Sound Performance Lab Surround Monitor Controller 2489 User manual

Model 2489
Manual
Surround Monitor Controller
One-point stereo and 5.1 volume control, source and speaker management

2
Version 1.0 – 6/2004
R &D: Wolfgang Neumann
The information in this document has been carefully compiled and verified and
is assumed to be correct. However, Sound Performance Lab (SPL) reserves
the right to modify the product described in this manual at any time without
prior notice. This document is the property of SPL and may not be copied or
reproduced in any manner, in part or fully, without prior authorization by SPL.
Limitation of Liability:
In no event shall SPL be liable for any damages, including loss of data, lost
profits, cost of cover or other special, incidental, consequential or indirect
damages arising from the use of the unit, however caused and on any theory
of liability. This limitation will apply even if SPL or an authorized dealer has
been advised of the possibility of such damage.
SPL electronics GmbH
Sohlweg 55
41372 Niederkruechten
Tel. [phone]
Fax [phone]
E-Mail: [e-mail]
www.soundperformancelab.com
© 2004 SPL electronics GmbH. All rights reserved. All brand and product names are registered
trademarks or trademarks of their respective owners.
Manual Surround Monitor Controller Model 2489
Surround Monitor Controller 2489

3
Surround Monitor Controller 2489
Introduction ............................................................................................... 4
Before you begin ........................................................................................ 5
Power Supply .............................................................................................. 5
Rear panel/Connections ............................................................................. 6
Inputs and outputs .................................................................................... 7
INPUTs A & C (Sub-D 25) ............................................................................. 7
SLAVE OUT (Sub-D 25) ................................................................................ 7
INPUTs B & D (RCA) ..................................................................................... 7
SURROUND and SPEAKER OUTPUTS ........................................................... 7
Sub-D 25 connector pin configuration ......................................................... 7
Operation ................................................................................................... 8
Volume control ........................................................................................... 8
Source ........................................................................................................ 8
Monitor Mode ............................................................................................. 8
Speakers On ............................................................................................... 9
Technical Specifications ............................................................................. 9
Warranty ..................................................................................................... 10
Notes .......................................................................................................... 11
Contents

4Surround Monitor Controller 2489
The SPL Surround Monitor Controller (SMC) is a one-point analog volume control
and switching matrix for system-independent 5.1 surround and stereo moni-
toring. Designed to provide only the necessary functions with excellent audio
quality, the SMC offers a uniquely cost-effective stereo and surround speaker
and source management solution for essentially any audio application:
• Surround and stereo production
• DVD-V, DVD-A, SACD and DTS authoring
• Film and video postproduction
• Video and game production
• A/V and multimedia production
• Audiophile home entertainment systems
The advantages of the SMC become especially apparent in combination with
modern audio and video production tools such as ProTools™, Nuendo™,
Cubase™, Logic™, Deck™, etc. Monitor levels and source management can
be handled independently of the software and with virtually no loss in quality.
You no longer need to set up additional aux sends or an alternative surround
master for monitoring. In addition, you won’t have to worry about over- or
underdriving the converters due to monitor levels.
One of the SMC’s biggest advantages is the possibility to manage several
input sources: comparing and monitoring SACD or DVD material is much easier
than having to import all of your audio files and set up monitor mixes – not to
mention the conversion of multichannel audio.
Standard A/V receivers are often used for this task. The problem with this is
that the audio has to be either AD/DA converted or manipulated by signal-
degenerating control circuitry (VCAs, DACs etc.) for volume control, so you
never hear the unadulterated audio – especially frustrating when you’re
working on SACD or DVD-A projects.
In addition to a surround speaker set, a stereo pair can be connected to and
managed by the SMC. A Sub-D input connector provides six surround and two
stereo input channels. Eight additional RCA connectors allow easy connection
of SACD, DVD, CD or DAT players. A slave output allows the stereo or surround
input signal to be routed directly to a recording device. Volume control is
handled by a discrete six-layer potentiometer and all switching functions by
extremely durable precision pushbuttons.
SPL’s renowned electronic balancing circuitry forms the basis for the SMC’s
I/O architecture. Its extended frequency range up to 100 kHz, exceptional
dynamic spectrum and excellent common mode rejection ensure specs that
exceed SACD standards, as only highest quality analog circuitry can provide.
The SMC’s rugged and ergonomic steel-blue desktop enclosure with its
slanted front panel harmonizes perfectly with desktop production environ-
ments.
Introduction

5
Surround Monitor Controller 2489
IMPORTANT: Before connecting the SMC or any other equipment turn off all
power at all units.
It makes good sense to think about where you place your SMC before connec-
ting it. It should be positioned so that you can easily reach it, but there are
other considerations. Try not to place it near heat sources or in direct sunlight,
and avoid exposure to excessive vibrations, dust, heat, cold or moisture. It
should also be kept away from transformers, motors, power amplifiers and
digital processors. In addition, please:
• Do not open the case. You may risk electric shock and damage to your
equipment.
• Leave repairs and maintenance to a qualified service technician. Should
foreign objects fall inside the case, contact your authorized dealer or
support person.
• To avoid electric shock or fire hazards, do not expose your unit to rain or
moisture.
• In case of lightning, unplug the unit. Always unplug the cable by pulling on
the plug only; never pull on the cable.
• Never force a switch or knob.
• Use a soft, lint-free cloth to clean the case. Avoid cleaning agents as they
may damage the unit.
The SMC’s power supply was carefully engineered to provide clean and consis-
tent current – an important prerequisite for excellent audio. Built around a
toroidal transformer, the power supply generates a minimal electromagnetic
field with no hum or mechanical noise. The output side is filtered by an RC
circuit to extract noise and hums inherent in commercial AC power.
All audio-related components are fed by two separate voltage regulators to
minimize disturbance from other components.
An AC power cord is included for connection to the standard 3-prong IEC
connector. The transformer, power cord and IEC connector are VDE, UL and
CSA approved. The AC fuse is rated at 315 mA (230 V version) or 630 mA (115 V
version).
Before you begin
Power Supply

6Surround Monitor Controller 2489
Rear panel/connections
CD/DAT player
DAW/
DA converter
Multitrack recorder
Stereo speakers Surround speakers
SACD/DVD player
RCA
1/4" TRS 1/4" TRS
Sub-D-25
Sub-D-25
RCA
Balanced Input
See Manual for Pin Configuration
Sound
Performance Lab
Surround Monitor
Controller
Model 2489
Made in Germany
SLAVE OUT
Input A + CInput DInput B
L
L
R
R
L
L
R
R
LS
LS
RS
RS
C
C
LFE
LFE
Input D Input BInput A + C
L
L
R
R
Stereo Speaker Outs
Stereo Speaker Outs
L
L
R
R
LS
LS
RS
RS
C
C
LFE
LFE
Balanced Outputs: Use Stereo Jacks / Unbalanced Outputs: Use Mono Jacks
Surround Speaker Outputs
Surround Speaker Outputs
MAINS INPUT POWER
SERIAL No.
AVIS: RISQUE DE CHOC ÉLECTRIQUE - NE PAS OUVRIR
RISK OF ELECTRIC SHOCK
DO NOT OPEN
CAUTION
TO REDUCE RISK OF FIRE OR ELECTRIC SHOCK
DO NOT EXPOSE THIS UNIT TO RAIN OR MOISTURE
220 – 240 V ~ 50 Hz / Fuse: 315 mA
110 – 120 V ~ 60 Hz / Fuse: 630 mA
VOLTAGE SETTING / FUSE RATING
WARNING
Graphics courtesy of TASCAM Germany (www.tascam.de) and
Christian Preissig, media dell‘ arte - text&ton, E-Mail: [e-mail]

7
Surround Monitor Controller 2489
The SMC enclosure is EMC-safe and effectively shielded against HF interfer-
ence. Nonetheless, you should carefully consider where you place the unit to
avoid electrical disturbances. The SMC and all devices to be connected should
be turned off before connections are made or change to avoid damage to your
speakers and ears.
Inputs and outputs
INPUT A & INPUT C (Sub-D 25; analog)
This Sub-D connector provides balanced connections for INPUT A & INPUT C
(INPUT A for six surround channels, INPUT C for two stereo channels). Use this
connector for your multichannel source, i.e. DAW or DA converter.
SLAVE OUT (Sub-D 25; analog)
The SLAVE OUT provides a direct output of the INPUT A & INPUT C signals
for connection to external equipment e.g. recorders, leaving the converter
outputs free.
INPUT B & INPUT D (RCA)
Eight RCA input connectors are available for six surround channels and two
stereo channels. INPUT B provides surround connection for SACD or DVD
players, while INPUT D provides connection for stereo sources such as DAT or
CD players.
Tip: If a recording device is connected to the SLAVE OUT, its outputs can be
connected to INPUT B for tape monitoring purposes.
SURROUND and SPEAKER OUTPUTS (1/4“ TRS)
Eight balanced, 1/4" TRS connectors allow connection of a six-channel
surround speaker set and a stereo speaker pair. Use standard mono 1/4” plugs
for unbalanced connections.
Sub-D 25 connector pin configuration
The pin configuration complies with the TASCAM standard.
13 12 11 10 98 7654321
25 24 23 22 21 20 19 18 17 16 15 14
G C HG C HG C HG C HG C HG C HG C HG C H
1=L 2=R 3=LS 4=RS 5=C 6=LFE 7=St.L8=St.R
G = Ground, C = cold (-), H = hot (+)
Connectors

8Surround Monitor Controller 2489
Volume Control
The volume is centrally controlled for all channels via a discrete six-level
potentiometer with an extremely linear curve. The potentiometer controls
the audio signals directly without any signal-degenerating circuitry such as
VCAs or DACs, which tend to create tolerances between channels as well as
distortion. The white circle with the potency scale can be easily marked using
a pencil.
Source Buttons Surround A/B and Stereo C/D
The source buttons Surround A/B and Stereo C/D allow easy switching
between surround and stereo sources (inputs). Two surround and two stereo
sources are available.
The middle button selects between surround and stereo sources. When
depressed (in), the stereo sources are active; when not depressed (out) the
surround sources are selected.
The left button selects either surround source A (out) and B (in), while the
right button selects either stereo source C (out) or D (in).
Monitor Mode Buttons (Mono, Dim, Mute All)
The Monitor Mode buttons provide various monitoring functions: MONO L/R,
MONO LS/RS, DIM -20 and MUTE ALL.
MONO L/R and MONO LS/RS switches the front L and R channels and the rear
LS and RS channels to mono, respectively, and can be used to check phase
correlation. The MONO LS/RS mode has no effect when a stereo speaker pair
is selected.
DIM lowers the monitor volume by -20 dB without changing the volume
pot setting, for example to control a mix at low volume (or to answer the
phone…).
MUTE ALL does exactly what it says: it mutes all speaker outputs.
Operation

9
Surround Monitor Controller 2489
Speaker Buttons
The speaker buttons enable each surround speaker output (L, C, R, LS, RS,
LFE) and the stereo pair output to be switched on (pressed) and off indepen-
dently.
Tip: If you are not using a surround speaker set, you can connect two stereo
speaker pairs to the SMC. Simply connect one pair to the Stereo Speaker
Outputs and the second pair to the Surround Speaker Outputs L and R.
Input Impedance
Balanced (Sub-D) 50 kOhms
Unbalanced (RCA) ›10 kOhms
Output Impedance
Balanced (1/4“ TRS) ‹600 Ohms
THD+N
-10 dB (Input level) 0.04 %
0 dB 0.01 %
+10 dB 0.006 %
+18 dB 0.002 %
+22 dB 0.1 %
Noise, A-weighted -98 dB
Maximum Input Level +22 dB
Dynamic Response 120 dB
Common Mode Rejection
@ 100 Hz ›70 dBu
@ 1 kHz ›70 dBu
@ 10 kHz ›60 dBu
@ 100 kHz ›50 dBu
Frequency Response 10 Hz-100 kHz (-3 dB)
Phase -36° (10 Hz-120 kHz, -3 dB center frequency)
Phase (linear) 20 Hz-100 kHz
Dimensions H x W x D: 91 x 272 x 220 mm (3 9/16" x 10 11/16" x 8 21/32")
Weight 2.3 kg (5 lbs)
SPL reserves the right to make technical changes without prior notice.
Operation
Technical Specications

10 Surround Monitor Controller 2489
All SPL products come with a two-year manufacturer’s guarantee against
defects in material or assembly from the date of purchase.
End users are supported in the two-year guarantee through their distributor
or dealer. In such cases, please contact your dealer for full guarantee condi-
tions and service.
Direct SPL product support requires product registration. Please fill out the
guarantee card enclosed in the package legibly in printed letters and send it
directly to SPL.
Or use the online registration form that may be reached at www.soundper-
formancelab.com (international clients) or www.spl-usa.com (US clients).
Warranty

11
Surround Monitor Controller 2489
Notes
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Surround Monitor Controller 2489
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