Red Epic EPIC-M User manual

RED EPIC
OPERATION GUIDE
EPIC-M & EPIC-X /BUILD V4.0
RED.COM

RED EPIC OPERATION GUIDE
COPYRIGHT © 2013 RED.COM, INC 955-0002_v4.0, REV-C | 2
TABLE OF CONTENTS
DISCLAIMER 5
COPYRIGHT NOTICE 5
TRADEMARK DISCLAIMER 5
COMPLIANCE 6
INDUSTRIAL CANADA
EMISSION COMPLIANCE
STATEMENTS 6
FEDERAL COMMUNICATIONS
COMMISSION (FCC)
STATEMENT 6
AUSTRALIA AND NEW
ZEALAND STATEMENT 7
JAPAN STATEMENTS 7
EUROPEAN
UNION COMPLIANCE
STATEMENTS 7
BEFORE YOU START 10
IMPORTANT SAFETY
INSTRUCTIONS 10
READ BEFORE USING YOUR
CAMERA 10
THEORY OF OPERATION 13
MYSTERIUM X®SENSOR 13
IMAGE PROCESSING 13
HDRX™ 14
MAGIC MOTION™ 15
AUDIO RECORDING 15
MICROPHONE LEVEL ANALOG
INPUTS 15
LINE LEVEL ANALOG INPUTS
16
VIDEO MONITORING OUTPUTS
16
BOMB EVF 17
RED TOUCH LCD 17
HD-SDI 18
HDMI 18
REDMOTE®19
DIGITAL MAGAZINE (MEDIA) 19
METADATA 20
CLIP NAMING CONVENTIONS 21
SMPTE TIMECODE 21
POWER CONSUMPTION 22
CAMERA OPERATIONAL
CONTROLS 23
BRAIN 23
SIDE SSD MODULE 24
SIDE HANDLE 25
TOP 25
FRONT 26
REAR 27
INSTALLATION / REMOVAL 28
DSMC MODULES 30
PRO I/O MODULE 30
REAR SSD MODULE 31
QUAD BATTERY MODULE 31
DUAL BATTERY MODULE 32
MODULE INSTALLATION / REMOVAL
32
REDMOTE 36
NAVIGATION GROUP 37
DISPLAYS 37
BOMB EVF AND BOMB EVF (OLED)
37
TOUCHSCREEN LCD 39
BASIC OPERATION 40
POWER SOURCES 40
SIDE HANDLE 40
QUAD BATTERY MODULE 41
REDVOLT AND REDVOLT XL 41
BACKPACK QUICKPLATE AND
BACKPACK QUICKPLATE (SHORT)42
AC POWER ADAPTOR - (DSMC) 45
EXTERNAL DC POWER 47
POWER UP 47
POWER DOWN 48
GRAPHICAL USER INTERFACE
AND NAVIGATION 49
RED LCD/TOUCHSCREEN LCD,
BOMB EVF, EXTERNAL MONITORS49
SIDE HANDLE 54
REDMOTE 55
NAVIGATING MENUS 56
USING TOUCHSCREEN LCD 56
TOUCHSCREEN SHORTCUTS 57
ACCESSING SOFT KEYS 58
POWER DOWN 59
LOCK / UNLOCK TOUCHSCREEN
OPRERATION 60
FIRST TIME USE –
SETTING UP YOUR RED
EPIC 61
ATTACH POWER SOURCE 61
BATTERY 61
QUAD BATTERY MODULE 62
RED BRICK 62
DC POWER 62
POWER UP 63
PREPARING TO RECORD 63
CONNECT AND FORMAT MEDIA 63
PERFORM A BLACK SHADING
CALIBRATION 64
ADJUST PROJECT SETTINGS 64
RECORDING 66
RECORD INDICATOR 67
PLAYBACK 68
MENU CONTROLS 69
ADJUSTMENTS 69
BASIC SETTING ADJUSTMENTS 69
ADVANCED SETTING MENUS 70
MAIN MENU 71
FPS 71
VARISPEED 71
BASIC SETTINGS 72
ADVANCED SETTINGS 72
ISO (SENSITIVITY) 73
F STOP 73
EXPOSURE 75
BASIC SETTINGS 75
ADVANCED SETTINGS 76
WHITE BALANCE 78
BASIC SETTINGS 78
ADVANCED SETTINGS 79
RESOLUTION 81
REDCODE 82
REDCODE OPTIONS FOR VARIOUS
FRAME RATES 83
SECONDARY MENUS 84
HDR MENU 84
HDR ON / OFF 84
STOPS 84
FOCUS MENU 85
MODE 85
ZONES 88
ENHANCED A/F 91
LENS INFORMATION DISPLAY
95
RED DSMC TI PL MOUNT + LENS 95

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COPYRIGHT © 2013 RED.COM, INC 955-0002_v4.0, REV-C | 3
DSMC CANON MOUNT + LENS 95
EXPOSURE MENU 96
PRESETS MENU 96
CAMERA PRESETS 96
LOOKS PRESETS 100
AUTO PRESETS 101
MEDIA MENU 101
SELECT MEDIA 102
FORMAT MEDIA 102
EJECT MEDIA 103
UTILITIES 103
SETTINGS MENU 104
DISPLAY 104
LOOK 122
PROJECT 125
SYSTEM STATUS 128
AUDIO 128
RECORDING 131
SETUP 138
MAINTENANCE 147
PLAYBACK 159
POWER 165
POWER STATUS 165
SHUTDOWN 166
POWER OUT 167
POWER SAVE 167
APPENDIX A:
UPGRADING CAMERA
FIRMWARE 169
VERIFY CURRENT CAMERA
FIRMWARE 169
UPGRADE PROCEDURE 169
RESTORE DEFAULT FACTORY
SETTINGS 169
APPENDIX B: MANAGING
DIGITAL MEDIA 170
MEDIA 170
FORMATTING MEDIA 170
MEDIA CAPACITY REMAINING
STATUS 172
EJECT MEDIA FROM CAMERA
(UNMOUNT) 172
USING REDMOTE / TOUCHSCREEN
LCD 173
USING SIDE HANDLE 174
USING SIDE SSD 174
COPYING MEDIA 174
ERASING MEDIA 175
MACINTOSH OS X 175
WINDOWS 175
APPENDIX C: INPUT /
OUTPUT CONNECTORS 176
CAMERA BRAIN FRONT 176
MIC-1, MIC-2 (MICROPHONE AUDIO)
177
CAMERA BRAIN REAR 178
HD-SDI 179
HEADPHONE 179
SYNC (VIDEO SYNC) 180
CTRL (RS232 CONTROL) 182
GIG-E (ETHERNET) 183
DC IN (POWER INPUT) 184
HDMI OUT 185
SIDE SSD MODULE 185
REDMOTE 186
APPENDIX D:
SUPPORTED LENSES 187
DSMC CANON MOUNT
ELECTRONICALLY
SUPPORTED LENSES 187
DSMC NIKON MOUNT
ELECTRONICALLY
SUPPORTED LENSES 188
DSMC LEICA-M MOUNT
LENSES 188
APPENDIX E: AUDIO
SUBSYSTEM
INFORMATION 189
AUDIO FORMAT 189
CHANNEL SETUP 189
SOURCE SELECTION 189
CHANNEL MODES 190
BALANCED MICROPHONE 190
UNBALANCED MICROPHONE 190
LINE IN 0 DBU 191
LINE IN 0 VU 191
PHANTOM POWER 191
LIMITER 191
AUDIO RECORDING 191
PEAK METER 192
DATA PATH 193
HD-SDI/HDMI EMBEDDED
AUDIO 193
AUDIO DURING PLAYBACK 196
APPENDIX F: DEFAULT
KEY FUNCTIONS 197
APPENDIX G: REDMOTE
OPERATION 199
CONTROL, CONNECTORS AND
DISPLAY 199
CONTROLS 199
OPERATION 202
DOCKING AND UNDOCKING 202
POWER UP / DOWN 203
RECORDING 204
ACCESSING CAMERA CONTROLS /
SETTINGS 205
ADVANCED OPERATION: REDMOTE
MENUS 206
INTERNAL BATTERY 214
CHARGE STATUS 214
BATTERY LIFE 215
CHARGING 215
UPGRADE REDMOTE
FIRMWARE 216
UPGRADE REDMOTE THROUGH
DSMC 216
UPGRADE REDMOTE (MACINTOSH)
216
UPGRADE REDMOTE (WINDOWS)
222
APPENDIX H: 3D SETUP
/ OPERATION 229
OVERVIEW 229
CAMERA SETUP 229
MASTER CAMERA 229
SLAVE CAMERA 229
CLIP NAMING CONVENTIONS
230
REEL NO. / SLATE (CAMERA ID) /
CAMERA POSITION 230
CONNECTING CAMERAS 231
OPERATION 232
CHANGING SETTINGS 232
RECORDING 232
POWER DOWN 233
APPENDIX I: EXPOSURE
– USING FALSE COLOR
AND ISO 234
UNDEREXPOSURE (~ 2 STOPS)
234
OVEREXPOSURE (~ 2 STOPS)
236
APPROPRIATE EXPOSURE 238
ADJUSTING THE ISO RATING
240

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COPYRIGHT © 2013 RED.COM, INC 955-0002_v4.0, REV-C | 4
APPENDIX J: POST-
PRODUCTION 242
MONITORING 242
REDCINE-X®PRO 243
APPENDIX K:
MAINTENANCE 244
CLEANING 244
CAMERA AND ACCESSORY
EXTERIOR SURFACES 244
BRAIN 244
LCD SCREEN (TOUCHSCREEN /
NON-TOUCHSCREEN) 244
EVF 245
REDMOTE SCREEN 245
LENSES 245
SIDE HANDLE LCD 245
BACK FOCUS ADJUSTMENT
246
APPENDIX L:
TROUBLESHOOTING 248
NO MEDIA ATTACHED 248
RECORDING HALTED:
RECORD ERROR - SHUTDOWN
248
PRESET COULD NOT BE
APPLIED 248
CAMERA CANNOT BE PAIRED
TO REDMOTE 248
CANNOT SEE MENUS ON LCD
TOUCH SCREEN 248
APPENDIX M:
TECHNICAL
SPECIFICATIONS 249
CAMERA BRAIN DIMENSIONS
251
FRONT VIEW 251
SIDE VIEW 252
TOP VIEW 253
BOTTOM VIEW 253
BACK VIEW 254
APPENDIX N:
RESOLUTION CHART 255

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COPYRIGHT © 2013 RED.COM, INC 955-0002_v4.0, REV-C | 5
DISCLAIMER
RED®has made every effort to provide clear and accurate information in this Operation Guide, which is
provided solely for the user’s information. While thought to be accurate, the information in this document is
provided strictly “as is” and RED will not be held responsible for issues arising from typographical errors or
user’s interpretation of the language used herein that is different from that intended by RED. All safety and
general information is subject to change as a result of changes in local, federal or other applicable laws.
RED reserves the right to revise this Operation Guide and make changes from time to time in the content
hereof without obligation to notify any person of such revisions or changes. In no event shall RED, its
employees or authorized agents be liable to you for any damages or losses, direct or indirect, arising from
the use of any technical or operational information contained in this document.
For comments or questions specifically about the Operations Guide content, please send a detailed
message to [email protected].
COPYRIGHT NOTICE
COPYRIGHT © 2013 RED.COM, INC.
All trademarks, trade names, logos, icons, images, written material, code, and product names used in
association with the accompanying product are the copyrights, trademarks or other intellectual property
owned and controlled exclusively by RED.COM, INC.
TRADEMARK DISCLAIMER
All other company, brand and product names are trademarks or registered trademarks of their respective
holders. RED has no affiliation to, is not associated or sponsored with, and has no express rights in third-
party trademarks. MAC®and QuickTime®are registered trademarks of Apple, Inc. Intel®is the registered
trademark of Intel Corporation. Windows®, Microsoft Windows®and Windows Vista®are the registered
trademarks of Microsoft Corporation. AVID®is a registered trademark of Avid Technology, Inc. NUKE is a
trademark of The Foundry Visionmongers Ltd. Torx®is a registered trademark of Textron, Inc. Canon®and
EOS®are registered trademarks of Canon Kabushiki Kaisha Corporation.

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COMPLIANCE
INDUSTRIAL CANADA EMISSION COMPLIANCE
STATEMENTS
This device complies with Industry Canada license-exempt RSS standards RSS 139 and RSS 210. Operation
is subject to the following two conditions: (1) this device may not cause interference, and (2) this device
must accept any interference, including interference that may cause undesired operation of the device.
This Class B digital apparatus complies with Canadian ICES-003.
Le présent appareil est conforme aux CNR d'Industrie Canada applicables aux appareils radio exempts de
licence. L'exploitation est autorisée aux deux conditions suivantes : (1) l'appareil ne doit pas produire de
brouillage, et (2) l'utilisateur de l'appareil doit accepter tout brouillage radioélectrique subi, même si le
brouillage est susceptible d'en compromettre le fonctionnement.
Cet appareil numérique de la classe B est conforme à la norme NMB-003 du Canada.
FEDERAL COMMUNICATIONS COMMISSION (FCC)
STATEMENT
This equipment has been tested and found to comply with the limits for a Class B digital
device, pursuant to part 15 of the FCC Rules. These limits are designed to provide
reasonable protection against harmful interference in a residential installation. This equipment
generates, uses and can radiate radio frequency energy and, if not installed and used in
accordance with the instructions, may cause harmful interference to radio communications. However, there
is no guarantee that interference will not occur
in a particular installation. If this equipment does cause harmful interference to radio or television reception,
which can be determined by turning the equipment off and on, the user is encouraged to try to correct the
interference by one or more of the following measures:
Reorient or relocate the receiving antenna.
Increase the separation between the equipment and receiver.
Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
Consult the dealer or an experienced radio/TV technician for help.
In order to maintain compliance with FCC regulations, shielded cables must be used with this equipment.
Operation with non-approved equipment or unshielded cables is likely to result in interference to radio and
TV reception. The user is cautioned that changes and modifications made to the equipment without the
approval of manufacturer could void the users authority to operate this equipment.
Note: This device complies with Part 15 of the FCC Rules
Operations subjected to the following two conditions (1) this device may not cause harmful interference, and
(2) this device must accept any interference received, including that may cause undesirable interference.
Caution: Exposure to Radio Frequency Radiation.

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The device shall be used in such a manner that the potential for human contact is minimized
This equipment complies with FCC radiation exposure limits set forth for an uncontrolled environment. This
equipment should be installed and operated with a minimum distance of 20cm between the radiator and your
body.
Caution: Regulations of the FCC and FAA prohibit airborne operation of radio-frequency wireless devices
because there signals could interfere with critical aircraft instruments.
Caution: If the device is changes or modified without permission from RED, the user may void his or her
authority to operate the equipment.
AUSTRALIA AND NEW ZEALAND STATEMENT
RED declares that the radio equipment described in this document comply with the following international
standards.
IEC 60065 - Product Safety
ETSI EN 300 328 - Technical requirement for radio equipment
RED declares digital devices described in this document comply with the following Australian and New
Zealand standards.
AS/NZS CISPR 22 – Electromagnetic Interference
AS/NZS 61000.3.2– Power Line Harmonics
AS/NZS 61000.3.3 – Power Line Flicker
JAPAN STATEMENTS
This is a Class B product based on the standard of the Voluntary Control Council for
Interference (VCCI) for information technology equipment. If this equipment is used near a
radio or television receiver in a domestic environment, it may cause radio interference. Install
and use the equipment according to the instruction manual.
EUROPEAN UNION COMPLIANCE STATEMENTS
RED declares that the radio equipment described in this document comply with the
R&TTE Directive (1999/5/EC) issued by the Commission of the European Community.
Compliance with this directive implies conformity to the following European Norms (in
brackets are the equivalent international standards).
EN 60065 (IEC 60065) – Product Safety
ETSI EN 300 328 Technical requirement for radio equipment

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ETSI EN 301 489 General EMC requirements for radio equipment.
Information
Products with the CE marking comply with the EMC Directive (2004/108/EC) and the Low Voltage Directive
(2006/95/EC) issued by the Commission of the European Community. Compliance with these directives
implies conformity to the following European Product Family Standards.
EN 55022 (CISPR 22) – Electromagnetic Interference
EN 55024-1 (CISPR 24) – Electromagnetic Immunity
EN 61000-3-2 (IEC610000-3-2) – Power Line Harmonics
EN 61000-3-3 (IEC610000) – Power Line Flicker
EN 60065 (IEC60065) – Product Safety
Usage Restrictions for Products that Incorporate REDlink
Products that fall into this category are denoted by inclusion of the Class 2 identifier symbol (exclamation
mark in a circle) accompanying the CE Mark on the products regulatory label, example below:
France
Usage Restrictions - Geographic Area Where Restriction Applies : France
For mainland France
2.400 - 2.4835 GHz (Channels 1-16) authorized for indoor use
2.400 -2.454 GHz (Channels 1-10) authorized for outdoor use
Restrictions d'utilisation - Zone géographique où les restrictions s'appliquent : France
Pour la France métropolitaine
2.400 - 2.4835 GHz (Canaux 1 à 16) autorisé en usage intérieur
2.400 -2.454 GHz (canaux 1 à 10) autorisé en usage extérieur

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COPYRIGHT © 2013 RED.COM, INC 955-0002_v4.0, REV-C | 9
Norway
This subsection does not apply for the geographical area within a radius of 20 km from the centre of Ny-
Ålesund
Dette gjelder ikke for det geografiske området innenfor en radius av 20 km fra sentrum av Ny-Ålesund
The Waste Electrical and Electronic Equipment (WEEE) mark applies only to countries within
the European Union (EU) and Norway. This symbol on the product and accompanying
documents means that used electrical and electronic products should not be mixed with
general household waste. For proper treatment, recovery and recycling, please take this
product to designated collection points where it will be accepted free of charge. Alternatively,
in some countries you may be able to return your products to your local retailer upon
purchase of an equivalent new product.
Disposing of this product correctly will help save valuable resources and prevent any potential negative
effects on human health and the environment, which could otherwise arise from inappropriate waste
handling. Please contact your local authority for further details of your nearest designated collection point.
Penalties may be applicable for incorrect disposal of this waste, in accordance with you national legislation.
For business users in the European Union, if you wish to discard electrical and electronic equipment, please
contact your dealer or supplier for further information.
Responsible party:
RED Digital Cinema®
34 Parker
Irvine, CA 92618
USA

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BEFORE YOU START
Congratulations on your purchase of a RED DSMC®Digital Still and Motion Camera.
Please read the attached safety instructions, and only then unpack the camera body and any accessories. If
there is any physical damage or missing components for either your camera body or any accessories, please
file a support ticket at https://support.red.com/home.
RED EPIC Digital
Still and Motion
Camera
IMPORTANT SAFETY INSTRUCTIONS
READ BEFORE USING YOUR CAMERA
A. Heed all cautions and warnings in these instructions.
B. Read these instructions before operating the camera and accessories.
C. Follow these instructions while operating the camera and accessories.
D. Keep these instructions with the camera and accessories at all times.
E. DO NOT attempt to modify, dismantle or open your camera, lens or other accessory as doing so may
expose you to electric shock and serious injury. There are no user-serviceable parts inside. Alteration or
repairs made to the camera, lens or other accessory, except by a RED authorized service facility, will
void the Limited Warranty. Users are not permitted to make design changes or otherwise modify the
operation of the camera, lenses or other accessories, without the express written approval of RED
DIGITAL CINEMA.
F. Only use attachments/accessories specified by RED.
G. Install camera and accessories in accordance with the manufacturer’s instructions.
H. Avoid imaging of laser beams as they may cause damage to the sensor.
I. DO NOT use the camera or accessories near water. Avoid exposing your camera to moisture. The unit is
not waterproof, so contact with water could cause permanent damage to the unit as well as electric
shock and serious injury to the user. DO NOT use the camera in the rain or under other conditions with
high moisture without appropriate protection, and immediately remove power source if camera or
accessories are exposed to moisture.
WARNING: To reduce the risk of fire or electric shock, do not expose the camera or accessories to rain or
moisture.

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J. DO NOT expose your camera to excessive vibration or impact (shock). Be careful not to drop your
camera. Internal mechanisms may be damaged by severe shock. Mechanical alignment of optical
elements may be affected by excessive vibration.
K. ELECTROMAGNETIC INTERFERENCE: The use of devices using radio or other communication waves
may result in the malfunction or interference with the unit and/or with audio and video signals.
L. Clean only using a dry cloth. When cleaning your camera, remember that it is not waterproof and
moisture can damage electronic circuitry. DO NOT rinse or immerse any element of the camera, lens or
other accessory, keep them dry at all times. DO NOT use soaps, detergents, ammonia, alkaline cleaners,
and abrasive cleaning compounds or solvents. These substances may damage lens coatings and
electronic circuitry.
M. Maintain sufficient ventilation - DO NOT block any ventilation openings or obstruct cooling fan airflow.
CAUTION: Proper camera ventilation requires a minimum 1/2” (1,25cm) clearance between the camera
ventilation openings and external surfaces. Verify that objects that can block the fan intake and exhaust
ports do not impede airflow. Failure to permit adequate airflow may result in overheating of the camera,
degraded operation and in extreme situations, damage to the camera.
N. DO NOT operate or store near any heat sources such as radiators, heat registers, stoves, or any other
apparatus that produce heat. Store in a protected, level and ventilated place. Avoid exposure to
temperature extremes, damp, severe vibration, strong magnetic fields, direct sunlight or local heat
sources during storage. Remove any batteries from the camera before storage. Recommended storage
and usage temperatures for your camera, lenses and other accessories are:
Operating range: 0°C to +40°C (32°F to 104°F)
Storage range: -20°C to +50°C (-4°F to 122°F)
If there are any performance issues with your camera or accessories when operating within this
temperature range, please file a support ticket on https://support.red.com/home.
O. The Side Handle, Side SSD Module, Rear Modules and Lens Mount are NOT HOT SWAPPABLE –
meaning you cannot remove or install them while the camera is powered on. Before installing or
removing any of these accessories, you MUST power down the camera. Failure to do so may result in
damage to the accessory and / or camera brain that will not be covered under warranty.
P. Do not bypass the third prong of the grounding-type plug on the power cord of the AC Power Adapter. A
grounding-type plug has two blades and a third “grounding” prong. The third prong is provided for your
safety. A grounding-type plug shall be connected to an outlet with a protective earthen connection. If the
grounding-type plug does not fit into your outlet, do not attempt to modify the plug or outlet, consult a
qualified electrician.
Q. Protect all power cords from being pinched, walked on or driven over by a vehicle. Replace any power
cords suspected of sustaining damage due to crushing or other forms physical damage.
CAUTION: The power cord plug for the AC Power Adapter is used as the power disconnect. To disconnect
all power from the AC Power Adapter, unplug the power cord plug from the wall outlet. During use, the
power cord plug should remain easily accessible at all times.
R. Lithium Ion batteries may be subject to special handling requirements pursuant to federal and local laws.
Please refer to specific shipping instructions included with your battery regarding proper transport of
your battery. Do not handle your battery if it is damaged or leaking. Disposal of batteries must be in
accordance with local environmental regulations. For example, California law requires that all
rechargeable batteries must be recycled by an authorized recycle center. Storing batteries fully charged
or in high temperature, conditions may permanently reduce the life of the battery. Available battery
capacity may also be temporarily lessened after storage in low temperature conditions.
WARNING: Do not expose the battery to excessive heat.

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WARNING: Danger of explosion if an incorrect battery is charged with the RED Charger or is used to power
the camera and accessories. Replace only with the same or equivalent type battery.
CAUTION: Refer all service and repair to qualified RED service personnel. To reduce the risk of electric
shock, and damage to the camera or accessories, DO NOT attempt to perform any servicing other than any
procedures that are recommended in the operating instructions.

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THEORY OF OPERATION
The RED family of Digital Still and Motion Cameras (DSMC) provide high performance digital imaging over a
wide range of frame rates and optical formats including Super 35mm / APS-H. The RED DSMC camera is
supplied as standard with a PL mount, and may be configured with mounts and 19 mm rods to
accommodate most cinematography lenses, matte boxes and follow focus systems. Adaptors for 15mm
offset studio and 15mm lightweight rods are also available.
In addition to compatibility with the majority of existing PL mount cinematography lenses; a select range of
Super 35mm PL mount prime and zoom lenses are available from RED.
Other lens mounts, including the DSMC Canon mount are available, permitting the use of Canon EF and EF-
S photographic lenses. The Canon mount can report lens iris, focus and zoom data when mated to an
appropriate lens. In addition, iris and manual or auto-focus settings may be controlled from the camera.
Lens mounts may be exchanged in the field, however it is highly recommended that this be performed in a
dust-free environment, as the optical path will be exposed to the elements during this process.
MYSTERIUM X®SENSOR
The MYSTERIUM X sensor has been specifically designed for use with the RED DSMC camera, and in the
EPIC provides variable frame rate imaging at up to 120 fps at 5K resolution, and up to 400 fps at 1K WS
resolution.
Native color balance for the MYSTERIUM X sensor is 5,000 KELVIN, but it may be electronically
compensated for any color temperature in the range 1,700 to 10,000 KELVIN. White balance preset values
include Tungsten (3200K) and Daylight (5600K) light sources. The camera may also calculate a color
neutralizing White Balance value on demand by imaging on a standard white or 18% grey card.
The MYSTERIUM X sensor includes high precision analog to digital conversion, capable of delivering up to
13.5 stops of dynamic range with daylight light sources over a camera sensitivity rating of 320-800 ISO. In
HDR mode, dynamic range can be extended to approximately 18 stops.
IMAGE PROCESSING
The digital image received from the sensor is formatted as a pixel defect corrected (but in all other aspects
unprocessed) 16-bit per pixel RAW data frame.
Each RAW frame or sequence of RAW frames in a clip is compressed using proprietary wavelet based
REDCODE®RAW compression, then stored to a digital media Magazine such as REDMAG™ 1.8” SSD.
When recorded, the RAW data is independent of any RGB domain color processing such as ISO, White
Balance or other RGB color space adjustments made by the camera operator. These parameters are saved
with the RAW data as reference METADATA; i.e. color is not burned into the recorded RAW data.
This recording technique permits RGB color processing choices to be deferred to post-production or to be
adjusted in the field to help a director visualize alternative color treatments, without affecting the recorded
RAW data’s image quality or dynamic range.
The camera’s monitoring path converts RAW sensor data to a white balanced 12-bit depth 1920 x 1080 pixel
RGB 4:4:4 video signal. This signal may be modified using ISO, White Balance or other RGB color space

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adjustments as desired by the operator, and is then scaled and gamma corrected to provide VIEWFINDER,
HD-SDI and HDMI monitor outputs at 10-bit depth in 4:2:2 YCC or 8-bit depth in 4:4:4 RGB.
Frame guides and other camera data may be added as desired by the user to one or more of the outputs.
NOTE: The supplied REDCINE-X® PRO application software can create and export .RMD “color look” files
which may then be imported as camera monitor path color processing PRESETs. This information is stored
as reference metadata, so that this color processing choice can be the default value used in Post-
production. Refer to PRESETS MENU for details on how to import and apply .RMD file metadata.
HDRX™
HDRx is an option for extending dynamic range up to 6 stops over the base Dynamic Range offered by the
camera. When enabled HDRx simultaneously shoots two images of identical resolution and frame rate - a
normally exposed primary track (A-track), and an underexposed secondary track (X-track) whose exposure
value reflects the additional stops of highlight protection desired.
For example, if you select an HDR value of +2 and your primary track exposure is 1/48th sec, the secondary
track exposure will be 2 stops under, or 1/192 sec. The ISO and Aperture remain the same for both
exposures.
During acquisition and recording, the two tracks are "motion-conjoined", meaning there is no gap in time
between the two exposures. This is very important to note because if they were traditional alternating
exposures, there would be a time gap between the two tracks that would show up as an undesirable motion
artifact. Both tracks (A & X) are stored in a single .R3D®file.
Since there are two exposures in HDRx mode, the camera is recording double the amount of frames each
second. For example, when shooting at 24fps, the camera is recording two 24fps tracks, which is the data
rate equivalent of 48fps; however after combining the A and X tracks in post-production you will see only
one 24fps blended image sequence.
HDRx provides multiple options for exploitation in post-production.
Blend the two tracks in post tools like REDCINE-X, Storm or any other application that supports the SDK
to create Magic Motion™. This blending of the two tracks comes with a slider so you can decide just
how much of each track you want to use. A preview window shows you the combined result of your
selection, or you can view each track individually.
Combine the two tracks using MNMB (More Normal Motion Blur). MNMB is designed to emulate the
motion of a traditional camera with full motion blur. This is a tool created by The Foundry that uses a
new motion estimation algorithm designed specifically for HDRx. The shorter exposure (sharper image) is
blended to match the motion blur of the normal exposure. Again, a preview window shows the combined
result of your selection, or you can view each track individually.
Use the X-track data for motion tracking, then combine the X-track with the A-track, or just motion
stabilize the A-track using the motion analysis data extracted from the X-track.
Exporting to EXR file format will give you a multi-view EXR with both exposures (like a stereo EXR).
NOTE: If you ignore the X-track data, you will have a standard exposure with up to 13.5 stops of dynamic
range just as if you had not enabled HDRx. For this reason, we encourage the A-track exposure to be

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"normal" as it provides the most options. If you are tempted to shoot "over-under", you are then fully
committed to using HDRx and your post-production options are reduced.
NOTE: When recording in HDRx mode the camera records twice as many frames per second so the
maximum frame rate or minimum REDCODE ratio, and the maximum record time on your media will be cut in
half.
NOTE: HDRx mode can be used with sensor syncing.
MAGIC MOTION™
Shooting at 24fps and with an 180 degree (1/48th) shutter on a film or digital camera may create an optical
illusion we are familiar with, however it is not really the way the eye sees motion. To understand this, ask
someone to stand in front of you and swing their arm over their head from one side to the other. What you
would observe in the recording is a constant motion blur until the arm stopped. What your eye sees though
is both motion blur AND a sharper reference to the arm and hand all along the motion path. "Magic Motion"
provides such a combination of motion blur (A-track) and a sharper reference (X-track), with the bonus of
extreme dynamic range not available with any other motion capture camera system.
AUDIO RECORDING
The RED DSMC camera can record up to two discreet channels of microphone level uncompressed 24-bit,
48 KHz audio (four channels of microphone level or line level audio inputs when equipped with a PRO I/O
Module), that are synchronized with video and timecode to a REDMAG 1.8” SSD digital media Magazine.
Input signals are routed via a high quality pre-amplifier and soft clip analog limiter in order to achieve the
desired audio reference / recording level and maximize dynamic range.
To assist with audio reference level setup, the camera provides a color-coded Audio Level Meter in the
Graphical User Interface. Meter range is –36dBu to +20dBu (-56dBFS to 0dBFS) with audio input type,
reference level and audio input clipping indicators.
Audio monitor output options include a 2-channel headphone output on the camera Brain and 2-channel line
level analog outputs from the optional PRO I/O Module, plus 2-channel and 4-channel 24-bit 48KHz
uncompressed digital audio embedded in the HD-SDI and HDMI outputs.
MICROPHONE LEVEL ANALOG INPUTS
The recording level of a Microphone input is affected by the sensitivity of the microphone and the Gain
setting of the camera’s pre-amplifier. Available pre-amplifier range is+30dB to +60dB. The camera operator
should choose a Gain value that aligns the input signal to the 0dBu reference line drawn on the camera’s
Audio Level Meter (or the 0VU reference line if operating at that level).
This setting provides up to 30dB of input signal headroom above reference 0dBu level before clipping (up to
26dB above 0VU reference level) and maximizes the signal to noise ratio of the 24-bit digital recording.

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LINE LEVEL ANALOG INPUTS
The recording level of a Line input is affected only by the signal provided by the field production sound
mixer or other external line level source. The sound mixer operator should choose a mixer output level that
aligns a reference tone signal to the 0dBu (-20dBFS) reference mark drawn on the camera’s Audio Level
Meter, or if using 0VU as reference level, a mixer output level that aligns a reference tone signal to the 0VU
(-16dBFS) reference mark.
This setting provides up to 24dB of input signal headroom above reference 0dBu level before clipping (up to
20dB above 0VU reference level) and maximizes the signal to noise ratio of the 24-bit digital recording.
VIDEO MONITORING OUTPUTS
In its default configuration, the RED DSMC camera can simultaneously support one VIEWFINDER output
(suitable for use by a BOMB EVF®, or RED LCD) plus one PROGRAM output and one PREVIEW output
(suitable for use by HDMI or HD-SDI monitors). The various monitor outputs can support a set of overlay
graphics including camera GUI, timecode, clip name and framing guides; the specific overlay graphics for
each type of output is user configurable.
The default VIEWFINDER output is the EVF / LCD connector located on the front face of the Side SSD
Module. If neither of these is connected, the VIEWFINDER output can be transferred to either the HDMI
output or the HD-SDI output of the camera Brain.
All monitors are able to display a variety of features, including:
Surround View™, which is an additional look around area, visible outside of the recorded image.
Frame Guides, showing common film presentation and television aspects such as 2.40:1 and 16:9.
Focus, aided by high display resolution, 1:1 Focus Check function and False Color overlay.
Exposure, aided by dual Zebras, False Color overlay, RAW “Traffic Lights” and RGB histogram.
System information including current frame rate, ISO rating, shutter speed, color temperature, record
resolution, record quality, clip name, timecode value and the remaining battery and media capacity.

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BOMB EVF
The BOMB EVFs are high-definition, lightweight viewfinders that align quality performance with compact
form factor.
For applications where use of an attached RED EVF or RED LCD is not desired – for example when working
on a crane – the VIEWFINDER / MENU output can be transferred to the HD-SDI or HDMI outputs, supporting
remote camera monitoring up to 200 ft away.
RED TOUCH LCD
The RED TOUCH LCD pixel progressive scan color displays allow you to view your image and navigate
through menu settings using touchscreen functionality.
For applications where use of an attached RED EVF or RED LCD is not desired – for example when working
on a crane – the VIEWFINDER / MENU output can be transferred to the HD-SDI or HDMI outputs, supporting
remote camera monitoring up to 200 ft away.
NOTE: Do NOT use the RED LCD as a handle to lift or carry the DSMC. Damage to the RED LCD or other
components of the DSMC system caused by using the RED LCD as a handle is not covered under warranty.
NOTE: The RED LCD swivel axis has a total range of adjustment of approximately 360˚ (180˚ clockwise or
counterclockwise from the nominal “rear-facing” display orientation). The range of adjustment for the tilt axis
is approximately 180˚. At the end of the adjustment range are internal “hard stops” for both axes. Once the
swivel or tilt hard stops have been reached, IMMEDIATELY STOP APPLYING FORCE TO THE LCD.
Continuing to apply force after reaching the internal stops may damage the friction hinge. Damage to the
RED LCD or other components of the DSMC system caused by using excessive force to rotate the RED LCD
is not covered under warranty.

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HD-SDI
A 720p or 1080p progressive scan output suitable for monitoring or recording to an external VTR or DDR
device. May be configured for 10-bit LIN (VIDEO) or 10-bit LOG (FILM) encoded data.
HDMI
A 720p or 1080p progressive scan output suitable for monitoring via a PC monitor or most HDTV displays.
Example of HDMI Monitor Output in
MENUS Mode

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REDMOTE®
REDMOTE is a camera control unit for RED’s family of DSMC cameras that attaches to the rear of the
camera Brain or rearmost expansion module. REDMOTE may also be detached from the camera or rearmost
module and provide wireless remote control of the camera over proprietary REDlink™ protocol.
Whether attached or operating via wireless, REDMOTE supports all controls necessary to operate the
camera, including Record Start / Stop, Shutter Speed, White Balance, ISO and programmable User Keys. A
color LCD displays critical camera parameters, including media and battery capacity, timecode and clip
name, lens data and exposure information.
REDMOTE LCD Display
REDMOTE includes a rechargeable Li-Ion battery, which automatically re-charges when attached to the
camera or rearmost module. It may also be re-charged by connecting to a USB 2.0 based power source
such as a laptop PC or cell phone charger. Under typical operating conditions, REDMOTE should operate for
up to 8 hours without requiring a re-charge and support a wireless communication range of approximately 50
ft.
DIGITAL MAGAZINE (MEDIA)
REDCODE RAW compressed MOTION clips and STILL images; time code, multi-channel audio and metadata
may be recorded to a REDMAG 1.8” SSD magazine of 48GB, 64GB, 128GB, 256GB, or 512GB capacity.
Each clip is recorded with a unique name in a clip folder with the extension .RDC. This folder contains all
appropriate information describing the clip, including one or more REDCODE RAW .R3D files and all color
grading metadata and other system level metadata such as lens and location information. Refer to CLIP
NAMING CONVENTIONS.
The individual clip folders are placed into a magazine folder (i.e. root directory) on the digital media. This
magazine folder has the extension .RDM. As this folder contains all the recorded clips; copying all clips
recorded on the SSD to other media may be performed by a drag and drop operation on the .RDM folder.
NOTE: When using a RED STATION in conjunction with a 512GB REDMAG, an AC Power Adaptor will be
required for offload. The RED STATION may not function properly when powered by a USB or Firewire
cable.

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Typical Magazine
Folder and Clip
Structure
For additional information about digital magazines, refer to APPENDIX B: MANAGING DIGITAL MEDIA.
METADATA
RED’s family of DSMC cameras record the Metadata, which is data for each frame of the recording:
Clip Name
Time Code
Date and GMT
Lens and shutter speed /
angle parameters
Audio configuration
Firmware version #
media serial #
LTC user bits (3 32-bit
word reg-dump from ISP)
s4i static data
s4i dynamic data
GMT time/data
RGB curves
shadow control
Luma curve
Lens name, brand, ID,
near focus, far focus
Camera Network Name
Production Name
Director Name
DP Name
Copyright
Unit
Camera Name
Location
Scene
Take
Accelerometer Data
Gyro Data