http://www.phaedrus-audio.com Version 6
Appendix 1 –Specifications
Model: Groove Sleuth Adaptor MM
Sensitivity @5cm/s: 5mV RMS
Input load: >47kΩ
Frequency Response: ±1dB: 10Hz to 100kHz
Noise (EIN): 1.0µV A-weighted, 200Ω termination (better than -70dB relative to 5mV RMS)
Headroom: >40dB (relative to nominal level of 5mV RMS)
THD on 5mV RMS signal at 1kHz: 0.003%
Current draw (from 48V phantom): 1.5mA
Model: Groove Sleuth Adaptor MC
Sensitivity @5cm/s: 0.5mV RMS (Gain = 11dB)
Input load: >100R
Frequency Response: ±1dB: 20Hz to 100kHz
Noise (EIN): 100nV A-weighted (better than -65dB relative to 0.5mV RMS)
Headroom: >40dB (relative to nominal level of 0.5mV RMS)
THD on 0.5mV RMS signal at 1kHz: 0.03%
Current draw (from 48V phantom): 1.5mA
Model: Groove Sleuth Adaptor PHLUX (PHLUX-II)
Sensitivity @5cm/s: 5mV RMS
Input load: Suitable for PHLUX/PHLUX-II
Frequency Response: ±1dB: 10Hz to 100kHz
Noise (EIN): 1.0µV A-weighted, 200Ω termination (better than -70dB relative to 5mV RMS)
Headroom: >40dB (relative to nominal level of 5mV RMS)
THD on 5mV RMS signal at 1kHz: 0.02%
Current draw (from 48V phantom): 1.5mA. 0.5mA (PHLUX-II Black)
Phædrus Audio reserves the right to change specifications without notice.
Appendix 2 - Stereo Lab
Groove Sleuth Adaptors are designed to work with Pspatial
Audio’s Stereo Lab software suite for the capture and archiving of
records from the oldest shellac types to today’s high-mass LPs.
In Stereo Lab, RIAA equalisation is not implemented using the
inaccurate analogue equalisation: instead the EQ is implemented
with digital accuracy. Optional rumble-filtering is implemented
with a phase-linear filter; in this case, something you could only
dream of in analogue domain.
In addition, Stereo Lab includes: distortion cancellation algorithms
(which compensate for the way the stylus tracks the physical groove) and cartridge-compensation
algorithms to compensate for the shortcomings of practical phono cartridges. Stereo Lab also
includes a unique, world-class "click and pop" filter to reduce the perceptible effects of surface
damage.
Historic Equalisation Needle-drop Mode
For the record collector, Stereo Lab also includes a Historic Equalisation mode which implements a
comprehensive collection of gramophone-record equalisation curves; enabling the correct de-
emphasis of 33, 45 and 78 RPM recordings made with EMI 78 (HMV 78 or Blumlein), BSI 33/78,