Phonic Powerpod 865 Plus User manual

Powerpod 885 Plus
User's Manual
Manual del Usuario
POWERPOD 865
POWERPOD 885

MOLDED POWERED MIXER
MEZCLADORA AMPLIFICADA MOLDEADA
ENGLISH .....................................I
ESPAÑOL .....................................II
V1.1 05/24/2012
English Español
POWERPOD 865
POWERPOD 885

1
POWERPOD 865 / POWERPOD 885
English
CONTENTS
USER'S MANUAL
Phonic preserves the right to improve or alter any information within this
document without prior notice.
INTRODUCTION...................................................................................................1
FEATURES........................................................................................................1
BASIC SETUP..............................................................................................................2
Getting Started................................................................................................2
Channel Setup................................................................................................2
STALLING RACK MOUNT KIT...................................................................................3
EXPANSION SLOT FOR WIRELESS RECEIVER..................................................3
UTILIZING THE MOLDED MIXER............................................................................4
MAKING CONNECTIONS.........................................................................................5
Channel Inputs................................................................................................5
Master Section.................................................................................................5
Rear Panel......................................................................................................6
CONTROLS AND SETTINGS..................................................................................7
Rear Panel....................................................................................................7
Channel Controls..........................................................................................7
Digital Effect Section.....................................................................................8
Master Section..............................................................................................8
SPECIFICATIONS....................................................................................10
APPENDIX
DIGITAL EFFECT TABLES.......................................................................................1
APPLICATION......................................................................................................2
DIMENSIONS............................................................................................3
BLOCK DIAGRAMS..................................................................................................4

2POWERPOD 865 / POWERPOD 885
English
1. Read these instructions before operating this
apparatus.
2. Keep these instructions for future reference.
3. Heed all warnings to ensure safe operation.
4. Follow all instructions provided in this document.
5. Do not use this apparatus near water or in locations
where condensation may occur.
6. Clean only with dry cloth. Do not use aerosol or liquid
cleaners. Unplug this apparatus before cleaning.
7. Do not block any of the ventilation openings. Install
in accordance with the manufacturer
’ s instructions.
8. Do not install near any heat sources such as radiators,
heat registers, stoves, or other apparatus (including
.
9. Do not defeat the safety purpose of the polarized or
grounding-type plug. A polarized plug has two blades
with one wider than the other. A grounding type plug
has two blades and a third grounding prong. The wide
blade or the third prong is provided for your safety. If
the provided plug does not into your outlet, consult
an electrician for replacement of the obsolete outlet.
10. Protect the power cord from being walked on or
pinched particularly at plug, convenience receptacles,
and the point where they exit from the apparatus.
11. Only use attachments/accessories by the
manufacturer.
12. Use only with a cart, stand, tripod, bracket, or
table by the manufacturer, or sold with
the apparatus. When a cart is used, use caution
when moving the cart/apparatus
combination to avoid injury from tip-
over.
13. Unplug this apparatus during lighting
storms or when unused for long
periods of time.
14. Refer all servicing to service personnel.
Servicing is required when the apparatus has been
damaged in any way, such as power-supply cord or
plug is damaged, liquid has been spilled or objects
have fallen into the apparatus, the apparatus has
been exposed to rain or moisture, does not operate
normally, or has been dropped.
IMPORTANT SAFETY INSTRUCTIONS
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK,
DO NOT REMOVE COVER (OR BACK)
NO USER SERVICEABLE PARTS INSIDE
REFER SERVICING TO QUALIFIED PERSONNEL
The lightning flash with arrowhead symbol, within an
equilateral triangle, is intended to alert the user to the
presence of uninsulated
“ dangerous voltage ” within the
product ’
magnitude to constitute a risk of electric shock to persons.
The exclamation point within an equilateral triangle is in-
tended to alert the user to the presence of important operat-
ing and maintenance (servicing) instructions in the literature
accompanying the appliance.
WARNING: To reduce the risk of or electric shock, do
not expose this apparatus to rain or moisture.
CAUTION: Use of controls or adjustments or performance
of procedures other than those may result in
hazardous radiation exposure.
The apparatus shall not be exposed to dripping or splashing and that no objects with liquids, such as vases,
shall be placed on the apparatus. The MAINS plug is used as the disconnect device, the disconnect device shall
remain readily operable.
Warning: the user shall not place this apparatus in the area during the operation so that the mains switch
can be easily accessible.
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN

1
POWERPOD 865 / POWERPOD 885
English
1. Read these instructions before operating this
apparatus.
2. Keep these instructions for future reference.
3. Heed all warnings to ensure safe operation.
4. Follow all instructions provided in this document.
5. Do not use this apparatus near water or in locations
where condensation may occur.
6. Clean only with dry cloth. Do not use aerosol or liquid
cleaners. Unplug this apparatus before cleaning.
7. Do not block any of the ventilation openings. Install
in accordance with the manufacturer
’ s instructions.
8. Do not install near any heat sources such as radiators,
heat registers, stoves, or other apparatus (including
.
9. Do not defeat the safety purpose of the polarized or
grounding-type plug. A polarized plug has two blades
with one wider than the other. A grounding type plug
has two blades and a third grounding prong. The wide
blade or the third prong is provided for your safety. If
the provided plug does not into your outlet, consult
an electrician for replacement of the obsolete outlet.
10. Protect the power cord from being walked on or
pinched particularly at plug, convenience receptacles,
and the point where they exit from the apparatus.
11. Only use attachments/accessories by the
manufacturer.
12. Use only with a cart, stand, tripod, bracket, or
table by the manufacturer, or sold with
the apparatus. When a cart is used, use caution
when moving the cart/apparatus
combination to avoid injury from tip-
over.
13. Unplug this apparatus during lighting
storms or when unused for long
periods of time.
14. Refer all servicing to service personnel.
Servicing is required when the apparatus has been
damaged in any way, such as power-supply cord or
plug is damaged, liquid has been spilled or objects
have fallen into the apparatus, the apparatus has
been exposed to rain or moisture, does not operate
normally, or has been dropped.
IMPORTANT SAFETY INSTRUCTIONS
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK,
DO NOT REMOVE COVER (OR BACK)
NO USER SERVICEABLE PARTS INSIDE
REFER SERVICING TO QUALIFIED PERSONNEL
The lightning flash with arrowhead symbol, within an
equilateral triangle, is intended to alert the user to the
presence of uninsulated
“ dangerous voltage ” within the
product ’
magnitude to constitute a risk of electric shock to persons.
The exclamation point within an equilateral triangle is in-
tended to alert the user to the presence of important operat-
ing and maintenance (servicing) instructions in the literature
accompanying the appliance.
WARNING: To reduce the risk of or electric shock, do
not expose this apparatus to rain or moisture.
CAUTION: Use of controls or adjustments or performance
of procedures other than those may result in
hazardous radiation exposure.
The apparatus shall not be exposed to dripping or splashing and that no objects with liquids, such as vases,
shall be placed on the apparatus. The MAINS plug is used as the disconnect device, the disconnect device shall
remain readily operable.
Warning: the user shall not place this apparatus in the area during the operation so that the mains switch
can be easily accessible.
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
INTRODUCTION
Thank you for choosing one of Phonic’s many quality powered mixers. The unique Powerpod Molded Powered Mixers –
innovated by the same talented engineers that have created a variety of mixers fantastic in style and performance in the
past – display similar prociency that previous Phonic products have shown - with more than a few renements, of course.
The all new Powerpod Molded Powered Mixers feature full gain ranges, amazingly low distortion levels, and incredibly
wide dynamic ranges, just showing the dominance these small machines will have in the mixing World.
The innovative features of Powerpods 865 and 885 Plus are obvious at rst glance. The new molded casing provides
not only added durability, but versatility that has previously been unavailable in mixers. Thanks to the Powerpod Molded
Mixers’ construction, you can simply place the mixer on a desk-top or other surface to sit at a 45° angle for a better view
of controls and easier utilization of the mixer. It is also possible to mount the new Powerpods on a unique tri-pod stand,
allowing users to bring the mixer up into their focal visual and dextral range.
Because of the over-all distinctiveness of the Powerpods 865 and 885 Plus, we know by now you’re already extremely
eager to get started and see what this baby can do, but before you do we strongly urge you to take a look through this
manual. Inside, you will nd important facts and gures on the set up, use and applications of your brand new mixer. If you
do happen to be one of the many people who atly refuse to read user manuals, then we just urge you to at least glance
at the Instant Setup section. After glancing at or reading through the manual (we applaud you if you do read the entire
manual), please store it in a place that is easy to nd, because, chances are, there is something you missed the rst time
around.
FEATURES
Common Features
 Angled molded cabinet
 Dual 7-band graphic equalizers with feedback
detection system
 Vocal eliminator for Karaoke
 Solid Phonic System speaker enhancement
 2 Super Hi-Z inputs optimized for direct input of
acoustic electric guitars and electric guitars or
basses
 2 built-in limiters
 3-band channel EQ, 2 channels with sweepable
mid-range
 Monitor and effect sends on each input channel
 +48V phantom power
 Record output with trim control for recording level
matching
 2 speakon and 5 1/4" phone jacks for speaker
connection
 Optional tripod stand to raise cabinet, model
number S3
 Optional rack-mounting kit, model name ER-
PLUS
 Wireless mic tuner compartment for optional
module, model number UM31, UM41, and UM51
Powerpod 865 Plus
 300W + 300W / 4 ohms amplier for main L & R or
main / monitor (Bridge mono, 600W / 8 ohms)
 32/40-bit digital stereo multi-effect processor with 100
programs, tap delay and test-tones
 8 balanced mic inputs through XLR jacks
 10 line inputs through 1/4" jacks
 Pad control on channels 1 through 6
 Stereo aux input
Powerpod 885 Plus
 400W + 400W / 4 ohms amplier for main L & R or
main / monitor (Bridge mono, 800W / 8 ohms)
 Two 32/40-bit digital stereo multi-effect processors
with 100 programs, tap delay and test-tones
 8 balanced mic inputs through XLR jacks
 10 line inputs through 1/4" jacks
 Pad control on channels 1 through 6
 Stereo aux input

2POWERPOD 865 / POWERPOD 885
English
BASIC SETUP
Getting Started
1. Ensure all power is turned off on the Molded Mixer.
To totally ensure this, the AC cable should not be
connected to the unit.
2. All faders and level controls should be set at the
lowest level and all channels switched off to ensure
no sound is inadvertently sent through the outputs
when the device is switched on. All levels should
be altered to acceptable degrees after the device is
turned on.
NB. Ensure that the rear of the mixer is not less than 30 centimeters from
the wall, as being closer than that may obstruct the cooling fans and
cause overheating.
3. Plug all necessary instruments and equipment into
the device's various inputs as required. This may
include line signal devices, as well as microphones
and/or guitars, keyboards, etc.
4. Plug any necessary equipment into the device's
various outputs. This could include speakers,
monitors, signal processors, and/or recording
devices.
NB. No devices other than speakers should be connected to the power
amp outputs. Plugging inappropriate devices into the mixer will likely
cause damage to the device. Also, guitar cables should not be used
to connect ampliers to speakers.
5. Plug the supplied AC cable into the AC inlet on the
back of the device, ensuring the local voltage level is
identical to that required on your device.
6. Plug the supplied AC cable into a power outlet of a
suitable voltage.
7. Turn the power switch on.
Channel Setup
1. To ensure the correct audio level of the input channel
is selected, each of the level input controls of the
Mixer should be turned counterclockwise as far as
they will go (which is the 0 mark).
2. No input other than the one being set should have
any device plugged in. This will ensure the purest
signal is used when setting channels.
3. Set the level control of the channel you are setting to
the 0 dB mark.
4. Set the master level controls (main & monitor) to
around the 12 o’clock position.
5. Ensure the channel has a signal sent to it similar to
the signal that will be sent when in common use.
For example, if the channel is using a microphone,
then you should speak or sing at the same level the
performer normally would during a performance; if
a guitar is plugged into the channel, then the guitar
should also be strummed as it normally would be (and
so on). This ensures levels are completely accurate
and avoids having to reset them later.
6. Set the channel level control so the Level Meter
indicates the audio level is around the 0 dB mark.
7. This channel is now ready to be used; you can stop
making the audio signal.
8. You can repeat the same process for other channels.

3
POWERPOD 865 / POWERPOD 885
English
INSTALLING RACK MOUNT KIT
An optinoal rack mount kit ER-PLUS can easily be added to your Powerpod Molded Powered Mixer, allowing it to be
installed into a standard 19" rack. To do so, the handles of the Molded Mixer should rst be removed, as indicated in
the pictures below.
After removing the Powerpod Molded Powered Mixers' handles, attach the rack mounting kit parallel to either side of
the mixer face using the screws provided along with the optional kit. Ensure the kit is rmly attacked before attempting
to attach the Powerpod Mixer to a rack.
After attaching the Powerpod Molded Powered Mixer to your audio rack, you may then set up all your inputs and
outputs as may be necessary. The Powerpod Molded Mixer will take up 7 standard units of rack space.
EXPANSION SLOT FOR WIRELESS RECEIVER
You may have noticed a small door on the side of your
Powerpod Molded Mixer, which, inside, has a small expansion
slot. This is for the addition of a wireless receiver module
(the Phonic WM40-L, not included with this mixer. The WM-
SYS1 mono wireless transmitter/receiver kit is available
at all Phonic retailers.). By simply inserting your wireless
receiver module into the expansion slot, and screwing it into
place, you can then receive a wireless signal through your
Powerpod Molded Mixer (wireless transmittion is achieved
through the Phonic WM60 wireless transmitter. The WM40-L
and WM60 are available together in the WM-SYS1 wireless
kit at your nearest Phonic dealer). The signal of the wireless
input is defaultly routed to the channel 1 input.

4POWERPOD 865 / POWERPOD 885
English
UTILIZING THE MOLDED MIXER
At A 45°Angle or Perpendicular To The Ground
Mounted On A Tripod
Attach tripod stand's
connection plate to
Mixer using screws
provided.
Use the special molded casing's
unique design allows the
Powerpod Molded Powered
Mixer to sit at an angle that
best suits your needs and your
environment.
By using the optional tripod
stand you are able to
maintain the best control
over your mixer's position.
Optional tripod stand, model name S3.

5
POWERPOD 865 / POWERPOD 885
English
Master Section
5. Effect Out
This 1/4" TS outputs may be
used to connect to an external
digital effect processor, or even
to an amplier and speakers
(depending on your needs), to
the mixer; the level of which is
determined by the Effect controls
on each input channel.
6. Foot Switch Jack
This port is for the inclusion of a momentary-type foot
switch, used to remotely turn the Digital Effect Engine on
and off.
7. AUX In
These 1/4" phone jack inputs are for the return of audio to
the Powerpod Molded Mixers, processed by an external
signal processor. If really needed, they can also be used as
additional inputs, with a level control located on the face of
the mixer. These stereo AUX inputs can also accept mono
signals, however, by simply plugging the 1/4" phone jack of
any device into the left stereo input, the signal of which will
be duplicated to the right input.
8. Tape In
These inputs accommodate RCA cables from such stereo
devices as tape and CD players. These allows the unit to
receive the signal from portable CD and MP3 players, as
well as laptop computers, for a more versatile sound. The
line from this feed is directed to the Tape In mixing bus,
before being fed through to the Main L/R mixing bus.
9. Record Outputs
As with the Tape In
ports, these outputs will
accommodate RCA cables,
able to feed a variety of
stereo recording devices.
Accompanying these
outputs on the Powerpod
885 Plus is a handy trim
control, allowing users to
adjust the Record Out level
for easier level matching
when recording. The
865 does not feature this
control.
10. Main Output
The stereo Main output port will output the nal stereo
line level signal sent from the main mixing bus, allowing
users to feed external devices that may run in parallel with
the mixer. This may include additional power ampliers,
mixers, PA systems, as well as a wide range of other
possible signal processors.
MAKING CONNECTIONS
Channel Inputs
The Powerpod 865 and 885 Plus Molded Powered Mixers
provide users with a total of 8 input channels, 2 of which
accept stereo signals, and another 2 that accept Super
Hi-Z signals. The stereo channels on each mixer feature
both XLR microphone inputs and stereo 1/4" line inputs.
These inputs do not feature the PAD buttons that are on
mono channels.
1. XLR Microphone (Low-Z) Inputs
These jacks accept XLR Microphone inputs. They can be
used in conjunction with such microphones as professional
condenser, dynamic or ribbon microphones with standard
XLR male connectors. With low noise preampliers, these
inputs serve for crystal clear sound replication.
NB. When using an unbalanced microphone, please ensure phantom power
is switched off. However, when using condenser microphones the phantom
power of the corresponding channel should be activated.
2. Line (Hi-Z) Inputs
These inputs accept typical 1/4" TRS or TS inputs, for
balanced or unbalanced signals. By pushing the PAD
button, guitars, synthesizers, and other high-level input
devices can be safely connected to these inputs.
3. Line (Super Hi-Z) Inputs
These unbalanced 1/4" phone jack inputs are best suited
for direct input of acoustic electric guitars, electric guitars,
bass guitars, and other instruments like synthesizers and
drum machines.
4. Stereo Channels
Each of the Powerpod Molded Powered Mixers provides
2 stereo input channels, the inputs of which differ slightly
to the mono channels. The 3-pin XLR inputs are for the
addition of microphones with typical XLR male inputs,
where the two Line 1/4" TS jacks are for the addition of
various stereo line level input devices, such as keyboards
or drum machines. If you wish to use a monaural device on
a stereo return input, simply plug the device’s 1/4" phone
jack into the left (mono) input and leave the right input bare.
The signal will be duplicated to the right due to the miracle
of jack normalizing.
1
2
34
5
6
7
8
10
9

6POWERPOD 865 / POWERPOD 885
English
11. Monitor Output
The Monitor output port can be used to send the audio
signal to external devices, such as powered monitors, for
artists or engineers to monitor audio. The signal for this
output is taken from the monitor mixing bus, the nal level
of which is controlled by the Master Monitor level control,
which takes its signal from the Monitor controls on each
individual input channel.
Rear Panel
12. Speaker Outputs
These jacks are used to connect to speakers, fed from
the internal power ampliers A and B. The rst set of
outputs (A-1 and B-1) are professional speaker (Speakon)
connectors; to use these, insert an appropriate four pin plug
into the connector, and twist to lock into place. The second
set of outputs (A-2, A-3, B-2 and B-3) are 1/4" phone jacks;
to use these, simply insert an appropriate 1/4" TS plug
into them. Accompanying these outputs is a Mono Bridge
output, which solely outputs the main mono signal with the
combined power of both built-in ampliers.
One Speaker per Channel: When connecting a
single speaker to each channel's output, speakers with
impedances between 4 and 8 ohms should be used. This
is the case for both the Phone Jack and Professional
Speaker Connectors.
Two Speakers per Channel: When connecting two
speakers to the Speaker Outputs, the loading of each
speaker should be between 8 and 16 ohms (as two 8 ohm
speakers will form a total loading of 4 ohms, two 16 ohm
speakers a total loading of 8 ohms, etc).
Three Speakers per Channel: If you wish to connect to all
three speaker outputs, the loading of each speaker should
be between 12 and 16 ohms (since three 12 ohm speakers
will create a total loading of 4 ohms).
Bridge Mono: When using bridge mono mode, either
the Bridge Mono (1/4" phone jack) output connection or
Professional Speaker output A-1 connection can be used
(however should not be used simultaneously). The total
loading of the speaker used should be no less than 8 ohms.
NB.Only use passive speakers in conjunction with the Speaker outputs, as
to avoid damaging any equipment.
When connecting to professional speaker connector A-1,
power amp A can be utilized through pins 1+ and 1-, power
amplier B can be utilized through pins 2+ and 2-. For
professional speaker connector B-1, power amplier B
can be utilized through pins 1+ and 1-. Pins 2+ and 2- are
not used on professional speaker connector B-1. When in
bridge mono mode, pins 1+ and 2+ on speakon jack A-1
are used only.
12
11

7
POWERPOD 865 / POWERPOD 885
English
13. Mains Power Inlet
This port is used to plug the socket end of the included
AC cable. The other end should be connected to an
appropriate power source. Ensure you check local voltage
levels are consistent with those needed by this device
before attempting to connect to a power source.
CONTROLS AND SETTINGS
Rear Panel
14. Power Button
This button is used to turn the Powerpods 865 and 885
Plus on or off. It is advisable to ensure all level controls are
a minimum before turning the device on.
Channel Controls
15. HIGH (High Frequency) Control
This control is used to give a shelving
boost or cut of ±15 dB to high frequency
(12 kHz) sounds. This will adjust the
amount of treble included in the audio
of the channel, adding strength and
crispness to sounds such as guitars,
cymbals, and synthesizers.
16. MID (Middle Frequency) Control
This control is used to provide a
peaking style of boost and cut to the
level of middle frequency sounds at a
range of ±15 dB. On channels 1 and
2 of the Powerpod Molded Powered
Mixers, a frequency control is also
provided, allowing you to select a
center frequency between 100 Hz
and 8 kHz. On all other channels, the
middle frequency is set at 2.5 kHz.
Changing middle frequencies of an
audio feed can be rather difcult when
used in a professional audio mix, as it
is usually more desirable to cut middle
frequency sounds rather than boost
them, soothing overly harsh vocal and
instrument sounds in the audio.
17. LOW (Low Frequency) Control
This control is used to give a shelving boost or cut of ±15
dB to low frequency (80 Hz) sounds. This will adjust the
amount of bass included in the audio of the channel, and
bring more warmth and punch to drums and bass guitars.
18. Monitor Control
This control alters the signal level that is sent to the Monitor
mix, the signal of which is suitable for connecting stage
monitors, allowing artists to listen to the music that is being
playing.
19. EFX Send Controls
This controls alter the signal level that is sent to the built-in
digital effect engines. The effects controls also adjust the
signal level sent to the Effect output, which can be used
in conjunction with external signal processors (the signal
of which can be returned to mixer via the stereo return
inputs), or simply as additional auxiliary outputs for any
means you may require.
As the Powerpod 885 Plus features 2 EFX processors,
Phonic have also encorporated an EFX 2 button. This button
will allow users to switch the corresponding channel's EFX
signal's destination from built-in EFX processor 1 to EFX
processor 2. This function is not available on the 865 Plus.
20. PAN/BAL Control
This alternates the degree or level of audio that the left
and right side of the main mix should receive. On mono
channels, this control will adjust the level that the left
and right should receive, where as on a stereo channel
(provided the channel is receiving a stereo signal), adjusting
the BAL control will attenuate the left or right audio signals
accordingly.
21. Level Control
This control will alter the signal level that is sent from the
corresponding channel to the main mixing bus. This level
control will also affect the level of audio sent to the effect
send.
22. PAD Button
The PAD button is used to attenuate the input signal of the
corresponding channel by 25 dB. This should be pushed
in when using line level input devices, or any device with a
higher signal level.
14 13
15
16
17
18
19
20
21
22

8POWERPOD 865 / POWERPOD 885
English
Digital Effect Section
23. Digital Effect Display
This panel displays the titles of different effects that can
be added to audio. When you select the effect, the LED
imbedded next to the effect name will illuminate and the
alteration be applied automatically.
24. Program Control
This control is used to scroll through the various effects
shown on the Digital Effect Display. Turning the control will
automatically change the effect and apply it to the mix.
25. Parameter Control
This will adjust the one main parameter of the digital effect
that is currently applied to the audio feed. Please refer
to the Digital Effects Table for more information on Effect
parameters.
26. Peak Indicator
This LED indicator will illuminate when the Digital Effect
Processor overloads. It is best to adjust the Effect control
on input channels so as to ensure the Peak indicator does
not light up. This will ensure a greater quality overall of
audio.
27. DSP Effect On Button and Indicator
This button is pushed to turn the corresponding effect
panel on or off. When the effect processor is turned on, the
corresponding LED illuminates.
28. Tap Delay Button and Indicator
When the tap delay effect is selected, this button is used
to determine the delay time. By pushing the button several
times, the mixer interprets the time between last two pushes
and remembers this as the delay time until the button is
pushed again. When the tap delay effect is selected, the
corresponding LED will ash at the intervals selected.
Master Section
29. Graphic Equalizer and Feedback Detection System
Each of the Powerpod Molded Mixers features two 7
band graphic equalizers that allow the user to adjust the
frequency response of the Main Left and Right signals or
Monitor and Main signals, as selected by the GEQ select
switch. The graphic equalizers provide a maximum of 12
dB of cut or boost on each frequency.
One feature, built into the Powerpod Molded Mixer graphic
equalizers, is a Feedback Detection System. The individual
LEDs located on the slide VR controls of the equalizer
will illuminate when feedback occurs on those particular
frequency band. By reducing the level of any frequency
band that has an illuminated LED you can quite effectively
remove feedback from your audio; after which the LED will
turn off. If an LED ashes, yet you are unable to hear any
feedback, it is probably best not to adjust the level. When
feedback occurs, the LED will generally light up and remain
lit.
30. EFX to Mon/Main Controls
These controls, one located below each of the Graphic
Equalizers, allow users to adjust how much of signal
processed by the built-in effects processor is sent to the
Main or Monitor mixing buses accordingly.
31. Tape In Controls
These controls, located below each of the Graphic
Equalizers, are used to adjust the level of the Tape In input
that will be sent to the main or monitor mixes, accordingly.
32. AUX In Control
This control, located below the Main Graphic Equalizer, is
used to adjust the level of the AUX In input, that will be sent
to the main mix.
33. GEQ Select Switch
The GEQ switch, located below the Monitor Graphic
Equalizer, allows you – the user – to decide how to utilize
the two Graphic Equalizers to best suit your needs. When
switched to the uppermost position, the Graphic EQs will
be used for the Monitor and Main signals. When set in
the lower position, the Graphic EQ will be used to adjust
the Main left and right signal properties separately. The
feedback detection system is always used for whatever
signal the equalizer is utilized to.
23
24
25
27
28
26 29
30
33 31
32

9
POWERPOD 865 / POWERPOD 885
English
34. Vocal Eliminator
Pushing this switch in enables you to eliminate vocal
sections of any signal fed from a CD or tape player (or any
other input device) into the Tape In inputs. Using phase
cancellation of vocal frequency ranges between the left
and right channels, the Powerpod Molded Mixer’s vocal
eliminator can effectively remove vocals panned dead
center. This is particularly useful for Karaoke application.
35. Power Indicator
The Power Indicator, located above the Monitor Level
Meter, will light up when the power of the Powerpod Molded
Mixer is switched on.
36. LED Level Meters
These 5-segment LED level meters show the output levels
of their corresponding signals. The Monitor output features
a mono level meter, whereas the Main output has a stereo
meter for the Main Left and Right signal. The LEDs give
you a constant visual warning of excessive peaks in signals
that might cause overloading. Adjusting the output level
control to cause indicator lights to occasionally sit at the
0 position will ensure you get little to no distortion. The
signals monitored by these meters are in no way changed
when the GEQ selection switch is used.
37. Master Controls
The two VR Master level controls allow users to adjust the
nal output of the Monitor and Main left and right signals,
before sending the signals to the built-in power amplier.
38. Phantom Power Switch and Indicator
When this switch is in the on position it activates +48V
of Phantom Power for channels 1 through to 8, allowing
condenser microphones to be used on these channels'
XLR inputs. The corresponding LED will illuminate when
the Master Phantom Power is activated. Ensure you turn
the channel level control, as well as the main and monitor
master level controls, to a minimum (meaning all the way
to the left) before activating Phantom Power, as to avoid
causing unwanted noise, or even damage to your audio
system.
39. Amp Select Switch and Built-in Limiter
This switch allows users to alternate between the different
signals that can be processed by the built-in power amp
and routed to the speaker outputs on the rear of the device.
It enables users to select from: L / R; Main L+R / Mon,
and; Bridge Mono – which is output via either professional
speaker (Speakon) output A-1 or 1/4" (L+R) Bridge output
only – ensuring the Powerpod Plus mixers can be used for
most any possible speaker conguration.
NB. When using a mono bridge connection, do not connect a
speaker to either the 1/4" phone jacks or the professional speaker
jack B-1 speaker connector, located on the rear of the mixer.
The two LED indicators above this switch illuminate when
the Powerpod Plus' built-in limiters are activated, affectively
limiting distortion caused by excessive signals. In the case
of the limiter being activated, users are advised to reduce
the corresponding signal for that output until the limiter LED
stops lighting up.
40. sPs (Solid Phonic System) Speaker Enhancement
Switch and Indicator
Using this switch will enable the user to give their sound
a little lift to improve the overall robustness of the audio. It
basically cuts very low frequency sounds, those which are
barely audible to the human ear, and gives a slight boost
to frequencies just above the cut frequencies. Cutting
the unnecessary low frequency sounds then allows the
power amplier to direct its energy to the more important
elements of your audio. It may be desirable to audition the
mixer’s sound with this switch on and off, and decide which
is better for your purposes. Activation of the sPs switch is
accompanied by an illuminated LED.
41. Stand-by Switch and Indicator
This switch enables and disables a mute of channels 1
through to 8 on the Powerpods 865 and 885 Plus. This
feature is useful in live performances, due to the fact that
the Tape In and stereo AUX Returns are not muted when
activated, allowing an audio signal from CD players or other
input devices to be played during performance breaks,
while still ensuring microphones fail to produce feedback
(or any sound what-so-ever). Activation of the stand-by
switch is accompanied by an illuminated LED that, when
on, will ash.
34
35
38
39
40
41
36
37

10 POWERPOD 865 / POWERPOD 885
English
SPECIFICATIONS
Powerpod 865 PLUS Powerpod 865 PLUS
Power Amplier
Power Channels 2 2
Limiters 2 2
8-Ohm Load per Channel 195 260
4-Ohm Load per Channel 300 400
4-Ohms Bridged Mono 600 800
Inputs
Mono Mic/Line Channels 6 6
Stereo Channels 2 2
Super Hi-Z Inputs 2 2
Tape in Stereo RCA with Vocal
Eliminator
Stereo RCA with Vocal
Eliminator
Pan 1 N/A
Aux In 1X Stereo 1X Stereo
Outputs
Speaker Outputs 2X Speakon, 4X TS 1/4” 2X Speakon, 4X TS 1/4”
Main Mix (Line) Level 2 TRS 1/4” 2 TRS 1/4”
Aux Sends 1 Monitor 1 Monitor
Record Output Stereo RCA Stereo RCA with Trim
Channel Strips
Total Channel Strips 8 8
Monitor/Effect Send
Controls 2 (1 for Monitor, 1 for EFX) 3 (1 for Monitor, 2 for EFX)
Volume Controls Rotary Rotary
PAD In/Out 6 6
Master Section
Aux Send Masters 1 Monitor 1 Monitor
Tape in 2 2
Aux Returns 1 1
Effects Return N/A 4 (2 for DSP1, 2for DSP2)
Faders Rotary (Main) Rotary (Main)
Level Meter 5-segment 5-segment
Phantom Power Supply +48V (global switch) +48V (global switch)
Digital Effects
(DFX)
Programs 100 Dual 100
Effect Processor Controls 1 program selector 2 program selector
Foot Switch On/Off On/Off

11
POWERPOD 865 / POWERPOD 885
English
Channel
Equalizer
Type 3-band, CH1&2 with Swept-
Freq
3-band, CH1&2 with Swept-
Freq
Range +/-15 dB +/-15 dB
Low 80 Hz 80 Hz
Mid 2.5k Hz 2.5k Hz
High 12 KHz 12 KHz
Graphic
Equalizer
Phonic Solid System Yes Yes
Master 7-band 7-band
Center Frequencies 125, 250, 500, 1K, 2K,
4K,8KHz
125, 250, 500, 1K, 2K,
4K,8KHz
Range +/-12 dB +/-12 dB
Feedback Detection Yes Yes
Frequency
Response
20Hz~20KHz, line level o/p
@ +4 dBu into 600 ohms +0/-2 dB +0/-2 dB
20Hz~20KHz, power amp
o/p 1 Watt into 8 ohms +0/-2 dB +0/-2 dB
Crosstalk (@ 1
KHz)
Adjacent inputs or input to
output <-63 dB <-63 dB
Noise
Master fader down <-78 dBu <-78 dBu
Master fader 0 dB, ch.
faders down <-63 dBu <-63 dBu
Total Harmonic Mic input to main mix output
@ +14 dBu <0.5%, 4 ohms, @60 Watts <0.5%, 4 ohms, @60 Watts
Distortion (THD)
Any output, 1KHz
@+14dBu, 20Hz~20KHz,
channel inputs
<0.3% <0.3%
Maximum Level
Mic Preamp Input +10 dBu +10 dBu
All Other Inputs +22 dBu +22 dBu
Unbalanced Outputs +22 dBu +22 dBu
Power Supply Mains Voltage 100-120V~, 220-240V~,
50/60Hz
100-120V~, 220-240V~,
50/60Hz
Power Consumption 300Watts 400Watts
Dimensions (W x H x D) 474X348X340mm
(19”X14”X13”)
474X348X340mm
(19”X14”X13”)
Weight 11 kg (24.2 lbs) 12 kg (26.4 lbs)

12 POWERPOD 865 / POWERPOD 885
English
SERVICE AND REPAIR
For replacement parts, service and repairs please contact the Phonic distributor in your
country. Phonic does not release service manuals to consumers, and advice users to not
attempt any self repairs, as doing so voids all warranties. You can locate a dealer near you at
http://www.phonic.com/where/.
WARRANTY INFORMATION
Phonic stands behind every product we make with a no-hassles warranty. Warranty coverage
may be extended, depending on your region. Phonic Corporation warrants this product for a
minimum of one year from the original date of purchase against defects in material and
workmanship under use as instructed by the user’s manual. Phonic, at its option, shall repair
or replace the defective unit covered by this warranty. Please retain the dated sales receipt as
evidence of the date of purchase. You will need it for any warranty service. No returns or repairs
will be accepted without a proper RMA number (return merchandise authorization). In order to
keep this warranty in effect, the product must have been handled and used as prescribed in the
instructions accompanying this warranty. Any tampering of the product or attempts of self repair
voids all warranty. This warranty does not cover any damage due to accident, misuse, abuse,
or negligence. This warranty is valid only if the product was purchased new from an authorized
Phonic dealer/distributor. For complete warranty policy information, please visit
http://www.phonic.com/warranty/.
CUSTOMER SERVICE AND TECHNICAL SUPPORT
We encourage you to visit our online help at http://www.phonic.com/support/. There you can find
answers to frequently asked questions, tech tips, driver downloads, returns instruction and other
helpful information. We make every effort to answer your questions within one business day.
[email protected]
http://www.phonic.com

13
Español
POWERPOD 865 / POWERPOD 885
CONTENIDO
Manual del Usuario
Phonic se reserva el derecho de mejorar o alterar cualquier información
provista dentro de este documento sin previo aviso.
INTRODUCCIÓN............................................................................1
CARACTERÍSTICAS..........................................................................1
SETUP BÁSICO.................................................................................................2
Iniciando ................................................................................................2
Setup de Canal ......................................................................................2
INSTALANDO KIT DE MONTAJE EN RACK.....................................................3
EXPANSIÓN DE SLOT PARA RECEPTOR INALÁMBRICO.............................3
UTILIZANDO MEZCLADORA MOLDEADA.......................................................4
HACIENDO CONEXIONES................................................................................5
Entradas de Canal................................................................................5
Sección Master....................................................................................5
Panel de Dorso....................................................................................6
CONTROLES Y AJUSTES................................................................................7
Panel de Dorso.....................................................................................7
Controles de Canal...............................................................................7
Sección de Efecto Digital......................................................................7
Sección Master.....................................................................................8
ESPECIFICACIONES..........................................................................11
TABLAS DE EFECTOS DIGITALES..................................................................1
APLICACIÓN....................................................................................................2
DIMENSIONES.................................................................................3
DIAGRAMAS DE BLOQUE................................................................................4

14
Español
POWERPOD 865 / POWERPOD 885

1
Español
POWERPOD 865 / POWERPOD 885
INTRODUCCIÓN
Gracias por elegir una de las muchas mezcladoras ampli-
cadas de calidad de Phonic. Las únicas Mezcladoras Am-
plicadas Moldeadas Powerpod –innovadas por los mis-
mos ingenieros talentosos que han creado una variedad
de fantásticas mezcladoras en estilo y funcionamiento en
el pasado – demuestran las eciencias similares que los
anteriores productos de Phonic han mostrado –con unas
cuantas mejoras por supuesto. Las Mezcladoras Amplica-
das Moldeadas Powerpod totalmente nuevas presentan
rangos completos de ganancia, niveles de distorsión sor-
prendentemente bajos y rangos dinámicos increíblement-
emente amplios, mostrando simplemente la dominancia
que tendrán de estas pequeñas máquinas en el mundo de
la mezcla.
Las características inovadas de Powerpods 865 y 885 Plus
son obviamente a la primera vista. El nuevo estuche mold-
eado provee no solo más durabilidad, sino versatilidad que
no estaba disponible antes en las mezcladoras. Gracias
a la construcción de las Mezcladoras Moldeadas Power-
pod, usted puede colocar la mezcladora simplemente en
el escritorio u otro supercie a 45° para una mejor vista
de los controles y una utilización más fácil de la mezcla-
dora. También es posible montar las nuevas Powerpods en
un stand trípode único permitiendo a los usuarios llevar la
mezcladora a su foco visual y rango dextral.
Por toda la peculiaridad de Powerpods 865 y 885 Plus,
sabemos que está ansioso por comenzar y ve lo que pu-
ede hacer este bebé, pero antes de hacerlo, le sugerimos
encarecidamente que eche una mirada a este manual. Ad-
entro, usted encontrará hechos importantes y grácos en
la conguración, uso y aplicaciones de su nueva mezcla-
dora. Si usted es una de las tantas personas que se niega
a leer los manuales de usuario, entonces le pedimos que
por lo menos hojee la sección SETUP BÁSICO. Luego de
hojear o leer el manual (le aplaudimos si usted lee el en-
tero manual), por favor guardelo en un lugar donde pueda
encontrarlo fácil, porque puede haberle escapado algo en
la primera leida.
CARACTERÍSTICAS
CARACTERÍSTICAS COMUNES
● Gabinete moldeado angulado
● Ecualizadores grácos duales de 7-bandas con sistema
de detección de retroalimentación
● Eliminador de voz para Karaoke
● Realce sólido altavoz de sistema de Phonic
● 2 entradas Super Hi-Z optimizadas para entrada directa
de guitarras electroacústicas y guitarras eléctricas o bajos
● 2 limitadores integrados
● EQ de canal de 3-bandas, 2 canales con rango-medio
barrible
● Envíos de monitor y efecto en cada canal de entrada
● Fuente fantasma a +48V
● Salida de grabación con control de trim para aparejar
nivel de grabación
● 2 speakon y 5 jacks de audífono de 1/4” para conexión
de altavoz
● Stand trípode opcional para alzar el gabinete, modelo
número S3
● Kit de montaje en rack opcional, nombre de modelo ER-
PLUS
● Compartimiento de micrófono inalámbrico para módulo
opcional, modelo número UM31, UM41 y UM51
Powerpod 865 Plus
● Amplicador 300W + 300W / 4 ohms para main L&R o
main / monitor (Bridge mono, 600W / 8 ohms)
● 24-bits procesador digital estéreo multiefecto con 16
programas además de un control de parámetro principal,
control TAP y jacks para interruptor de pedal
● 8 entradas de micrófono balanceadas por jacks XLR
● 10 entradas de línea por jacks de 1/4”
● Control pad en canales de 1 a 6
● Entrada aux estéreo
Powerpod 885 Plus
● Amplicador 400W + 400W / 4 ohms para main L&R o
main / monitor (Bridge mono, 800W / 8 ohms)
● 24-bits procesador digital estéreo multiefecto con 16
programas además de un control de parámetro principal,
control TAP y jacks para interruptor de pedal
● 8 entradas de micrófono balanceadas por jacks XLR
● 10 entradas de línea por jacks de 1/4”
● Control pad en canales de 1 a 6
● Entrada aux estéreo

2
Español
POWERPOD 865 / POWERPOD 885
SETUP BÁSICO
Iniciando
1. Asegúrese de que todo el voltaje de la Mezcladora
Moldeada esté apagado. Para asegurarse completa-
mente de esto, el cable de AC no debe de estar co-
nectado a la unidad.
2. Todos los faders y controles de nivel deben de es-
tar seteados en el nivel más bajo y todos los canales
apagados para asegurarse que no se envía ningún
sonido inadvertidamente a través de las salidas cuando
se enciende el dispositivo. Todos los niveles deben ser
alterados a los grados aceptables después de que se
enciende el dispositivo.
NB. Asegúrese de que la parte posterior de la mezcladora no esté
menos de 30 centímetros de pared, al estar más cerca de eso
podría obstruir los ventiladores de enfriamiento y causar sobre-
calentamiento.
3. Conecte todos los instrumentos y equipo necesarios en
las varias entradas del dispositivo como sea necesario.
Esto puede incluir dispositivos de señal de línea, como
micrófonos y/o guitarras, teclados, etc.
4. Conecte todo el equipo necesario en las varias salidas
de dispositivo. Esto puede incluir altavoces, monitores,
procesadores de señal y/o dispositivos de grabación.
NB. Ningún otro dispositivo más que los altavoces deben de estar
conectado a las salidas del amplicador de potencia. Conectando
dispositivos inapropiados a la mezcladora causará daños al dis-
positivo. Tampoco se debe utilizar cables de guitarra para conec-
tar los amplicador a los altavoces.
5. Conecte el cable de AC a la entrada de AC en la parte
posterior del dispositivo, asegúrese de que el nivel del
voltaje local es idéntico al que es requerido por su dis-
positivo.
6. Conecte el cable de AC al toma corriente de voltaje ad-
ecuado.
7. Encienda la unidad.
Setup de Canal
1. Para aseguarar que se seleccionó el nivel de audio
correcto de canal de entrada, cada uno de los con-
troles de entrada de nivel de la Mezcladora debe girar
a la izquierda lo más que pueda (que es la marca 0).
2. Ninguna otra entrada más de la que está siendo con-
gurada debe tener algún dispositivo conectado. Esto
asegurará que se usa la señal más pura en el ajuste
de los canales.
3. Setee el control de nivel de canal que está ajustando a
la marca 0 dB.
4. Setee los controles de nivel master (main & monitor) a
la posición cercana de 12 horas.
5. Asegúrese de que el canal tenga un envío de señal
similar a la que se utilizará en uso común. Por ejemplo,
si el canal está utilizando un micrófono, entonces usted
deberá hablar o cantar al mismo nivel que el cantante
normalmente lo haría durante una presentación. Si una
guitarra está conectada dentro del canal, entonces la
guitarra también deberá tocarse al mismo nivel en que
se tocaría normalmente (y así sucesivamente). Esto
asegura que los niveles están completamente precisos
y evita tener que resetearlos más tarde.
6. Setee el control de nivel de canal de tal manera que
el Medidor de Nivel indica que el nivel de audio esté
alrededor de la marca 0 dB.
7. Este canal está ahora listo para ser utilizado; usted
puede dejar de hacer señal de audio.
8. Usted puede repetir el mismo proceso para otros cana-
les.