TC Electronic ND-I User manual

-
ND~I
Nova Delay
USER'S MANUAL

PAGE. HE.AD
Ir
INTRODUCTION
Table of Contents. ...........................3
Introduction. ................................4
SE.TUP EXAMPLES
Mono/Stereo. ...............................5
Send/Retum ................................6
OPERATION
Front view ..................................7
Connections. . . . . . . . . . . .,. . . . . . . . . . . . . . . . . . . .8
Switches ...................................8
Knobs .....................................9
Selectors .10
Preset Store function .11
InputLevel Calibration.......................13
Delay Spill-over ............................14
ADDITIONAL FEATURES
Tap Tempo modes. .........................15
Cool Features via ON/OFF .
and TAP TEMPO switches ....................15
Preset Range Limitation. .....................16
Delay Time in BPM or milliseconds .. .. .. . . .. . . .16
APPENDIX
Technical specifications. .....................17
Presets ..................... ..............18
TC Electronic. Sindalsvej 34, DK-8240 Risskov -[email protected] 3 English Version Manual revision 1.0 -SW -V 1.0
Prod. No: E60507011

INTRODUCTION
makes the Nova Delay unique compared to setups where
a delay pedal is used in conjunction with a chorus pedal.
Nova -Your tone is everything ,
The sensation of weight, the grandiose design and overall
build quality inslinctively tell you these aren't just ordinary
stompboxes. They're so much more - the essence of your
tone!
Built upon the legacy and knowledge of TC's world-
renowned effects processors the Nova pedals raise the bar
for guitar effect pedals and redefine what it means to be
"state-of-the-art". The ND-1 Nova Delay offer
uncompromised studio quality effects in a compact floor-
based design.
With 6 different stereo delay types and the option to store
up to 9 presets customizable by an array of style
parameters ranging from vintage tape to digital delay this
pedal easily serves ail delay requirements of modern guitar
players who want to create unique sounds.
The ND-1 Nova Delay pedal features 6 different delay
types: Delay Line, Dynamic, Reverse, Ping-Pong, Pan and
Siap-back.
Three different types of modulation (light, medium and
heavy ) can be applied to any of the delay types. The
modulation is applied to the delay repeats only which
The all-new Audio TappingTMtechnology enables you to
set the tempo of the delay by playing a rhythm into the
pedal while holding down the TAP TEMPO switch.
Nova Delay Features:
6 studio-quality delay types
Up 109 storable user presets plus manual mode
Easy switching between modes and presets
Audio TappingTM- audio-generated tap tempo
Modulated delay
True delay spill-over
Easy color control
-from tape style over analog to digital
t.c.~~ct~ic
4
ULT"V'~TE SOUND ~~CH'NES

SfTUP fXAMPLf -MONO/STEREO
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This setup illustrateshowto use the Nova Delay
pedal in a mono setup (one amp only) or stereo
setup (two amps). Effects as reverb or delay are
usually placed as the last effects before the
amplifier. Therefore, - place ail drive' and
modulation effects prior to the Nova Delay pedal.
~Ifyou use the amp/amps to create
~overdrivesee the "SEND/RETURN
example on the following page.

SETUP EXAMPLE -SENDIRETURN
~
6
This example illustrates how to connect your
Nova Delay pedal as a send/return effect in
an effects loop. This is the correct placement
of the Nova if you use the pre-amp section of
the amp for overdrive sounds. '
Expand this setup to stereo by connecting
the Nova pedal right output to the return of a
second amp.

OVERVIEW
D
B
D
a
DO El
-I-
R input L
mono
a
-1-
powerR output L
mono
Gultac Effects Technology
delay mod lever mix lever
feedback color
analog
(1)(1)
mtt@l@
cm 1 1 manual 1 preset
Dhold and release
manual/preset
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7

OPERATION
Connections
1-Power
The Nova Delay require 12V De 300 mA. Usethe
power supply provided in the product box or a power
supply with similar specifications.
2 - Inputs
1/4" mono jack connections for signal input. Use left
input for mono signal or use both left and right inputs
for connecting' ~ stereo signal.
3 - Outputs
1/4" mono jack connections for signal output. Use left
output for mono or both outputs for stereo.
Switches
4 - On/Off
This switch has two functions.
Press and release immediately for standard on/off
function.
Hold and release for 2 seconds to switch between
manual and preset modes.
5 - Tap Tempo & Audio Tap Tempo
The delay time is always calculated using the current
global tempo and the selected subdivision.
The global tempo can be entered in different ways:
as dialed using the DELAY knob
as tapped by tapping the TAP TEMPO switch
as tapped using the Audio Tap TempoTMfeature
Audio Tappina:
Audio tapping is entered by holding down the TAP
TEMPO switch and feeding audio to the input e.g. by
hitting guitar strings.
See also the example ln the chapter describing
"Subdivision" .
Example - Tap Tempo usina the TAPTEMPO switch
.Tap 1/4 notes on the TAP TEMPO switch.
The TAP TEMPO LED will indicate the tapped
tempo.
This can be done in both "off' and "on" mode.
8..

OPERATION,
Example - Tap tempo bv audio
Press and hold the TAP TEMPO switch. When the
outputs are muted, play steady short 1/4 notes on
your instrument. The TAP TEMPO LED will indicate
the tapped tempo.
Release the switch again.
That's it - you have now entered the global tempo by
audio.
Knobs
6-Delay
Adjusts the delay lime. When the DELAY knob is in 12
o'dock position the delay time is not altered:
Turn counter-clockwise to reduce the delay time and
clockwise to increase the delay time. The maximum
delay time vary depending on the selected delay type.
Delav Tvpe
Delay Une
Dynamic
Reverse
Ping Pong
Pan
Slapback
Max DelavTime
2290ms
2290ms
1000ms
2290ms
2290ms
300ms
7-Feedback
The FEEDBACK knob sets the amount of delay
returned to the input of the delay Iine. The higher the
setting the more repeats.
8-Color
Full contrai and perfect replica of the the source signal
may be the advantage of a digital delay. However, the
delay repeats may at times blend much bet,ter if the
high-end frequencies of the repeats are colored.
9

OPERATION
Selectors
11-Manual -ln manual mode the pedal plays exactly
according to the position of the controls.
Il
1
The complex Nova Delay color filter allows for shaping
of the delay repeats in styles ranging from tape drive
over analog to digital.
9-Mod/Level
ln addition to the coloration of the delay repeats
controlled by the COLOR knob, you may also add
more or less pitch modulation to the delay repeats.
Pitch modulation on delay repeats is typically known
fram older tape-echoes. Three styles of modulation can
be selected pressing the MOD STYLE button.
10 -Mix Level
Sets the ove rail mix between the dry signal and the
delay repeats.
12 -Preset - ln preset mode the pedal plays according
to the recalled pres et. Therefore, if you come fram
manual mode the position of the knobs may not match
the currently recalled values.
Press PRES ET once to enter preset mode.
Thecurrentpresetnumberisshown.E.g. "P1"
Press again immediately after to scrall thraugh the
presets: P1, P2, P3 P9, P1, P2 etc.* 1
Il
Wl When going from manual mode to preset
~mode, the position of the knobs probably does
not match the current values.
*It is also possible ta serail thraugh presets using the
TAP TEMPO and ON/OFF switehes. Please refer ta
the manual section "Additional Features" (~
J
10

~
E
OPERATION
Preset Store function:
To edit and store a preset:
Serail thraugh the 9 preset locations P1 to P9 by
pressing PRESET several times.
Edit the preset.
Press and hold the PRES ET button until LEDs 1, 2
and '3 blink rapidly one after the other. The preset
is now stored at the current location.
1
D~When you store a preset from manual mode,
~this preset will overwrite the preset that was
recalled the last time youwereinpresetmode.
~When storing a preset from manual mode, ail
parameters are stored according to the position
.of the knobs and LEDs. When storing a preset
fram preset mode only the edited parameters
are stored.
J
13 -Mod Style
Three different styles of modulation on the delay
repeats can be selected. The level of the modulation is
adjusted using the Mod Level knob.
14 -Type .
DelavUne:Standardhigh qualitydelayline.
Dvnamic: The Dynamic Delay is a feature that was
initially intraduced in the legendary TC 2290. It allows
the dynamics of the input level to reduce the delay
output level while you play and increase the delay level
when you stopplaying. The result can be a clear and
undisturbed source signal while you play and a
significant delay level when pausing.
~For optimal performance of the dynamic delay
~the Nova Delay should be calibrated according
to the input signal. Please refer to the step-by-
step guide on calibrating the input sensitivity.
Reverse:The Reverse delay is a great effect when a
more mysterious, exotic delay style is required. The
input signal is sampled and played in reverse.
-'~-:' With a long delay time (e.g. 1000 ms), try setting
'V' theMIXknobat 100%andtheFEEDBACKknob
at O. This will give you a true feeling of playing
"backwards" .
1/

OPERATION
>,
PinaPona:
The PingPong delay causes the delay to alternate
between the left and right channels, resulting in a very
nice stereo fee!.
Pan:
ln Pan mode the delay repeats shift between left and
right output channels. The time it takes to pan the
delay repeats depends on the set delay time.
The pan-position shifts fram 100% left to 100% right in
5 repeats.
Siap-Back:
Siap-back is the characteristic short delay type. Use
delay times fram 80 to 140 ms and go back 50 years in
time or use even shorter delays with a minimum of
feedback to cover the funky sound fram the late
seventies to the early eighties.
-'~'- Try adding one of the modulation styles on a
'V' slap-back delay.
15 - Subdiv - Subdivision
The subdivision options relate to the tapped tempo.
Tap the tempo in quarter notes and then select the
subdivision of your choice.
ln the following a few suggestions are added. Take
these as an inspiration, then be innovative and find
your own.
Quarter note - Delay repeats play quarter notes
Jaccording to the tapped tempo. E.g. tap quarter
notes at tempo 120 BPM. The delay time of the
repeats is now 120 BPM or 500 ms.
Dotted eight note - A subdivision type often used
f. wh en the delay repeats add to the actual guitar
rhythm. Try playing quarter notes with the delay
level set relatively high.
Ji, Eight note triplets - Excellent for fifties style rhythm
, in 6/8 where you play only on the fourth beat.
12
~---

'1 CALIBRATING THE INPUT SENSITIVITY
Dual Delay mode
With dual delay mode it is possible to have different
subdivisions for left and right outputs. Three
combinations are available.
Left output: Quarter notes
J+). Right output: Dotted eights
Left output: Quarter notes
J+)) Right output: Eight note triplets
Left output: Sixteen notes
)';t. Right output: Dotted eights
If only left output is connected and dual delay mode is
used. then left and right delay outputs are summed.
Subdivision example
Tap 500 ms (120 BPM measured in 1/4 notes) with the
Subdivision set to 1/8.
The de/ay lime is now reca/cu/ated to 250 ms.
Input Level Calibration
Vour Nova Delay pedal is per default set up to work
weil right out the box -just as any other stomp box
peda!. However, you can optimize the performance of
the Nova Delay pedals AD/DA converters by calibrating
the input sensitivity. Follow this step-by-step guide:
Calibration of the input sensitivity should be done
to the max. expected input leve!. Therefore begin
by turning on boosters etc. that are placed prior to
the Nova Delay pedal in the signal chain.
Press and hold the MANUAL button until the 6
delay type LEDs are lit.
Play with your loudest* sound for a few seconds
and watch some of the 6 LEDs turn off one by one.
How many that are turned off, depend on the
output of your guitar. When no further changes
seem to appear, the pedal is calibrated.
Press any key to exit.
The pedal is now calibrated
.By your "Ioudest" sound we mean the sound with the highest
dynamic content. This is most likely a clean sound as overdrive
sounds per nature are compressed.
13
--

DE.LAY SPILL-OVE.R -,
'J
-'Q'- To mute the outputs of the Nova pedal while
'V' calibrating you can press and hoIdthe TAP
TEMPO switch.
Delay Spill-over
The Nova Delay features true delay spill-over. With true
delay spill-over, delay repeats will continue when
changing to manual or preset mode, when changing to
a different preset and also when going to bypass mode.
This feature gives numerous musical possibilities.As
an example you may switch from a long delay with a
high level of feedback to a short slap-back type and still
hear the long delay repeats ring out across your new
delay setting.
Delay spill-over can be set individually for manual
mode and for ail individual presets:
Select manual or preset mode. .
If preset mode is selected, then recall the preset for
which you would like to enable or disable delay
spill-over.
Press and hoId "MOD STYLE" to toggle between
delay spill-over modes.
- ln delay spill-over mode - LEDs 1, 2 and 3 will
flash slowly one at a time.
- ln delay mute mode (no spill-over) - LEDs 1, 2
and 3 will rapidly flash one time each.
These indications are also given when changing
between manual and preset modes.
14
===

ADDITIONAL FEATURES
TapTempo Modes
The Nova Delay always has one global tempo. This
tempo is either tapped in via the TAP TEMPO switch,
audio tap or or dialed in via the DELAY knob.
Manual mode
ln manual mode it is always the global tempo that
applies.
Preset mode
When switchingfrom manual mode to preset mode
you can set up whether itis the delay time stored in
the preset or the global tempo, that should apply.
~As explained earlier the actual delay time also
~de pends on the selected sub-division.
To switch between using the stored delay time or the
global tempo when entering preset mode:
Go to preset mode by pressing PRES ET.
Press and hold "TYPE" for 1 second.
- Steady PRESET key LED indicates that you are
using the global tempo.
- Flashing PRESET key LED indicates that you are
using the stored delay time.
Cool Features via ON/OFF and
TAP TEMPO switches
Tap tempo and on/off are the main functions assigned
to the ON/OFF and TAP/TEMPO switches. However,
several other features can be accessed using these
switches thus giving you even more control at the tip of
your feet.
See current preset number
What is the current preset-number? As explained
earlier you kan press the PRESET button to see the
current preset number. You can also see the current
preset number following this procedure:
Press TAPTEMPO once immediately foliowed by
pressing the ON/OFF switch.
15

ADDITIONAL FfATURfS
Change presets
You may step between the 9 presets (1-9) by pressing
the PRESETbutton several times. However,you can
also step between presets following this procedure:
Press TAP TEMPO once and tap the ON/OFF
switch repeatedly to step between presets 1-9.
~As opposed to stepping through presets using
~the PRESET button, you can change the preset
.also from manual mode when using this
method. The advantage using this method is
that the preset will not be recalled/activated until
you go to preset mode.
Preset Range Limitation
Assuming that you never use more than 3 presets, you
may prefer notto step throughailnine presets 1-9
whén going from e.g. preset #3 to #2.
(~, #4, #5, #6, #7, #8., #9, #1, #2)
Assume that you want to use onlypresets 1, 2 and 3.
Press and hoId MANUALuntil calibration mode is
entered.
Turn MOD LEVEL and select P3.
Press any key to exit the menu.
Youare now only able to toggle through presets 1,2 and 3.
To return to using ail 9 presets: Follow the procedure
described above and select P9 instead of P3.
~Note that limitingthe range ofpresets to scroll
~through will NOT delete presets located outside
the selected range.
Delay Time in BPM or Milliseconds
The delay time can be displayed in either milliseconds
or BPM (beats per minute).
To alternate between BPM and ms, press and hoId the
SUBDIV button.
16

1'"
TECHNICAL SPECIFICATIONS
Analog Inputs
Connectors:
Inputtype
Impedance:
Max. Input level:
Analog Outputs
Connectors:
Max. Output level:
Output type
Impedance
Sense input impedance
Ove rail data
D to A Conversion
A to A delay
Dynamic range
THD
Frequency Response
Crosstalk
EMC
Complies with:
'.1."phone jacks w. mono-sense
Single ended
1 MOhm
16 dBu @ 12V supply
'.1."phonejacks w. mono-sense
16 dBu @ 12V supply
Balanced/Single ended w. ground sense
0 Ohm
225 ohm
24 bit, 128 x oversampling bitstream
1.65 ms
106/98 dB, 20 Hz to 20 KHz
@ Input leveI16/-2 dBu, notA-Weighted
< -90 dB (0.0032%) @ 1 kHz, 1/0level
16 dBu, load > 2400 Ohm
+0.1/-0.2 dB, 20 Hz to 20 KHz
< -100 dB, 20 H z to 7 KHz, < -94 dB,
7 kHz to 20 KHz
EN 55103-1 and EN 55103-2 FCC part 15,
Class B, CISPR 22, Class B
Environment
Operating Temperature'
Storage Temperature:
Humidity:
General
Finish:
Dimensions:
Weight:
Mains Voltage
Power Consumption
Warranty Parts and labor
32" F to 122" F (0" C to 50" C)
-22" F to 167" F (-30" C to 70" C)
Max. 90 % non-condensing
Anodized aluminum front Plated
and painted steel endcaps
130 x130 x 55mm
765 9
100 to 240 VAC, 50 to 60 Hz
(auto-select)AC wall adapter.
AC adapter supplies 12VDC
minimum 0.3Ato pedal.
<5W
1 year
Due to continuous development,
these specifications are subject to change
without notice.
17

PRESETS
lp!I
!
The Nova Delay is delivered with the following presets in locations P1 to P9. When storing your own favorite settings these presets will
be overwritten.
Preset #1 - Dynamic
Delay time
Feedback
Color
Mod level
Mix
30%
80%
0%
25%
Preset #2 -Tape
Delay time 350ms
Feedback 40%
Color 0%
Mod level 100%
Mix 40%
Preset # 3 -UToo
Delay time
Feedback
Color
Mod level
Mix
0%
100%
100%
50%
18
Preset #4 -Siap
Tap Tempo Global Delay time 120 ,Tap Tempo Preset
Spill-over On Feedback 0% Spill-over Off
Mod Style #0 Color 50% Mod Style #0
Type Dynamic Mod level 0% Type Slapback
Sub-div JMix 30% Sub-div J
Preset #5 -PingPong
TapTempo Preset Delay time TapTempo Global
Spill-over Off Feedback 63% Spill-over On
Mod Style #3 Color 75% Mod Style #1
Type Delay Une Mod level 50% Type PingPong
Sub-div JMix 20% Sub-div JJ
Preset #6 -Mod Pan
TapTempo Global Delay time 2290ms TapTempo Preset
Spill-over On Feedback 80% Spill-over On
Mod Style #3 Color 100% Mod Style #3
Type Delay Une Mod level 100% Type Pan
Sub-div J+)' Mix 50% Sub-div ,JJ

PRfSfTS
~
19
Preset # 7 -Analog Solo
Delay time TapTempo Global
Feedback 15% Spill-over On
Colot 50% Mod Style #2
Mod level 75% Type Dynamic
Mix 28% Sub-div J
Preset # 8 -Spacey
Delay time 527ms TapTempo Preset
Feedback 38% Spill-over On
Color 100% Mod Style #2
Mod level 100% Type Delay Line
Mix 50% Sub-div J+)j
Preset#9-Reverse
Delay time 1000ms TapTempo Preset
Feedback 0% Spill-over Off
Color 100% Mod Style #0
Mod level 0% Type Reverse
Mix 100% Sub-div J