Roland V-Mixer VM-C7100 Quick start guide

1
VM-C7200/C7100 Libraries
Delay Libraries (20 presets)
No. Name Comments
P000 Live Club A medium long delay to recreate the sound of playing in a live club.
P001 Doubling Lo Damp.
P002 Small Club Lo Damp.
P003 Ambience Large open room.
P004 Fast Slap Lo Damp
P005 Short Delay 80 ms An ambience effect that adds depth to the sound by doubling.
P006 Medium Delay 168 ms Natural echo optimized for vocals.
P007 Long Delay 300 ms Long delay suited for brass and analog synth solos.
P008 AnalogDelay 200 ms Analog sound with gradually diminishing feedback.
P009 Tape Echo 232 ms Simulated analog tape echo.
P010 Robotic Sounds like a robot.
P011 Hallucinate Recreates the results of experimenting with mind-altering chemicals.
P012 50s Sci Fi Recreates the cheesy 1950’s delays used in bad Science Fiction Movies.
P013 30 One Frame Insert through this to delay audio by exactly 1 SMPTE frame at 30 fps.
P014 29 One Frame Insert through this to delay audio by exactly 1 SMPTE frame at 29.97 fps.
P015 25 One Frame Insert through this to delay audio by exactly 1 SMPTE frame at 25 fps.
P016 Mean Machine All settings are maxed out.
P017 Shower Stall Lo Damp.
P018 Pipe Dream invert phase 3 ms Tube sounds like Pipe.
P019
Mission Control Sounds like radio communications to space ship.
EQ Libraries (50 presets)
No. Name Comments
P000 Bass 1 For electric bass. Wide-range and tight bass sound.
P001 Bass 2 For electric bass. Fatter and with more punch than P000. For rock.
P002 Slap Bass For electric bass. Settings that emphasize the accent of pulled notes with slap technique.
P003 Sax For alto/soprano sax. Lower HiG for mellow sound.
P004 Bari Sax For baritone sax. Adjust LoMidF.
P005 Elect Gtr Settings that keep the lead guitar from being buried in the mix.
P006 Nylon Gtr Emphasize the tone of nylon strings. Adjust fret sound with HiG.
P007 Blues Gtr Adds a delicate nuance suitable when playing blues on an acoustic guitar.
P008 Slide Gtr Adds a rich feel to acoustic slide guitar. Adjust HiF.
P009 Line Gtr For piezo pickups. Adjust brightness with HiG.
P010 Male Vocal Improves the tone quality of a male vocal. Adjust HiG.
P011 Rock Male Equalizer that adds energy to a male vocal. Best for rock. Try with Comp.
P012 Female Improves the tone quality of a female vocal. Adjust LoMidG.
P013 Child-Like For use with a higher pitched young vocalist. This EQ also helps to decrease mic handling
noise. Lower Hi Gain for mellower vocal.
P014 Rock Female Equalizer that adds energy to a female vocal. Best for rock. Try with Comp.

2
VM-C7200/C7100 Libraries
No. Name Comments
P015 Narrator Standard equalizer for male narration. Brings out the character of the voice.
P016 Organ Settings to bring out the character of a church organ.
P017 Piano Left For miking piano in stereo. Left: low range, right: high range.
P018 Piano Right For miking piano in stereo. Left: low range, right: high range.
P019 Small Chorus Settings that bring out the chorus without letting it conflict with the main vocal.
P020 Kick Drum For bass drum. Adjust LowQ and HiG.
P021 Rock Kick For bass drum. A sound suitable for rock with mid-lows emphasized.
P022 Rock Snare For snare drum. Drops the mid-lows and emphasizes the attack and snares.
P023 Jazz Snare Similar to Rock Snare preset, but tweeked for deeper snares and brushes.
P024 Rimshot For rim shot. Emphasizes the feeling of attack unique to a rim shot.
P025 Floor Tom Similar to Toms preset, but tweeked for larger diameter toms.
P026 Toms For toms. Adjust LowF and LowMidF.
P027 Hats For the crisper hi-hat. Adjust bell sound with HiMidG.
P028 Cymbals For cymbals. Emphasizes the difference in tone between cymbals and their clarity.
P029 Overheads For drum kit. Use when miking the sound of the entire kit.
P030 Loudness Applies EQ curve with slightly boosted lows and highs.
P031 Fat Dance Hard compression plus equalizing for dance music.
P032 Thin Jingle Limiter and EQ processing for FM radio and TV broadcasting.
P033 HH Isolator Use this to help isolate the Hi Hats when using multiple mics. Adjust the Hi Mid
frequency and gain.
P034 Hum Notch Helps to decrease noisy hums and buzzes caused by ground loops. Adjust the Lo Mid
frequency and gain.
P035 Lo Boost Provides a bump in the bottom end with minimal increase in overall volume. Use this for
rhythm tracks or for CD and tape playback.
P036 Smooth DJ For a smooth radio announcer’s voice. Warm muted lows and attenuated mids..
P037 Megaphone Use this to simulate the use of a megaphone. Very pronounced in the midrange..
P038 Boom+Sizzle Tailored to sound like a car hi-fi stereo, with extended lows and highs.
P039 78 RPM Thin and brittle, like the early record players.
P040 Hand Held For live mics. Decreases handling noise and the overstated midrange of most small
dynamic mics.
P041 Thru A Wall Very muffled, like listening to the next door neighbors.
P042
Organ w/Click Similar to the Organ preset, but accentuates the percussive key click.
P043 Mic’d Piano For using one mic on an acoustic piano.
P044 Telephone Simulates the frequency response of an old telephone.
P045 Speech Plus Enhances ordinary speech. Good for dialogue.
P046
Mute Trumpet Brings out the thinner brassy tones of a muted trumpet.
P047 Trumpet Evens out the sound of a trumpet by attenuating resonant frequencies. Adjust the Lo Mid
frequency and Q.
P048 AFTER COMP For use with a compressor inserted pre-EQ. Will restore some clarity and brightness lost
while compressing.
P049 ROCKNROLL For dialing in that thick, Lo Mid- and Hi Mid-heavy sound of vintage Rock’n Roll.

3
VM-C7200/C7100 Libraries
EZ Routing Templates (9 presets)
The VM-7000 series mixers are among the most flexible and powerful mixers in the world, at any price. Not only can you
configure the mixer to work for just about any application from live sound to multi track digital or analog recording to a 94
channel mixdown session; All of the settings of the whole mixer, from the input trims to all of the bus settings to EQ, internal FX
and outputs assignments can be stored and recalled at the touch of a button.
This total recall of all mixer settings is managed using either Scenes or EZ Routing templates. Scenes store every setting of the
mixer and are used in individual songs. You can use them to store the way you recorded a vocal, so that if you need to overdub or
record the vocal again you will have the exact EQ, routing and effects. Use them to store all of the parameters for one mix so you
can try a different approach and then compare the two instantly.
EZ routing templates also contain all of your mixer’s settings. But these can be accessed from any song at any time. Use these to
instantly set up your mixer to mix and record a live concert including all of the bussing you need for stage monitors; to record a
rock band in the studio using digital tape recorders; to record using your favorite internal compressors and vocal effects; The
possibilities are endless.
The VM-7000 series mixer comes with 9 preset templates to help you configure your mixer for a wide variety of applications.
These templates also include examples of some of the many flexible ways you can configure your console. They will help you get
set up for a mixing or recording session with the push of a button and can also guide you in understanding the many ways the
VM-7000 series can be used to help you make better mixes.
1. 8 TRACK MDM WITH MIDI SOUND MODULE RECORDING
This template show how to record the live sources such as vocal and guitar, accompanied by the MIDI sequence backing tracks,
into 8 track MDM.
MTC (MIDI Time Code) is output from the MIDI Out on the VM-C7000 console, so you can play the MDM and the MTC-
compatible MID sequencer in synchronization.
There are several headphone mixes provided for different band members along with studio and control room monitor routing. A
scratch mix to DAT is also anticipated along with the use of 2 different pairs of monitoring speakers for the engineer.
The effects include compressors on many of the live sources. The tracks from MDMs can easily be monitored using the 24 Multi-
Ins of the mixer.
fig.1
1.Kick
2.Snare
3.Dr Mix L
4.Dr Mix R
5.Piano L
6.Piano R
7.PAD L
8.PAD R
9.Brass L
10.Brass R
11.Sampler L
12.Sampler R
13.Synth Bass
14.E.Bass
15.Lead Gtr
16.Ac Gtr
17.Bgnd Vox 1
18.Bgnd Vox 2
19.Bgnd Vox 3
20.Lead Vox
21.DAT L
22.DAT R
23.
24.Slate
Comp
Comp
Comp
Comp
Comp
Comp
Revb
FB9
FB10
FB2
Rev2
FB3
Chorus
FB4
G.Multi
FB7
FB11
FB12
12345678
HEADPHONES CUE (MONITOR) MAIN
R-BUS (1–8)

4
VM-C7200/C7100 Libraries
2. 24 TRACK DIGITAL RECORDING SESSION WITH A ROCK BAND
For this session, the band is recording all of the instruments to 20 tracks, leaving room for some additional takes if needed. There
is bussing for headphone mixes, studio monitors and 2 pairs of control room speakers. A scratch mix can be recorded to DAT.
This template takes advantage of the direct routing capability of the mixer and many tracks go to tape directly with an effect
inserted. COSM guitar modeling is used on the lead guitar as an insert as well. The tracks from MDMs can easily be monitored
using the 24 Multi-Ins of the mixer.
fig.2
3. 24 TRACK MIXING SESSION FROM DIGITAL TAPE
This template explores several ways to use external processing. In addition to using the physical channel inserts for a channel,
you can route channels to external effects and use them either as loop effects to be mixed with the original tracks, or as insert
effects. The lead guitar tracks are set up to be routed to an amplifier which is mic’d or to some other external processor and then
returned to the mix to replace the original guitar sounds. The lead vocals are routed to an external reverb.
Some of the extraordinary internal effects are also used including reverbs and RSS Delay. The Mastering Tool Kit is inserted into
the main mix.
In this mix, all of the channels have been assigned Group masters. In this way, the whole mix can be controlled, if desired, from
the Group Fader mode, making it easy to access all tracks.
It is assumed that a MIDI sequencer will be used to add additional parts to the recorded tracks and the console is set up to provide
MMC output to control the sequencer. The MIDI Fader function can be used to control various MIDI data, if needed.
You might also want to use Speaker Modeling to check your mix as it would sound in different environments if you have the
Roland DS-90 24 Bit Digital Reference Monitors.
FB9
FB10
FB5
FB6
FB1
FB2
FB3
FB11
FB12
2.Snare
1.Kick
3.Hi Hat
4.High Toms
5.Mid Toms
6.Lo Toms
8.OH R
7.OH L
9.Bass
10.Rhythm Gtr L
11.Rhythm Gtr R
12.Lead Gtr
13.Ac.Gtr L
14.Ac.Gtr R
15.Kybd L
16.Kybd R
17.Bgnd Vox L
18.Bgnd Vox C
19.Bgnd Vox R
20.Lead Vocal
21.Sampler Dig L
22.Sampler Dig R
24.Slate
23.
Comp
Comp
Comp
Comp
Comp
Comp
GtrMulti
GtrMulti
Amp Sim
Vo Multi
Revb
12345678910111213141516 21 22 23 24
HEADPHONES CUE MAIN
R-BUS (1–8) R-BUS (9–16) R-BUS (17–24) (MONITOR)

5
VM-C7200/C7100 Libraries
fig.3
2.MIDI Perc 2
1.MIDI Perc 1
3.MIDI Perc 3
4.MIDI Perc 4
5.MIDI Bass
6.MIDI Pad 1
7.MIDI Pad 2
8.MIDI Pad 3
9.MIDI Pad 4
10.Ext FX1L Ret Snare Rev
11.Ext FX1R Ret Snare Rev
12.Ext FX2L Ret LdVox Rev
13.Ext FX2R Ret LdVox Rev
14.Ext FX3L Ret LdGtr Insert Rev
15.Ext FX3R Ret LdGtr Insert Rev
16.
17.
18.
19.
20.
21.2Tr Monitor L
22.2Tr Monitor R
24.Cassette R
23.Cassette L
FB5
FB6
FB9
FB10
FB11
FB7
FB8
2.Snare
1.Kick
7.Hi Hat
3.Toms L
4.Toms R
5.OH L
6.OH R
8.Bass
9.Rhythm Gtr L
10.Rhythm Gtr R
11.Lead Gtr
12.Acoustic L
13.Acoustic R
14.Kybd L
15.Kybd R
21.Bgnd Vox L
22.Bgnd Vox R
16.Lead Vox Final Comp
17.Lead Vox 2
18.Lead Vox 3
23.Sampler Dig L
24.Sampler Dig R
20.Perc R
19.Perc L
Vo Multi
RSS
Chorus
Revb
Revb
MTK
FB5
FB6 FB9
FB10
FB11
FB7
FB8
INPUT 1–24
MULTI IN 1–24
SD Ext.REV
VOX Ext.REV
Gtr.Ext.INS
CUE (MONITOR) MAIN

6
VM-C7200/C7100 Libraries
4. 94 CHANNEL MIXING SESSION
This template is for a two processor VM-7000 series configuration and takes advantage of all 94 channels. It assigns all channels to
Groups to make the mix as simple as possible. Reverbs, COSM guitar effects, the Mastering Tool Kit and other effects are used.
Channel EQs for bass and voice and other instruments are also employed. External effects are supported as inserts or loop type
effects. Notice that for channels using an external insert, the original dry sound is not assigned to the master bus.
fig.4a
2.MIDI Perc 2
1.MIDI Perc 1
3.MIDI Perc 3
4.MIDI Perc 4
5.MIDI Bass 1
6.MIDI Bass 2
7.Pad1 L
8.Pad1 R
9.Pad2 L
10.Pad2 R
11.MIDI Pad3 L
12.MIDI Pad3 R
13.Gtr.Synth L
14.Gtr.Synth R
15.More MIDI 1
16.More MIDI 2
19.Ext1:Lvox Comp
17.Ext2:Bvox Reverb L
18.Ext2:Bvox Reverb R
20.
21.
22.
24.DAT R
23.DAT L
94ch STUDIO MIX <1st UNIT>
FB7
FB8 FB7
FB8
FB5
FB11 FB12
FB5
FB11 FB12
2.Keys Pad R
1.Keys Pad L
3.Sampler L
4.Sampler R
5.Bgnd Vox 1
6.Bgnd Vox 2
7.Bgnd Vox 3
8.Bgnd Vox 4
9.Lead Vox Scratch
10.Lead Vox Main
11.Lead Vox OD1
12.Lead Vox OD2
13.Lead Vox OD3
14.Lead Vox OD4
15.Lead Gtr.Main
18.Lead Gtr.OD3
19.Perc OD1
20.Perc OD2
21.Perc OD3
22.Perc OD4
16.Lead Gtr.OD1
17.Lead Gtr.OD2
24.Perc OD6
23.Perc OD5
Revb
Revb
MTK
INPUT 1–24
MULTI IN 1–24
Amp Sim
COMP
COMP
COMP
COMP
CUE
EXT1:LVOX Comp
EXT2:BVOX Rev
(MONITOR)
MAIN

7
VM-C7200/C7100 Libraries
fig.4b
2.Ext3 R Piano Reverb
1.Ext3 L Piano Reverb
To 1st UNIT
3.Ext4 L Snare Reverb
4.Ext4 R Snare Reverb
5.
6.Sampler1-2
7.Sampler1-3
8.Sampler1-4
9.Sampler1-5
10.Sampler1-6
11.Sampler1-7
12.Sampler1-8
13.Sampler2-1
14.Sampler2-2
15.Sampler2-3
16.Sampler2-4
17.Sampler2-5
18.Sampler2-6
19.Sampler2-7
20.Sampler2-8
21.Sampler2 Dig
22.Sampler2 Dig
24.
23.
94ch STUDIO MIX <2nd UNIT>
FB3
FB4 FB3
FB4
FB7 FB8 FB9
FB11 FB12
FB7 FB8 FB9
FB11 FB12
2.Snare
1.Kick
3.Hi Hat
4.Tom 1
5.Tom 2
6.Tom 3
7.Tom 4
8.Floor Tom
9.OH L
10.OH R
11.Bass Final
12.Bass Ods
13.Rhythm Gtr L
14.Rhythm Gtr R
15.Rhythm Gtr L
18.Rhythm Gtr.2
19.Rhythm Gtr.2
20.Rhythm Gtr.2
21.Acoustic Gtr L
22.Acoustic Gtr R
16.Rhythm Gtr R
17.Rhythm Gtr.2
24.Acoustic Piano R
23.Acoustic Piano L
Revb
Revb
INPUT 1–24
MULTI IN 1–24
COMP
COMP
COMP
COMP
COMP
COMP
COMP
COMP
COMP
COMP
COMP
To 1st UNIT
EXT3:Snare Rev
EXT4:Pf Rev

8
VM-C7200/C7100 Libraries
5. LIVE ROCK BAND CONCERT MIX WITH 16 TRACK DIGITAL RECORDING
The VM-7000 series excels as a live mixer. This is especially true due to the separate console and processor design, which
eliminates the losses and noises due to long analog snakes. This template suggests ways to set up the mixer for a live rock concert.
It also supports a 16 track digital recording of the concert.
Bussing supports several stage monitors for the band. It also includes routing so the mixer can easily monitor the tape as it is
being recorded without disturbing the concert. MMC is enabled to control the recorder during the show. One more MDMs could
be added for up to 24 tracks of digital recording using additional DIF-AT interfaces.
Compressors are used on many channels to help with the mix. The drum kit minus the kick and snare is bussed as a stereo group,
showing this typical application for live bussing. A digital or analog CD player is indicated for use before the band plays. These
two channels can also be used to monitor a scratch mix to DAT via the console’s digital outputs.
Finally, a 31 band graphic equalizer is inserted across the main mix output.
This should be used in conjunction with the noise generator and Real Time Analyzer to ring out the room before the concert. It is
also available in case there are any feedback problems during the show.
fig.5
Comp
Comp
Comp
Comp
Comp
Comp
Comp
1.Kick
2.Snare
3.Hi Hat
4.High Toms
5.Mid Toms
6.Lo Toms
7.Floor Toms
8.OH L
9.OH R
10.Bass
12.Guitar 2
11.Guitar 1
13.Lead Gtr
14.Ac Guitar
15.E.Piano L
16.E.Piano R
17.Bgnd Vox 1
18.Bgnd Vox 2
19.Bgnd Vox 3
20.Lead Vox
21.Kybd Mix L
22.Kybd Mix R
24.CD R
23.CD L
Revb
GateRev
FB9
FB10
FB4
FB5 FB1 FB2 FB6 FB7
FB8
FB3
FB11
FB12
31 EQ
STAGE MONITORS
12 34 5678 910111213141516
CUE MAIN
R-BUS (1–8) R-BUS (9–16)
TAPE
MONITOR

9
VM-C7200/C7100 Libraries
6. LIVE JAZZ ENSEMBLE WITH 8 TRACK DIGITAL RECORDING
This template is designed for a more acoustic, jazz oriented concert or recording date. There is light compression available if
needed, and bussing is provided to maintain the stereo imaging of the various sections.
The 31 band stereo graphic EQ is provided for tuning the room along with the Real Time Analyzer. Fader grouping is also
assigned to help make the mix simpler to manage. Mono and stereo monitors are provided, if needed on stage..
Bussing is also provided for a stereo live broadcast feed, if needed.
fig.6
Comp
Comp
Comp
Comp
Vo Multi
Vo Multi
1.Kick
2.Snare
3.Hi Hat
4.High Toms
5.Lo Toms
6.OH L
7.OH R
10.Bass 2
9.Bass 1
8.Guitar
11.Piano L
12.Piano R
13.SAX 1
14.Trumpet
15.Alt Horn 1
16.Alt Horn 2
17.Room L
18.Room R
19.Vox 1
20.Vox 2
24.CD R
23.CD L
Revb
FB9
FB10
FB2 FB1 FB7
FB8
FB5
FB6
FB3
FB11
FB12
31 EQ
12345678
TAPE
MONITOR
STAGE MONITORS CUE MAIN
R-BUS (1–8)

10
VM-C7200/C7100 Libraries
7. PUBLIC ADDRESS, LARGE MEETINGS AND MEDIA PRESENTATIONS
The versatility of the VM-7000 series is evident in this template, designed for corporate events or media presentations. Inputs are
available for many different panelists, wireless mics as well as media sound sources such as computers, VCRs and Video Disk
players.
Bussing is assigned for stage monitors, if needed, as well as rear room speakers. More busses are available for more speaker sets.
Routing for recording the sessions to stereo analog or digital tape is provided as well as stereo room graphic equalizer for initial
setup of the room using the onboard noise generator and Real Time Analyzer.
Comprehensive vocal processing including compression, de-essing, enhancing and other effects are assigned to the various
panelists to enhance their intelligibility.
Reverb and delay effects are also available if needed for any special effects!
fig.7
8. POST PRODUCTION RECORDING AND SURROUND SOUND MIXING
Again the versatility of the VM-7000 series really shows in this mixer configuration. The basic recording setup includes up to 24
tracks of digital recording. Other inputs include various tape sources for natural sounds, CDs, FX libraries, and digital audio from
computer sources.
Vocal processing such as noise eliminators, de-essers and other effects are set up for the main narrators. Reverbs and ambience
effects are also assigned to effects tracks.
For mix down, inputs from computers, video decks and MDMs such as the Tascam DA-88 are available. These sources are all
routed to 6 busses for Surround Sound mixing and encoding. The outputs are available to be bussed to speakers for monitoring,
an encoder for encoding, and to 8 tracks of digital recording as well.
Bussing is also provided for playback to two or more tracks of a digital or analog video deck. This bus can also be used for a “mix
minus” output.
Comp
Comp
Comp
Comp
Comp
Comp
Comp
Comp
1.Male SPKR 1
2.Male SPKR 2
3.Female SPKR
4.Wireless Mic 1
5.Wireless Mic 2
6.Panel Member 1
7.Panel Member 2
8.Panel Member 3
9.Panel Member 4
10.Panel Member 5
11.VCR-A L
12.VCR-A R
13.VCR-B L
14.VCR-B R
15.CD L
16.CD R
17.VD L
18.VD R
19.Computer L
20.Computer R
21.DAT L
22.DAT R
24.CD R
23.CD L
FB7
FB8
FB5
FB6
FB11
FB12
FB9
FB10
Delay Delay
31B EQ
31B EQ
DELAY
SPEAKER
STAGE
MONITORS CUEREC MAIN

11
VM-C7200/C7100 Libraries
fig.8
2.Narrator 2
1.Narrator 1
3.Music Src A L
4.Music Src A R
5.Music Src B L
6.Music Src B R
7.FX Src 1
8.FX Src 2
9.Video Src A
10.Video Src B
11.Video Src C
12.Video Src D
13.Mus/FX Samp 1
14.Mus/FX Samp 2
15.Mus/FX Samp 3
16.Mus/FX Samp 4
17.Mus/FX Samp 5
18.Mus/FX Samp 6
19.Mus/FX Samp 7
20.Mus/FX Samp 8
21.DAT L
22.DAT R
24.Computer R
23.Computer L
FB4 FB5
FB6
FB4 FB5
FB6
FB1 FB2 FB7 FB8 FB9
FB10 FB11 FB12
FB1 FB2 FB7 FB8 FB9
FB10 FB11 FB12
2.Surround Mon C
1.Surround Mon L
3.Surround mon R
4.Surround Mon SL
5.Surround Mon SR
6.Surround Mon Sub
7.
8.
9.Narrator 1
10.Narrator 2
11.Dialog A
12.Dialog B
13.Dialog C
14.Dialog D
15.Sound FX1 L
18.Sound FX2 R
19.Nat Sounds L
20.Nat Sounds R
21.Music Bed1 L
21.Music Bed1 R
16.Sound FX1 R
17.Sound FX2 L
24.Music Bed2 R
23.Music Bed2 L
Revb
Revb
Revb
MTK
INPUT 1–24
MULTI IN 1–24
Vo MULTI
Vo MULTI
SL SRSUBLCR
SURROUND
CUE
REC (MONITOR)
MAIN
12345678
R-BUS (1–8)

12
VM-C7200/C7100 Libraries
9. BASIC MIXER SETUP EXAMPLE
This simple template has basic examples of how different features of the mixer are set up. Channels are set up with internal insert
and loop effects.
There are 1 stereo and 2 mono recording busses set for sending audio to a digital multi track recorder.
In addition, busses and direct outs are arranged to send channels to external effects using the bus.
The multi in section is set up assuming 8 tracks of MDM or other multi inputs.
Bussing is also provided for headphone mixes, studio monitor sends and speaker outputs for digital monitors.
This template should provide plenty of resources to help you setup the VM-7000 series for just about any application.
fig.9
Comp
Comp
G.Multi
Amp Sim
Comp
Comp
1.Insert FX
2.Insert FX
3.Insert FX
4.Insert FX
5.Direct Rec A
6.Direct Rec B
7.Stereo Rec A
8.Stereo Rec A
9.Gtr FX Insert
10.Gtr FX Insert
11.Mono Rec A
12.Mono Rec A
13.Mono Rec B
14.Mono Rec B
15.SND to Ext FX Loop
16.SND to Ext FX Loop
17.SND to Ext Insert FX
18.RTN from Ext Insert FX
19.RTN from Ext FX L
20.RTN from Ext FX R
21.DAT L
22.DAT R
24.Cassette at Console R
23.Cassette at Console L
Revb
FB5
RSS
FB6
FB7
FB8
FB9
FB10
FB11
FB12
FB3
FB4
FB1
FB2
31 EQ
12345678
CUE (MONITOR) MAIN
R-BUS (1–8)
EXT LOOP FX EXT INS FX
REC L
REC R HEADPHONES
STUDIO MONITOR

13
VM-C7200/C7100 Libraries
FX Libraries (200 presets)
You cannot select Preset Patches P039, P040, P041, P194, P195, P196, P197, P198 or P199 for Channel FX. These Patches must be used for
Master FX only.
No. Name Algorithm Type Input
P000 Reverb Reverb Snd/Rtn Mono
P001 Delay Delay Snd/Rtn Mono
P002 StDly-Chorus StDly-Chorus Insert Stereo
P003 StPS-Delay StPs-Delay Insert Stereo
P004 Vocoder Vocoder-10 Insert Mono
P005 2ch RSS 2ch RSS Insert 2ch
P006 Delay RSS Delay RSS Insert Mono
P007 Chorus RSS Chorus RSS Insert Mono
P008 GuitarMulti1 GuitarMulti1 Insert Mono
P009 GuitarMulti2 GuitarMulti2 Insert Mono
P010 GuitarMulti3 GuitarMulti3 Insert Mono
P011 Vocal Multi Vocal Multi Insert Mono
P012 Rotary RotarySpeakr Insert Mono
P013 GuitarAmpSim GuitarAmpSim Insert Mono
P014 St Phaser StereoPhaser Insert Stereo
P015 St Flanger StereoFlnger Insert Stereo
P016 DualComp/Lim Dual Comp/LimInsert 2ch
P017 Gate Reverb Gate Reverb Snd/Rtn Mono
P018 MultiTapDly MultiTap Dly Insert Mono
P019 Stereo Multi Stereo Multi Insert Stereo
P020 Reverb2 Reverb 2 Snd/Rtn Mono
P021 Space Chorus Space Chorus Insert Stereo
P022 Lo-Fi Proces Lo-Fi Proces Insert Stereo
P023 ParametricEQ ParametricEQ Insert 2ch
P024 Graphic EQ GraphicEQ-10 Insert 2ch
P025 Hum Canceler Hum Canceler Insert Stereo
P026 Vocal Cancel Vocal Cancel Insert Stereo
P027 Voice Trans Voice Trans Insert Mono
P028 Vocoder2 (19) Vocoder-19 Insert Mono
P029 MicSimulator MicSimulator Insert 2ch
P030 3BndIsolator 3BndIsolator Insert Stereo
P031 TapeEcho201 TapeEcho201 Snd/Rtn Mono
P032 AnalogFlnger AnalogFlnger Insert Stereo
P033 AnalogPhaser AnalogPhaser Insert Stereo
No. Name Algorithm Type Input
P034 SP Modeling SP Modeling Insert Stereo
P035 MstToolKit Mst Tool Kit Insert Stereo
P036 31bGraphicEQ GraphicEQ-31 Insert 2ch
P037 St2bDynamics St.2BandDyn. Insert Stereo
P038 DualMonoDyna DualMonoDyn. Insert 2ch
P039 M SpModeling SP Modeling Insert Stereo
P040 10b Param EQ ParametEQ-10 Insert 2ch
P041 3b Dynamics 3bndDynamics Insert Stereo
P042 RV:LargeHall Reverb Snd/Rtn Mono
P043 RV:SmallHall Reverb Snd/Rtn Mono
P044 RV:Strings Reverb Snd/Rtn Mono
P045 RV:PianoHall Reverb Snd/Rtn Mono
P046 RV:Orch Room Reverb Snd/Rtn Mono
P047 RV:VocalRoom Reverb Snd/Rtn Mono
P048 RV:MediumRm Reverb Snd/Rtn Mono
P049 RV:LargeRoom Reverb Snd/Rtn Mono
P050 RV:CoolPlate Reverb Snd/Rtn Mono
P051 RV:Short Plt Reverb Snd/Rtn Mono
P052 RV:Vocal Plt Reverb Snd/Rtn Mono
P053 RV:Soft Amb. Reverb Snd/Rtn Mono
P054 RV:Room Amb. Reverb Snd/Rtn Mono
P055 RV:Cathedral Reverb Snd/Rtn Mono
P056 RV:Long Cave Reverb Snd/Rtn Mono
P057 RV:GarageDr. Reverb Snd/Rtn Mono
P058 RV:Rock Kick Reverb Snd/Rtn Mono
P059 RV:RockSnare Reverb Snd/Rtn Mono
P060 RV:BriteGate Gate Reverb Snd/Rtn Mono
P061 RV:Fat Gate Gate Reverb Snd/Rtn Mono
P062 RV:ReverseGt Gate Reverb Snd/Rtn Mono
P063 RV:PanningGt Gate Reverb Snd/Rtn Mono
P064 DL:Short Dly Delay Snd/Rtn Mono
P065 DL:MediumDly Delay Snd/Rtn Mono
P066 DL:LongDelay Delay Snd/Rtn Mono
P067 DL:AnalogDly Delay Snd/Rtn Mono

14
VM-C7200/C7100 Libraries
No. Name Algorithm Type Input
P068 DL:Tape Echo StDly-Chorus Snd/Rtn Stereo
P069 DL:Karaoke StDly-Chorus Snd/Rtn Stereo
P070 DL:Multi-Tap StDly-Chorus Snd/Rtn Stereo
P071 DL:MltTapAmb MultiTap Dly Snd/Rtn Mono
P072 DL:Ping Pong MultiTap Dly Snd/Rtn Mono
P073 VO:Vocal Efx Vocal Multi Insert Mono
P074 VO:JazzVocal Vocal Multi Insert Mono
P075 VO:RockVocal Vocal Multi Insert Mono
P076 VO:Narration Vocal Multi Insert Mono
P077 VO:BigChorus Vocal Multi Insert Mono
P078 VO:Club DJ Vocal Multi Insert Mono
P079 VO:AM-Radio Vocal Multi Insert Mono
P080 VO:Robot Efx StPS-Delay Insert Stereo
P081 VO:Bull Horn GuitarMulti3 Insert Mono
P082 GT:Rock Lead GuitarMulti2 Insert Mono
P083 GT:LA Lead GuitarMulti2 Insert Mono
P084 GT:MetalLead GuitarMulti1 Insert Mono
P085 GT:Metal Jet GuitarMulti1 Insert Mono
P086 GT:CleanRthm GuitarMulti1 Insert Mono
P087 GT:DIedClean Vocal Multi Insert Mono
P088 GT:Delay Rif GuitarMulti2 Insert Mono
P089 GT:Acoustic Vocal Multi Insert Mono
P090 GT:BluesDrv. GuitarMulti3 Insert Mono
P091 GT:Liverpool GuitarMulti3 Insert Mono
P092 GT:Country GuitarMulti3 Insert Mono
P093 GA:JazChorus GuitarAmpSim Insert Mono
P094 GA:CleanTwin GuitarAmpSim Insert Mono
P095 GA:Vin.Tweed GuitarAmpSim Insert Mono
P096 GA:BluesDrv. GuitarAmpSim Insert Mono
P097 GA:MatchLead GuitarAmpSim Insert Mono
P098 GA:StudioCmb GuitarAmpSim Insert Mono
P099 GA:JMP-Stack GuitarAmpSim Insert Mono
P100 GA:SLDN Lead GuitarAmpSim Insert Mono
P101 GA:5150 Lead GuitarAmpSim Insert Mono
P102 BS:DI’edBass Vocal Multi Insert Mono
P103 BS:MikedBass GuitarAmpSim Insert Mono
P104 BS:CompBass Stereo Multi Insert Stereo
P105 BS:Auto Wah GuitarMulti2 Insert Mono
P106 BS:EFX Bass StDly-Chorus Insert Stereo
No. Name Algorithm Type Input
P107 CL:Comp Stereo Multi Insert Stereo
P108 CL:Limiter Stereo Multi Insert Stereo
P109 EQ:Loudness Stereo Multi Insert Stereo
P110 EQ:Fat Dance Stereo Multi Insert Stereo
P111 EQ:ThinJingl Stereo Multi Insert Stereo
P112 CH:Lt Chorus StDly-Chorus Insert Stereo
P113 CH:Deep Cho StDly-Chorus Insert Stereo
P114 CH:DetuneCho StPS-Delay Insert Stereo
P115 FL:LtFlanger StereoFlnger Insert Stereo
P116 FL:Deep Fl StereoFlnger Insert Stereo
P117 PH:Lt Phaser StereoPhaser Insert Stereo
P118 PH:DeepPhase StereoPhaser Insert Stereo
P119 PS:-4thVoice Vocal Multi Insert Mono
P120 PS:ShimmerUD StPS-Delay Insert Stereo
P121 R2:LargeHall Reverb 2 Snd/Rtn Mono
P122 R2:SmallHall Reverb 2 Snd/Rtn Mono
P123 R2:Strings Reverb 2 Snd/Rtn Mono
P124 R2:PianoHall Reverb 2 Snd/Rtn Mono
P125 R2:Orch Room Reverb 2 Snd/Rtn Mono
P126 R2:VocalRoom Reverb 2 Snd/Rtn Mono
P127 R2:MediumRm Reverb 2 Snd/Rtn Mono
P128 R2:LargeRoom Reverb 2 Snd/Rtn Mono
P129 R2:CoolPlate Reverb 2 Snd/Rtn Mono
P130 R2:Short Plt Reverb 2 Snd/Rtn Mono
P131 R2:Vocal Plt Reverb 2 Snd/Rtn Mono
P132 R2:Soft Amb. Reverb 2 Snd/Rtn Mono
P133 R2:Room Amb. Reverb 2 Snd/Rtn Mono
P134 R2:Cathedral Reverb 2 Snd/Rtn Mono
P135 R2:Long Cave Reverb 2 Snd/Rtn Mono
P136 R2:GarageDr. Reverb 2 Snd/Rtn Mono
P137 R2:Rock Kick Reverb 2 Snd/Rtn Mono
P138 R2:RockSnare Reverb 2 Snd/Rtn Mono
P139 R2:BriteGte2 Reverb 2 Snd/Rtn Mono
P140 R2:Fat Gate2 Reverb 2 Snd/Rtn Mono
P141 MS:5758 MicSimulator Insert 2ch
P142 GEQ:TotalEQ1 GraphicEQ-10 Insert Stereo
P143 GEQ:TotalEQ2 GraphicEQ-10 Insert Stereo
P144 GEQ:Space EQ GraphicEQ-10 Insert Stereo
P145 LFP:BreakBts Lo-Fi Proces Insert Stereo

15
VM-C7200/C7100 Libraries
No. Name Algorithm Type Input
P146 LFP:1bitDist Lo-Fi Proces Insert Stereo
P147 LFP:TeknoFlt Lo-Fi Proces Insert Stereo
P148 LFP:Reso Flt Lo-Fi Proces Insert Stereo
P149 LFP:FatBotom Lo-Fi Proces Snd/Rtn Stereo
P150 VT:M to Fm Voice Trans Insert Mono
P151 VT:Fm to M Voice Trans Insert Mono
P152 VT:Male Duo Voice Trans Insert Mono
P153 VT:FemaleDuo Voice Trans Insert Mono
P154 VT:Robot Voice Trans Insert Mono
P155 VOC2:M19Band Vocoder-19 Insert Mono
P156 VOC2:S19Band Vocoder-19 Insert Mono
P157 HC:Quiet60Hz Hum Canceler Insert Stereo
P158 TE:ShortEcho TapeEcho201 Snd/Rtn Mono
P159 TE:LongEcho TapeEcho201 Snd/Rtn Mono
P160 TE:OldTape TapeEcho201 Snd/Rtn Mono
P161 TE:PanEcho TapeEcho201 Snd/Rtn Mono
P162 AF:SBF-325 AnalogFlnger Insert Stereo
P163 AP:FB-Phaser AnalogPhaser Insert Stereo
P164 MTK:Mixdown Mst Tool Kit Insert Stereo
P165 MTK:PreMastr Mst Tool Kit Insert Stereo
P166 MTK:LiveMix Mst Tool Kit Insert Stereo
P167 MTK:PopMix Mst Tool Kit Insert Stereo
P168 MTK:DanceMix Mst Tool Kit Insert Stereo
P169 MTK:JinglMix Mst Tool Kit Insert Stereo
P170 MTK:HardComp Mst Tool Kit Insert Stereo
P171 MTK:SoftComp Mst Tool Kit Insert Stereo
P172 MTK:ClnComp Mst Tool Kit Insert Stereo
P173 MTK:DnceComp Mst Tool Kit Insert Stereo
P174 MTK:OrchComp Mst Tool Kit Insert Stereo
P175 MTK:VocalCmp Mst Tool Kit Insert Stereo
P176 MTK:Acoustic Mst Tool Kit Insert Stereo
P177 MTK:RockBand Mst Tool Kit Insert Stereo
P178 MTK:Orchestr Mst Tool Kit Insert Stereo
P179 MTK:LoBoost Mst Tool Kit Insert Stereo
P180 MTK:Brighten Mst Tool Kit Insert Stereo
P181 MTK:DJsVoice Mst Tool Kit Insert Stereo
P182 MTK:PhoneVox Mst Tool Kit Insert Stereo
P183 SPM:SuperFlt SP Modeling Insert Stereo
P184 2DN:LowKick St.2BansDyn. Insert Stereo
No. Name Algorithm Type Input
P185 DDN:KickComp DualMonoDyn. Insert 2ch
P186 DDN:SnareComp DualMonoDyn. Insert 2ch
P187 DDN:DI Bass DualMonoDyn. Insert 2ch
P188 2DN:OVERTOP St.2BansDyn. Insert Stereo
P189
DDN:NARRATOR DualMonoDyn. Insert 2ch
P190 DDN:VocalRck DualMonoDyn. Insert 2ch
P191 DDN:VocalJaz DualMonoDyn. Insert 2ch
P192 2DN:AC.Guitr St.2BansDyn. Insert Stereo
P193 DDN:St Limit DualMonoDyn. Insert 2ch
P194 3DN:SoftComp 3bndDynamics Insert Stereo
P195 3DN:HardComp 3bndDynamics Insert Stereo
P196 3DN:DanceCmp 3bndDynamics Insert Stereo
P197 3DN:OrchComp 3bndDynamics Insert Stereo
P198 3DN:VocalCmp 3bndDynamics Insert Stereo
P199 3DN:CleanCmp 3bndDynamics Insert Stereo

16
VM-C7200/C7100 Libraries
MEMO...
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