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Luxman LV-117 User manual

OWNER’S
MANUAL
BEDIENUNGSANLEITUNG
MODE
D’EMPLOI
MANUAL
DE
OPERACION
LV-117
Stereo
Integrated
Amplifier
TABLE
OF
CONTENTS
INTRODUCTION
............-0000eeeee
3
SPECIAL
FEATURES................05-
4
CONTROLS
&
SWITCHES
—
FRONT
PANEL.................
5,6,
7
JACKS
&
TERMINALS
—
REAR
PANEL.
.
8,
9
CONNECTION
DIAGRAM..............
10
CONNECTION
GUIDELINES............
11
OPERATION
GUIDELINES
..........
12,
13
IN
CASE
OF
DIFFICULTY
.............-
14
CARE
AND
MAINTENANCE
............
15
SPECIFICATIONS
.................05
15
BLOCK
DIAGRAM.............---0-5:
59
f
INHALT
[
EINFUHRUNG..............000000eee
16
:
BESONDERE
AUSTATTUNGSMERKMALE
...........
17
REGLER
&
SCHALTER
—
FRONTPLATTE..............
18, 19,
20
STECKER
&
ANSCHLUSSE
—
RUCKSEITE.................05.
20,
21
DIE
DEUTSCHE
BUNDESPOST
INFORMIERT..............eeeeee
22,
23
ANSCHLUSSDIAGRAMM..............
24
VOPRNEHMEN
DER
ANSCHLUSSE...
25,
26
BEDIENUNGSANLEITUNG.......
26,
27,
28
FEHLERSUCHE
...........00
eee
eenes
29
PFLEGE
&
UNTERHALT
...............
30
TECHNISCHE
DATEN
...............-.
30
BLOCKDIAGRAMM............000008:
59
WARNING:
To
reduce
the
risk
of
fire
or
electric
shock,
do
not
F
expose
this
appliance
to
rain
or
moisture.
CAUTION:
To
prevent
electric
shock,
do
not
use
this
(polar-
#
ized)
plug
with
an
extension
cord,
receptacle
or
other
outlet
unless
the
blades
can
be
fully
inserted
to
prevent
blade
exposure.
ACHTUNG:
Zur
Verhiitung
von
Branden
und
elektrischen
:
Schlagen,
dieses
Geraét
weder
Regen
noch
©
Feuchtigkeit
aussetzen.
j
CONTENTS
CONTENU
INTRODUCTION.
............0000eees
31
CARACTERISTIQUES
SPECIALES........
32
COMMANDES
ET
COMMUTATEURS
—
PANNEAU
AVANT
...........
33, 34,
35
PRISES
ET
BORNES
—
PANNEAU
ARRIERE.............
36,
37
DIAGRAMME
DES
BRANCHEMENTS....
.
38
DIRECTIVES
DE
BRANCHEMENT
.....
39,
40
DIRECTIVES
D’EXPLOITATION
.
..
.
40,
41,
42
EN
CAS
DE
PROBLEME................
43
SOIN
ET
ENTRETIEN..................
44
SPECIFICATIONS.............000000es
44
DIAGRAMME
DES
BLOCS..............
59
MATERIAS
;
INTRODUCCION.
.........-.2--.0e
eee
ee
45
CARACTERISTICAS
ESPECIALES........
46
:
CONTROLES
E
INTERRUPTORES
:
—
PANELFRONTAL.............
47,
48,
49
:
TOMAS
Y
TERMINALES
:
—
PANEL
TRASERO
...............
50,
51
DIAGRAMA
DE
LAS
CONEXIONES.......
52
GUIA
DE
LAS
CONEXIONES.........
53,
54
GUIA
DE LA
OPERACION
........
54, 55,
56
EN
CASO
DE
DIFICULTADES
...........
57
CUIDADO
Y
MANTENIMIENTO..........
58
ESPECIFICACIONES................--:
58
DIAGRAMA
DE
BLOQUE...............
59
Pour
éviter
tout
risque
d’électrocution,
n’expo-
sez
pas
cet
appareil
a
I’humidité.
=
AVIS:
|
ATTENTION:
Pour
prévenir
les
chocs
électriques,
ne
pas
uti-
liser
cette
fiche
polarisée
avec
un
prolongateur,
une
prise
de
courant
ou
une
autre
sortie
de
courant,
sauf
si
les
lames
peuvent
étre
insérées
a
fond
sans
en
laisser
aucune
partie
a
décou-
vert.
\
ADVERTENCIA:A
fin
de prevenir
incendios
y
descargas
eléc-
4
tricas,
no
exponga
este
aparato
a
la
Iluvia
nia
la
humedad.
INTRODUCTION
|
WELCOME!
Luxman
welcomes
you
to
the
growing
number
of
discerning
audiophiles
who
own
and
oper-
ate
Luxman
Audio
and
Audio-Video
Products.
We
take
great
pride
in
the
long
tradition
of
ex-
cellence
in
sonic
quality
that
the
Luxman
name
represents.
This
manual
has
been
prepared
to
help
you
to
maximize
your
enjoyment
of
the
outstanding
performance
and
features
of
your
new
Luxman
LV-177.
This
integrated
amplifier
has
been
designed
for
highest
sonic
purity.
Voltage
driven
amplifi-
cation
with
FET,
Triple
differential
input
stages,
triple
darlington
outputs
and
driver
topology,
optical
and
coaxial
direct
digital
inputs
with
built-in
DAC;
4
times
over-sampling
filter,
high
current
high
power
output
into
low
impedance
loads,
massive
power
supply
and
heatsink
de-
signs...
..
allcontribute
to
the
achievement
of
this
goal.
WHEN
YOU
OPEN
THE
BOX
Before
any
Luxman
product
leaves
the
factory
it
is
care-
fully
inspected
for
physical
imperfections
as
a
routine
part
of
Luxman’s
systematic
quality
control.
This,
along
with
full
electrical
testing,
should
insure
quality
crafts-
manship
and
performance.
After
you
have
unpacked
the
unit,
inspect
it
for
any
physical
damage.
Save
the
shipping
carton
and
all
packing
materials,
as
they
are
essential
to
reduce
to
a
minimum
the
possibility
of
transportation
damage,
should
the
product
ever
need
to
be
shipped
again.
In
the
unlikely
event
that
damage
has
occurred,
notify
your
dealer
immediately
and
re-
quest
the
name
of
the
carrier
so
that
a
written
claim
to
cover
shipping
damages
can
be
initiated.
THE
RIGHT
TO
ANY
CLAIM
AGAINST
A
PUBLIC
CARRI-
ER
CANBE
FORFEITED
IF
THE
CARRIER
IS
NOT
NOTIFI-
ED
PROMPTLY
AND
IF
THE
SHIPPING
CARTON
AND
PACKING
MATERIAL
ARE
NOT
AVAILABLE
FOR
IN-
SPECTION.
SAVE
ALL
PACKING
MATERIALS
UNTIL
THE
CLAIM
HAS
BEEN
SETTLED.
To
realize
the
exceptional
performance
for
which
this
Luxman
LV-117
is
capable,
it
is
ne-
cessary
that
all
signalsources
and
speaker
sys-
tems
used
with
it
are
of
the
highest
sonic
qual-
ity.
We
recommend
complementary
Luxman
components
wherever
possible.
Please
study
this
manual
carefully
and
become
acquainted
with
all
the
special
features,
opera-
tion
and
capabilities
of
your
new
Luxman
LV-
117.
Should
you
have
any
questions,
or
desire
information
on
other
Luxman
products,
please
contact
your
local
Luxman
dealer.
INSTALLATION
AND
PLACEMENT
Because
some
heat
is
generated
by
the
LV-117,
adequ-
ate
air
circulation
must
be
provided
to
maintain
cool
op-
eration.
Leave
adequate
space
around
the
amplifier
(at
least
3
inches
on
the
top
and
1
inch
on
the
sides
and
rear)
for
proper
air
circulation.
Also,
the
LuxmanLV-117
should
not
be
completely
enclosed
with
other
heat
pro-
ducing
components.
If
the
Luxman
LV-117
is
going
to
be
mounted
in
an
enclosed
cabinet,
it
is
recommended
that
the
back
of
the
cabinet
have
vents
to
allow
air
to
cir-
culate
around
the
amplifier.
With
these
considerations
implemented,
the
Luxman
LV-117
should
provide
ex-
ceptional
performance
in
any
reasonable
environment.
Of
course,
such
normal
considerations
as
protection
from
excessive
dust
and
moisture
should
always
be
ob-
served.
The
Luxman
LV-117
integrated
amplifier
has
been
carefully
designed
with
high
quality
components
so
that
long
term
undiminished
performance
may
be
expected
when
it
is
operated
in
accordance
with
the
in-
structions
provided.
SPECIAL
FEATURES
|
The
LV-117
employs
some
of
the
most
refined
and
adv-
anced
technology
available
to
achieve
Luxman’s
con-
stant
quest
for
sonic
purity.
Examples
are
as
follows:
HIGH
CURRENT,
HIGH
SPEED,
VOLTAGE
DRIVEN
POWER
AMPLIFIER
Anew
design,
the
circuit
topology
is
configured
with
tri-
ple
differential
FET
input
and
pre-driver,
devices
fol-
lowed
by
triple
darlington
connected
driver
and
output
stages
using
dual
paralleled
power
transistors.
This
ar-
rangement
allows
the
highly
linear,
high
speed,
voltage
amplification
mode
for
optimum
dynamic
performance
free
of
T.I.M.
and
skew
indicated
distortion.
In
addition,
the
rugged
dual
bi-polar
output
devices
al-
low
low
impedance
drive
into
real-world
speaker
loads,
delivering
over
300
Watts
with
ease
into
2
ohms.
DIGITAL
DIRECT
INPUTS
(OPTICAL
AND
CO-AX
LINKS)
The
direct
digital
connection,
pioneered
by
Luxman,
al-
lows
direct
digital
transmission,
via
optical
or
co-axial
cable,
between
the
LV-117
and
digital
sources,
CD
play-
ers
(such
as
Luxman
D-113,
D-117,
D-109),
DAT
decks
(such
as
Luxman
KD-117),
Digital
Broadcast
Satellite
(DBS)
FM
receivers
or
any
other
source
having
digital
outputs
that
conform
to
the
standard
Phillips/Sony
for-
mat,
may
be
used
with
the
LV-117.
This
single
connection
eliminates
the
logic
switching
noise
that
can
radiate
from
servo
and
digital
switching
circuits
within
such
sources
as
well
as
removing
the
pot-
ential
noise
and
distortion
effects
of
analog
patch
cords.
The
result
is
a
new
level
of
perfection
in
sonic
quality.
LINE
STRAIGHT
Activating
this
switch
on
the
LV-117
front
panel
allows
a
directconnection
from
any
of
the
source
(line)
inputs
to
the
power
amplifier,
bypassing,
when
desired,
all
con-
trols
and
many
switching
functions,
except
volume
con-
trol
(refer
to
block
diagram).
The
shortest
direct
path
to
the
power
amp
is
thus
achieved,
ensuring
best
accura-
cy,
imaging
and
impact.
HIGH
ENERGY
POWER
SUPPLY
A
massive
double
shielded
power
transformer
coupled
with
fast-recovery
diodes
and
30,000uFds
of
steady
state
power
necessary
for
ever
the
most
demanding
of
music
transients.
PRECISION
16
BIT
DAC
WITH
4x
OVERSAMPLING
DI-
GITAL
FILTER
This
precision
16
bit
digital
to
analog
counter
located
in
the
LV-117
is
what
makes
the
digital
Direct
connector
possible.
Atis
located
and
portioned
to
ensure
analog
signal
purity
for
all
the
surrounding
amplifier
circuitry.
A
high
resolution
16
bit
4
times
over
sampling
digital
F.I.R.
(Finite
Impulse
Response)
filter
permits
extremely
rapid
roll-off
of
the
undesired
ultra-high
frequencies
be-
fore
D/A
conversion,
without
any
of
the
phase
distor-
tion
of
“brick
wall”
analog
filters
used
with
conventional
“single
sampling”
data
rate
converters.
In
addition,
4
times
oversampling
moves
the
remaining
ultra-sonic
frequencies
well
above
150
kHz,
instead
of
just
over
24
kHz,
allowing
the
use
of
a
gradual
5th
order
GIC
Butterworth
linear
phase
analog
filter.
Such
a
filter
virtually
eliminates
phase
and
transient
distortion
ef-
fects,
for
pure,
accurate
around
reproduction.
DIGITAL
OUTPUT
JACK
Allows
direct
digital
recording
on
a
second
DAT
deck
while
listening
to
a
direct
digital
playback
(at
48
kHz
or
32
kHz
sampling
rate)
on
the
first
DAT
deck.
SIGNAL
PROCESSOR
JACKS
AND
SWITCH
An
equalizer
or
other
desired
signal
processing
equip-
ment
may
be
connected
without
the
need
to
give
up
a
tape
jack
facility.
VIDEO
SWITCHING
Two
buttons,
LD/VHD
and
TAPE/VIDEO-3
combined
with
their
corresponding
input
and
output
jacks
on
the
rear
panel,
permit
connection
of
outputs
from
A/V
sources
to
a
monitor
and
using
from
one
VCR
to
an-
other.
Professional-grade
video
amplifiers
eliminate
switching
losses.
AUDIO
QUALITY
PARTS
Non-magnetic
parts,
such
as
copper
foil
polypropylene
and
polystyrene
capacitors
and
low
noise
resistors,
are
used
throughout
the
analog
section.
Such
audio
quality
-
parts
insure
the
purest
signal
transfer
possible.
CONTROLS
&
SWITCHES
—
FRONT
PANEL
Q3)
1.
POWER
Button
and
Indicator
Pressing
this
button
turns
the
unit
on.
2.
SPEAKERS
A
and
B
Buttons
Two
sets
of
stereo
speaker
systems
may
be
used
with
the
LV-117;
A
and
B
buttons
corresponding
with
A
and
B
speaker
terminals
on
the
back
panel
(item
#31).
You
may
choose
independent
or
simultaneous
operation
of
the
two
systems
by
using
these
buttons.
NOTE:
The
impedance
of
each
speaker
system
should
equal
or
exceed
8
ohms
when
driving
two
sets
at
the
same
time.
3.
TAPE-1,
TAPE-2,
TAPE/VIDEO-3
Buttons
and
In-
dicators
For
selection
of
connected
tape
decks
1,
2,
or
3
for
moni-
toring
or
playback
purposes.
The
TAPE
(monitor)
button
{item
#7)
must
be
de-
pressed
for
these
buttons
to
operate.
4.
SAMPLING
FREQUENCY
Indicators
The
built-in
DAC
will
automatically
switch
to
the
correct
sampling
frequency
of
the
Digital
Source
connected
to
the
DIGITAL
IN
jacks.
The
standard
sampling
frequen-
cies
are
as
follows:
Qa
@m@
ao
wd
Mm
0
OGD
OW
32
kHz:
*DBS-A
mode,
or
DAT
long
play
mode.
44
kHz:
CD
players
or
DAT
commercially
pre-recorded
tapes.
48
kHz:
DBS-B
mode,
or
DAT
tapes
recorded
by
con-
sumer
DAT
decks.
*
DBS
is
an
abbreviation
for
“Direct
Broadcast
Satel-
lite”
FM
stereo
broadcasts.
5.
DIGITAL
DIRECT
Button
and
Indicator
When
depressed,
the
digital
source
selected
by
the
DI-
GITAL
DIRECT
buttons,
item
#6,
will
be
activated.
NOTE:
This
button
and
indicator
must
be
in
the
OFF
po-
sition
for
any
of
the
audio
source
selections
to
operate.
6.
DIGITAL
DIRECT
1
and
2/3
Selectors
and
Indica-
tors
These
provide
selection
between
2
digital
sources
con-
nected
to
the
rear
panel
Digital
in
jacks.
The
DIGITAL
DI-
RECT
button,
item
#5,
must
be
depressed
for
these
to
operate.
7.
TAPE
(monitor)
Button
and
Indicator
Activates
the
three
tape
buttons,
item
#3,
for
monitor-
ing
or
playback
operations
of
audio
or
video
tape
decks.
NOTE:
This
switch
overides
all
INPUT
SELECTOR
sources,
item
#8.
Always
leave
in
the
OFF
(out)
position
when
not
in
use.
8.
INPUT
SELECTOR
Buttons
and
Indicators
These
select
audio
and
video
source,
a
total
of
5
as
fol-
lows:
LD/VHF,
LINE-1,
LINE-2,
TUNER
and
CD.
9.
LINE
STRAIGHT
Button
and
Indicator
For
optimum
sound
quality
from
any
input
source
selec-
tion,
press
this
button
to
bypass
the
tone
controls
and
other
switching
functions.
See
SPECIAL
FEATURES
section,
page
4,
for
further
details.
10.
VOLUME
Control
Allows
precision,
low
noise
adjustment
of
volume
level.
It
is
recommended
that
the
volume
control
be
set
to
a
low
position
prior
to
power
turn
on
and
when
switching
between
sources.
11.
LOUDNESS
Button
Depressing
this
button
introduces
a
moderate
boost
of
the
very
low
and
high
frequencies
when
the
volume
control
is
set
below
the
12-o’clock
position.
This
comp-
ensates
for
the
human
ear’s
characteristic
at
low
listen-
ing
levels.
12.
LD/VHD
FRONT
INPUT
Jacks
These
jacks
allow
the
temporary
connection
of
a
VCR,
Video
Disc
Player,
CD,
Cassette
Deck,
etc.
Be
sure
that
FRONT/REAR
button
(item
#13)
and
the
LD/VHD
INPUT
SELECTOR
button
(item
#8)
and
both
pushed
in
when
using
these
jacks.
13.
FRONT/REAR
Button
Selects
the
front
LD/VHD
jacks
in
the
IN
position
and
the
rear
LD/VHD
jacks
in
the
OUT
position.
14,
ATTENUATOR
Button
When
depressed
it
provides
an
instant
30
dB
volume
re-
duction.
Use
for
temporary
interruptions
of
a
listening
session
(phone
answering,
etc.)
or
for
smoother
vo-
lume
control
action
at
lower
listening
levels.
15.
BALANCE
Control
Adjust
for
equal
volume
level
between
channels.
Nor-
mally,
with
today’s
high
quality
sources,
itis
seldom
ne-
cessary
to
move
this
control
from
its
precision
center
detent
position.
CONTROLS
&
SWITCHES
—
FRONT
PANEL
16.
SIGNAL
PROCESSOR
Button
When
depressed,
this
button
engages
an
equalizer
or
other
signal
processor
connected
to
the
rear
panel
SIG-
NAL
PROCESSOR
jacks.
NOTE:
When
“LINE
STRAIGHT”
is
selected,
the
signal
processor
jacks
are
bypassed.
17.
MODE
(Mono/Stereo)
Button
Place
in
MONO
(in)
position
for
mono
sources,
for
bal-
ance
control
adjustment
for
lower
noise
operation
from
high
noise
stereo
sources,
or
for
checking
speaker
phasing.
Otherwise,
leave
it
in
the
STEREO
(out)
posi-
tion.
18.
TREBLE
Control
This
control
will
increase
or
decrease
high
frequency
content
in
the
program
material.
At
the
center
detent
position,
a
flat
frequency
response
results.
NOTE:
The
TONE
button
must
be
depressed
to
the
“ON”
position
to
activate
the
TREBLE
Control.
19.
TONE
Button
When
depressed,
the
bass
and
treble
tone
control
cir-
cuits
are
activated.
In
the
“OFF”
position,
the
tone
cir-
cuits
are
completely
bypassed,
resulting
in
ruler-flat
fre-
quency
response.
20.
BASS
Control
This
control
will
increase
or
decrease
low
frequency
content
in
the
program
material.
In
the
center
detent
position,
a
flat
frequency
response
results.
NOTE:
The
TONE
button
must
be
depressed
to
the
“ON”
position
to
activate
the
BASS
Control.
21.
RECORDING-ON/OFF
Buttons
and
Indicators
When
the
RECORDING
indicator
is
ON,
any
source
se-
.
lected
by
the
INPUT
SELECTOR,
item
#8
is
available
at
the
REC
out
jacks,
of
each
of
the
3
tape
facilities,
for
re-
cording.
Press
the
RECORDING-OFF
buttonifsource
re-
.
cording
is
not
desired.
Press
the
RECORDING-ON
button
to
activate
the
TAPE
DUBBING
selector,
item
#22.
j
j
C
22.
TAPE
DUBBING
Selector
This
selector
allows
dubbing
between
decks
is
two
ways:
1)
from
deck
2
to
decks
1
and
3
(tape
2.
>
1/3).
2)
from
deck
1
to
decks
2
and
3
(tape
1
®
2/3).
When
placed
in
the
SOURCE
position,
sources
selected
by
the
INPUT
SELECTOR
(item
#8)
can
be
recorded
at
each
of
the
3
tape
decks.
Video
copies
can
only
be
made
from
a
VCR
connected
at
the
LD/VHD
jacks
to
a
2nd
VCR
at
the
TAPE/VIDEO-3
jacks
with
the
RECORDING
indicator
ON
(RECORDING
ON
button,
item
#21
depressed).
NOTE:
The
RECORDING-ON
button,
item
#21,
must
be
depressed
(indicator
ON),
for
all
dubbing
oper-
ations.
ONTROLS
&
SWITCHES
—
FRONT
PANEL
23.
PHONES
Jack
Connection
of
stereophonic
headphones
to
this
jack
al-
lows
private
listening.
There
is
signal
at
the
jack
at
all
times.
Placing
the
speaker
switches
A
and
B
(item
#2)
in
the
OUT
position,
will
allow
private
listening.
JACKS
&
TERMINALS
—
REAR
PANEL
24.
DIGITAL
OUT
Jack
Connect
to
the
DIGITAL
INPUT
Jack
of
a
2nd
DAT
deck.
This
allows
a
direct
digital
copy
(at
48
or
32
kHz
sampl-
ing
rates)
from
the
first
DAT
deck
connected
to
DIGITAL
IN
(1
or
2)
jacks
of
the
LV-117,
while
simultaneously
lis-
tening
to
the
DAT
tape
through
the
LV-117.
25.
DIGITAL
IN
1/2
Jacks
Use
these
to
connect
to
the
digital
outputs
of
a
CD
play-
er,
a
DAT
deck,
a
DBS
tuner,
or
any
other
digital
source
conforming
to
the
Phillips/Sony
standard
format.
See
“Special
Features”
section
for
more
details.
26.
OPT.
Input
Jack
(DIGITAL
IN-3)
Allows
the
connection
of
a
fiber
optic
type
connecting
cable,
such
as
that
supplied
with
the
Luxman
D-117
CD
player
and
KD-117
DAT
deck.
27.
DIGITAL
IN-2/3
Selector
Switch
Selects
either
the
COAX
or
OPT.
digital
input
jacks.
The
COAX
jack
allows
connection
of
a
co-axial
shielded
lead
Patch
cord.
28.
LD/VHD
Input
Jacks
Connect
a
VCR,
Laser/Video
Disc
Player,
etc.,
to
these
input
jacks
for
playback
purposes
only.
Connect
the
au-
dio
LINE
OUT
and
VIDEO
OUT
jacks
of
the
VCR,
LD,
etc.
to
the
LD/VHD
AUDIO
IN
AND
VIDEO
PLAY
(IN)
jacks
of
the
LV-117
respectively.
29.
TAPE/VIDEO-3
Jacks
Use
these
for
the
connection
of
a
video
cassette
recor-
der
(VCR).
Be
sure
to
correctly
connect
the
audio
LINE
IN
and
LINE
OUT
jacks
of
the
VCR
to
the
TAPE/VIDEO-3
AUDIO
REC
OUT
and
PLAY
jacks
of
the
LV-117
and
the
VIDEO
IN
AND
VIDEO
OUT
jacks
of
the
VCR
to
the
VIDEO-3
REC
OUT
and
PLAY
jacks
of
the
LV-117
re-
spectively.
30.
VIDEO
MONITOR
Jack
Connect
this
video
output
jack
to
the
video
input
jack
of
a
video
monitor
or
to
a
TV
receiver
that
has
a
video
input
jack.
31.
SPEAKER
Terminals
You
may
connect
2
pairs
of
stereo
speaker
systems
to
.
these
terminals
of
the
LV-117
to
the
corresponding
RED
(+)
and
BLACK
(—)
terminals
of
your
speakers
on
each
channel.
The
speaker
systems
may
be
switched
on
andoff
by
the
front
panel
A
and
B
SPEAKERS
buttons
(item
#2).
JACKS
&
TERMINALS
—
REAR
PANEL
32.
AC
POWER
CORD
The
unit
features
a
heavy-duty
power
cord
to
ensure
high
quality
sound.
Only
connect
this
cord
directly
to
an
AC
walloutiet.
Do
NOT
connect
to
the
convenience
out-
lets
of
other
equipment.
33.
SIGNAL
PROCESSOR
IN
and
OUT
Jacks
For
connection
of
an
equalizer
(G-100),
Audio/Video
se-
lector
(T-107)
or
other
signal
processor
as
desired.
They
are
switched
in
or
out
by
the
front
panel
SIGNAL
PROCESSOR
button
(item
#16).
34.
TAPE-2
REC
OUT
and
MONI
Jacks
Connecta
2nd
tape
deck
to
these
jacks
in
the
same
man-
ner
as
item
#35.
35.
TAPE-1
REC
OUT
and
MONI
Jacks
Connect
the
LINE
IN
and
LINE
OUT
jacks
of
your
audio
tape
deck
to
these
REC
OUT
and
MONI
(monitor)
jacks
respectively.
36.
LINE-1
and
LINE-2
Input
Jacks
Use
these
jacks
for
the
connection
of
any
high
level
sys-
tem
component,
such
as
Luxman’s
LE-109
phono
am-
plifier,
or
additional
tuners,
CD's,
tape
decks,
etc.
37.
TUNER
Jacks
These
input
jacks
are
for
connection
to
the
output
jacks
of
your
FM/AM
tuner,
such
as
Luxman’s
T-117.
38.
CD
Jacks
This
set
of
jacks
are
for
connection
of
a
compact
disc
(CD)
player.
They
may
also
be
used
for
any
other
high
level
signal
source.
NOTE:
See
CONNECTION
DIAGRAM,
page
10,
for
typi-
cal
connections
to
all
jacks
and
terminals
(items
#24
through
38).
CONNECTION
DIAGRAM
Sag
FRe-H
Refer
to
the
owner’s
manuals
of
the
VCR,
a
TV
monitor
and
other
A/V
units.
coax.!
—
lopt.
out
1oPT.
in
our
|
|
1
coax.
|
fort.
—
yopr.
puBBING
DUBBING
|
DUBBING
,DAT2
1
DAT1
24
(DAT
1
2|
l
OPT.
IN
jor"
OUT
VIDEO
IN
=
I
|
I
|
UHF/VHF
L
SPEAKER
SYSTEM-A
Toss
(os
Hi-Fi
VCR
LD/VHD
PLAYER
(or
VCR)
CD
PLAYER
VIDEO
OUT
AUDIO
OUT
AC
LNE
CD
PLAYER
OUTPUT
OUTPUT
OUTPUT
LINE
IN
LINE
OUT
°
e
AUDIO
LEADS
o
‘wm
ff
¢
LINE
IN
LINE
OUT
2
fail
LINE
IN
J
LINE
OUT
TAPE
DECK-2
Se
eee
=
NY
===
TAPE/DAT
DECK-1
GRAPHIC
EQUALIZER
SPEAKER
SYSTEM-8
TURNTABLE
CONNECTION
GUIDELINES
BEFORE
MAKING
CONNECTIONS
It
is
always
wise
to
ensure
that
all
AC
line
cords
of
the
various
components
that
you
are
interconnecting
are
unplugged
from
the
wall
outlets
during
the
hook-up
process.
This
will
prevent
any
prevent
inadvertent
da-
mage
to
your
speakers
or
amplifier
from
incorrect
con-
trol
settings
or
connections.
INTERCONNECTING
LEADS
(Patch
Cords)
Be
sure
that
left
and
right
channel
identification
is
cor-
rect
when
making
interconnections.
Most
patch
cords
are
color
coded
ends
for
the
right
channel
and
BLACK
or
WHITE
ends
for
the
left
channel,
to
make
this
job
easier.
in
addition,
all
jacks
on
the
rear
of
the
LV-117
have
red
centers
for
right
channel,
white
for
left
and
yellow
for
each
video
jack.
CONNECTION
OF
AUDIO
AND
VIDEO
TAPE
DECKS
One
of
the
common
problems
in
connecting
tape
decks
is
confusing
the
LINE
IN
and
LINE
OUT
connections
to
the
amplifier,
resulting
in
no
output
even
in
the
SOURCE
modes.
To
prevent
this,
always
connect
the
LINE
OUT
jacks
of
the
deck
to
the
MONI
(monitor)
input
jacks
of
the
amplifier
and
connect
the
LINE
IN
jacks
of
the
deck
to
the
REC
OUT
(record
out)
jacks
on
the
amplifier.
CONNECTION
OF
VIDEO
EQUIPMENT
Follow
the
connection
diagram
carefully
when
connect-
ing
video
equipment
to
the
LV-117.
In
addition,
be
sure
to
read
the
owner’s
manuals
of
such
equipment
fully,
to
ensure
proper
operation.
Itis
recommended
that
only
the
highest
quality
TV
mon-
itor,
Hi-Fi
VCR,
LD,
etc.
be
used
to
complement
the
high
performance
standards
of
the
Luxman
LV-117.
DIGITAL
DIRECT
CONNECTIONS
These
connections
are
easier,
since
one
lead
carries
both
left
and
right
channels.
Just
be
sure
that
the
DIGI-
TAL
OUT
jack
of
the
CD
or
DAT
is
connected
to
DIGITAL
IN
on
the
LV-117.
Also
that
the
DIGITAL
OUT
jack
of
the
LV-117
is
connected
to
the
DIGITAL
IN
of
the
2nd
DAT,
if
used.
When
connecting
the
OPT.
IN
jack,
use
the
FIBER
OPTIC
CABLE
supplied
with
the
CD
or
DAT.
After
connecting
it
to
the
OPT.
jack, slide
the
DIGITAL
IN-2/3
selector
switch
to
the
OPT.
position.
This
digital
source
will
now
work
inthe
position
of
the
front
panel
DIGITAL
DIRECT
buttons
(item
#6).
When
using
the
COAX
jacks,
use
a
good
quality
video
patch
cord
with
phono
plug
ends.
Video
cords
are
usually
identified
with
yellow
colored
ends.
TURNTABLE
CONNECTIONS
The
LV-117,
because
of
the
Digital
Direct
concept,
does
not
include
a
Phono
pre-amp
or
phono
input
jacks.
Instead,
to
elicit
the
finest
sonic
performance
possible
from
phono
record
technology,
Luxman
provides
a
se-
parate
dedicated
phono
equalizer
amplifier,
the
LE-109,
for
this
purpose.
To
use
the
LE-109,
make
connections
following
the
in-
structions
that
come
with
it.
The
output
of
the
LE-109
can
be
connected
to
either
the
line-1
or
line-2
inputs
of
the
LV-117.
SPEAKER
CONNECTIONS
The
following
items
should
be
observed
carefully
when
connecting
your
speakers:
1.
Be
sure
PHASING
is
correct
by
connecting
the
RED
(+)
and
the
BLACK
(—)
terminals
of
the
LV-117
to
the
RED
(++)
and
BLACK
(—)
terminals
of
your
speakers
on
each
channel.
Failure
to
do
so
will
result
in
drasti-
cally
reduced
bass
response
and
unstable,
irregular
stereo
imaging.
2.
To
prevent
the
possibility
of
shorts,
strip
back
the
ends
of
the
speaker
leads
about
1/2
inch
and
care-
fully
twist
the
strands
together.
Loosen
the
speaker
terminal
knob
by
rotating
it
counter-clockwise.
Insert
the
twisted
end
and
turn
clockwise
to
tighten.
Inspect
carefully
to
ensure
that
no
frayed
strands
ex-
ist
that
may
short
against
the
metal
backpanel.
3.
Itis
recommended
that
16
AWG
gauge
wire,
or
larg-
er,
be
used
to
prevent
losses.
You
may
wish
to
con-
sider
some
of
the
commercially
available
speaker
cables
that
are
specifically
designed
to
improve
the
amplifier
to
speaker
interface.
SIGNAL
PROCESSOR
CONNECTIONS
Like
tape
decks,
most
of
these
types
of
equipment
have
LINE
IN
and
LINE
OUT
jack
identifications.
Be
sure
LINE
IN
and
LINE
OUT
jacks
of
the
signal
processor
are
con-
nected
to
the
LV-117
SIGNAL
PROCESSOR
OUT
and
IN
jacks
respectively.
OPERATION
GUIDELINES
The
following
procedures
assume
that
all
connections
have
been
made
according
to
the
“CONNECTION
DIA-
GRAM,
page
10.
POWER
AND
SOURCE
SWITCHING
To
prevent
the
possibility
of
excessive,
sudden
sound
levels,
it
is
recommended
that
the
volume
control
be
placed
at
a
low
level
position
each
time
the
power
switch
is
turned
on
or
when
switching
between
source.
TAPE
RECORDING
OPERATIONS
To
make
a
tape
recording
of
any
source,
proceed
as
fol-
lows:
(1
~—
Depress
the
INPUT
SELECTOR
button
for
the
source
you
wish
to
record.
(2
—
Depress
the
RECORDING-ON
button
(item
#21).
(3)
Place
the
TAPE
DUBBING
Selector
in
the
“SOURCE”
position.
—
(4)
The
source
signal
will
now
be
fed
to
each
of
the
three
tape
recorders,
if
connected.
Follow
the
recording
instructions
for
the
tape
deck
in
use.
(5
—
If
you
have
a
3-head
deck,
you
can
monitor
the
actu-
al
recording
by
depressing
the
corresponding
TAPE-1,
-2,
or
-3
buttons
PLUS
the
TAPE
(monitor)
button,
item
#7.
The
MONITOR
position
must
also
be
selected
on
your
tape
deck.
TAPE
PLAYBACK
Playback
from each
of
the
three
tape
decks
can
be
heard
by
depressing
the
corresponding
TAPE-1,
-2
or
-3
buttons,
PLUS
the
TAPE
(monitor)
button,
item
#7.
NOTE:
The
RECORDING-OFF
button,
item
#21
must
be
in
the
ON
(Indicator
ON)
position
for
each
of
the
above
operations.
TAPE
DUBBING
(Audio)
Tape
copies
(or
dubs)
can
be
made
between
the
3
decks
as
foliows:
(1)
Depress
the
RECORDING-ON
button
(item
#21)
to
the
ON
(in)
position.
(2)
If
you
wish
to
copy
from
deck
2
to
decks
1
and
3,
place
the
TAPE
DUBBING
selector
(item
#22)
in
the
TAPE
2
»
1/3
position.
(3)
In
like
manner,
if
you
wish
to
copy
from
deck
1
to
decks
2
and
3,
set
the
TAPE
DUBBING
selector
ac-
cordingly.
(4
~—
If
the
copy
decks
are
3-head
machines,
the
actual
re-
cording
can
be
monitored
by
depressing
the
TAPE
(monitor)
button,
item
#7,
PLUS
the
desired
TAPE-
1,
-2
or
-3
buttons
(item
#3).
(5
=
You
may
make
dubs
while
simultaneously
listening
to
any
source
selected
by
the
INPUT
SELECTOR
(item
#8).
Simply
place
the
TAPE
(monitor)
button
(item
#7)
in
the
OUT
position
during
the
dubbing
operation.
DAT
(Digital
Audio
Tape)
DECKS
When
using
the
analog
(audio)
inputs
and
outputs
of
such
machines,
you
would
connect
them
and
use
them
with
the
LV-117
in
the
same
manner
as
you
would
for
any
audio
tape
deck.
DIGITAL
DIRECT
RECORDING
WITH
DAT
DECKS
To
make
digital
direct
recordings
and
dubs,
however,
it
is
necessary
to
observe
some
guide-lines
and
limit-
ations
follows:
(1)
Itis
not
possible
to
make
a
direct
digital
copy
froma
CD
to
a
DAT;
since
DAT
decks
will
not
record
at
the
44.1
kHz
sampling
rate
of
CD’s.
(2
~—
To
make
a
copy
of
a
CD
to
DAT
(provided
anti-coly
chips
are
not
legislated
in
the
U.S.),
itis
necessary
to
record
using
the
analog
(audio)
connections
on
the
LV-117
just
as
you
would
with
an
audio
cassette
deck.
(3
~—
Once
you
have
made
a
recording
on
a
DAT
tape,
from
aCbD
or
any
other
source,
it
is
then
possible
to
copy
or
dub
this
tape,
by
digital
direct,
to
a
second
DAT
deck
using
the
DIGITAL
IN
and
OUT
jacks
on
the
LV-117.
See
“DIGITAL
DIRECT
CONNECTIONS’
under
“CONNECTION
GUIDELINES”.
(4
~
It
is
also
not
possible
to
make
a
digital
direct
copy
of
commercially
pre-recorded
DAT
tapes,
since
these
are
also
recorded
at
the
44.1
kHz
rate.
Here
again,
if
a
copy
is
desired,
it
is
necessary
to
re-
cord
using
the
analog
connections.
Subsequent
di-
rect
digital
dubs,
at
the
48
kHz
rate,
could
then
be
made
as
in
(3)
above.
OPERATION
GUIDELINES
SIGNAL
PROCESSOR
JACKS
When
using
this
facility,
the
following
items
should
be
kept
in
mind:
(1)
Since
the
signal
processor
jacks
are
located
down-
stream
from
the
MODE
and
TONE
controls,
the
ef-
fect
of
these
functions
should
always
be
considered
relative
to
the
operation
of
the
external
processor.
For
instance
“double
boosting”
effects
can
occur
with
a
connected
equalizer,
causing
severe
over-
load
distortion,
if
both
the
equalizer
and
tone
con-
trols
are
boosted
together
in
the
same
frequency
range.
(2
When
in
LINE
STRAIGHT
operation,
the
SIGNAL
PROCESSOR
is
completely
bypassed.
VIDEO
PLAYBACK
Both
audio
and
video
playback
from
the
connected
A/V
systems
can
be
selected
by
depressing
either
the
LD/
VHD
button
on
the
INPUT
SELECTOR,
or,
if
a
VCR
is
con-
nected
to
the
TAPE/VIDEO-3
and
VIDEO-3
jacks,
by
dep-
ressing
the
TAPE
(monitor)
and
Tape/Video-3
buttons
on
front
panel,
items
#7
and
#3.
VIDEO
TAPE
RECORDING
AND
DUBBING
Both
the
audio
sound
tracks
and
video
signals
from
any
A/V
source
can
be
recorded
by
a
video
cassette
recor-
der
(VCR)
through
the
LV-117.
To
record
a
laser
disc
(LD),
a
TV
stereo
tuner
or
a
VCR
connected
to
the
LD/VHD
inputs,
proceed
as
follows:
(1)
Depress
the
RECORDING-OFF
button
to
the
“ON”
position.
(2)
TheA/V
signals
will
now
be
fed
to
the
VCR
connect-
ed
to
the
TAPE/VIDEO-3,
VIDEO-3
jacks.
Follow
the
recording
instructions
for
the
VCR
in
use,
being
sure
to
set
its
input
selector
to
“EXTERNAL”
position.
(3)
Set
the
FRONT/REAR
LD/VHD
button
to
the
REAR
(out)
position,
unless
you
wish
to
record
from
an
A/V
source
connected
to
the
front
terminals.
=
NOTE:
You
can
listen
to
and
view
the
A/V
signal
with
the
TAPE
(monitor)
button,
item
#7,
in
either
the
IN
or
OUT
positions.
However,
since
some
switching
noise
may
appear
on
the
recorded
image,
it
is
recommended
that
these
switches
not
be
manipulated
during
the
recording
pro-
cess.
TV
OPERATIONS
You
can
watch
and/or
record
off-the-air
(or
cable)
TV
programs
with
high
quality
sound,
using
a
HI-FI
VCR.
With
a
video
monitor
or
TV
receiver
connected
accord-
ing
to
the
CONNECTION
DIAGRAM,
page
10
proceed
as
follows:
(1)
Setthe
INPUT
SELECTOR
of
the
HI-FI
VCR,
connect-
ed
to
the
TAPE/VIDEO-3
inputs,
to
the
TV
or
TUNER
position.
(2
—
Depress
the
TAPE
(monitor)
and
TAPE/VIDEO-3
button
on
the
LV-117.
(3)
You
can
now
view
any
channel
selected
by
the
HI-FI
VCR’s
tuner.
—
(4
—
A
recording
of
the
selected
TV
program
can
also
be
made,
while
watching
and
listening
to
high
quality
sound,
by
placing
the
VCR
in
the
RECORD
mode.
If
you
have
a
TV
monitor
with
stereo
audio
outputs,
these
may
be
connected
to
the
FRONT
or
REARLD/VHD
jacks
for
independent
TV
operation
with
high
quality
stereo
sound.
Proceed
as
follows:
(1)
Turn
the
power
OFF
to
the
VCR
connected
to
the
TAPE/VIDEO-3
jacks
on
the
LV-117.
(2)
Place
the
INPUT
SELECTOR
of
the
LV-117
in
the
LD/
VHD
position.
(3)
Set
the
INPUT
SELECTOR
of
the
TV
to
the
TV
posi-
tion
and
tune
desired
channels.
NOTE:
Be
sure
to
consult
the
owner’s
manuals
of
the
VCR,
TV
monitor
and
other
A/V
units
for
specific
operational
details.
_IN
CASE
OF
DIFFICULTY
If
you
encounter
a
problem,
please
review
the
items
in
turntable,
CD
player,
tuner,
DAT
deck,
cassette
deck,
the
following
check
list.
Also,
be
sure
to
thoroughly
equalizer,
etc.
check
other
connected
components,
such
as
speakers,
PROBLEM
Power
Does
Not
Come
On
No
Sound
No
signal
to
tape
deck
for
recording
Distorted
Sound
Shuts
off
at
High
Volume
levels
_
PROBABLE
CAUSE
AND
SOLUTION
@
Check
line
cord
to
ensure
good
connection
at
AC
outlet.
@
Incorrect
Input
selected.
Check
input
leads
on
back
panel
(be
sure
they
match
input
selected).
@
TAPE
(monitor)
button
(item
#7)
set
to
IN
position
without
tape
decks
connected
or
TAPE
DECK
LINE/SOURCE
switch
in
wrong
position).
@
SIGNAL
PROCESSOR
switch
in
(ON)
(without
processor
turned
on
or
connected).
@
Incorrect
SPEAKER
switch
setting
or
rear
panel
SPEAKER
LEAD
connections.
(Check
for
shorted
speaker
leads).
@
DIGITAL
DIRECT
switch
is
ON
when
attempting
to
use
other
source.
Switch
to
OFF
position.
@
Line
inputs
and
outputs
of
a
connected
tape
deck
are
reversed.
@
Be
sure
RECORDING-OFF
button
is
set
to
ON
and
RECORDING-
OFF
button
is
OFF.
@
Speaker
Impedance
too
iow
(less
than
2
Ohms).
Check
speaker
specifications.
@
Two
speaker
systems
of
less
than
4
ohm
each
are
in
use.
Select
only
one
system
at
a
time
when
playing
at
high
volume
levels.
No
Output
when
LD/VHD
input
selected
——__—___—_—_}
@
FRONT/REAR
LD/VHD
switch
in
wrong
position.
Sound,
but
No
Video
@
Be
sure
line
inputs
and
outputs
of
both
the
audio
and
video
jacks
of
the
connected
VCR,
LD,
etc.,
are
connected.
See
con-
nection
diagram.
CARE
AND
MAINTENANCE
|
CLEANING
The
durable
finish
of
the
knobs
and
heavy
aluminum
front
panel
will
last
indefinitely
with
proper
care
and
cleaning.
Never
use
scouring
pads,
steel
wool,
scour-
ing
powders,
or
harsh
chemical
agents,
such
as
lye
so-
lution.
These
will
mar
the
finish.
Clean
with
a
soft,
lint-
free
cloth
or
cotton
swab
slightly
dampened
with
a
mild
solution
of
detergent
and
water.
REPACKING
FOR
SHIPMENT
Shouldit
become
necessary
to
ship
your
LV-117
for
any
reason,
use
the
original
packing
materials.
If
these
are
no
longer
available,
be
sure
that
adequate
materials,
at
least
equivalent
to
the
original,
are
used.
REPAIRS
Only
the
most
competent
and
qualified
service
techni-
cians
should
be
allowed
to
service
the
LV-117.
The
Lux-
man
company
and
its
factory-trained
warranty
station
personnel
have
the
knowledge
and
special
equipment
needed
for
repair
and
calibration
of
this
precision
in-
strument.
Inthe
event
of
difficulty,
call
the
toll
free
telephone
num-
ber
listed
on
the
Warranty
to
obtain
the
name
and
add-
ress
of
the
Luxman
Authorized
Service
Station
nearest
your
home
or
business.
In
many
cases,
the
dealer
where
you
purchased
your
Luxman
unit
will
be
equipped
to
provide
service.
SPECIFICATIONS
Rated
Output
Power
(20
Hz
—
20
kHz)
110W
+
110W/8Q
130W
+
130W/6Q
108W
+
108W/4Q
Dynamic
Power........-.0
0c
eee
eens
175W/8Q
325W/4Q
462W/2Q
Total
Harmonic
Distortion
(8Q/110W).......
0.015%
(20
Hz
—
20
kHz)
0.005%
(1
kHz)
Input
Sensitivity
&
Impedance
(CD,
Tuner,
Line)...........
150mV/47kQ
(+
10%)
Signal-to-Noise
Ratio
(A-weighted,
Input
shorted)
........0
0.0
e
eee
eee
Line:
100
dB
Frequency
Response
(CD,
Tuner,
Line).........
1
Hz
—
150
kHz
(—3
dB)
Tone
Control............-.
Bass:
+9
dB
(100
Hz)
Treble:
+6
dB
(10
kHz)
Loudness
Control.
........00
eee
ee
+
6
dB
(100
Hz)
+
5
dB
(10
kHz)
D/A
Section:
OUtPUt
css
de
ieee
be
ete
ee
wee
eee
2V
S/Nie
2
gabe
deedet
hail
Beek
heed
alias
96
dB
(IHF-A
Filter)
TAD:
covecic
suse,
248
be
Be
oe
EAS
0,006%
(1
kHz)
Separation
...........5065
80
dB
(1
kHz,
B.P.F.)
Frequency
Response
...
5
Hz
—
20
kHz
(+0.5
dB)
Dynamic
Range
..........
20
cee
eee
eee
91
dB
Video
Section.......
Input/Output:
1Vp-p/75
ohms
DP,
DG:
1°,
10%
Dimensions.
.........
438(W)
x
166(H)
x
422(D)
mm
Weight:
22a
a
be
eee
Rat
aa
es
a
15.7
kg
Specifications
and
appearance
design
are
subject
to
change
without
notice.
EINFUHRUNG
HERZLICH
WILLKOMMEN
Luxman
begrd&t
Sie
zu
der
wachsende
Schar
von
einsichtsvollen
Audiophilen
die
Luxman
Audio-
oder
Audio-Videogerate
besitzen
und
benutzen.
Wir
sind
sehr
stolz
uber
unsere
lange
Tradition
von
Vortrefflichkeit
in
akusti-
scher
Qualitat,
fur
die
der
Name
Luxman
steht.
Diese
Anleitung
ist
vorbereitet
worden,
um
lhnen
einen
maximalen
Genu&
der
hervorragenden
Leistungen
und
Merkmale
des
neuen
Luxman
LV-117,
zu
erméglichen.
Dieser
integrierte
Verstarker
erfullt
héchste
Anspruche
der
Klangreinheit.
Spannungsge-
triebene
Verstarkung
mit
FET,
dreifach
differentielle
Eingangsebenen,
dreifache
Darlington
Ausgange
und
Antriebstopologie,
optische
und
koaxiale
direkt-digitale
Eingange
mit
eingebautem
DAC,
vierfacher
Oversamp-
lings-Filter,
Hochstrom/Hochspannungs-
Ausgang
auf
niedrige
Lastimpedanz,
massive
Stromversorgung
und
Wéaérmeableitung
....
dies
alles
tragt
zur
Erreichung
des
Ziels
bei.
BEIM
OFFNEN
DES
KARTONS
Bevor
ein
Luxmangerat
die
Fabrik
verla&t,
wird
es
sorgfaltig
auf
AuRere
Schaden
hin,
als
Teil
der
syste-
matischen
Qualitatskontrolle,
untersucht.
Dies
sollte
zusammen
mit
genauer,
elektrischer
Uberpriifung,
die
volle
Kunstfertigkeitund
Leistung
des
Gerat
sicherstellen.
Nachdem
das
Gerat
ausgepackt
worden
ist,
sehen
Sie
nach
ob
irgendwelche
auRere
Schéden
vorliegen.
Heben
Sie
den
Karton
und
das
Ubrige
Pack-
material
auf,
da
sie
das
Risiko
einer
Beschadigung
aufs
Minimum
bringen,
und
bei
einem
erneuten
Transport
wieder
benutzt
werden
kénnen.
Sollte
unvermuteterweise
eine
Beschadigung
vorliegen,
melden
Sie
dies
sofort
Ihrem
Handler
und
ersuchen
Sie
den
Namen
des
Transporteurs,
damit
eine
schrift-
liche
Kiage
zur
Deckung
der
Transportschdden,
eingeleitet
werden
kann.
DAS
RECHT
ZUR
KLAGE
GEGEN
EINEN
OFFENTLI-
CHEN
TRANSPORTEUR
KANN
VERFALLEN,
WENN
DIESER
NICHT
SOFORT
INFORMIERT
WIRD
UND
DER
TRANSPORTKARTON
UND
DAS
PACKMATERIAL
NICHT
MEHR
ZUR
VERFUGUNG
STEHEN.
HEBEN
SIE
ALLES
PACKMATERIAL
AUF,
BISDIE
KLAGE
ERLE-
DIGT
IST.
Um
die
auserordenttliche
Leistung
dieses
Lux-
man
LV-117
voll
ausnutzen
zu
kénnen,
ist
es
notwendig,
dal
die
mit
diesem
Gerat
benuizten
Signalquellen
und
Laut-
sprechersysteme
von
héchster
akustischer
Qualitat
sind.
Wir
empfehlen
daher
komple-
mentare
Komponenten
von
Luxman,
wo
immer
moglich.
Bitte
lesen
Sie
diese
Anleitung
aufmerksam
durch,
um
mit
den
besonderen
Merkmalen,
der
Bedienung
und
den
Moglichkeiten
lhres
neuen
Luxman
LV-117
vertraut
zu
werden.
Sollten
irgendwelche
Fragen
aufkommen
oder
Information
Uber
weitere
Luxmanpro-
dukte
erwunscht
werden,
wenden
Sie
sich
an
Ihren
Oortlichen
Luxmanhandler.
INSTALLIERUNG
UND
PLAZIERUNG
Da
bei
der
Benutzung
dieses
Geréts
Warme
entsteht
und
eine
ausreichende
Liftung
und
Kuthlung
des
Gerats
notwendig
ist,
empfiehlt
sich
einen
Standort
zu
wahlen,
der
diesen
Anforderungen
entspricht.
Lassen
Sie
gentigend
Freiraum
um
das
Verstarker
herum,
(mindestens
8
cm
an
der
Oberseite
und
4
cm
an
den
Seiten
und
der
Riickseite)
zur
ordentlichen
Durchlif-
tung,
frei.
Der
Luxman
LV-117
sollte
auch
nicht
volistandig
von
anderen
warmebildenden
Geraten
umgeben
sein.
Soll
der
Luxman
LV-117
in
ein
geschlossenes
Gehduse
gestellt
werden,
empfehlen
sich
zur
Durchliftung
um
den
Verstarker
herum,
kleine
Ventilationsl6cher
an
der
Rickseite.
Werden
diese
Empfehlungen
befoigt,
sollte
der
Luxman
LV-
117.
in
jeder
verninftigen
Umgebung
=
zu
auferordentlichen
Leistungen
fahig
sein.
Natirlich
sollten
selbstverstandliche
Beruckschtigun-
gen,
wie
Schutz
vor
Ubermafiger
Verstauby
ng
und
Feuchtigkeit,
immer
beachtet
werden.
Der
Luxman
LV-117
integrierter
Verstarker
ist
mit
sorgfaltig
gewahlten
Komponenten
von
sehr
hoher
Quai
tat
aus-
gestattet,
und
Bedienung,
unter
Beachting
der
Anleitung,
sollte
eine
langzeitliche
und
unein-
geschrankte
Leistung
des
Gerats
méglich
sei.

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Rockwell Automation Allen-Bradley 46DFA-L2LBT1-A2 installation instructions

Pioneer GM-X574 Service manual

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Sound City Master Lead 50 owner's manual

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Peavey Transtube Series 212 EFX Specifications

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HRK MP568C user manual

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HRK MP568C user manual

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