/MUTE
PROGRAM (PUSH)
00-09 Echo
10-19 Echo+Verb
20-29 Tremolo
30-39 Plate
40-49 Leslie
FUNCTION
50-59 Vocal
60-69 Rotary
70-79 Small Room
80-89 Flange+Verb
90-99 Large Hall
DFX
8
-
88
OO O
OOO
21
22
23
24
25
26
27
28
29
30
31
32
33
Chorus

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26 ALT3-4 FADERS
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These two faders are used to control the level of the signals sent to the L/R MAIN MIX and TAPE OUT outputs.
28 TK TO MAIN MIX
When this button is pressed, the 2-TRACK IN signal is sent to the MAIN MIX output.
29 ALT3-4 TO MAIN MIX
When this button is pressed, the ALT3-4 signal is sent to the MAIN MIX output and added to the output signal.
30 CONTROL ROOM SOURCE
These buttons are used to determine which signal is heard via the monitor speakers or headphones: MAIN
MIX, ALT 3-4, 2TK IN. Please note that these buttons are inactive in solo mode. If the selected signal cannot
be heard after the CONTROL ROOM SOURCE buttons are pushed, please first check whether the solo mode
has been activated in one of the channels.
31 PWR LED (POWER)
This LED indicates that the mixer is on.
32 PHANTOM LED
This LED indicates that phantom power has been activated.
33 PHONE/CONTROL ROOM
This knob is used to control the level of the
CONTROL ELEMENTS:

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DIGITAL 24-BIT EFFECTS PROCESSOR
34 DFX MUTE SWITCH
This switch is used to activate/deactivate the effects module.
If necessary, this function can also be controlled conveniently
using a footswitch connected to the FOOT SW socket.
35 DISPLAY
The selected preset is displayed here.
36 PRESET SELECTOR
This knob is used to select the desired effects preset. There
is a total of 100 presets available: Echo, vocal, plate and
versatile two-effect combinations. Once you have selected the
desired preset, press the knob to confirm your selection.
37 PEAK LED
This LED lights up when the input signal reaches the clipping
threshold. When the digital effects module is deactivated, this
LED is illuminated constantly.
CONTROL ELEMENTS:
35
37 34
36
DFX MUTE
PEAK/MUTE
PROGRAM (PUSH)
00-09 Echo
10-19 Echo +Verb
20-29 Tremolo
30-39 Plate
40-49 Chorus
FUNCTION
50-59 Vocal
60-69 Rotary
70-79 Small Room
80-89 Flange+Verb
90-99 Large Hall
88

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38 INSERTS (MONO CHANNELS)
All mono MIC channels are additionally equipped with Insert sockets (stereo jack, TRS), via which external
effects devices or the like can be patched into the respective channel. The signal is sent immediately after
the input gain control (TRIM) to an external signal processor, for example, a compressor or limiter. Once the
signal has passed through the external signal processor, it is returned to the same channel immediately
CFGPSFUIF&2/PUF$POOFDUJOHFYUFSOBMEFWJDFTUPJOTFSUQPJOUTSFRVJSFTBTPDBMMFE:DBCMF39 CTRL ROOM OUTPUT
These 6.3 mm sockets are used to send the signal to studio monitor speakers (CONTROL ROOM) or a PA
system.
40 ALT OUTPUT
These unbalanced 6.3 mm sockets serve as additional outputs. Their level is controlled using the ALT 3-4
GBEFSJOUIFNBTUFSTFDUJPOPGUIFNJYFSNBYE#V5IFTJHOBMTPGBMMDIBOOFMTGPSXIJDIUIF.VUF"MUCVUUPOIBTCFFOQVTIFEBSFSPVUFEUPUIJTCVTUIFZOPMPOHFSSFBDIUIFNBJONJY41 MAIN MIX OUTPUT
The L/R MAIN MIX OUTPUT has both XLR and 6.3 mm TRS sockets via which the main mix output signal can
CFTFOUUPBOBNQMJmFS5IFPVUQVUMFWFMJTDPOUSPMMFECZUIF."*/.*9-&7&-GBEFSñUPE#42 FOOT SW
This socket can be used to connect an external footswitch for activation/deactivation of the integral effects
processor (function identical with that of the DFX MUTE switch).
43 PHANTOM SWITCH
This switch activates the +48V phantom power for the four XLR microphone inputs.
Important: Make certain that the phantom power is off before connecting microphones.
44 POWER SWITCH
This switch is used to turn the mixer ON or OFF.
45 AC INPUT
This socket is used to connect the power adapter.
BACK PANEL:
44 42
43 45 41 40 39 38
POWER
ON OFF
PHA NT OM
INSERT
INSERT INSERT
INSERT
LEFTRIGHT
MAIN MIX OUTPUT(BAL/UNBAL)
R
ALT OUTPUTCTRL ROOM
OUTPUT RIGHT(4)
LEFT
RIGHT
7
8
FOOT SW
5
6
L
LEFT(3)
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
CAUTION:
REPLACE WITH THE SAME TYPE FUSE AND RATING
DISCONNECT SUPPLY CORD BEFORE CHANGING FUSE
WARNING: SHOCK HAZARD
AVIS: RISQUE DE CHOC ELECTRIQUE
- DO NOT OPEN
- NE PAS OUVRIR
SER IAL
MOD EL
Apparaten skall anslutas
till jordat uttag nar den
ansluts till ett natverk
INSERT
INSERT INSERT INSERT
3 14 2
AC INPUT
100-240V 50/60Hz
£
POWER CONSUMPTION: 40W
Fuse:T1.6AL 250V

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ITALIANO
POLSKI
ESPA OL
FRANCAISFRANCAIS FRANCAISFRANCAIS FRANCAISDEUTSCHENGLISH
INSTALLATION AND CONNECTION
Now that you have familiarized yourself with the functions of the LAX16D mixer, you should have no trouble
using it. Nevertheless, we recommend that you read the following section carefully. It contains important infor-
mation about how to obtain the best results with your mixer.
#FGPSFDPOOFDUJOHNJDTPSJOTUSVNFOUTNBLFDFSUBJOUIBUUIFDIBOOFMBOE."*/.*9GBEFSTPGUIF-"9%mixer are set to minimum (all the way down).
- Make certain that all external devices such as mics, power amplifiers, speakers, effects processors, etc. are
connected properly.
- When running cables, take care not to injure anyone or damage the equipment.
- Set the output level of your mixer and the connected power amplifier to no more than 75%.
- Do not set the PHONE/CONTROL ROOM level higher than 50%.
- Set the EQ controls (HI, MID, LOW) to the middle position.
4FUUIFQBOPSBNBBOECBMBODFLOPCT1"/#"-UPUIFNJEEMFQPTJUJPO- While speaking into each connected mic (speech or vocals) or playing the instrument, adjust each channel
fader (LEVEL) so that the peak LED of the corresponding channel comes on only occasionally. This will ensure
that there is always enough headroom and dynamic range available.
- You can shape the sound of the individual signals using the respective channel equalizer.
- Repeat this sequence of steps for all of the input channels being used, always keeping an eye on the LED level
meter
(OUTPUT LEVEL) so that it does not swing too far into the red area.
AUDIO CONNECTIONS
The LAX16D mixer offers numerous, highly flexible possibilities for balanced or unbalanced connection of your
equipment via XLR and 6.3 mm TRS connectors. These are explained below.
WIRING CONFIGURATION
The XLR and 6.3 mm TRS connectors of the LAX16D permit balanced and unbalanced connections depending on
the equipment connected. Examples for wiring your system:
INSTALLATION AND CONNECTION:

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FRANCAISFRANCAIS FRANCAISFRANCAIS ESPA OLPOLSKIITALIANO
WIRING CONFIGURATION:
IN-LINE CONNECTION
The mixer provides 6.3 mm stereo and XLR connectors for in-line connection of most professional audio equip-
ment. Configuration examples for the respective connections are provided below.
BALANCED
FOR 6.3 MM
TRS PLUGS
FOR XLR
CONNECTORS
UNBALANCED
UNBALANCED
UNBALANCED
BALANCED
BALANCED
UNBALANCED
Sleeve
Tip
+
Tip
Ring
Sleeve
+
-
Tip
Ring
Sleeve
+
Pin3 (-)
Pin2 (+)
Pin1 ( )
(Linked to Pin1 manually, )
Pin1 ( )
Pin2 (+)
Pin3 (-)
Tip
Ring
Slee ve
Tip
Ring
Slee ve
Tip
Ring
Slee ve
1
2
3
1
2
3
1
2
3
TIP RIN G SL EEV E SLEEV E RI NG TI P
TIP RIN G SL EEV E
21
3
1 2
3
12
3
Tip
Ring
Slee ve
Tip
Ring
Slee ve
Tip
Slee ve
Tip
Slee ve
Tip
Slee ve
Cent er
Cent er
Cent re
Scre en
Scre en
Scre en
1
2
3
Tip
Ring
Slee ve
1
2
3
1
2
3
TIP SLE EVE
TIP SLE EVE
TIP RIN G SL EEV E
TIP RIN G SL EEV E
12
3
2 1
3
2 1
3
Tip
Ring
Slee ve
1
2
3
Tip
Slee ve
1
2
3
TIP RIN G SL EEV E
TIP SLE EVE
12
3
12
3
SLEEV E TIP
SLEEV E RI NG TI P

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ITALIANO
POLSKI
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FRANCAISFRANCAIS FRANCAISFRANCAIS FRANCAISDEUTSCHENGLISH
NO. PRESET DESCRIPTION PARAMETER
00-09 Echo The input signal is sent to the output with a time
delay
Delay time: 145-205 ms
10-19 Echo+Verb Echo with room effect (hall) Delay time: 208-650 ms Decay time:
1.7-2.1 s
20-29 Tremolo Amplitude modulation of the signal Rate : 0.6 Hz-
30-39 Plate Hall effect: Simulation of a classic vocal plate
reverb effect (adds brightness)
Decay time: 0.9s~3.6s
40-49 Chorus Creates the illusion of multiple instruments (voices)
on the basis of a single signal
Rate : 0.92Hz ~1.72Hz50-59
60-69 Rotary Simulation of typical rotary speaker effects incl.
bass box
Modulation depth : 20%~80%
70-79 Small room Hall effect: Simulation of a bright studio room effect Decay time: 0.7~2.1s
Pre-delay : 20~45ms
80-89 Flanger Verb Combination of a modulated delay effect plus hall Decay time: 1.5~2.9s
Rate : 0.8Hz ~2.52Hz
90-99 Large hall Hall effect: Simulation of a large room Pre-delay : 23~55ms
WIRING CONFIGURATION / PRESET LIST:
INSERT CONNECTION
When connecting external signal processors via the main insert on the mixer, one TRS cable is required for each
send/return. 5IFDPOmHVSBUJPOPGUIJTTPDBMMFE:DBCMFJTEFQJDUFECFMPXFOR 6.3 MM STEREO PLUGS (TRS INSERT)
INSERT CABLE
Send
Return
Tip
Ring
Sleeve
21
3
1 2
3
TIP RING SLEEVE
TIP RING SLEEVE
SLEEVE TIP
SLEEVE RING TIP
TIP RING SLEEVE
Centre (Send)
Screen
Centre (Return)
Screen
Tip
Ri ng
Sleeve
Tip (Send)
Sleeve
Sleeve
Tip
Ri ng
Sleeve
1
2 (Send)
3
1
2 (Return)
3
Tip
Ri ng
Sleeve
Tip (Return)

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MONO CHANNELS
Microphone input: electronically balanced, separate
inputs
Frequency range: 10 Hz - 45 kHz, +/-3 dB
THD+N: 0.005% @ +4 dBu, 1 kHz
Gain: 0 dB - 40 dB (MIC)
Signal-to-noise ratio: 102 dB
Line input: electronically balanced
Frequency range: 10 Hz - 45 kHz, +/-3 dB
THD+N: 0.005% @ +4 dBu, 1 kHz
Gain: +15 dBu … -25 dBu (LINE)
STEREO CHANNELS
Line input: unbalanced
Frequency range: 10 Hz - 45 kHz, +/-3 dB
THD+N: 0.005% @ +4 dBu, 1 kHz
IMPEDANCE
Microphone input: 3.6 kohms
All other inputs: 10 kohms or higher
Tape out: 1 kohm
All other outputs: 120 ohms
EQUALIZER
Hi (shelving): +/-15 dB @ 12 kHz
Midrange (bell, mono channels): +/-15 dB @ 100 Hz
8 kHz
High midrange (stereo channels): +/-15 dB @ 3 kHz
Low midrange (stereo channels): +/-15 dB @ 500 Hz
Bass (shelving): +/-15 dB @ 80 Hz
Low cut filter: 75 Hz, 18 dB/oct.
DSP EFFECTS SECTION
A/D and D/A converters: 24-bit
DSP resolution: 24-bit
Effect types: Echo, echo+ reverb, tremolo, plate, chorus,
vocal, rotary, small room, flanger + reverb, large hall
No. of presets: 100
Switches: Preset selector switch, effect bypass
MAIN MIX SECTION
Noise (bus noise):
Fader 0 dB, channels muted: -100 dBr (ref.: +4 dBu)
Fader 0 dB, all input channels activated (unity gain): -90
dBr (ref.: +4 dBu)
Max output level: +22 dBu (XLR, balanced); +22 dBu
(6.3-mm jack, unbalanced)
AUX returns, gain: OFF +15 dB
AUX sends, max. output level: +22 dBu
POWER SUPPLY
(AC adapter)
Mains voltage:
USA/Canada 100 – 120 V, ~60 Hz
Europe 210 – 230 V, ~50 Hz
Great Britain/Australia 240 V, ~50 Hz
Power consumption:
16-channel mixer: 30 W
PHYSICAL SPECIFICATIONS
Dimensions (WxDxH):
16-channel mixer: 420 x 436 x 86 mm
Weight:
16-channel mixer: 6.35 kg without adapter
Subject to technical modifications without prior notice,
because all of our products are tested and improved
continually.
SPECIFICATIONS:

19
ITALIANO
POLSKI
ESPA OL
FRANCAISFRANCAIS FRANCAISFRANCAIS FRANCAISDEUTSCHENGLISH
LIMITED WARRANTY
This Limited Warranty applies to the Adam Hall, LD Systems, Defender, Palmer and Eminence branded products.
The statutory warranty rights towards the seller are not affected by this guarantee. In fact, it justifies, additional
independent warranty claims towards Adam Hall.
Adam Hall warrants that the Adam Hall product you have purchased from Adam Hall or from an Adam Hall autho-
rized reseller is free from defects in materials or workmanship under normal use for a period of 2 or 5 years from
the date of purchase.
The Limited Warranty Period starts on the date of purchase. In order to receive warranty services you are required
to provide proof of the purchase date. Your dated sales or delivery receipt, showing the date of purchase, is your
proof of the purchase date. Should products of the brands named above be in need of repair within the limited war-
ranty period, you are entitled to warranty services according to the terms and conditions stated in this document.
This Limited Warranty extends only to the original purchaser of this Adam Hall branded product and is not trans-
ferable to anyone who obtains ownership of the Adam Hall branded product from the original purchaser. During
the Limited Warranty Period, Adam Hall will repair or replace the defective component parts or the product. All
component parts or hardware products removed under this Limited Warranty become the property of Adam Hall.
In the unlikely event that your Adam Hall product has a recurring failure, Adam Hall, at its discretion, may elect to
provide you with a replacement unit of Adam Hall´s choice that is at least equivalent to your Adam Hall branded
product in hardware performance.
Adam Hall does not warrant that the operation of this product will be uninterrupted or error-free. Adam Hall is not
responsible for damage that occurs as a result of your failure to follow the instructions included with the Adam
Hall branded product.
This Limited Warranty does not apply,
- to wear parts (e.g. accumulator)
- to any product from which the serial number has been removed or that has been damaged or rendered defec
tive as the result of an accident
- in case of, misuse, abuse, or other external causes
- by operation outside the usage parameters stated in the user´s documentation shipped with the
product
- by use of spare parts not manufactured or sold by Adam Hall
- by modification or service by anyone other than Adam Hall
These terms and conditions constitute the complete and exclusive warranty agreement between you and Adam
Hall regarding the Adam Hall branded product you have purchased.
MANUFACTURER´S DECLARATIONS:

20
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FRANCAISFRANCAIS FRANCAISFRANCAIS ESPA OLPOLSKIITALIANO
LIMITATION OF LIABILITY
If your Adam Hall branded hardware product fails to work as warranted above, your sole and exclusive remedy
shall be repair or replacement. Adam Halls’ maximum liability under this limited warranty is expressly limited
to the lesser of the price you have paid for the product or the cost of repair or replacement of any hardware
components that malfunction in conditions of normal use.
Adam Hall is not liable for any damages caused by the product or the failure of the product, including any lost
profits or savings or special, incidental, or consequential damages. Adam Hall is not liable for any claim made by
a third party or made by you for a third party.
This limitation of liability applies whether damages are sought, or claims are made, under this Limited Warranty
or as a tort claim (including negligence and strict product liability), a contract claim, or any other claim. This limi-
tation of liability cannot be waived or amended by any person. This limitation of liability will be effective even if
you have advised Adam Hall of an authorized representative of Adam Hall of the possibility of any such damages.
This limitation of liability however, will not apply to claims for personal injury.
This Limited Warranty gives you specific legal rights. You may also have other rights that may vary from state to
state or from country to country. You are advised to consult applicable state or country laws for a full determina-
tion of your rights.
REQUESTING WARRANTY-SERVICE
To request warranty service for the product, contact Adam Hall or the Adam Hall authorized reseller from which
you purchased the product.
EG-DECLARATION OF CONFIRMITY
These products meet the essential requirements as well as the further standards of the EU Directives 199/5/EU,
89/336/EU.
CORRECT DISPOSAL OF THIS PRODUCT (ELECTRICAL WASTE)
(Applicable in the European Union and other European countries with separate collection systems)
This marking shown on the product or its literature, indicates that it should not be disposed with other household
wastes at the end of its working life. To prevent possible harm to the environment or human health from uncon-
trolled waste disposal, please separate this from other types of wastes and recycle it responsibly to promote the
sustainable reuse of material resources.
Household users should contact either the retailer where they purchased this product, or their local government
office, for details on where and how they can recycle this item in an enviromentally friendly manner.
Business users should contact their supplier and check the terms and conditions of the purchase contract. This
product should not be mixed with other commercial wastes for disposal.