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  9. Mungo Enterprises c0 User manual

Mungo Enterprises c0 User manual

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Frequency Offset, added to modulation sets the frequency
of the sample rate conversion and convolution.
Slew Limiter, variable slew rate applied to the linear
frequency. Exponentially scaled.
Signal Output, full range DC coupled output from the
sample rate convertor.
SD Card, reads 16bit mono .wav files off
FAT formatted SD cards from W0.WAV to
W9.WAV in sequence. Sample rate insensitive,
maximum length 12,000 samples.
Frequency Modulation, signal input and depth control
scaled in V/octave.
Input Amplifier, bipolar gain control of input amplitude.
Signal Inputs, full range DC coupled inputs. When the
zoom control is held in (+) during loading a limited
DC cut filter will be applied to the inputs.
Clock Input, frequency tracking input.
Power, ±12V 25mA
+5V 250mA operating
12HP
Amplitude Modulation, signal input and depth control
for exponential amplifier. Will provide gain to both the
modulated signal and the source.
Amplitude Offset, added to modulation sets the
exponential gain applied to the convolution.
Load Button, loads a waveform into the convolution
kernel from the SD card, holding the zoom control in (+)
while loading will enable interpolation. Holding the button
while no SD card is installed will adjust delay time
up/down alternately.
Convolution Output, full range DC coupled output with
gain and convolution applied.
Delay Offset, independent to each channel, added to
the modulation and midi note value. Exponentially scaled.
Ranges from 0.2 ms to over 2 s.
Slew Limiter, variable slew rate applied to the delay time
of both channels independently. Exponentially scaled.
Signal Outputs, full range DC coupled outputs.
Tune Button, generates a C4 reference square wave on
both outputs. Feeding back this to the A input calibrates the
delay transit time for tuned feedback. Holding zoom +/-
while pressing this button sets the delay time of both
channels to track midi note data.
Delay Modulation, independent to each channel, signal
input and depth control scaled in V/octave.
Input Amplifier, bipolar gain control of channel A.
Signal Inputs, full range DC coupled inputs.
Clock Input, frequency tracking input applied to both
channels. Delay times remain a fixed multiple of the clock
period.
Power, ±12V 25mA
+5V 125mA operating
12HP
Sum Button, adds channel A into channel B predelay.
Holding zoom +/- while pressing this button enables a DC
cut filter on the inputs.
Frequency Offset, added to modulation and midi note
value sets the cutoff frequency of the low pass filter.
Scaling is exponential V/octave for both the offset and
modulation sources.
Resonance Offset, added to modulation sets the gain of
the feedback path in the filter. With appropriate curve
amounts and total loop gain the filter will self oscillate.
Curve Offset, added to modulation sets the gain about
zero of the curve/distortion component in the signal path.
Positive values produce gain and an overdrive distortion
type transfer function, while negative values reduce gain
and produce inverse (crossover) distortion.
VCA Output, output signal of filter amplified by
exponential amplifier.
Direct Output, of filter and curve functions in series.
Frequency Modulation, signal input and depth control
scaled in V/octave.
Assignable Modulation, signal input and depth control.
Can modulate any of the 3 continuous controls to the right
by selecting top/middle/bottom with zoom +/none/- when
pressing the function button.
VCA Input, signal input and depth control for exponential
amplifier. Will provide gain to both the modulated signal
and the source.
Source Input, signal to be filtered.
Function Button, swaps between 12 and 24 dB/octave
slope of the filter core.
Power, ±12V 25mA
+5V 125mA operating
12HP
Depth Offset, added to modulation sets the offset of
the audio window ratiometrically to the remaining buffer
within the full waveform.
Width Offset, added to modulation sets the width of the
audio window ratiometrically to the full size of waveform.
Tracking Output, output signal in V/octave estimating
the frequency of the input waveform.
Audio Output, output signal of modulated audio.
Depth Modulation, signal input and depth control linearly
scaled in volts per second of delay/offset time.
Width Modulation, signal input and depth control linearly
scaled in volts per second of audio window.
Input, trimmed 1V/octave input during waveform playback
otherwise used for input of live audio.
Reset Input, positive going edge triggers reset of
wavefrom playback. High level holds grain or recording
in live input modes.
Power, ±12V 25mA
+5V 125mA operating
12HP
Function Button, swaps between live modes or
loads waveform from SD card if present.
SD Card, reads 16bit mono .wav files off
FAT formatted SD cards from W0.WAV to
W9.WAV in sequence. Sample rate insensitive,
maximum length 500,000 samples.
Frequency Modulation, signal input and depth control
scaled in V/octave.
Frequency Offset, added to fixed and variable
modulation and midi note value sets the frequency of the
sawtooth core oscillator.
Tracking Button, enables correction of output pitch,
hold when pressing the function button to latch setting.
Live Mode, the function button swaps between the two live modes
when an SD card is not installed.
While the LED is lit the hold mode is enabled, it samples the current
grain at a positive going edge on the reset input and continues to
play this until a negative going edge ignoring any changes to the
window depth or width while held. Note, the buffer will overflow if
the hold is maintianed for many seconds and the grain will glitch as
it jumps to the new data.
Swapping to the record pause mode (LED unlit), holding the reset
input high will disable filling the buffer. This can be used to sample
live sounds for manipulation as all functions operate as normal, but
while paused all incoming sound will be lost.
Playback Mode, the function button cycles through the wave files
stored on the SD card if inserted. Once a file is loaded the card can
be removed and the sound will remain in memory until the function
button is pressed again to change mode or load another sound.
Files named W0.WAV to W9.WAV stored in the root directory of the
card will be loaded in sequence one at a time. They must be 16 bit
mono wave files in the .wav format, the sample rate is ignored and
up to 500,000 samples can be loaded into the buffer for realtime
manipulation.
Interpolation, holding in zoom (+ or -) when loading a waveform
or changing modes will enable interpolation of the output audio.
Dozens or less, maintains only tonal information
window size can create strong formants.
Hundreds, microsound fragments that are hard to
identify their source.
Thousands, sample fragments where the source
is clear but rhythmically devoid.
Tens of thousands, sampling maintaining the
rhythmic context of the source material.
Grain size, has a strong effect on the
resultant sounds, adjusting the window
size dramatically changes the result.
Window Size in Samples
Delay Time, period between trigger and attack of envelope
scaled exponentially.
Attack Rate, rate at which envelope approaches full scale,
scaled exponentially.
Decay/Release Rate, rate at which envelope approaches
zero, scaled exponentially.
Sum Output, output signal of all channels summed.
Envelope Output, direct envelope output, 0-10V unipolar.
Modulation, signal input and depth control modulating
the gain of channel 1.
Channel 1, signal input and inverting gain/attenuation.
Channel 2, signal input and inverting gain/attenuation.
Channel 3, trimmed unity input.
Gate Input, positive going edge triggers envelope.
Power, ±12V 25mA
+5V 125mA operating
12HP
Function Button, swaps between attack-decay or
attack-release modes of the envelope. Selecting zoom
+/- when pressing the button assigns the envelope to the
modulation or channel 2 depth respectively.
Width Offset, added to the modulation sets the peak
amplitude of the noise signal, maintaining a constant signal
power.
Filter Offset, added to the modulation and oscillator
frequency, sets the frequency cutoff of the low pass filter
and slew limiter functions. Range includes infinite hold.
Sampled Output, DC coupled output trimmed for offset
and gain.
Sampling Button, swaps between sample & hold
and track & hold functions and triggers a sample
immediately. Selecting zoom +/- when pressing the
button enables midi tracking of the oscillator and filter.
Width Modulation, signal input and depth control scaled
in linear amplitude.
Filter Modulation, signal input and depth control scaled
in V/octave.
Signal Input, full range DC coupled input, functions as
a 1V/octave input when sampling noise/oscillator.
Reset Input, positive going edge triggers reset of
oscillator, or sampling if oscillator is stopped.
Power, ±12V 25mA
+5V 125mA operating
12HP
Function Button, swaps between applying the slew
limiter or low pass filter to the sampled signal. Selecting
zoom +/0/- when pressing the button selects the source
as noise/signal in/oscillator for sampling.
Frequency Modulation, signal input and depth control
scaled in V/octave.
Frequency Offset, added to the modulation sets the
frequency of the oscillator triggering the sampling. Range
inlcudes completely stopped.
Noise Output, unprocessed output from noise source.
Strike Softness, filter of the impulse.
Central Size, damping area, ratiometric to full size.
Impulse Output, full amplitude trigger signal.
Final Output, synthesised output.
Size, modulation input, depth, and offset control
scaled in V/octave. Continuously variable.
Location of strike, modulation input, depth, and
offset control used at trigger. Ratiometric of size.
Decay, modulation input, depth, and offset control
used at trigger. Exponentially scaled.
Velocity, offset from nominal +/- 5V range.
Power, ±12V 25mA
+5V 125mA operating
Trigger Input, positive going edge trigger.
16HP
Central Decay, decay in central region.
Trigger Button, manually triggers a strike. Holding
+ zoom while pressing latches maximum velocity,
holding - zoom silences the entire model.
Width, ratio of width to depth of sound stage.
Scaled exponentially.
Decay, exponentially scaled, maintains constant
power at output.
Direct Output, dry delayed signal without reverb.
Full Output, output including all reflections.
Size, modulation input, depth, and offset control
exponentially scaled. Size of the entire sound stage.
Location of source, modulation input, depth, and
offset control. Ratiometric of size from front to back.
Location of pickup, modulation input, depth, and
offset control. Ratiometric of source location to back.
Audio input, DC coupled, +/- 10V range.
Power, ±12V 25mA
+5V 175mA operating
16HP
Reflection filter, highpass or lowpass filter
applied to each reflection of sound.