Radial Engineering Tonebone Headbone VT User manual

Headbone VT
www.tonebone.com
User Guide
Radial Engineering
1588 Kebet Way, Port Coquitlam BC V3C 5M5
tel: [phone] • fax: [phone]
[email protected] • www.radialeng.com
®

>>> IMPORTANT SAFETY AND LIABILITY NOTICE <<<
OWNERSHIP DISCLAIMER
Radial Engineering manufactures products that are safe for use
when connected as per the instructions in our owner’s manuals.
Manuals are freely available for download on our web sites. As
it is impossible for Radial to ensure the user is following these
instructions, the user must take full responsibility in the suitability
of purchasing a Radial product for his or her use.
For safe operation, the Headbone MUST be properly grounded, not
only to provide shielding from hum and noise, but also to prevent
any SHOCK HAZARD. The Headbone is connected to the earth
ground (AC-3rd ground pin) via its connection to Amp-1. You must
make sure that both ampliers being connected to the Headbone
are properly grounded and equipped with a 3rd safety pin on the
AC plug. It may be unsafe to use the Headbone with vintage am-
pliers equipped with a 2-prong plug or ampliers whose 3rd pin
has been removed or lifted. For safety, always consult a qualied
technician on making proper connections to the equipment that
you wish to connect.
It is important to note that all Radial products that function using
AC or DC electrical current, are sold with a government agency
approved power supply for use around the world (i.e. UL, CSA etc.).
We insist that Radial products be used with equipment that carries
the same or similar safety government approvals. If you plan to use
equipment that has not been approved by a government-approved
electrical safety body, you are doing so at your own risk.
By purchasing this product, you clearly understand that you are tak-
ing full responsibility for the use of this product. If, after purchasing
this product from your dealer, you are not comfortable in accepting
this responsibility, we ask that you return the product within 7 days
to the dealer for refund, credit or exchange. Consult your dealer on
their policy regarding this matter.
Radial Engineering accepts no responsibility (consequential or
inconsequential) for damage or injury caused by improper con-
nections, user error, using improperly grounded ampliers, or in-
jury caused by failure of the Headbone or any component inside.
The use of the Headbone implies that the user/owner agrees to
all of the terms stated within this document, and has made the
decision to keep the Headbone under these terms, and waives
his/her rights to a liability claim against Radial Engineering (or as-
sociated companies or directors) for any damage or injury caused
while using the Headbone. Please read the Headbone warranty
for further details.

Radial Engineering Ltd. Headbone User Guide
True to the Music
Congratulations on your purchase of a Radial Headbone!
As part of the growing family of Tonebone products, the Headbone VT
provides the discerning guitarist with options to achieve creative new
sounds with a simple, yet extremely versatile interface.
The Headbone VT is designed to connect two tube amplier heads to one
speaker cabinet and switch between ampliers with either the on-board
or remote footswitch. The Headbone uses pure Class-A electronics under
digital control to switch the hi-impedance guitar signals and speaker-
level outputs from your amps. Add Slingshot™ remote control and you
get a true marvel whose time has come! Best of all, the Headbone is
engineered to ensure the safe operation of your amps under demanding
live performance conditions.
To take advantage of the wonderful features that have been incorporated
into the Headbone, please take the time to read through this manual
before you use it. This will give you a broader sense of the Headbone’s
capabilities and ensure its safe and proper operation. If you have
questions that are not covered here, please visit the FAQ section on our
web site. This is where we post answers from questions that come from
users. If you have a question that is not covered there, please feel free
to send us an email at [email protected] and we will do our very best
to respond as quickly as possible.
RADIAL HEADBONE™OWNER’S MANUAL
Table Of Contents Page
Caution Statement & Legal Disclaimer..............................Inside cover
Introduction................................................................................1
Feature Set................................................................................3
Quick Start.................................................................................4
Getting To Know Your Headbone ..............................................6
FAQ ...........................................................................................10
Warranty ............................................................................Back cover

Radial Engineering Ltd. Headbone User Guide
INTRODUCTION
Attempting to use a solid-state amp with the Headbone VT
could damage your amp and/or the Headbone. This would
void your warranty. Please consult your dealer and make sure
you fully understand the ownership disclaimer on the inside
cover of this manual before using the Headbone.
When developing the Headbone, we asked guitarists: “What would be
the ultimate guitar setup?” Ask 10 guitarists this question and you will
likely get 10 different answers. The reason for this is simple: There are
no right answers as the possibilities are endless. So where do you start?
You need a concept. The following is a setup concept that will help get
those creative juices owing. It combines simplicity with awesome stage
performance.
In the example below, amp head-1 is a 100-Watt 2-channel amp with one
channel set to clean and the other set to saturated distortion. Amp head-2
is a low power 30-Watt amp that would be driven ‘hard’ for natural power-
tube overdrive. Inbetween the amps and a single speaker cabinet sits the
Headbone allowing you to select between amps with a remote footswitch
on your pedalboard. Add a good distortion pedal, like a Tonebone Classic
tube distortion, and your setup becomes a tone monster.
True to the Music
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Radial Engineering Ltd. Headbone User Guide
True to the Music
Why is this setup so cool? Because it truly covers all of the bases: the
powerful clean sound from a 100-Watt amp is radically different than a
cranked all-tube 30-Watt amp. A Headbone setup lets you quickly access
the tones from two amps with the convienence of footswitch control right
on your pedalboard. Best of all, you only have to carry around a single
speaker cabinet - a luxury that is best appreciated at two in the morning
after the gig!
Tone chart: two amp heads, one distortion pedal,
one speaker cabinet, six distinct amp tones.
Tone-1
Tone-2
Tone-3
Tone-4
Tone-5
Tone-6
TYPE OF SOUND
Clean Rhythm
Solo Distortion
Crunch Rhythm (change amp ch.)
Saturated Solo
Overdrive Rhythm (change heads)
Saturated Rhythm
OD
PEDAL
X
X
X
HEAD-1
CLEAN
CH. 1
X
X
HEAD-1
CRUNCH
CH. 2
X
X
HEAD-2
OVER-
DRIVE
X
X
2
With the Headbone in your rig, you are now able to specify which ampli-
er you will use for a particular song, passage or even phrase. You do
not have to compromise your tone, or carry around two amp-stacks to
get there. Headbone adds tonal exibility while reducing the amount of
equipment you must bring to the gig! More tone with less gear.
AMP HEAD-2
AMP HEAD-1

Radial Engineering Ltd. Headbone User Guide
True to the Music
FEATURE SET
1. Input Buffered – This is the primary input for your guitar and pedal
effects that do not buffer (pre-amplify) the signal.
2. Input Direct – Used when driving the Headbone from a device, like
the Radial Loopbone, that buffers (pre-amplies) the signal.
3. To Amp-1 Input – This is a ¼” hi-impedance guitar signal output that
connects from the Headbone to the input of the rst guitar amplier.
4. To Amp-2 Input – This is a ¼” hi-impedance guitar signal output
that connects from the Headbone to the input of the second guitar
amplier.
5. Ground Lift – This recessed switch connects the ground to Amp-2. This
switch is factory set in a ‘lifted’ position to eliminate ground loops.
6. Slingshot Remote Input – This ¼” input is used to remotely control the
Headbone from your pedalboard using a standard contact closure foot-
switch or another Tonebone device that features a Slingshot output.
7. From Amp-1 Output – Connects from the rst amplier’s speaker
output jack back to the Headbone. This is a speaker level signal, so
use a good quality speaker cable for best power transfer.
8. From Amp-2 Output – Connects from the second amplier’s speaker
output jack back to the Headbone.
9. To Speaker Cabinet – Connects the Headbone to your speaker
cabinet.
10. Power Supply Connection – The Headbone comes with its own
15VDC power supply in a choice of 100V, 110V, 220V and 240V
models.
11. Footswitch – Used to toggle the Headbone between Amp-1 and
Amp-2
12. LED Indicators – Indicates which amplier head is active.
3

Radial Engineering Ltd. Headbone User Guide
True to the Music
4
QUICK START
Before making any connections, ensure that your ampli-
ers are turned off, the Headbone power supply is discon-
nected, and volume controls are set to zero.
Throughout this manual, references are made to “guitar
level signals” and “speaker level signals”. The Headbone
passes both types and it is important to use the proper
cables.
A guitar level signal requires a good quality shielded
cable to work well. High quality guitar cables with proper
shielding will help reduce system noise and radio inter-
ference.
Speaker level signals require good quality unshielded
speaker cables. We recommend using a minimum of 14
AWG cables for speaker cable runs under 6 feet. Larger
gauge cables should be used for longer runs. Never use
shielded guitar cables for speaker connections.
1. Begin by connecting your guitar to the Headbone’s ¼” Buffered Input.
This will allow you to test the system more effectively during the initial
setup. For unbuffered (Direct) input use, please go to the section that
discusses this on page 7.
2. The Headbone VT is designed for tube amps exclusively.
Make sure both ampliers have their impedance set to
match the speaker cabinet impedance. If your speaker
cabinet is rated at 8 Ohms both amps should be set to 8
Ohms. If you are unsure about this, consult a qualied
technician. Always use good quality, heavy gauge speaker
cables to ensure the best possible power transfer.
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Radial Engineering Ltd. Headbone User Guide
True to the Music
5
QUICK START - CONNECTING THE VT
3. From the Headbone, connect the To Amp-1 Input jack to your rst
amp’s guitar input. This circuit connects the guitar to your rst amp.
4. From the Headbone, connect the To Amp-2 Input jack to your second
amp’s input. This circuit connects the guitar to your second amp.
5. From your rst amp’s speaker output, connect to the Headbone’s
From Amp-1 Output jack. This brings the signal from amp-1 back
to the Headbone.
6. From your second amp’s speaker output, connect to the Headbone’s
From Amp-2 Output jack. This brings the signal from amp-2 back to
the Headbone.
7. From the Headbone’s To Speaker Cabinet jack, connect to your
speaker cabinet. You are now ready to start system tests.
8. Connect the Headbone’s power supply. The Headbone will turn on and
you will see one of the LEDs illuminate.
9. You can now turn on your guitar ampliers. It is a good practice to test
equipment setups at a low volume to reduce any possibility for system
damage should there be an improper connection. Turn up the volume
slowly while listening for excessive noise. Depress the footswitch to
make sure both amps are working.
Tube Amp
Guitar Cable Guitar Cable
Speaker Cable
Speaker Cable
Tube Amp
Speaker Cable

Radial Engineering Ltd. Headbone User Guide
True to the Music
GETTING TO KNOW YOUR HEADBONE
To best explain the workings of the Headbone, take a minute to study
the block diagram. Reading from left to right, you can see the inputs, the
high-impedance guitar switching, the control circuitry and the speaker
level switching.
The Input Signal Path
The Radial Headbone’s input signal path is 100% discreet Class-A.
This means that it employs a whole bunch of parts such as resistors and
capacitors instead of a transistor to buffer (amplify) the guitar signal to a
manageable level. Class-A circuits are preferred over integrated circuits
(IC chips) as they are more natural sounding.
Buffered and Direct Inputs
The Headbone gives you the choice of two inputs: one buffered and one
direct or unbuffered. The reason we do this is that when you are driving
a pre-buffered signal, there is no advantage to buffering the signal again.
In some cases, two buffers in series could add distortion or noise.
If you are connecting the guitar directly to the Headbone, use the Buff-
ered Input. If you use a buffering device (pre-amp), such as the Radial
Loopbone or Switchbone, you would plug the output of the device into
the unbuffered Direct Input. Some effect pedals use a buffering stage
in their design, some do not. If you are connecting an effect pedal before
the Headbone, the best way to decide which input to use is to let your
ears choose the one that sounds best to you.
Switching Guitar Signals
The Headbone simultaneously switches the inputs to the amps as well
as the outputs from the amps. It is important that the input going to the
unused head be disconnected so that, while in standby, it is not trying
to amplify a signal with nowhere to go. The Headbone performs silent
6
Continue Next Page >>

Radial Engineering Ltd. Headbone User Guide
True to the Music
7
guitar signal switching with a series of opto-couplers under digital control.
These opto-couplers are made to ramp-up and ramp-down the guitar
signal in such a way as to avoid any clicks or pops from the mechanical
footswitch. The digital controller is programed to perform this cross-fade
over a few miliseconds making it impossible to hear while effectively
eliminating noise.
Switching Speaker Signals
To accomplish this task, the PIC sends a status change command to a
series of internal relays that connect the speaker to the active amp, and
connect the load resistor to the standby amp. Always use good quality,
large conductor speaker cable between the Headbone, your amps and
your speaker cabinet, as this will reduce signal loss and improve the
transient response. Your Headbone has been designed to work with
amps whose maximum output is 100-watts RMS. The power is limited
by the relay that is used to switch the speaker signals. To be safe, never
exceed this power limit.
Effects such as echo or loop-playing devices, MUST BE
CONNECTED BEFORE the Headbone so that their residual
or sustaining sound can be disconnected from the input of
the ampliers. This means that you cannot use any type of
echo device that prolongs a signal on the amplier’s effects
loop or after the Headbone in your signal chain. Failure to
do so could cause the echo to continue to play through the
standby amp which, in turn, would continue to amplify the
signal without a load. This could cause the amp or the Head-
bone to malfunction. The Headbone’s internal resistor load
is only designed to support the standby ampliers residual
output. The Headbone is NOT a load box.
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Radial Engineering Ltd. Headbone User Guide
True to the Music
Matching the Speaker Load
The Headbone itself has no effect on amplier load or speaker impedance.
You must manage the speaker connections for the best impedance match.
It is important to note that most ampliers are designed to work best at their
rated impedance. If your amp features selectable impedance loads, use
the one that matches your speaker cabinet. Always consult the amplier’s
specications to ensure the speaker connections are within the amplier’s
accepted working range.
While matched loads between the amplier and speaker are the ideal,
unmatched loads can be used. The guidelines below will explain the
ramications of using unmatched loads.
Using Unmatched Speaker Loads With Tube Amps
Driving a speaker load that is lower than the amps output impedance
(8-Ohm amp with 4-Ohm speaker) tends to drive the tubes harder, which
means they will not last as long. On the other hand, a higher speaker
impedance load (4-Ohm amp with 8-Ohm speaker) will generally sound
less full and less punchy, but tube life is extended.
8
Amp type
Tube amp
Lower speaker impedance
Connecting a 4-Ohm cabinet
will make amps sound more
punchy and warm. You get
shorter tube life.
Higher speaker impedance
Connecting a 16-Ohm cab-
inet will make amps sound
less punchy & warm. You get
longer tube life.
Rated impedance
8-Ohm
Grounding for Safety!
The Headbone is powered by an external power supply with a oating
ground. This means that the guitar derives it’s ground thru the amplier
connected to the Headbone’s To Amp-1 Input jack.
The To Amp-2 Input jack is transformer-isolated from ground to eliminate
hum or buzz caused by so-called ground loops passing between amp-1
and amp-2. A recessed ground-lift switch is provided to bypass the trans-
former and reconnect the ground through amp-2. The switch is factory
set in the lifted position Should the amplier connected to the To Amp-1
Input jack not be properly grounded, this switch may be depressed to
connect the ground path through amp-2.
For safety, always use properly grounded guitar amps with 3-prong elec-
trical AC plugs. The third prong is a safety ground that protects you from
electrical shock. Most ampliers have been subjected to safety tests from
authorities like UL or CSA. Ampliers that have passed these tests are
safe to use with your Headbone. If you intend to use the Headbone with
amps that only have 2-prong AC plugs, such as old vintage amps, you
are doing so at your own risk. Please consult a qualied technician if you
are not sure how to establish a safety ground connection.

Radial Engineering Ltd. Headbone User Guide
True to the Music
9
Safe Mode™ Operation
One of the really smart features in the Headbone is a function called Safe-
Mode. Should the Headbone’s DC power supply be disconnected, the
system will ‘default’ to Safe Mode, whereby AMP-1’s input and output will
automatically connect to the speaker cabinet. This simple, yet extremely
important safety feature, will ensure that the active guitar amp always
“sees” a load and that the standby amp is muted.
Slingshot Remote
The Slingshot feature allows you to position the Headbone adjacent to
the guitar amplier setup and remotely control it from a distant footswitch.
With Slingshot you can avoid a mess of spaghetti by keeping the cables
between the Headbone, amps, and speaker short. This also improves
amplier efciency and reduces system noise.
The Headbone’s Slingshot Remote is a simple contact closure that al-
lows a standard ‘latching’ footswitch to remotely toggle the Headbone’s
status from amp-1 to amp-2. Most standard ¼” mono-style footswitches
will work. The Headbone may also be used with Slingshot equipped
pedals such as the Radial Loopbone. Other pedal-switching devices or
MIDI controllers that are equipped with a contact closure output will also
be able to toggle the Headbone.
Remote Footswitch Schematic
Use this drawing for making your own remote footswitch.
Use a SPST push-on/push-off type footswitch. If you wish, an optional
LED can be included in the circuit. Any standard size ( T-1 or T-1 3/4 )
red LED with forward voltage between 1.6 & 2.2 volts (current = 20ma)
will work. The LED will light when AMP-2 is active. Connect the switch
to the Slingshot Remote input on the Headbone with a two conductor
cable. Connecting a remote footswitch to the Headbone will disable the
onboard footswitch. If you are unsure of these requirements, please refer
to a qualied electronic technician.

Radial Engineering Ltd. Headbone User Guide
True to the Music
10
FAQ
Q: I heard that tube amps must always see a speaker load or else
they will become damaged. Is this true?
A: This is true. To deal with this, the Headbone is equipped to manage
two loads: the speaker for the active amp and a load resistor for the
standby amp. The Headbone transitions between these two loads
when the footswitch is toggled.
Q: Is the Headbone a load-box?
A: No. A load-box is designed to absorb an ampliers full output and
pass a reduced amount of power to the speaker. The Headbone uses
a much smaller load resistor to provide an idle load for the standby
amplier.
Q: Why does the Headbone use opto-couplers and relays to
switch the guitar and amp signals?
A: To switch active signals a circuit designer must choose between
voltage controlled ampliers (VCA’s), opto-couplers, relays, or con-
verting the signal to digital and then back to the analog domain. The
type of guitarist that uses a Radial product is generally a purist and is
very concerned about retaining the natural tone of his instrument. VCA
and digital circuits are not acceptable as they change the tone of the
instrument. Tonebone products use opto-couplers on the hi-impedance
circuits to eliminate all switching noise and relays on the speaker level
signals where high voltage is present.
Q: I have heard that using an echo with a head switcher can cause
a problem with the amps. Is this true?
A: It depends on where the delay is positioned in the signal chain. If the
delay is placed before the Headbone, there is no problem. If the delay
device is placed after the Headbone, or in an amplier’s effects loop,
you can have a problem because the echo may continue to generate
a signal and send it through the “stand-by” amp with no speaker load
connected. It is generally not good to run an amp this way as the out-
put transformer can heat up and ultimately short out. Thus, always put
delay and looping devices before the Headbone in the signal chain.
Q: Can I use the Headbone like an A/B box?
A: It certainly could be done, but you may encounter ground loop
problems as the Headbone is not set up for this function. The Radial
Switchbone would denitely be a better choice.
Q: Can I use the Headbone with a MIDI switcher?
A: Yes. Most MIDI switchers are equipped with a contact closure output
jack. This would be connected to the Headbone’s Slingshot input to
remotely control amp switching.

Radial Engineering Ltd. Headbone User Guide
True to the Music
11
Q: If I do not want to use the Slingshot remote, how far from the
amps and speaker can I be?
A: As a general rule, we do not recommend running cables any more
than 20 feet as you are subjecting the signal to increased resistance. If
you are intent on doing so, use good quality cables. For speaker con-
nections use large gauge (12AWG) speaker cables. For guitar signals
use low capacitance shielded cables.
Q: How do I know if my footswitch will be Slingshot compatible?
A: If your external footswitch employs a basic latching type switch with
a ¼” or ¼” TRS connector it will, in all likelihood, be compatible. If it
employs some type of multi-pin connector or telephone style jack, it may
not. Consult your dealer or manufacturer for advice on how you can make
an adaptor that will allow you to enjoy the benets of the Headbone’s
Slingshot.
Q: Can I use another power supply other than the 15VDC that comes
with the Headbone?
A: No. Never use another power supply unit other than the one included
with your Headbone. Because of the Headbone’s Class-A circuit, a more
powerful 15VDC supply is required. If you need a replacement power
supply, contact your Tonebone dealer.

Radial Engineering Ltd. Headbone User Guide
12
Notes

RADIAL ENGINEERING
3 YEAR TRANSFERABLE WARRANTY
RADIAL ENGINEERING LTD. (“Radial”) warrants this product to be free from
defects in material and workmanship and will remedy any such defects free of
charge according to the terms of this warranty. Radial Engineering will repair
or replace at its option any defective component(s) of this product, excluding
the nish, the tube, the footswitch (tubes and footswitches are warranted for
90 days) and wear and tear from normal use, for a period of three (3) years
from the original date of purchase. In the event that a particular product is no
longer available, Radial Engineering reserves the right to replace the product
with a similar product of equal or greater value. In the unlikely event that a
defect is uncovered, please call 604-942-1001 or email service@radialeng.
com to obtain an RA number (Return Authorization number) before the 3 year
warranty period expires. Once you have obtained an RA number you must
return the product, freight prepaid, within fteen (15) days after the date the RA
number is issued. The product must be returned prepaid in the original shipping
container (or equivalent) to Radial Engineering or to an authorized repair
centre and you must assume the risk of loss or damage. A copy of the original
invoice showing date of purchase and the dealer name must accompany any
request for work to be performed under this limited and transferable warranty.
This warranty shall not apply if the product has been damaged due to abuse,
misuse, misapplication, accident or as a result of service or modication by
any other than an authorized repair centre.
THERE ARE NO EXPRESSED WARRANTIES OTHER THAN THOSE
ON THE FACE HEREOF AND DESCRIBED ABOVE. NO WARRANTIES
WHETHER EXPRESSED OR IMPLIED, INCLUDING BUT NOT LIMITED TO,
ANY IMPLIED WARRANTIES OF MERCHANTABILITY OR FITNESS FOR
A PARTICULAR PURPOSE SHALL EXTEND BEYOND THE RESPECTIVE
WARRANTY PERIOD DESCRIBED ABOVE OF THREE YEARS. RADIAL
ENGINEERING SHALL NOT BE RESPONSIBLE OR LIABLE FOR ANY
SPECIAL, INCIDENTAL OR CONSEQUENTIAL DAMAGES OR LOSS
ARISING FROM THE USE OF THIS PRODUCT. THIS WARRANTY GIVES
YOU SPECIFIC LEGAL RIGHTS, AND YOU MAY ALSO HAVE OTHER
RIGHTS, WHICH MAY VARY DEPENDING ON WHERE YOU LIVE AND
WHERE THE PRODUCT WAS PURCHASED.
Radial Engineering
1588 Kebet Way, Port Coquitlam BC V3C 5M5
tel: [phone] • fax: [phone]
[email protected] • www.radialeng.com
Radial Engineering Ltd.
Tonebone Headbone Owner’s Manual - Part # R870 1075 00 • 07-2018
Specications and appearance are subject to change without notice.