Mackie THUMP 212 User manual

OWNER’S MANUAL
1400W Powered Loudspeakers

Thump212 and Thump215 Powered Loudspeaker Series
2Thump212 and Thump215 Powered Loudspeaker Series
Important Safety Instructions
1. Read these instructions.
2. Keep these instructions.
3. Heed all warnings.
4. Follow all instructions.
5. Do not use this apparatus near water.
6. Clean only with a dry cloth.
7. Do not block any ventilation openings. Install in accordance
with the manufacturer’s instructions.
8. Minimum distance (5 cm) around the apparatus for sucient ventilation.
The ventilation should not be impeded by covering the ventilation openings
with items, such as newspapers, table-cloths, curtains, etc.
9. Do not install near any heat sources such as radiators, heat registers,
stoves, or other apparatus (including amplifiers) that produce heat.
10. No naked flame sources, such as lighted candles, should be placed
on the apparatus.
11. Do not defeat the safety purpose of the polarized or grounding-type plug.
A polarized plug has two blades with one wider than the other. A grounding-
type plug has two blades and a third grounding prong. The wide blade or
the third prong are provided for your safety. If the provided plug does not fit
into your outlet, consult an electrician for replacement of the obsolete outlet.
12. Protect the power cord from being walked on or pinched particularly at plugs,
convenience receptacles, and the point where they exit from the apparatus.
13. Only use attachments/accessories specified by the manufacturer.
14. Use only with a cart, stand, tripod, bracket, or table
specified by the manufacturer, or sold with the apparatus.
When a cart is used, use caution when moving the cart/
apparatus combination to avoid injury from tip-over.
15. Unplug this apparatus during lightning storms or when
unused for long periods of time.
16. Refer all servicing to qualified service personnel.
Servicing is required when the apparatus has been
damaged in any way, such as power-supply cord or plug is damaged, liquid has
been spilled or objects have fallen into the apparatus, the apparatus has been
exposed to rain or moisture, does not operate normally, or has been dropped.
17. This apparatus shall not be exposed to dripping or splashing, and no
object filled with liquids, such as vases or beer glasses, shall be placed
on the apparatus.
18. Do not overload wall outlets and extension cords as this can result in a risk
of fire or electric shock.
19. This apparatus has been designed with Class-I construction
and must be connected to a mains socket outlet with a protective
earthing connection (the third grounding prong).
20. This apparatus has been equipped with a rocker-style AC mains power switch.
This switch is located on the rear panel and should remain readily accessible to
the user.
21. The MAINS plug or an appliance coupler is used as the disconnect device,
so the disconnect device shall remain readily operable.
22. The use of apparatus is in tropical and/or moderate climates.
23. The maximum ambient temperature during use of the appliance must not
exceed 45˚ C.
PORTABLE CART
WARNING
CAUTION
The lightning flash with arrowhead symbol within an equilateral
triangle is intended to alert the user to the prescence of uninsulated
“dangerous voltage” within the product’s enclosure, that may be of
significant magnitude to constitute a risk of electric shock to persons.
RISK OF ELECTRIC SHOCK! DO NOT OPEN!
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK DO NOT
REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE.
REFER SERVICING TO QUALIFIED PERSONNEL.
The exclamation point within an equilateral triangle is intended
to alert the user of the prescence of important operating and
maintaining (servicing) instructions in the literature accompanying
the appliance.
24.NOTE: This equipment has been tested and found to comply with the limits
for a Class A digital device, pursuant to part 5 of the FCC Rules. These limits
are designed to provide reasonable protection against harmful interference
when the equipment is operated in a commercial environment. This
equipment generates, uses, and can radiate radio frequency energy and, if
not installed and used in accordance with the instruction manual, may cause
harmful interference to radio communications. Operation of this equipment
in a residential area is likely to cause harmful interference in which case the
user will be required to correct the interference at his own expense.
WARNING: Operation of THUMP in a residential environment could cause
radio interference.
CAUTION: Changes or modifications to this device not expressly approved by
LOUD Audio, LLC could void the user’s authority to operate the equipment
under FCC rules.
25. This apparatus does not exceed the Class A/Class B (whichever
is applicable) limits for radio noise emissions from digital apparatus
as set out in the radio interference regulations of the Canadian Department
of Communications.
Canada ICES-003(A)/NMB-003(A)
ATTENTION
— Le présent appareil numérique n’émet pas de bruits
radioélectriques dépassant las limites applicables aux appareils
numériques de class A/de class B (selon le cas) prescrites dans
le réglement sur le brouillage radioélectrique édicté par les ministere
des communications du Canada.
26. Exposure to extremely high noise levels may cause permanent hearing loss.
Individuals vary considerably in susceptibility to noise-induced hearing loss,
but nearly everyone will lose some hearing if exposed to suciently intense
noise for a period of time. The U.S. Government’s Occupational Safety and
Health Administration (OSHA) has specified the permissible noise level
exposures shown in the following chart.
According to OSHA, any exposure in excess of these permissible limits
could result in some hearing loss. To ensure against potentially dangerous
exposure to high sound pressure levels, it is recommended that all persons
exposed to equipment capable of producing high sound pressure levels
use hearing protectors while the equipment is in operation. Ear plugs or
protectors in the ear canals or over the ears must be worn when operating
the equipment in order to prevent permanent hearing loss if exposure is in
excess of the limits set forth here:
Duration, per
day in hours Sound Level dBA, Slow Response Typical Example
8 90 Duo in small club
6 92
4 95 Subway Train
3 97
2 00 Very loud classical music
.5 02
 05 The dogs barking at the mailman
0.5 0
0.25 or less 5 Loudest parts at a rock concert
WARNING — To reduce the risk of fire or electric shock, do not
expose this apparatus to rain or moisture.
CAUTION — To prevent electric shock hazard, do not connect
to mains power supply while grille is removed.
Laite on liitettävä suojakoskettimilla varustettuun pistorasiaan.
Apparatet stikprop skal tilsluttes en stikkontakt
med jord, som giver forbindelse til stikproppens jord.
Apparatet må tilkoples jordet stikkontakt.
Apparaten skall anslutas till jordat uttag.
Correctdisposal ofthisproduct: This symbol indicates that this product should not be disposed of with your household waste, according to the WEEE directive (202/9/EU)
and your national law. This product should be handed over to an authorized collection site for recycling waste electrical and electronic equipment (EEE). Improper handling of this type of waste
could have a possible negative impact on the environment and human health due to potentially hazardous substances that are generally associated with EEE. At the same time, your cooperation
in the correct disposal of this product will contribute to the eective usage of natural resources. For more information about where you can drop o your waste equipment for recycling, please
contact your local city oce, waste authority, or your household waste disposal service.

Owner’s Manual
3
Owner’s Manual
Features
Part No. SW376 Rev. A 07/22
©2022 LOUD Audio, LLC. All Rights Reserved.
1400W ultra-ecient Class-D amplifier
Built-Like-A-Tank™ to conquer every gig
while lightweight for easy loading
Frequency response: 47 Hz – 23 kHz [Thump212]
Frequency response: 40 Hz – 20 kHz [Thump215]
Max SPL: 128 dB [Thump212]
Max SPL: 129 dB [Thump215]
Flexible I/O
• Ch. features an XLR/TRS input that accepts mic
or line signals
• Ch.2 features an XLR/TRS line input plus stereo
/8" input
• Thru output contains audio from both input channels
12" high-performance woofer [Thump212]
15" high-performance woofer [Thump215]
1" compression driver
Built-in Feedback Eliminator reduces squeals
and out of control rumble
Music Ducking mode automatically reduces
the level of Ch. 2 when Ch. 1 receives signal
Universal Power Supply (100-240VAC)
Standard pole mount
Monitor wedge provides optimal angle for use
as a floor monitor
Weight
27.6 lb / 12.5 kg [Thump212]
32.6 lb / 14.8 kg [Thump215]
Dimensions:
24.4 x 14.0 x 14.0 in / 620 x 356 x 356 mm [Thump212]
27.4 x 17.3 x 14.0 in / 696 x 439 x 356 mm [Thump215]
Contents
Important Safety Instructions........................... 2
Contents.............................................................. 3
Features............................................................... 3
Introduction ........................................................ 4
Getting Started ................................................... 4
Hookup Diagrams ............................................... 5
Thump Loudspeakers: Rear Panel Features... 0
. Power Connection................................... 0
2. Power Switch.......................................... 0
3. XLR and /4” Combo Input Jacks.......... 0
4. /8”Input Jack [Ch. 2] ...........................
5. Mic / Line Switch [Ch. ]......................... 
6. Gain Knobs............................................... 
7. Thru Jack..................................................
8. Main Volume Knob...................................
9. SIG/OL LED ..............................................2
0. Music Ducking .......................................2
. Feedback Eliminator...............................2
2. Fan On / O ............................................3
3. Fan Speed ...............................................3
4. Mist level................................................3
5. Heat On / O ..........................................3
6. Heat Level...............................................3
7. Rotate......................................................3
Protection Circuitry...........................................4
Limiting.........................................................4
Overexcursion Protection...........................4
Thermal Protection......................................4
AC Power ............................................................4
Care and Maintenance ......................................4
Placement ..........................................................5
Room Acoustics...........................................5
Appendix A: Service Information..................... 6
Appendix B: Technical Information ..................7
Thump Dimensions........................................... 8
Thump Block Diagram...................................... 9
Limited Warranty..............................................20

Thump212 and Thump215 Powered Loudspeaker Series
4Thump212 and Thump215 Powered Loudspeaker Series
Getting Started
Introduction
The new Thump Loudspeakers are the next evolution
of the incredibly popular series, packed with more power,
capability, and bang-for-the-buck than ever before.
Completely redesigned from the ground up, Thump features
heavy-duty drivers, 1400W amplifiers, and powerful tools
to make your next gig easier than ever.
Now equipped with a Feedback Eliminator plus a Music
Ducking mode, Thump keeps the show running smooth
when it counts.
Add in ultra-versatile I/O, legendary Thump sound quality,
and easy portability, Thump is going to be your new favorite
loudspeaker.
How to Use This Manual:
Afer this introduction, a getting started guide will help
you get things set up fast. The hookup diagrams show
some typical Thump loudspeaker setups.
This icon marks information that is critically
important or unique! For your own good, read and
remember them...it is a good idea to pay special
attention to these areas in the Owner’s Manual
marked with the “VERY IMPORTANT” hand icon.
There’s an illustration of a microscope,
so, of course, you’re going to get more
detailed information when you see this
little guy. There are explanations of
features and practical tips listed here.
It’s a good idea to pay attention to text displayed
next to a note icon, as this icon draws attention
to certain features and functions relating to
the usage of the Thump Series.
The following steps will help you set up the loudspeakers
quickly.
. Make all initial connections with the power switches OFF
on all equipment. Make sure the master volume, level and gain
controls are all the way down.
2. If not using a subwoofer, connect the outputs from
the mixing console (or other signal source) to the inputs
on the rear panel of the loudspeakers.
3. If using a subwoofer, connect the outputs from
the mixing console (or other signal source) to the inputs
on the subwoofer, then connect the high pass outputs
from the subwoofer to the inputs of the loudspeakers.
4. Push the line cord securely into the subwoofer’s /
loudspeaker’s IEC connectors and plug the other ends into
grounded AC outlets. The subwoofer/loudspeaker may accept
the appropriate voltage as indicated near the IEC connector.
5. Give a virtual high-five to your favorite live sound engineer.
6. Turn the mixer (or other signal source) on.
7. Turn the subwoofer on (if applicable).
8. Turn the loudspeakers on.
9. Make sure the loudspeaker’s channel gain knob(s)
are set to mic or line.
0. Be sure that the volume of the input is the same
as it would be during normal use.
. Start the signal source and raise the mixer’s main
L/R fader up to a comfortably loud listening level.
Things to Remember:
• Never listen to loud music for prolonged periods. Please see
the Safety Instructions on page 2 for information on hearing
protection.
• As a general guide, the mixer (or other signal source) should
be turned on first, subwoofers next, and Thump loudspeakers
last. As such, the Thump loudspeakers should also be turned
o first, followed by the subwoofers, then the mixer. This will
reduce the possibility of any turn-on or turn-o thumps and
other noises generated by any upstream equipment from
coming out of the speakers.
• Save the shipping boxes and packing materials! You may
need them someday. Besides, the cats will love playing
in them and jumping out at you unexpectedly. Remember
to pretend like you are surprised!
• Save your sales receipt in a safe place.
Please write the serial numbers here for future reference
(i.e., insurance claims, tech support, return authorization,
make dad proud, etc.)
Purchased at:
Date of purchase:

Owner’s Manual
5
Owner’s Manual
Hookup Diagrams
DUCKING FB ELIMINATOR OVERLOAD
CH1 CH2 MAIN
THRU
LINE
MIC
LINE
U U
MAX
LINE MIC
U
MAX
∞-∞
MAX
-∞
GAIN VOLUME GAIN
Thump loudspeakers are the perfect tool for singer-songwriters touring the local coee shops. Bring your favorite axe
and mic, Thump loudspeakers and cables and power cords.
In this example, a Mackie EM-89D microphone is connected to the channel  input of a Thump loudspeaker, used
as the main PA. The Channel  gain knob should be set to Mic. The Mic/Line switch should be ENGAGED [Mic], as well.
Now grab your axe and plug it directly into the channel 2 input. Or if you use eects, connect the guitar to the eects
input and another cable from the eects output to the channel 2 input. Note that the gain knob is set to Line.
An additional Thump loudspeaker will be used for monitoring purposes. Simply connect a cable from the Thump PA’s
THRU jack to the Thump monitor’s channel  input. This gain knob should also be set to Line.
Keep in mind that these “MIC” and “LINE” markings are for reference only and may need to be raised or lowered.
Singer-Songwriter Setup

Thump212 and Thump215 Powered Loudspeaker Series
6Thump212 and Thump215 Powered Loudspeaker Series
Small Club System
SIG/OL
FRONT LED PHASE
FR OUTPUT
U
+6dB-6dB
160Hz80Hz
120Hz
INPUT HIGH PASS
OUT
FULL RANGE
OUT
NORMAL
INVERT
FLAT
DEEP
PUNCH
VARIABLE
ON
OFF
STEREO
MONO
A
HIGH PASS MODE
A
B B
DUCKING FB ELIMINATOR OVERLOAD
CH1 CH2 MAIN
THRU
LINE
MIC
LINE
U U
MAX
LINE MIC
U
MAX
∞-∞
MAX
-∞
GAIN VOLUMEGAIN
DUCKING FB ELIMINATOR OVERLOAD
CH1 CH2 MAIN
THRU
LINE
MIC
LINE
U U
MAX
LINE MIC
U
MAX
∞-∞
MAX
-∞
GAIN VOLUMEGAIN
USB 1-2
USB 3-4
MUTE MUTE MUTE MUTE MUTEMUTE MUTE
DUCKING FB ELIMINATOR OVERLOAD
CH1 CH2 MAIN
THRU
LINE
MIC
LINE
U U
MAX
LINE MIC
U
MAX
∞-∞
MAX
-∞
GAIN VOLUMEGAIN
DUCKING FB ELIMINATOR OVERLOAD
CH1 CH2 MAIN
THRU
LINE
MIC
LINE
U U
MAX
LINE MIC
U
MAX
∞-∞
MAX
-∞
GAIN VOLUMEGAIN
USB 1-2
USB 3-4
MUTE MUTE MUTE MUTE MUTEMUTE MUTE
Hookup Diagrams continued…
In this example, a ProFX0v3 mixer is connected directly to two Thump22 loudspeakers. It is the perfect
setup for a small club or... a fun karaoke house party! Simply connect the L/R outputs of the ProFX0v3 mixer
to the channel  input of each Thump loudspeaker. The gain knob on both should be set to Line.
The Mic/Line switches should be disengaged [Line], as well. Keep in mind that these “MIC” and “LINE”
markings are for reference only and may need to be raised or lowered.
If you desire a little more boom, add a Thump subwoofer to the mix. Here, the L/R outputs of a ProFX0v3 mixer
are connected directly to the A and B inputs of a Thump5S subwoofer. Then the High-Pass Outs of the subwoofer
are connected to the channel  inputs of a pair of Thump22 loudspeakers. Set the high pass mode of the sub to your
preferred choice and the voicing mode of both loudspeakers to live or club. The gain knob on both should be set to Line.
Keep in mind that these “MIC” and “LINE” markings are for reference only and may need to be raised or lowered.

Owner’s Manual
7
Owner’s Manual
DJ System
SIG/OL
FRONT LED PHASE
FR OUTPUT
U
+6dB-6dB
160Hz80Hz
120Hz
INPUT HIGH PASS
OUT
FULL RANGE
OUT
NORMAL
INVERT
FLAT
DEEP
PUNCH
VARIABLE
ON
OFF
STEREO
MONO
A
HIGH PASS MODE
A
B B
SIG/OL
FRONT LED PHASE
FR OUTPUT
U
+6dB-6dB
160Hz80Hz
120Hz
INPUT HIGH PASS
OUT
FULL RANGE
OUT
NORMAL
INVERT
FLAT
DEEP
PUNCH
VARIABLE
ON
OFF
STEREO
MONO
A
HIGH PASS MODE
A
B B
DUCKING FB ELIMINATOR OVERLOAD
CH1 CH2 MAIN
THRU
LINE
MIC
LINE
U U
MAX
LINE MIC
U
MAX
∞-∞
MAX
-∞
GAIN VOLUME GAIN
DUCKING FB ELIMINATOR OVERLOAD
CH1 CH2 MAIN
THRU
LINE
MIC
LINE
U U
MAX
LINE MIC
U
MAX
∞-∞
MAX
-∞
GAIN VOLUME GAIN
Hookup Diagrams continued…
Perhaps you’re a DJ playing bumpin’ tunes in the middle of the night to a crowd that’s groovin’
and dancin’ to your fine selection.
In this example, a laptop is connected to the inputs of two Thump8S subwoofers.
The High-Pass Out of each subwoofer is then connected to the input of each Thump25 loudspeaker.
Additionally, a set of Mackie MC-450 headphones is connected to the phones jack of the laptop.
The gain knob on both loudspeakers should be set to Line. The Mic/Line switches should be disengaged [Line], as well.
Additionally, you will want to set the subwoofer’s High Pass Mode to either Flat or Deep. Keep in mind that these “MIC”
and “LINE” markings are for reference only and may need to be raised or lowered.

Thump212 and Thump215 Powered Loudspeaker Series
8Thump212 and Thump215 Powered Loudspeaker Series
Daisy-Chaining Multiple Thump Loudspeakers
Hookup Diagrams continued…
CH1 CH2 MAIN
THRU
LINE
MIC
LINE
UU
MAX
LINE MIC
U
MAX
∞-∞
MAX
-∞
GAIN VOLUMEGAIN
CH1 CH2 MAIN
THRU
LINE
MIC
LINE
UU
MAX
LINE MIC
U
MAX
∞-∞
MAX
-∞
GAIN VOLUMEGAIN
CH1 CH2 MAIN
THRU
LINE
MIC
LINE
UU
MAX
LINE MIC
U
MAX
∞-∞
MAX
-∞
GAIN VOLUMEGAIN
CH1 CH2 MAIN
THRU
LINE
MIC
LINE
UU
MAX
LINE MIC
U
MAX
∞-∞
MAX
-∞
GAIN VOLUMEGAIN
USB 1-2
USB 3-4
MUTE MUTE MUTE MUTE MUTEMUTE MUTE
ProFX10v3 Mixer
To next
Thump
loudspeaker
input
To next
Thump
loudspeaker
input
Main
Outs
CH1 CH2 MAIN
THRU
LINE
MIC
LINE
UU
MAX
LINE MIC
U
MAX
∞-∞
MAX
-∞
GAIN VOLUMEGAIN
CH1 CH2 MAIN
THRU
LINE
MIC
LINE
UU
MAX
LINE MIC
U
MAX
∞-∞
MAX
-∞
GAIN VOLUMEGAIN
CH1 CH2 MAIN
THRU
LINE
MIC
LINE
UU
MAX
LINE MIC
U
MAX
∞-∞
MAX
-∞
GAIN VOLUMEGAIN
To next Thump
loudspeaker
input
Thump loudspeakers may be daisy-chained via the “THRU” jack which outputs all inputs. Simply plug the signal source
(i.e., mixer output or microphone) into the input jack(s), and patch that loudspeaker’s mix out jack to the next loudspeaker’s
input jack, and so on, daisy-chaining multiple Thump loudspeakers. See above for visual representations of daisy-chaining.
NOTE: Make sure to set the gain knob(s) correctly. In the top diagram, all input channes are set to “LINE” and in the bottom
diagram, input channel  of the first Thump is set to “MIC”, but the remaining ones should be set to “LINE”. Keep in mind
that these “MIC” and “LINE” markings are for reference only and may need to be raised or lowered.

Owner’s Manual
9
Owner’s Manual
Large Club System
SIG/OL
FRONT LED PHASE
FR OUTPUT
U
+6dB-6dB
160Hz80Hz
120Hz
INPUT HIGH PASS
OUT
FULL RANGE
OUT
NORMAL
INVERT
FLAT
DEEP
PUNCH
VARIABLE
ON
OFF
STEREO
MONO
A
HIGH PASS MODE
A
BB
SIG/OL
FRONT LED PHASE
FR OUTPUT
U
+6dB-6dB
160Hz80Hz
120Hz
INPUT HIGH PASS
OUT
FULL RANGE
OUT
NORMAL
INVERT
FLAT
DEEP
PUNCH
VARIABLE
ON
OFF
STEREO
MONO
A
HIGH PASS MODE
A
BB
SIG/OL
FRONT LED PHASE
FR OUTPUT
U
+6dB-6dB
160Hz80Hz
120Hz
INPUT HIGH PASS
OUT
FULL RANGE
OUT
NORMAL
INVERT
FLAT
DEEP
PUNCH
VARIABLE
ON
OFF
STEREO
MONO
A
HIGH PASS MODE
A
BB
SIG/OL
FRONT LED PHASE
FR OUTPUT
U
+6dB-6dB
160Hz80Hz
120Hz
INPUT HIGH PASS
OUT
FULL RANGE
OUT
NORMAL
INVERT
FLAT
DEEP
PUNCH
VARIABLE
ON
OFF
STEREO
MONO
A
HIGH PASS MODE
A
BB
DUCKING FB ELIMINATOR OVERLOAD
CH1 CH2 MAIN
THRU
LINE
MIC
LINE
U U
MAX
LINE MIC
U
MAX
∞-∞
MAX
-∞
GAIN VOLUMEGAIN
DUCKING FB ELIMINATOR OVERLOAD
CH1 CH2 MAIN
THRU
LINE
MIC
LINE
U U
MAX
LINE MIC
U
MAX
∞-∞
MAX
-∞
GAIN VOLUME GAIN
Hookup Diagrams continued…
Here’s how to set up a large club system. In this example, the L/R outputs of a DL6S mixer are connected directly
to the channel A inputs of a pair of Thump8S subwoofers. The Full Range Out of each subwoofer is then connected
to the inputs of an additional pair of Thump8S subwoofers.
From here, the High Pass Out of the two outer Thump8S subwoofers are connected directly to the inputs
of a set of Thump25 loudspeakers. Then set the subwoofer’s High Pass Mode to Deep. Talk about beefy low end!
Outputs  and 2 from the mixer may be used as aux sends; these are connected directly to the channel  inputs of a pair
of Thump25 loudspeakers to be used as monitors for the band. The gain knob on all Thump loudspeakers in this example
should be set to Line. Lastly, all Mic/Line switches should be disengaged [Line]. Keep in mind that these “MIC” and “LINE”
markings are for reference only and may need to be raised or lowered.

Thump212 and Thump215 Powered Loudspeaker Series
10 Thump212 and Thump215 Powered Loudspeaker Series
Thump Series Loudspeakers: Rear Panel Features
. Power Connection
This is a standard 3-prong IEC power connector.
Connect the detachable power cord (included in
the packaging with the loudspeaker) to the power
receptacle, and plug the other end of the power
cord into an AC outlet.
Make sure that the AC power is matched to
the AC power indicated on the rear panel
(near the IEC receptacle).
Disconnecting the plug’s ground pin is
dangerous. Don’t do it!
2. Power Switch
Press the right side of this rocker switch inwards
to turn on the loudspeaker. Press the lef side of this
rocker switch inwards to turn o the loudspeaker.
As a general guide, the mixer (or other
signal source) should be turned on first,
subwoofers next, and loudspeakers last.
As such, the loudspeakers should also be turned
o first, followed by the subwoofers, then the mixer.
This will reduce the possibility of any turn-on or
turn-o thumps and other noises generated by any
upstream equipment from coming out of the speakers.
3. XLR and /4" Combo Input Jacks
Input channels  and 2 may accept a balanced
mic signal using an XLR connector. They are wired
as follows, according to standards specified by
the AES (Audio Engineering Society).
XLR Balanced Wiring:
Pin  = Shield (ground)
Pin 2 = Positive (+ or hot)
Pin 3 = Negative (– or cold)
In addition to accepting a balanced mic signal
using an XLR connector, these input channels may
also accept /4" line-level signals driven by balanced
or unbalanced sources.
2
31
SHIELD
COLD
HOT
SHIELD
COLD
HOT
3
2
1
To connect balanced lines to these inputs, use
a /4" Tip-Ring-Sleeve (TRS) plug. “TRS” stands
for Tip-Ring-Sleeve, the three connection points
available on a stereo /4" or balanced phone jack
or plug. TRS jacks and plugs are used for balanced
signals and are wired as follows:
/4" TRS Balanced Mono Wiring:
Sleeve = Shield
Tip = Hot (+)
Ring = Cold (–)
To connect unbalanced lines to these inputs,
use a /4" mono (TS) phone plug, wired as follows:
/4" TS Unbalanced Mono Wiring:
Sleeve = Shield
Tip = Hot (+)
NEVER connect the output of an amplifier
directly to a Thump input jack. This could
damage the input circuitry!
SLEEVE
TIPSLEEVE
TIP
RING
RING
TIP
SLEEVERING
SLEEVE
TIP
TIPSLEEVE
TIP
SLEEVE
DUCKING FB ELIMINATOR SIG/OL
CH1 CH2 MAIN
THRU
LINE
MIC
OFF
ON
LINE
UU
MAX
LINE MIC
U
MAX
∞-∞
MAX
-∞
GAIN VOLUMEGAIN
1
7
8
9
2
3
6
4
11
5
10

Owner’s Manual
11
Owner’s Manual
Thump Series Loudspeakers: Rear Panel Features continued...
4. /8" Input Jack [Ch. 2]
This input channel may accept an /8" line-level
signal from a phone, tablet, MP3 player, or other signal
source.
NEVER connect the output of an amplifier
directly to a Thump input jack. This could
damage the input circuitry.
The /8"line-level connection may
be used simultaneously with channel
2’s combo jack – XLR or /4".
In other words, if there is a physical connection
to the /8"line input and another physical
connection to the combo jack, none of those
inputs will be interrupted. An easy way to look
at it is... there are extra inputs! The /8"line-level
connection and XLR (or /4") connection sum
together and do not override each other.
5. Mic / Line Switch [Ch. ]
Because an XLR connector may be connected
to a mic or an instrument, this switch adjusts
the channel’s input sensitivity to optimize channel 
for mic or line-level signals. If a mic is connected,
this switch should be engaged and the gain knob –
more below – set to mic. If an instrument is connected
to channel  (via XLR), this switch should be
disengaged and the gain knob set to line.
6. Gain Knobs [Ch.  and 2]
If you haven’t already, please read the “Quick Start”
section on page 4. Setting the gain correctly will ensure
that the preamplifier’s gain is not too high, where
distortion could occur, and not too low, where
the quieter, exquisitely-delicate passages might
be lost in background noise.
The gain knobs allow signals from the outside world
to be adjusted to run through each channel at optimal
internal operating levels.
If connecting mixer outputs to Thump inputs, set the
gain knobs to 9:00 [“LINE”] for optimal sound and
performance.
Keep in mind that these “MIC” and “LINE”
markings are for reference only and may
need to be raised or lower.
7. Thru Jack
This is a male XLR-type connector that produces
the mix from the input jacks. Use it to daisy-chain
several Thump loudspeakers together o the same
signal source(s).
They are wired as follows, according to standards
specified by the AES (Audio Engineering Society):
Balanced XLR Output Connector
Pin  – Shield (ground)
Pin 2 – Positive (+ or hot)
Pin 3 – Negative (– or cold)
See page 8 to learn more about daisy-chaining
Thump loudspeakers.
8. Main Volume Knob
The volume knob adjusts the overall signal level
at the input to the built-in power amplifiers.
It ranges from O (– ) to MAX (maximum gain).
• Thump loudspeakers are designed to operate
with a +0 dBu signal when all knobs are at
the center position.
• Thump loudspeakers may accept up to a +20 dBu
signal by turning down the channel gain in line mode.
• Turning the main knob past center position will
provide enough gain to connect a microphone directly.
Most microphones will want the knob somewhere
around the 9:00 position. For safety, if you’re plugging
in a mic, start with the volume o and gradually
rotate it clockwise until you achieve the desired
volume... and be on the lookout for the dreaded
shriek of the feedback monster.
2
1
SHIELD
COLD
HOT
3
SHIELD
COLDHOT
3
2
1
CH1 CH2 MAIN
THRU
LINE
MIC
LINE
U U
MAX
LINE MIC
U
MAX
∞-∞
MAX
-∞
GAIN VOLUMEGAIN
7
8
45
6

Thump212 and Thump215 Powered Loudspeaker Series
12 Thump212 and Thump215 Powered Loudspeaker Series
9. Sig/OL LED
This dual-colored LED will illuminate green
when the input signal is present, indicating signal.
Thump loudspeakers have a built-in limiter that
helps to prevent the amplifier outputs from clipping
or overdriving the transducers. The LED illuminates
red when the limiter is activated. It’s okay for it to blink
red occasionally, but if it blinks frequently or lights
continuously, turn down the gain knob until it only
blinks occasionally.
Excessive limiting may lead
to overheating, which in turn
trips the thermal protect circuitry
and interrupts the performance. See ‘Thermal
Protection’ on page 4 for more information.
0. Music Ducking
Have you been to an event where music was playing,
then when someone spoke into the mic, that the music
volume decreased greatly (but was still there)? That’s
called “music ducking”!
When the music ducking switch is engaged,
the channel 2 level will decrease when a mic signal
is present on channel . As if by magic, once the
speaking is completed, the music will return back to its
previous level. True wizards, those engineers... and
none of them have long grey beards, robes and pointy
hats.
The audio nerds out there might like
to know that the channel 2 level decreases
by 0 dBu when a mic signal is present
in channel  (and when auto-ducking
is engaged, of course).
. Feedback Eliminator
The multi-band feedback eliminator hunts
down oending feedback frequencies and applies
up to six notch filters automatically to destroy
feedback and maximize gain prior to feedback.
This is a great tool for when an engineer is not present.
• O [Default] – The feedback eliminator is not
engaged. If filters have been applied, this setting will
retain its current filter settings if there are any, but they
will not be engaged until it is turned back on.
• On – When the automatic feedback eliminator is
turned on, scanning occurs continuously. The six filters
will engage sequentially when feedback is present until
all are used and then it will be locked. If feedback is
identified on an existing filter, the notch will deepen in
three steps to further destroy the oending feedback
frequency. Pretty cool, huh?
The feedback eliminator ONLY aects
channel  (mic and line mode).
DUCKING FB ELIMINATOR SIG/OL
OFF
ON
11 910
Thump Series Loudspeakers: Rear Panel Features continued...

Owner’s Manual
13
Owner’s Manual
2. Fan On / O
One of our favorite things about the Thump Series
is the Summer cool-o / Winter warm-up feature.
Is it hotter than the blazes out where you are?
We’ve got you covered!
Simply press this switch to turn the fan on and o.
The speaker begins acting like a fan, blowing out cool
air!
The LED will illuminate green when engaged (fan on).
3. Fan Speed
Want more? Of course you do! Here you’re able to
select the speed setting of the fan from  (the lowest
setting) to 5 (the highest setting).
Quickly press this button to what setting you
would like, up to five times. The LED will flash green
the number of the current setting.
4. Mist Level
A rotating fan with multiple speeds is a nice feature,
but when a mister is thrown in...? Oh, all bets are o!
When the mist level switch is engaged, a light spray
of water is dispersed to keep the band and crowd nice
and refreshed throughout the performance. The LED
will illuminate green when engaged (mist on).
FAN
SPEED
MIST
LEVEL
FAN
ON / OFF
HEAT
ON / OFF
HEAT
LEVEL
ROTATE
12
15
13
16
14
17
5. Heat On / O
The fan feature is nice... but what if it’s 40˚ below with
20 feet of snow outside and a wind chill factor of the
frozen tundra? Yeah, we’ve got you covered there, too!
The built-in heater is great, especially when in the
monitor position. Gotta love warm tootsies! Just like
with the fan, simply press this switch to turn the heat
on and o. The LED will illuminate green when engaged
(heat on).
6. Heat Level
If the temperature is the aforementioned “frigid”,
we’re pretty confident that you’re going to want
to crank the heat... perhaps not, but we’d bet on it!
This works similarly to that of the fan speed
with settings ranging from  (low heat) to 5
(cranked heat). Quickly press this button to what
setting you would like, up to five times. The LED
will flash green the number of the current setting.
7. Rotate
Last, but absolutely not least... the fan AND heater are
both rotatable (although the one switch controls which-
ever one is engaged, of course).
The rotation speed may be set to  (low), 2 (medium),
or 3 (high). As with the fan speed and heat level,
quickly press this button to what setting you would
like, up to three times. The LED will flash green
the number of the current setting.
Please note that the rotation function only
works when the loudspeaker is mounted
on the T00 tripod or SPM400 pole mount.
Operators are standing by!
Thump Series Loudspeakers: Rear Panel Features continued...

Thump212 and Thump215 Powered Loudspeaker Series
14 Thump212 and Thump215 Powered Loudspeaker Series
Protection Circuitry
Thump loudspeakers employ a built-in limiter for less
distortion at peak levels. A dynamic bass response
circuit provides optimal low frequency response
regardless of overall output level. Additional protection
includes automatic thermal shutdown should the amp
overheat. However, with Class-D amp technology, which
is highly-ecient, this should never be a problem.
The protection circuits are designed to
protect the loudspeakers under reasonable
and sensible conditions. Should you choose
to ignore the warning signs [e.g. excessive distortion],
you can still damage the woofer in the loudspeaker
by overdriving it past the point of amplifier clipping.
Such damage is beyond the scope of the warranty.
Limiting
The polymer high frequency driver has its own
compression circuit which helps protect it from
damaging transient peaks. The compressor is
designed to be transparent and is not noticeable
under normal operating conditions.
Overexcursion Protection
A subsonic filter circuit just prior to the power
amplifier prevents ultra-low frequencies from being
amplified. Excessive low-frequency energy can damage
the woofer by causing it to “bottom out,” also know
as overexcursion, which is equivalent to a mechanical
form of clipping.
Thermal Protection
All amplifiers produce heat. Thump loudspeakers
are designed to be ecient both electrically
and thermally. In the unlikely event of the amplifier
overheating, a built-in thermal switch will activate,
muting the signal.
When the amplifier has cooled down to a safe
operating temperature, the thermal switch resets
itself, and the Thump loudspeaker resumes normal
operation.
If the thermal switch activates, try turning down
the level control a notch or two on the mixing console
to avoid overheating the amplifier. Be aware that direct
sunlight and/or hot stage lights may be the culprit
of an amplifier overheating.
AC Power
Be sure the Thump loudspeaker is plugged into
an outlet that is able to supply the correct voltage
specified for your model. It will continue to operate
at lower voltages, but will not reach full power.
Be sure the electrical service can supply enough
amperage for all the components connected to it.
We recommend that a sti (robust) supply
of AC power be used because the amplifiers place
high current demands on the AC line. The more power
that is available on the line, the louder the speakers
will play and the more peak output power will be
available for a cleaner, punchier bass. A suspected
problem
of “poor bass performance” is ofen caused by a weak
AC supply to the amplifiers.
Never remove the ground pin on the power
cord or any other component of the Thump
loudspeaker. This is very dangerous.
Care and Maintenance
Your Thump loudspeakers will provide many years
of reliable service if you follow these guidelines:
• Avoid exposing the loudspeakers to moisture.
If they are set up outdoors, be sure they are under
cover if rain is expected.
• Avoid exposure to extreme cold (below freezing
temperatures). If you must operate the loudspeakers
in a cold environment, warm up the voice coils slowly
by sending a low-level signal through them for about
5 minutes prior to high-power operation.
• Use a dry cloth to clean the cabinets.
Only do this when the power is turned o.
Avoid getting moisture into any of the openings of
the cabinet, particularly where the drivers are located.

Owner’s Manual
15
Owner’s Manual
Placement
WARNING: Installation should only
be done by an experienced technician.
Improper installation may result in damage
to the equipment, injury or death. Make sure that
the loudspeaker is installed in a stable and secure
way in order to avoid any conditions that may be
dangerous for persons or structures.
Thump loudspeakers are designed to sit on the floor
or stage as the main PA or as monitors. They may
also be pole-mounted via the built-in socket on
the bottom of the cabinet. Be sure the pole is capable
of supporting the weight of the loudspeaker.
The T00 is a great tripod option and the SPM400
is a nice choice when using a subwoofer.
NEVER attempt to suspend a Thump
loudspeaker by its handles.
Check to make sure that the support surface
(e.g. floor, etc.) has the necessary mechanical
characteristics to support the weight of the
loudspeaker(s).
When pole-mounting loudspeakers, be sure that they
are stabilized and secured from falling over or being
accidentally pushed over. Failure to follow these
precautions may result in damage to the equipment,
personal injury, or death.
Thump loudspeakers may be laid out horizontally as
monitors for the band at a 40˚ angle (as seen below). It
is intended to be used only when the speaker is in its
wedge configuration and works best when on a hard
work surface, like a stage.
As seen above, the Running Man logo is rotatable
for when the loudspeaker is used as a monitor!
Room Acoustics
Thump loudspeakers are designed to sound fantastic
in nearly every application.
But, room acoustics play a crucial role in the overall
performance of a sound system. However, the wide
high-frequency dispersion of the Thump loudspeakers
helps to minimize the problems that typically arise.
Here are some additional placement tips to help
overcome some typical room problems that might arise:
• Placing loudspeakers in the corners of a room
increases the low frequency output and can cause
the sound to be muddy and indistinct.
• Placing loudspeakers against a wall increases
the low frequency output, though not as much
as corner placement. However, this is a good way
to reinforce the low frequencies, if so desired.
• Avoid placing the speakers directly on a hollow
stage floor. A hollow stage can resonate at certain
frequencies, causing peaks and dips in the frequency
response of the room. It is better to place them
on a sturdy stand designed to handle the weight
of the loudspeaker.
• Position the loudspeakers so the high-frequency
drivers are two to four feet above ear level for
the audience (making allowances for an audience
that may be standing/dancing in the aisles).
High frequencies are highly directional and tend
to be absorbed much easier than lower frequencies.
By providing direct line-of-sight from the loudspeakers
to the audience, you increase the overall brightness and
intelligibility of the sound system.
• Highly reverberant rooms, like many gymnasiums
and auditoriums, are a nightmare for sound system
intelligibility. Multiple reflections o the hard walls,
ceiling, and floor play havoc with the sound. Depending
on the situation, you may be able to take some steps
to minimize the reflections, such as putting carpeting
on the floors, closing draperies to cover large glass
windows, or hanging tapestries or other materials
on the walls to absorb some of the sound.
However, in most cases, these remedies are not
possible or practical. So what do you do? Making
the sound system louder generally doesn’t work
because the reflections become louder, too.
The best approach is to provide as much direct sound
coverage to the audience as possible. The farther away
you are from the speaker, the more prominent will be
the reflected sound.
Use more speakers strategically placed so they
are closer to the back of the audience. If the distance
between the front and back speakers is more than
about 00 feet, you should use an external delay
processor to time-align the sound. (Since sound
travels about  foot per millisecond, it takes about
/0 of a second to travel 00 feet.)

Thump212 and Thump215 Powered Loudspeaker Series
16 Thump212 and Thump215 Powered Loudspeaker Series
Appendix A: Service Information
Noise
• Make sure all connections to the loudspeakers
are good and sound.
• Make sure none of the signal cables are routed near
AC cables, power transformers, or other EMI-inducing
devices.
• Is there a light dimmer or other SCR-based device
on the same AC circuit as the loudspeaker?
Use an AC line filter or plug the loudspeaker into
a dierent AC circuit.
Hum
• Try disconnecting the cable connected to the input
jack. If the noise disappears, it could be a “ground
loop,” rather than a problem with the loudspeaker.
Try some of the following troubleshooting ideas:
• Use balanced connections throughout your
system for the best noise rejection.
• Whenever possible, plug all the audio
equipment’s line cords into outlets which share
a common ground. The distance between
the outlets and the common ground should
be as short as possible.
Other Issues
• Please email or call Technical Support if you
are having any other issue not listed here:
o mackie.com/support-contact
o -800-898-32
Repair
For warranty service, refer to the warranty information
on page 20.
Non-warranty service is available at a factory-authorized
service center. To locate the nearest service center, visit
www.mackie.com/support/service-locator. Service for
Thump loudspeakers living outside the United States
may be obtained through local dealers or distributors.
If you do not have access to our website, please call
our Tech Support department at -800-898-32 (normal
business hours, Pacific Time), to explain the problem.
They will tell you where the nearest factory-authorized
service center is located in your area.
If you think your Thump loudspeaker has a problem,
please check out the following troubleshooting tips and do
your best to confirm the problem. Visit the Support section
of our website (www.mackie.com/support) where you
will find lots of useful information such as FAQs and other
documentation. You may find the answer to the problem
without having to part with your loudspeaker.
Troubleshooting
No power
• Our favorite question: Is it plugged in? Make sure
the AC outlet is live [check with a tester or lamp].
• Our next favorite question: Is the power switch on?
If not, try turning it on.
• Make sure the line cord is securely seated in the line
cord socket and plugged all the way into the AC outlet.
• Is the power LED on the front panel illuminated?
If not, make sure the AC outlet is live. If so, refer
to “No sound” below.
• The internal AC line fuse may be blown. This is not
a user serviceable part. If you suspect the AC line
fuse is blown, please see the "Repair" section next.
No sound
• Is the level knob for the input source turned all the way
down? Verify that all the volume controls in the system
are properly adjusted. Look at the level meter
to ensure that the mixer is receiving a signal.
• Is the signal source working? Make sure
the connecting cables are in good repair and securely
connected at both ends. Make sure the output level
control on the mixing console is turned up suciently
to drive the inputs of the speaker.
• Make sure the mixer does not have a mute on
or a processor loop engaged. If you find something
like this, make sure the level is turned down before
disengaging the oending switch.
• Has it shut down? Make sure there is at least six
inches of free space behind each loudspeaker.
Poor sound
• Is it loud and distorted? Make sure that you’re not
overdriving a stage in the signal chain. Verify that
all level controls are set properly.
• Is the input connector plugged completely into
the jack? Be sure all connections are secure.

Owner’s Manual
17
Owner’s Manual
Thump Loudspeakers Specifications
Appendix B: Technical Information
Safety Features
Input Protection Peak and RMS limiting, power supply
and amplifier thermal protection
Feedback Eliminator On / O
Display LED Rear panel signal / overload
Physical Properties
Thump22:
Height: 24.4 in / 620 mm
Width: 4.0 in / 356 mm
Depth: 4.0 in / 356 mm
Weight: 27.6 lb / 2.5 kg
Thump25:
Height: 27.4 in / 696 mm
Width: 7.3 in / 439 mm
Depth: 4.0 in / 356 mm
Weight: 32.6 lb / 4.8 kg
Mounting Methods:
Floor mount, pole mount via the built-in socket on the bottom
of the cabinet [Be sure the pole is capable of supporting
the weight of the loudspeaker].
There are no rigging points and they are NOT suitable for rigging.
Do not suspend a Thump loudspeaker by its handles.
See page 5 for more information.
Options
Thump22 Speaker Bag P/N 2047360-09
Thump22 Rolling Speaker Bag P/N 2047360-0
Thump25 Speaker Bag P/N 2047360-
Thump25 Rolling Speaker Bag P/N 2047360-2
T00 Loudspeaker Tripod Stand P/N 2052464
SPM400 Loudspeaker Pole Mount P/N 205055
Disclaimer
Since we are always striving to make our products better
by incorporating new and improved materials, components,
and manufacturing methods, we reserve the right to change
these specifications at any time without notice.
The “Running Man” figure is a registered trademark of LOUD
Audio, LLC.
All other brand names mentioned are trademarks or registered
trademarks of their respective holders, and are hereby
acknowledged.
©2022 LOUD Audio, LLC. All Rights Reserved.
Acoustic Performance
Frequency Range (–0 dB) 47 Hz – 23 kHz [Thump22]
40 Hz – 23 kHz [Thump25]
Frequency Range (–3 dB) 54 Hz – 20 kHz [Thump22]
47 Hz – 20 kHz [Thump25]
Horizontal Coverage Angle 90º
Vertical Coverage Angle 60º
Maximum SPL Peak 28 dB [Thump22]
29 dB [Thump25]
Monitor Angle 40˚
Transducers
Low Frequency 2 in / 305 mm [Thump22]
5 in / 38 mm [Thump25]
with ferrite
High Frequency .0 in / 25 mm polymer
compression driver
Power Amplifiers
System Power Amplification
Rated Power 400 watts peak
Low Frequency Power Amplifier
Rated Power 200 watts peak
Rated THD < %
Cooling Convection
Design Class D
High Frequency Power Amplifier
Rated Power 200 watts peak
Rated THD < %
Cooling Convection
Design Class D
Input/Output
Input Type 2x Female XLR – /4" Balanced
TRS combo jack
Mic/Line Impedance 0 k Balanced
/8˝ Line Impedance 0 k Balanced
Thru Out Male XLR Balanced
Thru Out Impedance 300 Balanced
Electronic Crossover
Crossover Frequency 2. kHz
Line Input Power
Detachable line cord 00–240V~, 50–60 Hz, 75W
AC Connector 3-pin IEC 250 VAC, 0 A male
Power Supply Type Switchmode

Thump212 and Thump215 Powered Loudspeaker Series
18 Thump212 and Thump215 Powered Loudspeaker Series
Thump22 Dimensions
14.0 in
356 mm 14.0 in
356 mm
24.4 in
620 mm
WEIGHT
27.6 lb
12.5 kg
Thump25 Dimensions
17.3 in
439 mm 14.0 in
356 mm
27.4 in
696 mm
WEIGHT
32.6 lb
14.8 kg

Owner’s Manual
19
Owner’s Manual
Thump Block Diagram
Amp
Amp
Limiter
Limiter
LF
Equalization
HF
Equalization
Thermal
Monitoring
Crossover
DUCKING
FB ELIMINATOR
OFF
ON
SUM
∞
-∞
OFF
ON
1/8" / 3.5mm

Thump212 and Thump215 Powered Loudspeaker Series
20 Thump212 and Thump215 Powered Loudspeaker Series
Limited Warranty
Please keep your sales receipt in a safe place.
This Limited Product Warranty (“Product Warranty”) is provided by LOUD Audio, LLC (“LOUD”) and is applicable to products
purchased in the United States or Canada through a LOUD-authorized reseller or dealer. The Product Warranty will not extend
to anyone other than the original purchaser of the product (hereinafer, “Customer,” “you” or “your”).
For products purchased outside the U.S. or Canada, please visit www.mackie.com to find contact information for your local
distributor, and information on any warranty coverage provided by the distributor in your local market.
LOUD warrants to Customer that the product will be free from defects in materials and workmanship under normal use
during the Warranty Period. If the product fails to conform to the warranty then LOUD or its authorized service representative
will at its option, either repair or replace any such nonconforming product, provided that Customer gives notice of the
noncompliance within the Warranty Period to the Company at: www.mackie.com or by calling LOUD technical support
at .800.898.32 (toll-free in the U.S. and Canada) during normal business hours Pacific Time, excluding weekends
or LOUD holidays. Please retain the original dated sales receipt as evidence of the date of purchase. You will need it
to obtain any warranty service.
For full terms and conditions, as well as the specific duration of the Warranty for this product, please visit www.mackie.com.
The Product Warranty, together with your invoice or receipt, and the terms and conditions located at www.mackie.com
constitutes the entire agreement, and supersedes any and all prior agreements between LOUD and Customer related
to the subject matter hereof. No amendment, modification or waiver of any of the provisions of this Product Warranty
will be valid unless set forth in a written instrument signed by the party to be bound thereby.
• Visit www.mackie.com/support to find: FAQs, manuals, addendums, and other documents.
• Email us at: www.mackie.com/support-contact
• Telephone [phone] to speak with one of our splendid technical support chaps
(Monday through Friday, normal business hours, Pacific Time).
Need help with the Thump Loudspeakers?