Source Audio Nemesis Delay User manual

SA260 Nemesis Delay User’s Guide 1
Nemesis Delay User’s Guide
Welcome
Thank you for purchasing the Nemesis Delay. This powerful stereo delay pedal features a collection
of meticulously crafted sounds ranging from analog, tape, and slapback to multi-tap, filtered, pitch-
shifted, bit-crushed experimental effects charting new sonic territory. With an intuitive and simple
control set, the Nemesis can work in a wide variety of musical settings, and the powerful MIDI and
Neuro App control options (iOS/Android) provide access to a vast array of additional tonal
possibilities.
The Nemesis is housed in a durable, extruded aluminum housing, packing rack mount power and
flexibility into a compact, easy-to-use stompbox.
The Quick Start guide will help you with the basics. For more in-depth information about the Nemesis
Delay, move on to the following sections starting with Connections. Enjoy!
-The Source Audio Team

SA260 Nemesis Delay User’s Guide 2
Overview
24 Diverse Delay Engines –Choose from vintage delay tones such as Analog Bucket Brigade, Tape,
and Slapback, or delve deeper into unique sounds cooked up in the Source Audio lab. 12 factory
delay engines are available out of the box, 12 extended engines can be recalled via MIDI or loaded
via the Neuro App.
Flexible Stereo Routing –The Nemesis is equally at home in a mono rig or a stereo rig. Every delay
effect engine works in stereo multi-tap mode, and a variety of routing modes such as Mono-to-Mono,
Mono-to-Stereo, and External Loop allow the Nemesis to harness the true power of stereo signal
chains.
Single Delays, Dual Delays, Multi-Tap Delays –Every Nemesis delay engine comes ready to go with
both single and dual delay modes. Some delay engines make use of the Nemesis’ 5-tap architecture
to create unique multi-tap delays and rhythmic patterns.
Compact Design –The durable, anodized aluminum housing with its slim profile and small footprint
is built for the rigors of the road.
Universal Bypass –True bypass, buffered bypass, or soft bypass with delay trails? The choice is yours.
The Nemesis features high-quality signal relays for true bypass and transparent buffers for analog
bypass, and soft bypass mode for preserving delay trails or complex stereo signal routing during
bypass.
Presets –Save your favorite sounds with the touch of a button. 8 presets can be stored and recalled
using the hardware controls, and a total of 128 presets can be saved internally and recalled using a
MIDI controller.
Deep Control Set –Beyond the six control knobs on the face of the Nemesis are many additional
editable parameters. The Neuro App provides access to the inner workings of the delay effect for
advanced users who want to create a unique signature sounds.
Neuro App –The Neuro App for iOS and Android offers a powerful extension to the basic pedal
functionality. Access the full set of editable parameters and save presets on your mobile device. Edit
and share your favorite sounds with the Neuro Community directly from the App!
Neuro Hub –The Source Audio Neuro Hub connects up to five compatible Source Audio pedals and
stores the settings of each pedal as a scene. Up to 128 scenes can be saved and recalled using the
Neuro Hub, combining the power of a multi-effects system with the flexibility of a traditional pedal
board.
External Loop –Configure external loop mode to insert external effects in the delay line of the
Nemesis, making them part of the feedback loop.
Full MIDI Implementation –The Nemesis' parameters can be accessed and controlled using MIDI via
the Neuro Hub or USB. Class compliant USB-MIDI allows the Nemesis to work as a plug-and-play
device with recording software running on Mac and Windows. The Nemesis can also sync to your
DAW or other MIDI devices using MIDI clock.

SA260 Nemesis Delay User’s Guide 3
Tap Tempo –The TAP FOOTSWITCH allows users to directly set the delay time, with optional beat
subdivisions.
External Control –The Nemesis can be easily configured to work with a variety of expression pedals
and footswitches for various external control options.
Hold Mode –Sustain your delay sounds with the HOLD function. The delayed audio is repeated
infinitely for ambient sustain effects.
Quick Start
Power
To power the unit, connect the included 9V DC power supply to the jack labeled DC 9V on the back
panel.
Warning: Using a non-Source Audio supply, especially an unregulated supply, could damage the unit.
Please be very cautious when using 3rd-party power supplies and refer to the power supply
requirements printed on the bottom of the Nemesis housing.
Guitar/Audio Connections
Using standard ¼” mono cables, connect your guitar, bass, or other instrument to the INPUT 1 jack
and your amp (or the next audio device in the signal chain) to the OUTPUT 1 jack. If you have a second
amp, connect it to OUTPUT 2.
When the power and audio connections have been made, the Nemesis is ready to use.

SA260 Nemesis Delay User’s Guide 4
Brief Knob, Footswitch, and Button Descriptions
Time Knob: Controls the delay time. If an effect engine uses multi-tap delays, this will set the time for
the longest delay tap, and the sub-delays will automatically scale according to that.
Mix Knob: Controls the relative level between the dry input signal and the wet, processed signal.
When set at 12 o'clock, the wet and dry signals will be at equal volume. Fully counter-clockwise is
100% dry, and fully clockwise is 100% wet.
Feedback Knob: Controls the amount of wet signal that is fed back into the delay effect. At minimum
feedback, the delay effect will only process once. At maximum feedback, the delays will continue
infinitely. It is also possible to set a feedback greater than 1, allowing for "self-oscillation" effects.
Mod Knob: Controls the depth of the modulation applied to the effect. It can have different
functions depending on which engine is selected. Some effect engines use time (pitch) modulation,
filter modulation, tape modulation (wow and flutter), or tremolo.
Rate Knob: This controls the speed of the time (pitch) modulation, filter modulation, wow and flutter,
or tremolo. In tape delays, this simulates the tape speed.
Intensity Knob: The INTENSITY KNOB changes function depending on which engine is selected. Most
effect engines can create a range of different sounds: warm to bright, clean to distorted, full to thin,
and so on. The INTENSITY KNOB changes the color or character of the sound and allows you to dial in a
unique flavor for each effect engine. The details of how the INTENSITY KNOB works are described in
more detail in the individual descriptions of each effect engine.
Engine Selector Knob: Selects between the 12 main effect engines. To access the additional delay
engines (the “back 12”), you’ll need to use the Neuro App or MIDI.
On/Off Footswitch: Engages or bypasses the delay effect. The corresponding ON/OFF LED will be lit
when the delay effect is engaged.
Tap Tempo Footswitch: Tap this footswitch two or more times to set the primary delay time. Make
sure the SUBDIVISION SWITCH is set to quarter notes for basic quarter note operation.
Press and hold the TAP footswitch to active HOLD mode. This will circulate the audio in the delay line
infinitely until the TAP switch is released.
Tap Tempo Subdivision Switch: Selects a beat subdivision for tap tempo, allowing more complex
delay times such as dotted eighths and triplets to be tapped in using the TAP FOOTSWITCH. The TAP LED
will always blink in time with the duration you tapped in with the TAP FOOTSWITCH, even if a
subdivision is selected.
Preset Select/Save Button: This button selects and loads one of the four user presets saved in the
Nemesis. To save a preset into the currently selected spot, press and hold this button.
Automatic Stereo Detection: When a plug is inserted into the stereo output, the Nemesis will
automatically detect it and generate a stereo ping pong delay effect for any of the delay machines.
The Nemesis monitors its input and output connections and configures itself to the appropriate

SA260 Nemesis Delay User’s Guide 5
mode. It’s also possible to override this and choose a custom routing mode using the Neuro App or
MIDI.
Contents
Welcome.................................................................................................................................................. 1
Overview.................................................................................................................................................. 2
Quick Start ............................................................................................................................................... 3
Connections ............................................................................................................................................. 6
Delay Engines........................................................................................................................................... 9
Extended Delay Engines......................................................................................................................... 14
Controls.................................................................................................................................................. 19
Preset Storage and Recall ...................................................................................................................... 23
Universal Bypass .................................................................................................................................... 25
Stereo Operation ................................................................................................................................... 25
External Control..................................................................................................................................... 28
Neuro App.............................................................................................................................................. 33
Neuro Hub..............................................................................................................................................41
MIDI ....................................................................................................................................................... 41
USB......................................................................................................................................................... 42
Specifications......................................................................................................................................... 42
Troubleshooting..................................................................................................................................... 43
Frequently Asked Questions.................................................................................................................. 44
MIDI Implementation ............................................................................................................................ 45
Rubber Feet ...........................................................................................................................................46
Waste Disposal Notes ............................................................................................................................ 46
Warranty................................................................................................................................................ 47
Version History ......................................................................................................................................48

SA260 Nemesis Delay User’s Guide 6
Connections
Input Side Connections
Input 1
INPUT 1 is the primary input for guitar, bass, or other instruments. It can also accept line-level inputs
and will work in your amp’s effect loop. Connect it to your instrument or other audio source using a
mono (TS) ¼” cable. Details about the allowed signal levels are available in the Specifications section.
Input 2
INPUT 2 is the secondary audio input for stereo sources, external feedback loop input, or as the data
connection to your mobile device when using the Neuro App.
Input 2 as an Audio Input
The tip contact on INPUT 2 acts as a secondary input for guitar, bass, or other instruments. Connect
your instrument (or the previous effect in the signal chain) using a mono (TS) ¼” cable. The Nemesis
will automatically configure itself for stereo audio input. Other routing options are available using the
Neuro App. For more information about stereo routing, refer to the Stereo Operation section.
Input 2 as an External Loop Return
If the Nemesis is configured in a routing mode that includes an external loop, OUTPUT 2 is the loop
send and INPUT 2 is the loop return. Connect INPUT 2 to the output of the external effects loop using a
mono (TS) ¼” cable.
Input 2 as a Neuro App Data Input
The ring contact on INPUT 2 acts as a data connection for the Neuro App. The Neuro App sends data
to the pedal using your mobile device’s headphone jack. Connect it to your mobile device using the
included stereo (TRS) 1/8” to ¼” cable. It can also accept daisy-chained Neuro data from another
Neuro-compatible pedal in the chain, provided that a TRS cable is used. The audio signal (if
applicable) will be on the tip contact of the plug, and the Neuro App data will be on the ring contact.
This allows audio and Neuro data to flow on the same cable.

SA260 Nemesis Delay User’s Guide 7
MIDI Input
This is a standard 5-pin DIN connector that accepts MIDI control messages from external devices,
including program changes, continuous controllers (CCs), and MIDI clock. See the “Nemesis MIDI
Implementation”document for details.
Output Side Connections
Output 1
This is the primary audio output. Connect it to your amplifier, recording interface, or the next device
in your effects signal chain using a mono (TS) ¼” cable.
Output 2
OUTPUT 2 can act either as an audio output, external loop output, or as the daisy-chain data
connection for the Neuro App.
Output 2 as an Audio Output
The tip contact on OUTPUT 2 acts as the secondary audio output. It carries an audio signal when the
Nemesis is configured with a signal routing that uses stereo outputs. Connect it to your amplifier,
recording interface, or the next device in your effects signal chain using a mono (TS) ¼” cable.
Output 2 as an External Loop Send
If the Nemesis is configured in a routing mode that includes an external loop, OUTPUT 2 is the loop
send and INPUT 2 is the loop return. Connect OUTPUT 2 to the input of the external effects loop using a
mono (TS) ¼” cable.
Output 2 as a Neuro App Data Daisy-Chain Output
The ring contact on OUTPUT 2 acts as a data connection for the Neuro App, passing data from the
Nemesis to the next Source Audio effect in your signal chain. You can daisy-chain the Neuro App data
regardless of whether OUTPUT 2 is configured to output audio or not. Connect OUTPUT 2 to the next
device’s Neuro App Data input (usually INPUT 2) using a stereo (TRS) ¼” cable. The audio signal (if

SA260 Nemesis Delay User’s Guide 8
applicable) will be on the tip contact of the plug, and the Neuro App data will be on the ring contact.
This allows audio and Neuro data to flow on the same cable.
MIDI Thru
This is a standard 5-pin DIN connector that echoes MIDI messages from the MIDI INPUT jack and sends
them to other devices. The Nemesis does not generate any of its own MIDI data, but it will copy and
output any data it receives.
Power and Control Connections
DC 9V (Power)
Connect to the included 9 Volt DC power supply. If you would like to use a 3rd-party supply, the
power supply must be regulated at 9 Volts DC (direct current), able to source at least 200 mA
(milliamps) of current, and the plug should have a tip-negative, barrel-positive polarity.
USB
Connect to your computer (Mac or Windows) to the Nemesis’ USB port (denoted by the icon)
using a standard mini USB cable. The Nemesis is a class compliant USB device, meaning that it does
not require any custom drivers. For more information about the Nemesis’s USB capabilities, refer to
the USB section of the User’s Guide.
Control Input
The 3.5 mm CONTROL INPUT port connects to external control devices such as the Source Audio Dual
Expression Pedal, Reflex Universal Expression Pedal, Neuro Hub, and Hot Hand Motion Controller.
For more information, refer to the Expression Pedal Input, Hot Hand Input, and Neuro Hub sections
of the User’s Guide.

SA260 Nemesis Delay User’s Guide 9
Expression/Switch Pedal Input
The PEDAL INjack on the back panel connects to either an external passive expression pedal or
footswitch. The PEDAL IN SWITCH allows the user to select which type of external controller is being
used. Set to EXP for expression control or SWITCH for footswitch control.
See the External Control section for details.
Delay Engines
The Nemesis includes twelve basic delay effect engines, with 12 extended engines available via the
Neuro mobile app or MIDI. While some of the sound and functionality for each engine is fixed, many
parameters and controls can be edited using the Neuro App or MIDI to tweak the sounds to fit
specific use cases or to adjust to taste. Changes to the engines can be saved as user presets or
“burned” to override the factory settings of the effect dial.
Each effect engine uses the MOD KNOB, RATE KNOB, and INTENSITY KNOB in different ways to change the
sound of the effect. Here is a description of each effect engine and how the knobs are configured
respectively:
DIGITAL (0)
A classic clear digital delay with optional delay time (pitch) modulation. The INTENSITY KNOB controls
filtering allowing for low cut (high pass) filters (creating a thinner delay sound) or high cut (low pass)
filters (creating a warmer delay sound). Or, set the INTENSITY KNOB at 12 o’clock for a pure, unfiltered
delay. The Nemesis features a 56-bit signal path with a 24-bit delay line for pristine digital delays.
Time Knob Range: 10 milliseconds to 2.6 seconds
Mod and Rate: Control time (pitch) modulation depth and speed.
Intensity: Controls filtering on the delayed signal. A high cut filter is available on the left side of
the knob while a low cut filter is available on the right side. The middle range of the knob
disables both filters.
DIFFUSE (1)
This engine features a diffusion effect that smears the attack of the repeated signal, softening it and
allowing it to blend in more easily with the unprocessed dry signal. This creates an ethereal sound
reminiscent of some reverb effects. There is also some subtle filtering to shape the sound of the
repeats.
Time Knob Range: 30 milliseconds to 2.6 seconds
Mod and Rate: Control time (pitch) modulation depth and speed.
Dark
Clean
Bright
Thin
Warm

SA260 Nemesis Delay User’s Guide 10
Intensity: Controls the strength of the diffusion effect.
ANALOG (2)
This delay engine reproduces the characteristic dark sound of bucket brigade analog delays.
Traditional analog bucket brigade delays can be either resonant or warm. This engine focuses on
warmth, and was inspired in part by the classic EHX Deluxe Memory Man delay. True to the nature of
older bucket brigade delays, treble frequencies are reduced, even on the clean (dry) signal. If you
prefer a completely clean dry signal, this filtering can be disabled using the Neuro App or MIDI. For
more resonance, try the RESONANT ANALOG engine.
Time Knob Range: 40 milliseconds to 1.2 seconds
Mod and Rate: Control time (pitch) modulation depth and speed.
Intensity: Morphs between a dark and bright sounding delay.
TAPE (3)
A detailed re-creation of classic moving-head tape delays. Repeats are bandwidth limited and have
artifacts characteristic of tape delay, such as filtering, preamp saturation, noise, wow and flutter.
Time Knob Range: 20 milliseconds to 1.2 seconds
Mod and Rate: MOD controls wow and flutter depth and RATE controls tape speed.
Intensity: Controls the amount of filtering, noise and distortion applied to repeats.
Moderate Diffusion
Intense DiffusionSubtle Diffusion
Dark Bright
Bright, Clean
Saturated, Warm

SA260 Nemesis Delay User’s Guide 11
NOISE TAPE (4)
A detailed re-creation of classic fixed-head variable-speed tape delays. Repeats are bandwidth
limited and have artifacts characteristic of tape delay, such as filtering, distortion, noise, wow and
flutter. NOISE TAPE is grittier and darker than the TAPE engine, and has artifacts that mimic old or
damaged tape.
Time Knob Range: 20 milliseconds to 1.2 seconds
Mod and Rate: MOD controls wow and flutter depth and RATE controls tape speed.
Intensity: Controls the amount of filtering, noise and distortion applied to repeats.
DEGRADE (5)
A delay with distortion and sample rate reduction. This creates unique lo-fi sounds with varying
amounts of distortion, noise, and aliasing. For more extreme degradation and bit-crushing, try the
LO-FI RETRO engine.
Time Knob Range: 10 milliseconds to 2.6 seconds
Mod and Rate: Control time (pitch) modulation depth and speed.
Intensity: Controls the amount of distortion and sample rate reduction applied to repeats.
SHIFTER (6)
A delay with pitch-shifting on the delayed signal. The pitch shift is static; that is, pitch shifting does
not compound with successive repeats.
Time Knob Range: 1 millisecond to 2.6 seconds
Mod and Rate: Control time (pitch) modulation depth and speed for a vibrato effect.
Intensity: Controls the pitch shift interval applied to repeats from an octave down to an octave
up. Six pitch shifts are possible: down octave, up minor 3rd, up major 3rd, up perfect 4th, up
perfect 5th, and up octave.
Bright, Saturated
Warm, Dirty
Dark, Distorted
Clean, Full Degraded, Thin, Aliased

SA260 Nemesis Delay User’s Guide 12
HELIX (7)
Combines reverse delay with an octave up pitch shift to create an ambient, shimmering delay that
disappears into the upper frequency range.
Time Knob Range: 200 milliseconds to 2.6 seconds
Mod and Rate: Control time (pitch) modulation depth and speed.
Intensity: Sweeps from a warm and more subtle sound to a bright, shimmering, prominent
effect.
REVERSE (8)
A classic reverse tape sound that became popular in 60s psychedelic rock. The Nemesis can create
several overlapping reversed delays that fade in and fade out regularly to create a pulsing tremolo
effect. The INTENSITY KNOB mixes in additional delay taps to add more layering to the reverse sound.
Time Knob Range: 200 milliseconds to 2.6 seconds
Mod and Rate: Control time (pitch) modulation depth and speed.
Intensity: For a pure, single reverse, set the INTENSITY KNOB to minimum. Turn the INTENSITY KNOB
up to mix in additional layers, creating a thicker, complex and more ambient reverse sound.
Down Octave Up Octave
Up Major 3rd Up Perfect 4th
Up Minor 3rd Up Perfect 5th
Warm, Subtle Bright, Overt
Single Reverse Multi-Tap Reverse

SA260 Nemesis Delay User’s Guide 13
SWEEPER (9)
A resonant low pass filter slowly sweeps across the frequency range, creating an undulating synth-
like effect.
Time Knob Range: 1 millisecond to 2.6 seconds
Mod: Controls the depth of the LFO (Low Frequency Oscillator) modulating the low pass filter. In
other words, this controls the range of the filter motion.
Rate: Sets the speed of the LFO modulating the low pass filter.
Intensity: Controls the Q or resonance of the filter.
RHYTHMIC (10)
The Nemesis contains 5 delay taps which have programmable delay time and level. This allows for
the creation of rhythmic patterns in the delay effect. The Rhythmic effect uses 3 taps to create a
wide variety of 3-note rhythms (plus a note on the downbeat of the next measure). More complex
rhythms involving 4 notes are available in the Complex Rhythmic engine.
Time Knob Range: 200 milliseconds to 2.6 seconds
Mod and Rate: Control time (pitch) modulation depth and speed.
Intensity: Selects one of 8 pre-programmed rhythms. The rhythms are spaced equally around
the INTENSITY KNOB. The rhythms are described below in step sequencer notation, with red
squares signifying taps in the rhythm.
Rhythms 1 through 4 are straight rhythms based on subdivisions of 4.
Rhythm 5 is a syncopated rhythm based on subdivisions of 8.
Rhythms 6 through 8 are swing rhythms based on subdivisions of 6.
Soft, Low Resonance Sharp, High Resonance
1
2
3
4
5
6
7
8

SA260 Nemesis Delay User’s Guide 14
SLAPBACK (11)
A short echo popularized in 50s rockabilly music and characteristic of many other genres. Based on
tape delays, with some minor tweaks.
Time Knob Range: 20 milliseconds to 220 milliseconds
Mod and Rate: MOD controls wow and flutter depth and RATE controls tape speed.
Intensity: Lower settings bring in tape saturation and warmth. Higher settings are bright and
clean.
Extended Delay Engines
In addition to the basic 12 delay engines available on the front panel, the Nemesis also features 12
extended delay engines for a total of 24 engines in all. These additional “back 12” effect engines offer
a variety of tonal options and can be selected using the Neuro App or via MIDI. Any of these effects
can be used to overwrite the default effect engines on the effect dial or can be stored as user presets.
RESONANT ANALOG (12)
The sound of classic bucket brigade analog delays with a resonant midrange. Successive delays are
warm and lo-fidelity. This engine was inspired by the MXR Carbon Copy and the Way Huge Aqua-Puss,
coming together to produce a hybrid bucket brigade sound that captures the essence of these classic
delay units.
Time Knob Range: 10 milliseconds to 1.2 seconds
Mod and Rate: Control time (pitch) modulation depth and speed.
Intensity: Changes the character of the delay. Lower settings create darker, dirtier lo-fi analog
sounds. The center settings are more balanced and resonant. The higher settings are brighter
and clearer.
TREMOLO (13)
The delayed signals pass through stereo tremolo processors which modulate their volume over time.
Bright, Clean
Saturated, Warm
Dark
Resonant
Bright

SA260 Nemesis Delay User’s Guide 15
Time Knob Range: 40 milliseconds to 2.6 seconds
Mod and Rate: MOD controls the amount of time modulation (vibrato) and RATE controls the
modulation rate as well as the rate of the tremolo.
Intensity: Controls the depth of the tremolo.
SEQUENCED FILTERS (14)
This is a 4-tap delay with a fixed filter on each tap. The filters (a collection of resonant low-pass filters
and band-pass filters) are centered at different frequencies so the overall effect feels like a moving
filter controlled by a step sequencer. Since this delay engine contains 4 taps which are evenly spaced
over the primary delay, you should tap in the tap tempo rate at a quarter of the desired rate.
Time Knob Range: 10 milliseconds to 2.6 seconds
Mod and Rate: Control time (pitch) modulation depth and speed.
Intensity: Controls the amount of distortion in the wet delayed signal. Full counter-clockwise is
no distortion. Full clockwise is maximum distortion.
DUB (15)
This is a diffused high-pass filtered delay that feels right at home in a rasta dub tune.
Time Knob Range: 10 milliseconds to 2.6 seconds
Mod and Rate: Control time (pitch) modulation depth and speed
Intensity: Controls the amount of high pass filter applied to the repeats, making them thinner
over time, in a style typical of dub music.
CHORUS (16)
Repeats are sent through a stereo chorus effect for a warm modulation sound.
Time Knob Range: 50 milliseconds to 2.6 seconds
Mod and Rate: Controls the amount and speed of the chorus modulation.
Moderate Tremolo
Intense TremoloSubtle Tremolo
Bright Very Thin

SA260 Nemesis Delay User’s Guide 16
Intensity: Changes the tone of the repeats from dark at low settings to bright at high settings.
FLANGER (17)
Repeats are sent through a stereo flanger effect for a classic jet-engine sound.
Time Knob Range: 50 milliseconds to 2.6 seconds
Mod and Rate: Controls the amount and speed of the flanger modulation.
Intensity: Changes the tone of the repeats from neutral at low settings to thin at high settings.
DOUBLE HELIX (18)
Similar to the normal Helix setting, but with additional movement and an added repeat of the
original non-shifted signal.
Time Knob Range: 200 milliseconds to 2.6 seconds
Mod and Rate: MOD controls wow and flutter depth and RATE controls tape speed.
Intensity: Sweeps from a warm and more subtle sound to a bright, shimmering, prominent
effect.
COMPLEX RHYTHMIC (19)
Similar to the RHYTHMIC setting on the front panel, this engine uses 4 taps to create a wide variety of
4-note rhythms.
Time Knob Range: 200 milliseconds to 2.6 seconds
Mod and Rate: Control time (pitch) modulation.
Warm Bright
Neutral Thin
Warm, Subtle Bright, Overt

SA260 Nemesis Delay User’s Guide 17
Intensity: Selects one of 13 pre-programmed rhythms. The rhythms are spaced equally around
the INTENSITY KNOB.
The rhythms are described below in step sequencer notation, with red squares signifying taps in
the rhythm.
Rhythms 1 through 8 are straight and syncopated rhythms based on subdivisions of 8.
Rhythms 9 through 13 are swing rhythms based on subdivisions of 6.
LO-FI RETRO (20)
Go back to the sounds of 80s video games with bit-crushed, aliased and distorted delays.
Time Knob Range: 1 millisecond to 2.6 seconds
Mod and Rate: Control time (pitch) modulation depth and speed.
Intensity: Controls the amount of bit crushing, sample rate reduction (aliasing) and distortion.
WARPED RECORD (21)
Like a vinyl record that was left out in the sun, this delay engine warbles, wobbles, and creates that
great slightly-out-of-tune sound you might hear on an old LP that has seen better days.
Time Knob Range: 10 milliseconds to 2.6 seconds
Mod and Rate: Controls the amount and speed of warble.
1
2
3
4
5
6
7
8
9
10
11
12
13
Bit Crushed, Aliased
Mild Degradation
Relatively Clean

SA260 Nemesis Delay User’s Guide 18
Intensity: Controls the amount of distortion and filtering.
COMPOUND SHIFTER (22)
A delay with pitch-shifting on the delayed signal. Each successive repeat is further pitch shifted,
creating a compounding shift effect.
Time Knob Range: 1 millisecond to 2.6 seconds
Mod and Rate: Controls time (pitch) modulation depth and speed.
Intensity: Sets the pitch shift interval as shown in the diagram below.
OIL CAN (23)
This is a dark, jangly, warbling and distorted delay inspired by old oil can designs.
Time Knob Range: 20 milliseconds to 800 milliseconds
Mod and Rate: Control time (pitch) modulation depth and speed.
Intensity: Changes the color of the repeats from very dark to somewhat dark. True to the nature
of oil can delays, there is no “bright” setting.
Distorted, Thin
Relatively Clean
Dark
Darker
Darkest

SA260 Nemesis Delay User’s Guide 19
Controls
Knobs
Time Knob
Sets the delay time of tap 1, which is the main delay time. If an effect engine is selected that includes
multiple taps, additional taps will scale automatically. Turning the TIME KNOB while the delay engine is
active will skew the audio, creating a pitch shift. Note that different engines will have unique ranges
of delay times available on the TIME knob. For instance, the time range on ANALOG is limited from
40ms to 1.2 sec since that range is typical of analog delays. SLAPBACK has a maximum delay of
220ms. The maximum delay time for any engine is adjustable as a Neuro App parameter.
Controlling Tap 2 Delay Time with the Time Knob
The TIME knob can also be used to adjust the delay time of tap 2 by turning the TIME knob while
holding the CONTROL INPUT button. This allows tap 2 to be set to a limited number options without
needing to use the Neuro App. There are four delay times for tap 2 relative to tap 1 time:
Time Knob
Engine Selector
Feedback Knob
Mix Knob
Intensity Knob
On/Off LED
Tap Footswitch
Control LED Control Input Button
Tap LED
On/Off Footswitch
Rate Knob
Subdivision Switch
Mod Knob
Preset Select/Save Button Preset LEDs
Pedal Input Switch
1/2
8ths
2/3
Swing 8ths
3/4
Dotted 8ths
1
Quarters
3

SA260 Nemesis Delay User’s Guide 20
Mix Knob
Sets the relative levels of dry signal and wet delay signal. Fully counter-clockwise is 100% dry, fully
clockwise is 100% wet. The midpoint of the knob is 50% wet and 50% dry. Kill Dry Mode is available
as a global option as of firmware version 1.12 (see Kill Dry / Dry Defeat).
Using the Mix Knob to Set Master Output Level
The overall output volume level is adjustable on the pedal hardware without needing to use Neuro or
MIDI. Press and hold the CONTROL INPUT BUTTON and then turn the MIX KNOB to set the master output
level, which affects both the wet signal and the dry signal. A maximum of +6 dB of boost is possible.
The following figure shows the range of output gains, in decibels (blue) and linear (red). Note that
when the output level is adjusted, it will be maintained while changing effect engines using the effect
dial. Loading a user preset will override the level set by the MIX knob.
Feedback Knob
Adjusts the amount of wet signal that is fed back into the delay line. This effectively sets the number
of repeats. Fully counter-clockwise is one repeat (no feedback), and fully clockwise is maximum
feedback. Note that some effect engines allow for greater than 1 (unity) feedback resulting in self-
oscillation. This can sound very cool but can also get very loud! Turning the MIX knob toward CLEAN
is a good way to manage the runaway oscillation sound. The FEEDBACK MAXIMUM is also adjustable
as a Neuro parameter. So if you want to allow or prevent oscillation when the FEEDBACK knob is
turned up, adjustments can be made with that control.
Mod Knob
Controls the depth of the modulation LFO (Low Frequency Oscillator). This can affect different
aspects of the sound depending on which delay engine is selected. Usually, it controls the time
100% Dry
Dry
Dry
Wet
Wet
100% Wet
50% Wet
50% Dry
0 dB
1.0
+6 dB
2.0
-∞dB
0
-6 dB
0.5
+3.5 dB
1.5