Lipinski Sound L-629 User manual

User Manual
L-629 Compressor
500 series module
Lipinski Sound Corporation Confidential Copyright © 2010 1 | Page

PRECAUTIONS AND SAFET CONSIDERATIONS
We designed our product with maximum care in accordance with
international safety standards.
CAUTION
Always follow the basic precautions listed below to avoid the possibility of
physical injury to you or others, or damage to the device or other property.
These precautions include, but are not limited to, the following:
●Read setup instructions provided by us,
●Follow these instructions,
●Always insure that the compressor is properly grounded,
●Only use accessories manufactured, specified or recommended by
Lipinski,
●Do not use un-authorized main cables,
●All servicing must be performed by our qualified personnel,
●Do not expose this product to moisture, rain or water or direct
sunlight,
●Insure adequate air circulation around your compressor,
●Power sources — Connect this unit only to power sources specified in
the Operating Instructions, and as marked on the unit,
●To avoid damage to your speakers and other playback equipment, turn
off power to all related components before making any connections,
●Heat — Do not use this unit near heat sources, including heating
vents, stoves, or other appliances that generate heat. It should not be
placed in temperatures less than 40°F or higher than 95°F.
Lipinski Sound Corporation Confidential Copyright © 2010 2 | Page

CONTENTS
1. INTRODUCTION 4
2. UNPACKING 4
3. FEATURES 5
4. DESCRIPTION 7
5. PRODUCT SPECIFICATION 8
6. FRONT PANEL DESCRIPTION 9
7. QUICK GUIDE TO USING THE L-629 COMPRESSOR 1
Lipinski Sound Corporation Confidential Copyright © 2010 3 | Page

“Welcome to the Lipinski family of electronics. Our L-629 compressor packs a few
very unique features. Take time an familiarize yourself through this manual, so
you can get the most from Lipinski pro ucts.”
Lukas A. Lipinski
Executive Director
1 INTRODUCTION
You have selected Lipinski equipment which hails from thirty years of recording
experience of Mr. Andrew Lipinski and his devotion to state-of–the-art sound.
This L-629 Compressor has unusual features such as:
- Tape Simulation system
- Pre-compression system
- Low-frequency distortion elimination-system
Our L-629 Compressor is different from most devices you have had a chance to
use. It is based on the fabled Fairchild Compressor. The signal path is free of
capacitors and integrated circuits.
You can also use the LINK socket for joining two devices in stereo mode.
2 UNPACKING
Our product is carefully packed by us to maximize safety in transport. We advise
that you unpack it on a soft, thick surface (carpet, fitted carpet, blanket etc)
It helps to save all original packing materials and use them when you move the
product.
Lipinski Sound Corporation Confidential Copyright © 2010 4 | Page

3 FEATURES
◊Basic principle of operation and ballistics based on the famous Fairchild
compressor
◊Patented circuit completely eliminating distortion on low frequencies and on
low-release time – all other compressors on short release time and on low
frequencies changes amplification within single sine wave, commonly a
major source of distortion
◊Extremely fundamental design based on patented "Lipinski Square" circuitry
◊No capacitors in the signal path
◊No Integrated Circuits (IC's) in the signal path
◊Only . 4% maximum distortion with the highest (18dB) compression
◊Extremely fast attack time - . 1ms (1/5th 2 kHz sine wave)
◊Tape Simulation doesn't generate gimmicky even-harmonic distortions. This
feature senses and triggers compression on high frequencies (correction
within control network)
◊Auto gain: 5 sec attack time, and 5 min release time
◊Auto control has ballistics similar to VU meter, it is based on photo resistor,
completely eliminates distortion with zero adjustment error - quality on
output signal totally independent of input level
◊Dual peak meter pre and post compression
◊Hard wiring option for stereo operation
Low-frequency distortion elimination system
In analogue compressors when short release time is set, low-frequency input
signals are considerably distorted. It occurs because the gain changes during a
single period of the signal. The Lipinski Patented circuit designed by our
engineers, eliminates this effect thoroughly.
Tape Simulation system
In a typical audio signal low-frequency components have greater level than high-
frequency components. Standard compression mode treats equally all
frequencies, which makes the sound very ‘sharp’. By turning Tape Simulation on,
compression for high-frequency components is increased by 3 dB.
Lipinski Sound Corporation Confidential Copyright © 2010 5 | Page

Pre-compression unit
Proper signal level should be applied to the input of the main compressing unit.
You can either set it at the source of the signal (FIXED IN) or let the device control
it automatically (AUTO IN).
When the signal level is set at its source, its amplitude could be set to .775 V or
1.55 V (chosen by a switch on the mainboard).
The device can also control the input signal level automatically. To achieve this a
pre-compressing unit is used. Its attack time is about 4 seconds and release time
can be set between 12 and 3 sec. This results in nearly constant signal level
at the input of the main compressing unit. So the signal level at the input of the
device could be from 1 mV to 5 V (measured between signal line and ground).
Caution: When signal with long piano periods is applied the effect may be
compromised.
Extremely low distortion – 0.04 %
By using our patented compressing unit, our device can reach unusually low
distortion.
LINK Socket
In stereo recordings identical compression ratios in both channels are necessary.
You can achieve this by linking two L-629's together with LINK sockets.
Input and output peak level indicators
To show the difference between signal levels at input and output two peak level
indicators are used.
Lipinski Sound Corporation Confidential Copyright © 2010 6 | Page

4 DESCRIPTION
Nowadays, the Fairchild compressor is the most expensive classical professional
audio device and its price reaches $3 , .
Not only has the Lipinski Sound L-629 Compressor the same principle of
operation, but also has the slightest distortion and the best microdynamics
compared to other available products.
L-629 Compressor's principle of operation is identical to the legendary Fairchild
compressor:
◊In both compressors output signal is detected, which results in loading the
compressing capacitor,
◊In both devices the higher the voltage on the compressing capacitor is, the
lower the gain is.
However, the Fairchild compressor, assembled over 5 years ago, has significant
distortion and quite low dynamics.
To improve that, the new method of gain adjusting has been devised and patented.
However in the Lipinski L-629 compressor, variable resistance of the
semiconductor circuitry effecting gain changes. This patented circuitry does not
add any distortion to the signal.
The gain control unit is symmetrical in both of the devices, although the
nonlinearity of the variable transconductance vacuum tubes is far higher than in L-
629's patented circuitry.
Moreover, in Fairchild compressor, apart from significant distortion, low dynamics
and the nonlinearity, there are 4 transformers and a few serial capacitors in the
signal path. As a result of this, the Fairchild compressor adds 1% distortion with
the dynamics of only 7 dB.
Compared to the Fairchild, the L-629 has an , 4% distortion when maximum
compression ratio and input signal level at +1 dB is applied. In addition its
dynamics reach 1 dB (noises are 3 dB lower than in the Fairchild).
Not only has the L-629 no IC's in the signal path but also its signal path contains
no transformers and capacitors. The L-629 is designed using pure A class
components, with minimum feedback, making the microdynamics outstanding.
In addition, the nonlinear distortion can reach 1 %, when low-frequency signal is
applied and short Release Time is set, which is a problem for all compressors.
Innovative circuitry in the L-629, which eliminates such distortion thoroughly, has
been devised and patented. No other analogue compressor has such a feature.
Lipinski Sound Corporation Confidential Copyright © 2010 | Page

5 PRODUCT SPECIFICATION
Parameter Value
System 5 Series
Operating voltages ± 16 V
Power supply current 5 mA
Audio input symmetrical
Input impedance 1 kΩ
Input level range (FIXED IN mode) 1.55 V or 3.1 V
Input level range (AUTO IN mode) 2 mV to 1 V
Audio output symmetrical
Output impedance 75 kΩ
Output level (when COMP. OFF) 3.1 V
Output level (when COMP. ON) 1.1 V to 8.7 V
Dynamic range 1 dB
Maximum distortion . 4 %
Attack Time range . 2 ms to 16 ms
Release Time range 4 ms to 2.5 sec
Level meter range -18 dB to +12 dB
Lipinski Sound Corporation Confidential Copyright © 2010 8 | Page

6 FRONT PANEL DESCRIPTION
1. COMP. OFF/ON
If pressed, compressing unit is
turned on. Otherwise the device
acts like a linear amplifier
2. TAPE SIMULATION
Compression ratio for high tones
is increased by 3 dB, what sounds
like a magnetic tape
3. FIXED IN / AUTO IN
Turning the pre-compression unit
on or off
4. LINK
Socket for linking two L-629's
when in stereo mode
5. RELEASE TIME
6. ATTACK TIME
7. COMP. RATIO
8. COMP. PEAK LEVEL
Indicates peak levels before (IN)
and after (OUT) compression
9. OUT LEVEL
Lipinski Sound Corporation Confidential Copyright © 2010 9 | Page

7 QUICK GUIDE TO USING THE L-629 COMPRESSOR
Mounting
The L-629 Compressor requires a 5 Series rack.
First, turn off and unplug your rack frame. Make sure the slot you intend to use is
clean and free of debris.
Set two switches (accessible through the hole in the chassis) in desired positions
(see the “Features” section).
The “+6dB” position should be chosen when input signal amplitude (measured
between differential signal lines) is 1.55 V. When this amplitude is 3.1 V the
opposite position should be set.
Choose the desired pre-compression unit Release Time value between 12 sec
and 3 sec.
Firmly and evenly push the L-629 Compressor into place until it is well situated in
the card slot.
Mount the L-629 front panel with two screws, to the 5 series rack.
Note: The screws are tight-fitting. Make sure to not cross the threa .
Plug your 5 series rack back into the AC source.
Set-up and usage
Plug input and output cables, then power on the rack.
If the FIXED IN mode is used, set proper signal level at its source. The input level
is set properly when “+3dB” and “+6dB” LED diodes blink occasionally and “+9dB”
diode does not blink at all.
If the AUTO IN mode is used, the device does the set-up, which is done when
“+12dB” diode stops blinking.
Choose desired compression ratio, attack and release time. When the ratio is 1.4
only loud sounds are compressed. Setting greater ratios result also in gaining low
sounds.
When COMP is off, the output level is kept at 3.1 V and output level setting in
inactive. Turning COMP on enables output level setting.
Link two devices with the cable with 1/8'' stereo jacks if you work in stereo mode. It
will eliminate the impression of moving sound sources.
Lipinski Sound Corporation Confidential Copyright © 2010 10 | Page

We wish you fantastic, unforgettable, moments of au io performance.
The Lipinski Team
Lipinski Sound Corporation Confidential Copyright © 2010 11 | Page