
Owner’s Reference DirectStream DAC MK2
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Introduction
PS Audio® Inc. 800-PSAUDIO 4865 Sterling Drive Boulder, Colorado 80301
steep anti-aliasing lter or the reconstruction lter aren’t considered benign by
many.
• DirectStream MK2 handles the PCM conversion from XLR/EBU, S/PDIF, Optical,
I2S and USB without recovering a clock, by simply watching for the edges and
making decisions about what they mean in context. The result is that any jitter
present on the input is lost entirely in the FPGA. There is no dierence in Optical
or I2S because the output clock’s rate only depends on the long term average
rate of the inputs not on any edge or other local feature.
The heart of DirectStream MK2 is the DSD engine itself. Regardless of input format,
whether PCM or DSD, all data are upsampled to 30 bits running at 20 times the standard
DSD rate and then back down again to double rate DSD for noise shaping.
The internal volume control keeps complete precision: every bit in the input aects the
output of the DAC for any volume level. Except for the sigma-delta modulation process
itself there is no rounding, dither or other trimming, not to 24 bits, not to 32 bits, not to
48 bits, but rather a full 50. The incoming PCM signal is 30 bits from the upsampling lter
and the volume control is 20 bits wide so all 50 bits of the output are used throughout the
sigma-delta conversion, requiring more than 50 bits of precision.
DSD only requires a nominal 20 bit signal to noise ratio, this design utilizes a minimum width
of 24 bits with wide lter coecients and 144dB S/N. Use of full precision everywhere and
many guard bits in the IIR lters and the sigma-delta modulator help maintain our goal of
perfecting the audio output.
While some designs may run out of headroom or approach saturation levels, depending on
the source material, the new design opts for an extra top bit everywhere in the digital path
coupled with an extra 6 dB of head room in the analog path beyond the 6 dB of headroom
that SACD uses. The top bit keeps PCM from saturating, even if that PCM was not
properly bandwidth limited in the initial recording process.
The output of the DSD engine is fed directly into the output stage, based on high speed
video ampliers and a passive output transformer.
Most output schemes for DSD modulators are active low pass lters, covering the required
120dB S/N ratio from 10Hz to 220MHz and have a number of design challenges and
problems associated with even the best designs.
If the analog processing isn’t linear and doesn’t have a very wide bandwidth, it will
modulate the high frequency noise that’s inherent in DSD back into the audio band. That
modulation will not result in just low level noise. In practice it will be aliased back into the
audible band with serious sonic consequences. To maintain low noise and linearity, the
design incorporates both high speed symmetrical video amps and a passive output lter.
The DSD
engine is its
heart
iv
Full headroom
with room to
spare