Roland V-Mixer M-400 User manual

Live Mixing Console M-400
Multi Channel Digital Audio Transfer System
Digital Audio Transfer & Mixing System
The cornerstone of Roland's Audio and Visual Solution
48 channels / 18 buses / 56-bit processing
www.rolandsystemsgroup.net Copyright 2007 Roland Corporation. All rights reserved.
All specifications and appearances are subject to change without notice.
Oct. 2007 RAM-7009 GEN
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Digital Audio Transfer & Mixing System
The Perfect Digital Solution for Live Audio Distribution and Mixing
Live Mixing Console
M-400
CAT5e Cable
Multi Channel
Digital Audio
Transfer System
The
Breakthrough
Digital Mixing
Solution
A simple Cat5e REAC cable from stage
to mixing console.
A breakthrough digital mixing and recording solution for
live sound events and installations.
Roland is known as one of the world ’ s
foremost audio innovators. From the VS series,
the world ’ s first stand alone Digital Studio
Workstation released in 1996, to Roland ’ s breakthrough 1999 V-Mixing System
incorporating high-quality stage-based preamps and a digital snake, Roland has
always had a reputation for innovation, high quality audio and reliability. Following
these leading edge products, Roland is now launching a total mixing solution based
its powerful REAC technology. From digital snakes on stage, to Cat5e audio
distribution, to the intuitive M-400 control surface and mixing processor with built
in linear recording, to digital splits for direct multi-channel PC recording; the next
generation V-Mixing system establishes a new era in high-quality digital mixing.
Multi Format Video Mixer
■48 CHANNELS/18 BUSES
with GEQs & Effects
■56-bit internal processing
■Touch Sensitive Motorized Faders
■USB Memory Player/Recorder
■DCA Groups/Mute Groups
■Scene Recall with Head Amp Gain
Digital Studio Workstation
V-Studio VS series
released in 1996
V-Mixing System
VM-7000 series
released in 1999
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The V-Mixing System uses the REAC protocol between the stage units and console using a
simple Cat5e cable connection instead of bulky, heavy multi-core analog snakes. The Cat5e
connection is also immune from the hums buzzes and cross talk associated with analog
snakes. With no configuration required, simply plug the Cat5e cable from the stage units
to the REAC A & B ports located on the rear of the M-400 V-Mixer and the system is
ready to go.
Quick and Easy Installation and Setup
Intuitive and Easy Operation
The M-400 V-Mixer features 25 x 100mm motorized, touch sensitive faders; a large, bright 800 x
480 color screen; dedicated knobs for EQ, Pan, and Gain; and Scenes for total recall of all console
settings. Designed for all operator levels, the intuitive interface is quick to navigate and easy to
learn and even has an onboard Help system. The V-Mixing System is the answer for high quality,
cost-effective live digital audio mixing and control.
Superb Sound Quality
The V-Mixing system uses Cat5e-based REAC technology to convert the audio
to digital on stage using high quality 24-bit remote-controlled mic pre-amps.
Because the V-Mixing System is all digital, the integrity and sound quality of
the audio signal is maintained from the stage units to the M-400 V-Mixer and
back to the outputs for connection to amps and speakers without the high
frequency and intelligibility losses found in analog cabling.
RF
AC
ANALOG
RF
AC
(DIGITAL)
Digital Transfer can minimize signal’s damage
Analog Multi Cable
Digital Snake
Supports advanced integrated applications
Use the optional S-OPT Optical converter to send signals up to 2 kilometers using fiber
cable. Using REAC, up to 40 channels of multi-track audio can be recorded by simply
connecting a Cat5e cable from the REAC Split port on the M-400 V-Mixer to a gigabit
network port on your PC running Cakewalk’s SONAR software. By using Roland’s V-LINK
protocol you can connect the V-Mixing System to the Edirol V-440HD Multi format Video
Mixer for a completely integrated audio and video performance solution.
Up to 40 channels over lightweight Cat5e
Heavy analog multi core cable requires large, expensive conduit
for installations, and suffers from high frequency losses and
potential for induced
hums and buzzes.
REAC’s transfer
protocol provides
pristine digital audio in
a very light weight,
inexpensive and easy to
install cable format.
One S-1608 and one S-4000S-3208 Digital Snake on stage side would
provide more physical inputs
A simple and affordable system to use one S-1608 Digital Snake on stage
Standard system consists of 2 S-1608 Digital Snakes on stage
32ch XLR
16ch XLR
S-1608 x 2
M-400
Phones
8ch XLR
8ch XLR
2ch Digital
2ch RCA
40ch
8ch XLR
16ch XLR
S-1608
M-400
Phones
8ch XLR
8ch XLR
2ch Digital
2ch RCA
40ch
8ch XLR
16ch XLR
8ch XLR
32ch XLR
S-4000S-3208
S-1608
REAC A
REAC B
M-400
Phones
8ch XLR
8ch XLR
2ch Digital
2ch RCA
REAC A
REAC B
* 48 input channels must be selected from 58 physical inputs via the M-400 patchbay.
Standard System
Basic System Expanded System*
Digital Audio Transfer & Mixing System
In addition to improving a system’s overall audio quality,
the V-Mixing system is very cost effective to install.
The system’s digital advantages of total recall,
built-in effects and recording bring many benefits to any mixing installation.
The REAC digital transfer technology used on the 48-channel
M-400 V-Mixer establishes a new era in live audio mixing.
Next Generation of Simple, High Quality Audio Transfer
REAC (Roland Ethernet Audio Communication) is Roland’s original technology for low latency, high
quality digital audio transfer. Products using REAC technology are installed today in many venues and
have been used for high profile events worldwide. REAC technology provides many system advantages.
Multi channel transfer with high quality audio
REAC transfers 24-bit uncompressed multi channel audio with very
low latency. REAC technology eliminates the typical problems found in
analog transfer such as signal quality degradation or hums and
buzzes. In addition, since REAC transfer happens over light weight
cable and is immune to externally induced noise, designers and
integrators have more freedom for cable placement resulting in
lower cost installations.
* REAC driver must be installed on PC for multi-track recording.
* The number of recording tracks may differ depending on the PC performance.
SONAR
24-bit multitrack recording to PC via REAC
Using a Cat5e cable, simply connect a PC to the REAC split port on the
back of the M-400 V-Mixer. Take inputs and buses from/to stage in their
original digital form for up to 40 channels of multitrack recording.
Integrate a high quality recording system with unprecedented ease at an
affordable price.
Analog Multi Core Cable
Cat5e cable for REAC
REAC connection
Example of analog
connection
Output Impedance : 2 k ohms (without direct box)Output Impedance : 600 ohms
20
2
dBr RMS CH1, vs GEN FREQ /Hz
ANL 1: TERM 2: OFF
SWP TERMINATED
1
0
–2
–4
–6
–8
30 50 100 200 500 1k 2k 3k 5k 10k 20k 20
2
dBr RMS CH1, vs GEN FREQ /Hz
ANL 1: TERM 2: OFF
SWP TERMINATED
1
0
–2
–4
–6
–8
30 50 100 200 500 1k 2k 3k 5k 10k 20k
V-Mixing System
Analog Transfer
●Frequency Response Comparison
V-LINK connection withV-440HD Video Mixer
Preamps on stage boost the input gain before the long journey
In analog transfer systems, low
level mic signals must go long
distances before they are
amplified. With the REAC system,
the input signal is amplified on
stage, right next to the source,
and then converted to a lossless,
24-bit digital signal. This REAC
audio signal can then be
transferred without degradation.
So direct boxes are not required.
* The number of recording tracks may differ depending on the PC performance.
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Compact Size 749mm
■749(W) ✕626(D) ✕229(H)mm/19.8kg
■High Contrast Color Display
Large color TFT display in wide VGA format (800 x 480) provides a
clear, bright graphical display for precise management of controls
and settings.
■Digital Output Jacks
Assignable coaxial and optical SPDIF output for digital recording
or monitoring with EDIROL MA-series monitors.
■Stereo In Jacks
RCA stereo inputs for line-level audio from iPod/CD/DVD players
and other line-level audio sources.
■USB Port for Remote Control
Dedicated USB port for live or offline PC control using free M-400
RCS (remote control software) available from
www.rolandsystemsgroup.net
■Talkback Mic In Jack
For Talkback Mic. Supplies +48V phantom power.
■Lamp Jack
Provides power for standard goose-neck lamps. Jack type: XLR-4-31.
■MIDI/RS-232C Jacks
MIDI I/O provides MIDI control options for faders, scenes and
more parameters. Can be connected to EDIROL video mixers for
linking video faders to audio faders. RS232C control available as
update to Version 1.
■Console Input/Output Jacks
8 XLR inputs and XLR outputs assignable to/from channels and
buses for external inserts and extra inputs and outputs. Inputs are
Mic/Line with phantom power.
■REAC Ports
A and B ports for connecting to RSS Stage Units (S-4000S or
S-1608) via Cat5e. Split/Backup port provides channel split for
multi-track recording. *Split not available when using S-4000S stage unit.
■Phones Jack
1/4 inch phone jack with level control knob.
■Channel Buttons and Meters
SEL buttons call up the Channel Edit screen. Large SOLO/MUTE
buttons. LED meters show signal level.
■Motorized Fader with Touch Sensitivity
Smooth, fast 100mm motorized faders with touch sensitivity for
instant call-up of the Channel Edit screen.
Color-coded controls for easy adjustment of channel parameters
and settings.
■Library List
CH LIBRARY
GATE/EXPANDER LIBRARY
COMPRESSOR LIBRARY
LIMITER LIBRARY
EQ LIBRARY
FX LIBRARY
GEQ LIBRARY
INPUT PATCHBAY LIBRARY
OUTPUT PATCHBAY LIBRARY
■GATE
Supplies Gate and Expander controls for Ch’s 1-24. DISP button
provides additional parameter controls.
■COMP
Adjusts Compressor Threshold for Ch’s 1-24 and Limiter for Main
and Aux buses. DISP button provides additional parameter controls.
■EQUALIZER
4 bands of EQ with color-coded controls for Freq, Gain and Q. DISP
button provides additional parameter controls.
■AUX SENDS
Quick access to 16 Aux Sends. Send levels can be controlled via Send
Level dial or via Faders when using the Sends On Fader feature.
■PAN
Dedicated Pan dial for fast and easy Pan control.
■TOUCH SELECT
When lit, touching any channel fader calls up its Channel Edit
screen.
■FILTER
4-mode filter adjustable from 20Hz to 20KHz.
■PREAMP
Adjusts Digital Snake’s preamp Gain in 1dB increments.
■Function Buttons
Provide fast access to M-400 screens.
■USB Memory Recorder Section
Stereo recorder/player using USB memory drive. Linear WAV files
can be recorded or played back live. Capture a live mix or provide
background music.
■USB Jack
In addition to record/playback of WAV files, an
USB memory drive can be used to save/load
M-400 scenes, libraries and user passwords.
■SCENE MEMORY
Up to 300 scenes can be saved to internal memory for later recall.
Scenes can recall all mixer settings or can be filtered to recall only
selected parameters.
■Control Section
Value dial with cursor and ENTER/EXIT buttons for quick
parameter selections and adjustments.
■Setup Section
Provides instant access to the PATCHBAY screen and the SYSTEM
screen.
■Group Section
Provides instant access to the DCA Groups screen and the MUTE
Groups screen.
■Talkback and Oscillator Section
Gain control and ON button for talkback mic. DISP button brings up
setup screen for Talkback as well as Oscillator for acoustical analysis.
■Monitor Section
Monitor output level control. DISP screen provides fast access to
selectable monitor sources and SOLO parameter controls.
■User Section
Multiple users with unique passwords can be set up with access to
all or a limited number of channels, parameters, their own
preferences, user buttons and user fader setup.
■LAYER
Fast access to channels 1-24, 25-48 and Aux Bus/DCA Masters.
User Fader layer customizable for one-layer mixing.
■Main Fader
Adjusts Main output mix. SEL button toggles between L and R
Channel Edit screens for Main channel. Includes SOLO and MUTE.
■Channel layers and fader modules
USER
AUX/DCA
CH25-48
CH1-24
USER FADER 1~24
AUX
1~ 16,DCA 1~8
CH25~48
CH1~24
■Insert Effects
8 XLR inputs and outputs on the console’s rear panel can be used for
sends/returns of external insert effects on any channel or bus.
■4 x 31 bands GEQ
Four dedicated 31-band graphic EQ’s can be edited using 100mm
faders. Additional GEQs available in FX1-4 for up to 12 31-band
graphics.
■Effects
Fast access to 4 stereo or 8 dual mono high quality internal effects
including stereo reverbs, delays and sophisticated channel strips.
■Internal Effects List
Stereo Reverb
Reverb + Gate
Stereo Chorus
Delay x 2
Long Delay
Multi Tap Delay
Cross Modulation Delay
Stereo Flanger
Stereo Phaser
Pitch Shifter x 2
Channel Strip x 2
Dual GEQ
REAC
Effects
USB Memory Recorder
System & Utility
Channel Edit Section
Rear Panel
Live Mixing Console
M-400
The compact/lightweight M-400 provides 48 channels and 16 AUX buses plus Main
L/R outputs. This is an all-in-one design featuring Digital Effects processors, channel
and bus DSP and stereo linear file recording/playback function using a USB Memory
Drive. The M-400 provides extremely easy, intuitive operation.
5 6
The M-400 Mixer provides intuitive and easy operation for all
V-Mixing system functions.
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The high contrast color LCD makes it easy to make precise edits and change parameters for all
of the M-400’s functions. Dedicated, accessible buttons call up large displays for editing all
important console processing, routing and other functions. All of the buttons and knobs and
their logical layout are designed for fast and intuitive operation.
Channel Edit
■Gate/Expander Display
Large Gate and Expander screen for
Channels 1-24 enables intuitive,
graphical operation.
■Gate/Expander Library
Use libraries for storing frequently
used settings. Presets provide easy
way to get started with most common
sources.
■Channel Display
Channel Editing Display is a
familiar and easy-to-use
analog-style layout of channel
parameters. Change values
fast using the M-400’s
dedicated knobs and buttons.
■Comp Display
Large Compressor screen for
Channels 1-24 enables intuitive,
graphical operation.
■Comp Library
Use libraries for storing
frequently used settings. Presets
provide easy way to get started
with most common sources.
■Limiter Display
Large graphical screen provides
easy, intuitive editing of Limiter
parameters for Main L/R and Aux
1-16 buses.
■AUX Sends Display
Overview screen for a Channel’s
Aux sends provides easy way to link
buses for stereo operation and to
set On/Off and the Pre EQ, Pre or
Post send position for each bus.
■EQ Display
Large graphical display of all EQ
parameters for intuitive
application of EQ. Use dedicated
knobs to rapidly change Gain,
Freq and Q values.
■EQ Library
Use libraries for storing frequently
used EQ settings. Presets provide
easy way to get started with most
common sources.
■Meter
Large overview screen provides
quick view of all channel meters
and fader positions.
■Layer View
View and edit many of the
parameters for all channels in the
current fader layer.
■EFFECTS
View and edit the 4 stereo, high-
quality FX for channel/bus inserts
such as the advanced channel
strip; or for loop effects.
■EFFECT EDIT (Reverb)
Various parameters allow
precise and graphical setup of
effects. User Setup can be
stored to internal Memory.
■FX Library
Use effects libraries for storing
frequently used settings. Presets
provide easy way to get started
with each effect algorithm.
■External Effect Insert
Configure up to 8 External
Inserts for channels or buses
using the Console’s XLR inputs
and outputs.
■GEQ Rack
Setup screen for the M-400’s
four dedicated 31-band Graphic
EQs. You can even use the
console’s faders for fast editing.
Meter
Effect
■USB Memory Display
Assign sources and destinations
and manage playlists for the USB
Memory linear .Wav recorder.
■Help Display
Onboard Help provides detailed
“how-to” information on M-400
operation. No need to bring the
manual to the show!
■DCA Group
Assign channels or buses to a
DCA so that their levels can be
controlled with one Master DCA
Fader.
■Patchbay
Large, intuitive screen
for routing any stage or
console input to M-400
channels and assigning
buses to outputs.
■System
Setup screen for
all basic system
parameters.
■User Display
Set up multiple Users each with
their own level of parameter
access, passwords etc.
■Monitor Display
Assign sources to the Monitor
bus and set up the Solo mode.
■Scene Memory Display
Total system recall is available
using up to 300 scenes per
project. Recall all M-400 settings
or filter parameters on a scene-
by-scene or global basis.
■Talkback/Oscillator
Display
Set up the Talkback bus
destinations and edit Oscillator
settings when doing room analysis.
■Mute Group
Assign channels and buses to the
8 Mute Groups. Use this screen
to turn groups On/Off.
System&Utility
8
7
The large, bright 800 x 480 color LCD gives a very clear view of
all the M-400’s parameters.
Live Mixing Console
M-400
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Easy connectivity with external devices enhances and extends the
performance of the M-400 V-Mixing System. The V-Mixing System
provides a total mixing and recording solution.
Employing visual entertainment at concerts or musical events is now
very common. Roland provides an integrated, Audio & Visual solution.
Connecting the M-400 with an Edirol V-440HD Multi-format Video Mixer
using V-LINK provides an automatic Audio Follow Video mix.
V-Mixing System’s great flexibility provides solutions for almost any kind
of system integration. The Cat5e cabling makes the system easy to
install for retrofits or portable live sound systems.
External Insert Effects
The M-400 Console can be used to host
additional inputs such as wireless mic
modules or video decks or even additional
phantom-powered microphones. Using the
system’s External Insert paths, they can
also serve as paths to external processors
from channels or buses.
Even more console inputs
The console also hosts an RCA stereo pair
for direct connection of a CD player, DVD
player or VCR. Along with the onboard USB
Memory recording, they provide additional
means of playing back pre-show audio,
sound effects or video/DVD audio.
Record and Playback audio
to/from USB memory drive
The M-400’s USB Memory Recorder
facilitates the playback of linear audio files
using standard USB memory drives. It can
also be used to record high quality stereo
mixes of the live event. The USB drive is
also used for saving/loading console user
setup data, setting up unique User
Passwords and for system updates.
Direct Connection with PC for
multi-track recording
The M-400’s REAC Split port enables direct
connection with a PC's gigabit Ethernet port
using only a Cat5e cable. This allows multi-
track recording of up to 40 channels using
Cakewalk’s SONAR software without the
need for any external audio interfaces.
Remote control and offline
setup using a PC
The M-400’s second USB port provides
direct PC connection for remote control
and saving/loading presets from a PC.
When a PC is on a wireless local network
and connected to the M-400 a wireless
tablet PC or other computer could be used
on stage or in the house for any real time
mixing or setup functions
(using Microsoft’s Remote Desktop function).
Audio & Visual Setup
V-440HD
Multi-Format Video Mixer
VC-300HD
Multi-Format Video Converter
HD VCR HDV VCR DVD Recorder
(MIDI)
S-1608
S-1608
To integrate the video system to the audio system in a live recording shoot, use the Edirol VC-300HD Multi-format
Video Converter to precisely adjust audio and video sync before outputing to HD and SD video recording devices.
Audio/Video Output
Audio/Video Recording
Audio Sources
Realtime Video Presenter
PR series
Video Sources
AudioVideo
M-400
S-1608
8ch XLR
16ch XLR
16ch XLR
Broadcast Setup
Here's another example of the advantages of REAC's easy to make digital signal splits. Using an M-400 for mixing and a split to an S-0816
Digital Snake provides a connection to an analog console in a broadcast suite.
Recording Setup
Using the REAC Split port, a direct Cat5e connection can be made to a PC's Gigabit Ethernet port. Using Cakewalk's Sonar software up to
40 channels of audio can be recorded. *This function can be used on Standard System or Basic System.
Split Setup
The V-Mixing system's REAC protocol makes it easy to split the source audio signals. These splits can be used to connect to another M-400
acting as a monitor console, or output for analog monitoring or recording requirements.
M-400
S-4000-SP REAC Splitter
8ch XLR
40ch
M-400M-400
S-4000-SP REAC Splitter
S-1608
S-0816 S-0816
Master Console TV Broadcast BTV Broadcast A Radio Broadcast
M-400
M-400
* REAC Split function can be used on Standard System or Basic
System.
* REAC driver must be installed on PC for multi-track recording.
* The number of recording tracks may differ depending on the
PC performance.
S-1608
8ch XLR
S-1608
8ch XLR
16ch XLR
16ch XLR
S-1608
8ch XLR
40ch/24bit recording
PC with
SONAR
Stage
Stage
Stage
Front of House
Front of House
Front of House
Monitoring
Broadcast Room
Many easy options for
connecting to external devices.
Have the freedom to easily
expand your system.
* REAC Split function can be used on Standard System or Basic System.
* REAC driver must be installed on PC for multi-track recording.
* The number of recording tracks may differ depending on the PC performance.
The free M-400 RCS software can be downloaded from
www.rolandsystemsgroup.net.
The cornerstone of Roland’s
Audio & Visual Solution.
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■Analog Inputs
Discrete circuit design with high quality
components and 24-bit AD conversion. The
indicators show signal in, clip and +48V on/off.
■Analog Outputs
24-bit DA conversion for
main and monitor outputs
■REAC Terminal
Input and Output terminal for REAC’s Cat5e digital
transfer. Tough and Durable Ethercon connectors by
Neutrik®provide the highest possible system reliability.
■Remote Terminal*
RS-232 terminal connects to the
dedicated S-4000R remote controller
or a computer installed with the free
S-4000 RCS remote control software.
* Not required when using an M-400 V-Mixer.
■Mute All Outputs Button
When this button is pressed and held,
all outputs will be muted for an easy way
to connect or disconnect microphones
or other sources.
Outputs source audio to the Slave and Split devices
It receives Input from the Slave device.
Receives Input from and sends output to the Master device.
Master
Slave
Receives Input from all of the Master device's sources.
Split
■REAC mode selection switch
■Digital Output (Optical)
Digital output for the source signals
coming into Ch1 and Ch2.
Outputs source audio to the Slave and Split devices
It receives Input from the Slave device.
Receives Input from and sends output to the Master device.
Master
Slave
Receives Input from all of the Master device's sources.
Split
■MIDI Terminals
Enables the remote
control of musical
instruments from
external MIDI devices.
■Remote Terminal*
RS-232 terminal connects to the
dedicated S-4000R remote controller
or a computer installed with the free
S-4000 RCS remote control software.
■Mute All Outputs Button
When this button is pressed and held,
all outputs will be muted for an easy
way to connect or disconnect
microphones or other sources.
■Analog Inputs
Discrete circuit design with high quality
components and 24-bit AD conversion. ■Analog Outputs
24-bit DA conversion for
main and monitor outputs
■REAC Terminals
Input and Output terminal
for REAC’s Cat5e digital
transfer. Tough and
Durable Ethercon
connectors by Neutrik®
provide the highest
possible system reliability.
■Signal Indicator
Indicators for signal in,
clip and +48V on/off.
■REAC mode selection switch
* Not required when using an M-400 V-Mixer.
S-OPT
S-1608
S-1608
S-OPT S-OPT
S-OPT S-OPT
2km
M-400
OPTIONS
■S-OPT Optical converter offers long
distance REAC audio transfer.
The optical converter converts multi-channel
REAC signal to a digital optical signal and
makes long distance transfer of up to
2km possible. Rugged, Neutrik®OpticalCon
connectors provide highest possible system
reliability.
■S-4000-SP REAC Splitter enables
splitting and extension of REAC signals.
Dual 5-port dedicated splitter for V-Mixing System
provides highest possible reliability using Neutrik®
Ethercon connectors and a dual power supply.
■Crossover Ethernet cable with Neutrik®
Ethercon connectors on both ends.
Crossover Ethernet cable with Neutrik® Ethercon
connectors on both ends.
■100m Cat5e cable on reel
100m Cat5e cable on reel designed for
light weight, portable V-Mixing
System. Compact and
lightweight cable reel with
SC-W100S cable pre-rolled.
Please use Neutrik’s Mobile Fiber Cable
for optical signal transfer. Please have
contact with Neutrik for further details.
REAC Optical Converter
Optional REAC Splitter 100 meter Cat5e Cable 100 meter Cat5e Cable
SC-W100SS-4000-SP W100S-R
Optical Fiber Cable
2km
Optical Fiber Cable
* Ethercon and OpticalCon are the registered trademarks of Neutrik®
Stage
S-1608 S-4000S-3208
The standard I/O unit for V-Mixing System with 16 inputs and 8 outputs
S-0816
The I/O unit with 8 inputs and 16 outputs for
expansion of output channels in V-Mixing System.
The I/O unit with 32 inputs and 8 outputs for
applications requiring more physical inputs
11 12
RSS Digital Snakes are an integral part of the V-Mixing System. Compact and portable, they
offer many flexible configurations for any installation. The high quality 24-bit remote-controlled
mic pre-amps enable digital conversion of the audio signal very close to the sources, providing
the highest possible audio quality.
Simple and flexible digital snake stage units provide Superb
Sound Quality.
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MAIN L
MAIN R
SOLO L
SOLO R
AUX 1
AUX 2
AUX 3
AUX 16
MAIN L
MAIN R
SOLO L
SOLO R
AUX 1
AUX 2
AUX 3
AUX 16
GAIN
A/D
GAIN
PHANTOM
+48V
A/D
GAIN
PHANTOM
+48V
A/D
D/A
D/A
PHASE FILTER COMP
EXT FX
INSERT 4BAND
EQ
ATT
PREAMP POST ATT
GR GR
GATE IN
TO
GATE
KEY-IN
TO
COMP
KEY-IN
GATE
KEY-IN COMP
KEY-IN
GATE OUT COMP OUT PRE EQ
PRE FADER
PRE EQ
POST FADER
PRE FADER POST FADER
FX
INSERT MUTE FADER PAN
PAN
MAIN
SW
AUX 1
SW AUX 1
SEND AUX 1/2
LINK
AUX 1, 2 SEND
SEND
PAN
SOLO
WHITE NOIZE
PINK NOIZE
SINE WAVE
PRE EQ
PRE FADER
POST FADER
AFL(R) PFL(R)
AFL(L) PFL(L)
AUX 2
SW AUX 2
SEND
AUX 3-16 SEND
AFL SW
EXT FX
INSERT 4BAND
EQ
ATT
POST ATT PRE EQ
PRE FADER
PRE EQ
POST FADER
PRE FADER POST FADER OUTPUT LEVEL
FX
INSERT MUTE
FADER BAL GEQ
INSERT
AUX 1
SW
To
AUX 1
MAIN
OUT L
MAIN
OUT R
MONO
OUT
-6dB
MIX
REAC A INPUT 1-16
1 8
AUX 1-16
OUT REC
OUT L,R
MONITOR OUT L
CONSOLE OUTPUT 1-8
DIGITAL OUT
PHONES
LEVEL
PHONES
OUT
COAXIAL
OPTICAL
MONITOR OUT R
To
AUX 2
To
AUX 3-16
To
MAIN L, R
OUTPUT
PATCHBAY
AUX 1
SEND AUX 1/2
LINK
AUX 1, 2 SEND
SEND
PAN
SOLO
PRE EQ
TO SOLO
TO MONITOR SELECT
TO REC SELECT
PRE FADER
POST FADER
AUX 2
SW AUX 2
SEND
AUX 3-16 SEND
Same as the above
Same as the MAIN L
PHASE FILTER
EXT FX
INSERT 4BAND
EQ
ATT
PREAMP POST ATT
TO
GATE/COMP
KEY-IN
PRE EQ PRE FADER POST FADER
FX
INSERT MUTE FADER PAN MAIN
SW
SOLO
AFL(R) PFL(R)
AFL(L) PFL(L)
AFL SW
LIMITER
EXT FX
INSERT 4BAND
EQ
ATT
POST ATT PRE EQ
PRE FADER
PRE EQ
POST FADER
PRE FADER POST FADER OUTPUT LEVEL
FX
INSERT MUTE
FADER BAL GEQ
INSERT
MAIN
SW MAIN
SEND
MAIN SEND
TO SOLO R
SOLO
TO SOLO L
TO MONITOR SELECT
TO REC SELECT TO FX SOURCE SELECT
LIMITER
TALKBACK
LEVEL
TALKBACK
LEVEL TALKBACK
ON SW
MAIN L, R, AUX 1-16 SW
MONITOR
LEVEL
SOLO
LEVEL
MONITOR
LEVEL
OSC
LEVEL
OSC
LEVEL OSC
ON SW
MAIN L, R, AUX 1-16 SW
SEND
LEVEL RETURN
LEVEL
EXT FX 1-8
EXT
INSERT
IN
To CH 1 EXT FX INSERTIN To CH 48 EXT FX INSERTIN To AUX 1 EXT FX INSERT IN To AUX 16 EXT FX INSERT IN To MAIN L EXT FX INSERTIN To MAIN R EXT FX INSERTIN
EXT
INSERT
OUT
CH 1 EXT FX INSERT OUT
CH 48 EXT FX INSERT OUT
CONSOLE INPUT 1-8
AUX 1 EXT FX INSERT OUT
AUX 16 EXT FX INSERT OUT
MAIN L EXT FX INSERT OUT
MAIN R EXT FX INSERT OUT
SEND
LEVEL RETURN
LEVEL
SOLO
LOGIC
MONITOR
SELECT
AUX 1 OUT
MAIN AUX 1-16 SEND
AUX 16 OUT
MAIN OUT L
MAIN OUT R
REC OUT L
REC OUT R
USB MEMORY RECORDER
REC
LEVEL
REC
LEVEL
REC
SELECT
AUX 1 OUT
AUX 16 OUT
9
24
MAIN OUT L
MAIN OUT R
USB MEMORY
RECORDER
USB
MEMORY
To INPUT PATCHBAY
To MONITOR SELECT
AUX 1-16 MAIN SEND
AUX 1-16 SOLO
MAIN L SOLO
MAIN R SOLO
CH 1-24
MAIN L MAIN R AUX 1-16 MONITOR
CH 25-48
TALKBACK OSCILLATOR
EXTERNAL FX
AUX 1-16 SEND
Same as the CH 1-24 AUX SEND
Same as the above
GATE/
EXP
31 BAND GEQ
IN LEVEL OUT LEVEL
31 BAND GEQ
GEQ 1
GEQ
OUTPUT
SELECT
To AUX 1 GEQ INSERT IN To AUX 16 GEQ INSERT IN To MAIN L GEQ INSERTIN To MAIN R GEQ INSERTIN
GEQ
INPUT
SELECT
AUX 1 GEQ INSERT OUT
AUX 16 GEQ INSERT OUT
MAIN L GEQ INSERT OUT
MAIN R GEQ INSERT OUT
Same as the above
GEQ 2
Same as the above
GEQ 3
Same as the above
GEQ 4
EFFECTS
IN LEVEL OUT LEVEL
EFFECT
31 BAND GEQ 31 BAND GEQ
FX 1
FX
OUTPUT
SELECT
To CH 1 FX INSERTIN To CH 48 FX INSERTIN To AUX 1 FX INSERT IN To AUX 16 FX INSERT IN To MAIN L FX INSERTIN To MAIN R FX INSERTIN To INPUT PATCHBAY
FX
INPUT
SELECT
CH 1 FX INSERT OUT
CH 48 FX INSERT OUT
AUX 1 FX INSERT OUT
AUX 16 FX INSERT OUT
AUX 1 OUT
AUX 16 OUT
MAIN L FX INSERT OUT
MAIN R FX INSERT OUT
Same as the above
FX 2
Same as the above
FX 3
Same as the above
FX 4
SPLIT/
BACKUP
OUT
REAC A
OUT
1
40
REAC B
OUT
INPUT
PATCHBAY
REAC A
INPUT
1
ToREAC A OUT
16
D/A
17 40
REAC B
INPUT
CONSOLE INPUT 1-8
GAIN
PHANTOM
+48V
A/D
TALKBACK MIC STEREO INPUT L, R
1
16
17 40
REAC B INPUT 1-16
25 40
S-1608 INPUT INPUT1-16
PEAK SIG
GAINPHANTOM
+48V
A/D
S-0816
From another
M-400
INPUT1-8
PEAK SIG
16 INPUTS
8 INPUTS
FOH 40 Channel split out
(For REAC A only)
GAINPHANTOM
+48V
A/D
S-4000S SI-AD4
MAX 40 INPUTS
SRC
SI-AES4
AES/EBU
S-1608 OUTPUT
OUTPUT 1-8
D/A
S-0816 OUTPUT
OUTPUT 1-16
D/A
SO-DA4
S-4000S OUTPUT
MAX 40 OUTPUTS
8 OUTPUTS
16 OUTPUTS
SRC
SO-AES4
AES/EBU
D/A
S-1608 OUTPUT
OUTPUT 1-8
D/A
S-0816 OUTPUT
OUTPUT 1-16
D/A
SO-DA4
S-4000S OUTPUT
MAX 40 OUTPUTS
SRC
SO-AES4
AES/EBU
D/A
SO-DA4
S-4000S OUTPUT
MAX 8 OUTPUTS
SRC
SO-AES4
AES/EBU
8 OUTPUTS
16 OUTPUTS
To another
M-400
MONITOR/ BROADCAST
To EXTARNAL FX
FX 1 OUT L / R
FX 2 OUT L / R FX 3 OUT L / R FX 4 OUT L / R
PLAY L / R
Available when the M-400 is the FOH mode and
a S-1608/S-0816 is connected to the REAC A.
Available when the M-400 is the FOH mode and
a S-1608/S-0816 is connected to the REAC A.
V-Mixer M-400
Mixer
Block Diagram
Number of Channels
PROCESSING 48 inputs / 18 buses
CONNECTORS
Signal Processing
AD/DA Conversion
56-bit
24-bit / 44.1kHz or 24-bit / 48kHz
Network Latency
XLR Inputs (1 to 8 ) XLR-3-31 type (balanced with phantom power)
Talkback Mic Input XLR-3-31 type (balanced with phantom power)
RCA Inputs (L/R) RCA Pin Type
XLR Outputs (1 to 8 ) XLR-3-32 type (balanced)
Phone Output Stereo 1/4 inch phone type
Digital Outputs Optical type x 1 and Coaxial type x 1
REAC Ports RJ-45 EtherCon type x 3
Remote Connectors RS-232C (D-Sub 9 pin type) x 1*
MIDI (5 pin DIN type) x 2 (Out/Thru & In)
* Serial remote control is not available on version 1 firmware
USB Ports A type x 1 and B type x 1
Other Connectors LAMP (XLR-4-31 type) x 1, Grounding terminal, AC Input
2.8 ms (typical)
INPUT / OUTPUT CHARCTERISTICS
Non Clip Maximum Output level
Residual Noise Level (IHF-A, typical)
Equivalent Input Noise Level (E.I.N.)
Total Harmonic Distortion + Noise
Dynamic Range
Cross Talk@1kHz
Nominal Input Level (Variable) XLR input jacks (1 to 8): -65 to -10 dBu (Pad: OFF) or -45 to +10 dBu (Pad: ON)
RCA input jacks (L/R): -18 to 0 dBu
Talkback input jack: -50 to -10 dBu
Input Impedance XLR input jacks (1 to 8): 14 k ohms, RCA input jacks (L/R): 10 k ohms,
Talkback input jack: 41 K ohms
Non Clip Maximum Input level XLR input jacks (1 to 8): +8 dBu (Pad: OFF) or +28 dBu (Pad: ON),
RCA input jacks (L/R): +18 dBu, Talkback input jack: +8 dBu
XLR output jacks (1 to 8): +4 dBu (Load impedance: 10 k ohms)
Nominal Output Level
Output Impedance XLR output jacks (1 to 8): 600 ohms, Phones jack: 100 ohms
Recommended Load Impedance XLR output jacks (1 to 8): 10 k ohms or greater, Phones jack: 8 ohms or greater
XLR output jacks (1 to 8): +22 dBu (1 kHz, 10 k ohms load)
Phones jack: 150 mW + 150 mW (1 kHz, 40 ohms load)
-88 dBu (All faders : Min)
-126 dBu
XLR output jacks (1 to 8): 0.05 % (typical), Phones jack: 0.05 % (typical)
XLR output jacks (1 to 8): 110 dB (typical)
XLR input jacks (1 to 8): -80dB (Pad: ON, Input gain: +10 dBu, typical)
XLR output jacks (1 to 8): -100 dB (typical)
OTHERS
Display
Power Supply
Power Consumption
Dimensions
Weight
800 x 480 dots Wide VGA backlit TFT full color
AC 115 V, AC 117 V, AC 220 V, AC 230 V, AC 240 V (50/60 Hz)
95 W
749.0 (W) x 626.0 (D) x 229.0 (H) mm, 29-1/2 (W) x 24-11/16 (D) x 9-1/16 (H) inches
19.8 kg, 43 lbs 11 oz
Frequency Response XLR output jacks (1 to 8) : -2 dB / +0 dB (20k ohms load, +4 dBu)
Phones jack: -3 dB / +0 dB (40 ohms load, 150 mW)
(0dBu=0.775Vrms)
* When a REAC Splitter S-4000-SP or a switching hub is used in-line with REAC cables, the network latency will increase by the amount of processing delay introduced by the splitting device itself. The actual delay is dependent upon the specifications of the splitting device,
though the maximum delay amount for a single splitting device should be about 200 microseconds.
* In the interest of product improvement, the specifications and/or appearance of this unit are subject to change without prior notice.
* Total System Latency of audio signal from S-1608 inputs to
outputs via M-400's REAC ports (A or B).
* Sample Rate: 48.0 kHz
* Effects : No insert effects
Number of Channels 16 in 8 out
AD and DA Conversion 24-bit / 44.1kHz, 48kHz, 96kHz
Frequency Response -2 dB / +0 dB (@ +4 dBu, 20 Hz to 20 kHz)
Total Harmonic Distortion + Noise 0.05 % or less (Pad: On, Input Gain: +4 dBu, 22 to 20 kHz)
Dynamic Range 110 dB
Nominal Input Level -65 to -10 dBu (PAD: Off)
-45 to +10 dBu (PAD: On)
(1 dB step, Max. +28 dBu)
Input Impedance 14 k ohms
Nominal Output Level +4 dBu, Max. +22 dBu
Output Impedance 600 ohms
Recommended Load Impedance 10 k ohms or greater
Residual Noise Level (IHF-A, typ.) -80 dBu or less
Power Comsumption
POWER Indicator x 1, REAC Indicator x 1,
REMOTE Indicator x 1, MUTE ALL OUTPUTS Indicator x 1
Phantom Power +48 V / 14 mA (each input, remote controlled)
S-1608: 45W
Power Supply AC 115 V, AC 117 V, AC 220 V, AC 230 V, AC 240 V (50/60 Hz)
Dimensions 401.0 (W) x 135.0 (D) x 177.0 (H) mm or
15-13/16 (W) x 5-3/8 (D) x 7 (H) inches
Weight 4.5 kg or 9 lbs 15 oz
Indicators
Connectors
Analog Input x 16 (XLR type, balanced, phantom power)
Analog Output x 8 (XLR type, balanced)
Digital Output connector x 1 (Optical type)
REAC Connector x 1 (RJ-45 EtherCon type)
Remote Connector x 1 (RS-232C, DB-9 type)
PAD 20 dB On/Off
(0dBu=0.775Vrms)
Equivalent Input Noise Level
Network Latency
-128 dB
375 microseconds when using REAC cable only (*1)
(AD - REAC - DA Latency: approx 1.2 ms)
* In the interest of product improvement, the specifications and/or appearance of this unit are subject to change without prior notice.
*1 When a REAC Splitter S-4000-SP or a switching hub is used in-line with REAC cables, the network latency will increase by the amount of processing delay introduced by the splitting device itself. The actual delay is dependant upon the specifications
of the splitting device, though the maximum delay amount for a single splitting device should be about 200 microseconds.
■V-Mixer M-400 Specifications
■Digital Snake S-1608 Specifications
Power Cord x 1, REAC Connector Cover x 1, Ferrite Cores x 1
Rubber Foot x 4, Rack Mount Kit x 1, Owner's Manual
Accessories
401
■V-Mixer M-400
/
Digital Snake S-1608 Dimensions
Unit : mm
V-Mixer M-400 Digital Snake S-1608
Unit : mm
177 135
* EIA-4U size when the rack mount kit in accessory is fitted
626
229
636
680
749
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