Sony DVW-790 User manual

FEATURES
DVW-790/790WSP Digital Betacam
Camcorder User Guide
Neil Thompson
Image Creation Group
Sony Broadcast & Professional UK
July 1999
1 Introduction
This guide aims to provide some of the information not covered in the user manual relating to the set-up menus
in the new ‘700 series Digital Betacam camcorders. Some recommended menu settings are included for the
camcorder, which can hopefully be regarded as ‘sensible’ alternatives to the Sony factory setting.
The Digital Signal Processing (DSP) used in the camera sections allows the use of set-up cards to become a
viable way of aligning a camera. Processes such as detail correction, gamma, matrix, knee, and clipping are all
performed entirely within the digital domain, and can therefore be set and transferred accurately and repeatably
from a memory card.
The new generation of camcorders, i.e. the ‘709 and the ‘790 now have 12 bit A/D converters and a new DSP
chipset, which, combined with the latest PowerHAD widescreen CCDs, gives improved noise performance and
dynamic range. Many new features are also incorporated, such as a built in secondary colour corrector (multi-
matrix), true-eye knee saturation processing and auto white balance offset.
The CCDs however, are still analogue devices, and should any drift occur features such as auto black balance
and auto shading are provided to correct this. It should also be noted that for cameras to be matched they will still
need to be white balanced on the same target from the same point of view after being loaded with the same set-
up card.
2 Menu Controls.
2.1 User Menu
The camcorder has two levels of menu control. The user menu is accessed simply by the menu switches on the
side of the camera. As delivered from the factory this contains a limited number of pages of functions considered

useful to the operator. More pages can be assigned to this menu if required.
2.2 Engineering Menu
The engineering menu is accessed by powering up the camcorder with the menu wheel on the front of the
camera pressed in.
Note: the user menu is relative to the engineering menu for many of the level controls. e.g. if detail level in the
engineering menu is set to -10 and in the user menu to +10, the overall effect will be detail set to zero. Looking in
the user menu the operator may have the impression that detail is wound up a bit to +10.
In general it is recommended that all items in the eng. menu are left at zero or factory set level, and any
‘tweaking’ is done via the user menu. More pages can be assigned to the user menu if access is required to a
particular control.
A full list of the available menus is attached at the end of this document, including a brief description of the
function of each item, and a suggested setting for each item.
2.3 Camera Operator Menu
Instead of selecting whole menu pages to the user menu, it is possible to create up to five individually configured
pages, with items taken from anywhere within the menu structure. The user menu pages can then be switched
off, and the whole menu cut down to a couple of pages containing only the most useful adjustments.
3 Set-up Cards
Cards can be read or overwritten as many times as you like. They are quite robust, are not corrupted by
magnetic fields and can survive accidental immersion in a washing machine!
Data written for DVW-709 and 790 is inter-changeable, but will not transfer to the SX camcorders or the DVW-
700. Future software will allow the 709 and 790 to read cards from the ‘700, but this is not recommended at
present. The cards themselves are usable with any of the above camcorders.
3.1 Reading a Set-Up Card
Insert the card to be read into the slot in the side of the camera, label facing outwards.
Turn on the menu, using the Menu on / off / page switch on the small panel below the gain/ white balance
memory/ power save switches..
Rotate the dial on the front of the camera until the page called ‘Set-up Card’ appears in the viewfinder.
Press and turn the dial until the pointer is at ‘Read (-camera)’
Press the dial and check the ID of the card is the one you want to read.
Press again to read.
Reading a card to a camera will always copy both levels of menu, so do not worry about someone having left
something odd in the engineering menu that will alter your card settings.
3.2 Creating your own set-up card
To copy another card: read the card you want to copy into the camcorder, as per section 3.1. Insert a blank card
or one that can be overwritten. Select ‘Write (-card)’ from the set-up card menu page and press to confirm. That’s
it.
To create your own set-up, align the camera the way you like it via the menus, either from scratch, or by fine
tuning a previous set-up. Write to the card.
To fine tune a card, read it into the camera, change the menu item that will improve your setting, Write to your

card. ( It may be worth putting a version number in the card ID menu, to keep track of your settings.)
3.3 Gamma Curve Selection
Several different gamma curves can be selected from the camera menus. Each has slightly different gain in the
black areas of the picture, and a different roll-off in the knee area. Curve A is the standard Sony setting, curve B
has a high initial gain as required by some departments of the BBC. This gives more definition in low luminance
areas (black stretch), but also magnifies any noise present. Curve C comes somewhere in between, and curve D
gives a black crushed look. Curve F is a composite of the four different film gamma curves already available on
separate cards for the DVW-700. The separate film gamma cards cannot be read at present, though it is hoped
to enable this feature on future software versions.
These options have been introduced to more closely match the transfer characteristics of film, especially in the
highlight regions. Also they can be seen as very useful tools in achieving a more cinematic or “film” look for
Digital Betacam recordings when required.
Four cards are supplied in the BSC-1F1 pack, each of which simulates the transfer characteristic of a slightly
different film stock.
Film has a transfer curve with different slopes for different parts of the exposure range- it has shallow slope in the
shadows area, slopes consistently in the mid tone region and flattens off in high-lights. The new set up cards
contain data closely replicating the gamma transfer curves for the most frequently used Kodak stocks.
4 Character Displays
You may find it convenient to have the menu characters and / or timecode displayed on a monitor whilst setting
up a camcorder. This can be by enabling page ‘MARKER 3/3’ items 1, 3 and 4, and page ‘OPERATION 2’ item 4.
Cursors, safety markers and timecode can be displayed on a monitor, which may be useful for director and PA,
without having the timecode appear in the viewfinder.
Under no circumstances will any character or menu displays be recorded over pictures by the camcorder.
5 Audio
5.1 Format
Digital Betacam format VTRs are capable of recording 4 channels of digital audio. All channels are independently
editable, unlike for instance the FM tracks on Betacam SP.
It uses a 48kHz 16 bit sampling system. Pre-emphasis may be switched on via the VTR menu, but is factory set
to OFF.
The ‘709 and ‘790 can also be configured to record the front camera mic. input onto channel 3, via an automatic
level control circuit. Details of the various configurations can be found in volume 1 of the maintenance manual,
page 3-28. (Beware of making rude remarks about the director if this feature is enabled! )
5.2 Levels
Headroom is factory set to 20dB This means that 0dB tone from a portable mixer should be set to -20dB on the
input level meters on the camcorder, using the manual level controls.
Headroom can be modified to 18dB or 16dB using internal switches.
There is a further audio input level control on the front of the camcorder body. This is normally only in circuit
when the camera mic. is selected, and will not affect any signal input to the channel 1 and 2 inputs on the back of
the camcorder.
An internal tone generator may be switched on via the VTR menu, which sends 1kHz tone direct to tape at -20dB
when colour bars are selected.

5.3 Monitoring
Stereo monitoring is available via the 5 pin XLR on the back of the camcorder. (Pin connections on page 1-11 of
the maintenance manual.)
The mini-jack connector can be used to monitor either channel or a mix, but not stereo.
A ‘beep’ tone can also be enabled via the VTR menu that warns of REC start / stop. See page 3-30 of the
maintenance menu.
5.4 Recording to channels 3 and 4
The CA-701 camera adapter gives access to all 4 channels with individual level control monitoring and metering
for each channel. This unit also gives SDI output of E-E or replayed pictures complete with 4 channels of
embedded digital audio.
6 Batteries
Two types are available: the BP-L60A at 60 Watt hours and the BP-L90A at 90 Watt hours. Some characteristics
of Lithium Ion batteries:
They do not suffer from memory effect and can be recharged without being fully discharged.
They are better at holding their charge in cold weather than NiCad cells.
They are safe for transport on aircraft (lithium ion batteries are very different from lithium dry cells).
They cannot be charged from NiCad chargers.
It takes about 2.5 hours to fully charge a BP-L60, which will power the camcorder for about 2 hours.
They have a more gradual discharge curve than NiCads, falling steadily from about 16.8V to 11.5V. Adapters are
available to enable the use of PAG or Anton Bauer battery systems.
7 Widescreen
Some frequently asked questions about widescreen issues:
You don’t have to buy a ‘widescreen’ lens for shooting widescreen. Widescreen switchable lenses have a 0.8x
minifier in the range extender section. This is to compensate for the fact that if you are shooting 4:3 on a
switchable camcorder the angle of view of your lens will be slightly less than on a 4:3 only camcorder. The 0.8x
minifier restores the angle of view to what it would have been.
You can select a 14:9 cursor in the viewfinder for ‘shoot and protect’. Alternatively the box cursor can be used to
create a safe zone of any required height and width.
The widescreen camcorders are supplied as standard with the 2” widescreen viewfinder.
An optional colour LCD viewfinder is also available.
A menu option on the widescreen selection page allows the viewfinder to be set to 16:9 whilst shooting in 4:3,
with the sides of the picture greyed out, in order to give an oversized view right and left of recorded picture.
Widescreen pictures replayed onto a normal monitor or ’telly’ will make people look tall and thin.
(They will of course look correct on a widescreen telly or a monitor with a 16:9 button.)
‘Letterboxing’ via some sort of effects unit prior to transmission will make them the right shape again for non -
widescreen capable viewers at home.
8 Film Style Accessories
Many people like to use a range of accessories with the ‘700 series camcorders that might more usually be
associated with operating a film camera. Some of the more popular items are listed below.
8.1 Lenses

The ability of a lens to hold the image size constant whilst pulling focus is often an important issue. To this end,
several lens manufacturers have produced digital cinematography style lenses for the ‘700. Some of these also
have features such as aperture calibration in ‘T’ stops rather than ‘F’ stops, gearing for focus and zoom drives
compatible with Arri equipment, extra large characters for calibrating the lens, and increased number of turns
from end to end of the focus range.
8.2 Extension Viewfinder and Colour Viewfinder.
An extension viewfinder is now available. This is the BKW-LVF1 and can be added to any standard viewfinder
fitted to the ‘700, ‘709 or ‘790. This features a two piece variable extension tube, that maintains image size
throughout the extension range. A mounting point for an Arri self levelling arm is incorporated.
Also available is the BVF-VC10WCE, a 1.5” widescreen colour LCD viewfinder. Although still not able to compete
with a tube viewfinder in terms of resolution and lag, colour reproduction and highlight handling are very good,
and this will be a useful tool in certain circumstances. Like all our widescreen viewfinders, it automatically
switches to 4:3 mode with the camera.
8.3 Matte Box and Follow Focus
A special quick release plate and mounting kit for attaching a wide range of Arri accessories to the ‘700 series is
available. ARRI
A similar range of accessories is made by Chroziel
9 Option Boards
Two new options are available for the ‘709 and the ‘790. The BKDW-702 is an SDI output board that gives a
serial component digital output with 4 channels of embedded audio from the rear BNC connector. This output is
available as a direct output from the camera or a replay from the VTR.
The BKDW-703 is a memory cache board that is a buffer between camera and VTR holding up to 8 seconds of
full quality audio and video. This allows the user to hit the record button and start recording what happened 8
seconds ago!
This function can be enabled or disabled from the menu, or by allocating this function to the assignable button. A
green LED lights in the viewfinder when in loop record mode.
On ending the recording the VTR will keep running for 8 seconds in order to catch up. Recording can be re-
commenced seamlessly at any time during this period.
Note: use of the loop recording function automatically puts timecode into free run mode.
Note: for the full 8 seconds to be available the camcorder should be in ‘Standby’ mode.
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Page Item Factory Suggestion Explanation
Setup card Read >
Camera Read a setup card
Write > Card Create a setup card. Cards can be re-
written as often as you like.
ID edit Your Name Labels your setup card
Write protect OFF ON Protects against accidental erasure.
White Data
Read OFF OFF
A and B white balance memories stored
on card
Function
1/2 Detail ON ON Turns detail circuit off: very soft pictures.
Test Out ENC/R/G/B ENC R,G,B may be selected for lineup

purposes.
Aperture ON ON High frequency detail. Best left on.
Skin detail OFF OFF See ‘Level 3’
Matrix ON ON Off will desatturate pictures. Can be
useful, but usually left on.
Gamma ON ON Off gives v. black crushed pics. Day for
night?
Black gamma OFF OFF Can be used to stretch blacks. See ‘Level
8’
Test sawtooth OFF OFF Engineering test signal
Chroma ON ON Only affects monitor o/p, not pics on
tape.
Function
2/2 Genlock ON ON For system timing.
Cam. ret. OFF OFF Signal on genlock conn. can go to VF
Filter inhibit OFF OFF 2 white bal. memories per filter, when
OFF
Field/frame FLD / FRM FLD FRM mode causes motion blur.
A.Iris
Override OFF OFF Use up/down buttons to set auto-iris.
DCC function select DCC / FIX DCC Can be set to FIX, disabling the
dynamic function
Rear BNC out VBS / SDI /OFF VBS/SDI Set to SDI if BKDW-702 is installed.
VTR Mode OFF OFF For use if external VTR connected.
Rec. inhibit
(CCU) ON ON For use if external VTR connected.
Assign switch OFF LOOP-REC Select from: RET/ REC/ TURBO/ AUDIO/
ATW/LOOP-REC
Widescreen 16:9 / 4:3 16:9 16:9 Set to 4:3 and store on card if working
4:3
VF Aspect Auto/4:3/16:9A /
16:9B 16:9B
VF switches automatically, but can be set
to 16:9 when shooting 4:3, side panels
greyed out.
Box / 4:3 /
14:9 BOX 14:9
Box cursor, 14:9 or 4:3 marker in
viewfinder.
16:9 bars ID OFF ON Puts 16:9 ID on colour bars. (Useful
warning for VT / editor)
16:9 VF ID OFF OFF ID continuously in VF. (Can be
distracting.)
VF Setting Zebra 1 det.
Level 70 (20 to 107) 70 Luminance level in % of zebra 1

Zebra 1 apt.
level 10 (1 to 20) 10 Range of luminance over which zebra 1
operates. (eg 65% to 75%)
Zebra 2 det.
Level 100 (52 to 109) 95 Standard BBC setting is 95%
Zebra select 1 / 2 / Both Both Your choice.
VF detail
level 0 0
Adds detail to VF signal, but not to signal
going to tape
Test out
zebra OFF OFF
Zebra pattern can be added to test out
signal.
Level 1
16:9 Detail level 0 -5 Changes total level of detail. Can also
artificially soften with negative detail
H/V 0 0 Sets balance of horizontal to vertical
detail correction
H dtl. freq. 0 80 Peak frequency of H detail. Turn up to
boost fine edges.
Crispening 0 0 Noise coring. Turn up to REDUCE low
level detail such as skin texture.
Aperture level 0 40 High frequency detail.
Dtl.white clip 0 0 Reduces white edges.
Detail V black
clip 0 -5 Reduces black edges on V detail.
Detail H black
clip 0 -20 Reduces black edges on H detail.
Level
depend. ON/OFF ON Low luminance edges ignored by detail
corrector, avoids exaggerating-
Level dep.
level 0 0 noise in blacks.
Level 2
16:9
Knee
Aperture ON ON
Emphasises detail in compressed
highlights.
Knee
Aperture lev. 0 0
Detail Comb 0 0 No effect on PAL models
Level 1 4:3 Detail level 0 0 The above two pages are repeated for
4:3 operation.
H/V 0 0 (In 4:3 a smaller section of the CCD is
used, so different detail settings
H dtl. freq. 0 80 May be required.)
Crispening 0 0
Aperture level 0 30
Dtl.white clip 0 0

Detail V black
clip 0 -5
Detail H black
clip -10
Level
depend. ON/OFF ON
Level dep.
level 0
Level 2 4:3 Knee
Aperture
Knee
Aperture level
Detail Comb
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Page Item Factory Suggestion Explanation
Level
3 Skin tone detail OFF OFF
Suppression
level 0 50 Amount of detail taken out of skin tones.
Skin tone detect OFF / EXEC Point at target skin tone, press for auto set up
Saturation 0 0 Manual set up. Select the saturation, hue and
range of skin tones to be targeted
Hue 0 0
Width 0 0
Skin tone ind. OFF OFF Gate indicator in VF and test output. Shows
which areas will be affected.
Level
4 Master black 0 0 Stretches and crushes black areas.
Master gamma 0 -5 Stretches and crushes mid luminance areas.
Master blk.
gamma 0 0 Adjusts initial gain of gamma curve
Knee point 0 85 Knee point and slope set the way highlights
in picture are compressed
Knee slope 0 40 Calibrated in %
Knee saturation ON ON Restores colour saturation to over exposed
highlights.
Knee saturation
level 0 0

Knee ON ON
White clip ON ON
White clip level 0 +5 Sets max. level of video signal. (+5 = 103%,
0 = 107%)
Level
5 Burst level 0 0 PAL coder alignment. Does not affect recorded pictures.
Burst phase 0 0
R-Y ON ON
B-Y ON ON
R-Y level 0 0
B-Y level 0 0
R-Y level 4:3 0 0
Level
6 RGB level 0 0 Maintenance use only.
RGB sync 0 0
RGB set up 0 0
ENC Y level 0 0
ENC Y sync 0 0
ENC Y set up 0 0
RGB level 4:3 0 0
ENC Y level 4:3 0 0
Test out Enc Enc
Level
7 R Black 0 0 Manual black balance. Can be used to give low luminance areas a colour
G 0 0 shift, though probably best done during
grading in post.
B 0 0
R Flare 0 0 Flare correction.
G 0 0 May be used to compensate for flare from
filters or a particular lens.
B 0 0
Flare ON ON
Test Out 0 0 Sawtooth signal for alignment.
Level
8 Gamma Table A /B / C /D /F F A=Sony, B=BBC high initial gain, C=mid
initial gain, D=? F=Typical film
Master gamma 0 0 Lifts or crushes mid-luminance areas of
picture

R gamma 0 0 Individual gamma gives colour offset to mid
luminance areas.
G gamma 0 0
B gamma 0 0
Blk gamma
range Low / Mid /High Low Range over which it works: L/M/H = 0% to 7.2%, 14.4%, 28.8%
Master blk
gamma 0 0 Changes the gain of the black end of the gamma curve
R blk gamma 0 0 Applies colour offset to low luminance areas.
G blk gamma 0 0 --
B blk gamma 0 0 --
Level
9 Matrix OFF OFF The multi-matrix page works like a secondary
colour corrector.
Matrix table A/B A Target a particular colour using the ‘Det.
Colour’ item, and then change
Det. Colour OFF / EXEC OFF the hue and saturation of all objects of that
colour in the picture.
Axis Number B/Mg/R/Yl/G/Cy - The colour spectrum is divided into 12
sectors, each of which can carry
Saturation 0 0 a hue and a saturation offset.
Hue 0 0
Matrix area ind. OFF OFF Superimposes the zebra pattern on areas
that have been targeted.
Multi Matrix ON OFF
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Page Item Factory Suggestion Explanation
Level 10 Matrix ON ON
Matrix Table A / B A B Changes colorimetery.
R-G 0 0 10 All at 0 is EBU standard matrix.
R-B 0 0 0 Store non-standard values in table B
G-R 0 0 10 Use carefully: non standard values may
cause unexpected colorimetery.
G-B 0 0 0
B-R 0 0 10 Increasing values increases saturation.
B-G 0 0 0 No effect on black, white or the grey scale,
so not like using a colour filter.

Level 11 H phase 0 0 Timing controls for system integration.
SC phase 0 0
SC 0/180
select 0/180 0
SC-H 0 0
Level 12 Iris set 0 0 Set the auto iris reference level. Turn down
to underexpose pictures.
Iris mode 0 0 Positive = peak weighting, negative =
average weighting
Iris weight 0 to 4 0 Increase to tell auto iris to ignore more of the
top part of the picture.
Iris speed 0 /1 /2 /3 /4 2 Sets reaction speed of auto iris
Clip highlight OFF OFF Auto iris ignores extreme highlights.
W shading
G Shading correction for individual lenses.
W shading
R Service use.
W shading
B
DCC
adjust D. range 4 4 Auto knee alignment.
Point 0 0
Gain 0 0
Offset
white
Offset white
A OFF OFF Automatically adds a colour temp. offset to
the result of auto white bal.
Warm-Cool
A 0 0 Equivalent to balancing through a ¼ blue
gel, and then removing it to warm
Fine A 0 0 up the look of pictures, but more flexible and
predictable.
Offset white
B OFF ON
Warm-Cool
B 0 40
Fine B 0 0
Preset
white
Colour temp.
P 3200 3200 Changes the value of the preset colour
temperature. Dial in your required
Fine P 0 0 setting.
R Gain P 0 0 Changing red or blue gain is an alternative
way of changing colour temp.
B Gain P 0 0

Operation
1
R-G / B-G
select OFF OFF For registration measurement only.
Gamma
Table A/B/C/D/F F Parallel to gamma table selection in level 8
Low light OFF OFF Activates low light warning.
Low light
level 0 0 Sets level at which warning comes on.
Select Bars EBU/SNG/SM.. SMPTE EBU, SMPTE, SNG. SMPTE bars carry
PLUGE test signal for bright adj.
White B
channel AWB / ATW AWB White bal memory B can become the Auto
Tracing White select switch
Battery
warning 10% / 20% 10%
Wide AWB OFF OFF Increases the range over which the AWB will
work.
Zebra OFF OFF Only for use with VF without an external
zebra switch.
Turbo sw.
indep. OFF OFF
Operation
2
AWB level
gate
Rec Tally
Time code
display
SG adjust H blanking
width
Enc. adjust Burst start PAL coder alignment.
Burst stop
R-Y carrier
bal
R-Y carrier
bal
Sync start
Sync stop
Int SC freq.
Data Reset User Factory reset user menu
Engineer Factory reset eng. menu
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Page Item Factory Suggestion Explanation
Menu Select
1 Marker 1/3 Y Y The next 3 pages determine which pages
Marker 2/3 N Y # are selected to appear in the user menu.
Marker 3/3 N Y
Vf Display 1/2 Y Y
Vf Display 2/2 Y Y
Master gain Y Y
Shot ID Y Y
Shot display Y Y
Shutter N N
! LED N N
Menu select 2 Setup card Y Y
Function 1/2 N Y
Function 2/2 N N
VF setting N Y
Widescreen N Y
Level 1 (Detail) N Y
Level 2 (Detail) N Y
Level 1 (4:3) N Y
Level 2 (4:3) N Y
Menu select 3 Level 3 skin dtl N Y
Level 4 knee N Y
Level 5 Enc. N N
Level 6 Enc. N N
Level 7 Blk/Flr N Y
Level 8 Gamma N Y
Level 9 Matrix N Y
Level 10 Matrix N Y
Level 11 SC/H N N
Level 12 A. Iris N Y
Menu select 4 White shading N N
DCC Adjust N N

Offset White N Y
Preset White N Y
Operation 1 N Y
Operation 2 Y Y
Menu select 5 SG adjust N N
Enc Adj N N
Data reset N Y
Cameraman 1-
5 Y Y
Measurement Factory use
Marker 1/3 Safety zone ON ON
Safety area 90% 90% 80% or 90%
Centre ON ON
Centre H Repositions centre cross
CentreV
Marker 2/3 Box cursor OFF OFF Draw your own box.
Box width e.g. 15:9 safety area
Box height
Box H
Box V
Marker 3/3 Test out Mix OFF ON Outputs VF markers to test out, eg director
can see 14:9 safe area.
Return mix OFF OFF Puts VF markers on return video signal.
Test out VF
disp. OFF ON Puts VF characters on test out.
Test out menu OFF ON Puts menu displays on test out.
RM VF menu
inhib. ON ON Allows menus to be adjusted on RM-B150 without appearing in VF.
VF Display
1/2 Disp. mode 3 3 Temporary warning display mode.
Extender ON OFF Permanent displays:
Zoom ON OFF
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Page Item Factory Suggestion Explanation
VF Display
2/2 Filter ON OFF Choose which warnings you wish to have permanently displayed in the
White ON OFF Viewfinder.
Gain ON ON
Shutter ON OFF
Tape ON OFF
Iris ON ON
Audio ON OFF
Master
gain Low 0dB 0dB Choose from:
Mid 9dB 6dB -3, 0, 3, 6, 9, 12, 18, 24, 30, 36, 42, 48 dB
High 18dB 12dB
Turbo 42dB -3dB
Shot ID ID-1 12
Characters Choose a caption, eg programme name, to be
superimposed on bars.
ID-2 ‘’
ID-3 ‘’
ID-4 ‘’
Shot
Display Date OFF ON Selects the data superimposed on the colour bars test signal.
Time OFF ON
Model
Name OFF ON
Serial No. OFF ON
Cassette
No. OFF OFF
Shot No. OFF OFF
ID select OFF ID1
Shutter
speed CLS Y Y This page doesn’t select the shutter speed in
EVS Y Y use, only the options that are available via
1/60 Y Y switch on front of camera.
1/125 Y Y
1/250 Y N
1/500 Y N

1/1000 Y N
1/2000 Y N
! LED Gain Y Y Choose when the ! warning appears in VF
Shutter Y Y
White
Preset N N
ATW Run
Extender Y Y
Filter 2,3,4 N N
Filter A,C,D
A. iris
override N N
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Neil Thompson
Image Creation Group
Sony Broadcast & Professional UK
July 1999
Please could you fill in our Optional Form about this feature.
We are always grateful for your input!