Vintage Revolution PedalPro User manual

PedalProTM Owner’s Manual
firmware rev. 5.22
OMPP003A - Rev.2.0 - EN EU — Copyright © 2012 Vintage Revolution B.V.

Rev. 2.0 - EN EU - fw 5.22
1
Introduction
1.2 SUMMARY OF FEATURES
• 14 analogue effects that can be used simultaneously and in any num-
ber of configurations without any sound degradation.
• Fast and silent preset change. Change preset in 120ms, no clicks, no
booms.
• Control of your analogue effects in real-time with an expression pedal.
• An analogue effect chain that is reconfigurable bringing unprec-
edented flexibility.
• No sound degradation or the noise typical of multi-effect rigs due to
no DSPs, buffers or signal losses; the implementation of a super accurate
circuit layout; and the selection of the best components on the market.
• True analogue, relay bypass available for every single effect or the
whole of the PedalPro.
• Pre and post loops that allow for the inclusion of external effects and a
MIDI out connection that allows to transmit MIDI program change mes-
sages and MIDI CC11 (expression).
• Storage of up to 500 presets – complete machine configurations – and
18 favourites, for easy jumping between sets.
• Preset manager software that enables you to completely manage, re-
name, and even email an unlimited number of presets from your compu-
ter.
• Access to effects’ parameters never before accessible.
• Designed as a completely upgradeable unit upon which you can sim-
ply build and add features via USB or VR firmware upgrades.
2
1.1 MESSAGE TO THE USERS
Thank you from all of us at Vintage Revolution for purchasing the PedalPro –
a multi-effect platform we hope will prove to be the best investment of your
musical career.
Our objective in designing the PedalPro was simple: to eliminate compro-
mise. No more knobs and sliders. No more DSPs. We wanted a complete
solution that seamlessly integrated digital and analogue technology, thereby
giving users access to the rich, unbeatable sound of pure analogue effects,
and the world of usability brought about by digital technology.
And with the PedalPro – that’s exactly what you’ll find. PedalPro is the world’s
first digitally-controlled analogue multi-effect device. No less than 14 classic
analogue effects are integrated into this user-friendly platform, each entirely
controlled, stored and recalled via a central digital interface.
Not only does PedalPro allow you to control your analogue effects with a
precision never before possible, it pioneers new features and capabilities
never-before-seen in either digital or analogue effects.
We believe that this device will exceed even your wildest expectations.
And – it’s even easy to use. We have deliberately designed the PedalPro so
that you could, if need be, learn the ropes just by using it. But this easy-to-use
guide will take away any remaining guesswork, while ensuring you are aware
of all its amazing capabilities.
Enjoy your purchase.
From the team at VR

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2
IMPORTANT SAFETY INSTRUCTIONS
This product has been designed and manufactured to meet strict safety and qual-
ity standards. It is very important that you are aware of the following installation and
operation precautions:
1. Read and keep these instructions and heed all warnings
You should read all the safety and operating instructions carefully before operat-
ing this apparatus. Retain this manual for future reference and adhere to all warn-
ings in the manual or on the apparatus.
2. Water and moisture
The presence of electricity near water can be dangerous. Do not use the appara-
tus near water – for example next to a bathtub, a sink, in a wet basement or near
a swimming pool, etc.
3. Object or liquid entry
Take care that objects do not fall and liquids are not spilled into the enclosure
through any openings. Liquid filled objects such as vases should not be placed on
the apparatus.
4. Ventilation
Do not place the apparatus on a bed, sofa, rug or similar soft surface, or in an
enclosed bookcase or cabinet, since ventilation may be impeded. A minimum
distance of 50 mm (2 inches) around the top and the bottom of the apparatus is
recommended to provide adequate ventilation. Always install the apparatus ac-
cording to the instruction provided by the manufacturer.
5. Heat
Locate the apparatus away from naked flames or heat producing equipment
such as radiators, stoves or other appliances (including amplifiers) that produce
heat.
6. Climate
The apparatus has been designed for use in moderate climates.
7. Racks and stands
Only use with a rack, stand, bracket or table that is recommended for use with
audio equipment. If the equipment is on a portable rack it should be moved with
great care to avoid injury from tip-over.
8. Cleaning
Unplug the unit from the mains supply before cleaning. The case should normally
only require a wipe with a soft, damp, lint-free cloth. DO NOT use paint thinners or
other chemical solvents for cleaning, which will destroy prints and paintwork. DO
NOT use alcohol or household cleaning products. DO NOT USE WATER.
9. Power sources
Only connect the apparatus to a power supply of the type described in the
operating instructions or as marked on the apparatus, and install the unit near the
power outlet (socket). Appliance coupler is considered as disconnect device. It
shall remain readily operable..
10. Power-cord protection
Power supply cords should be routed so that they are not likely to be walked on,
bent, stretched or pinched by items placed upon or against them, paying particu-
lar attention to cords, plugs, convenience receptacles and the point where they
exit from the apparatus.
11. Grounding
Ensure that the safety purpose of the polarised or grounding-type plugs of the ap-
paratus is not defeated. If the provided plug does not fit into your outlet, contact
a qualified electrician to replace the obsolete outlet.
3
The lightning flash symbol within an equilateral triangle is intended to alert the
user to the presence of uninsulated ‘dangerous voltage’ within the product’s
enclosure that may be of sufficient magnitude to constitute a risk of electric
shock to persons.
CAUTION: To reduce the risk of electric shock, do not remove cover or back. No user
serviceable parts inside. Refer servicing to qualified service personnel.
WARNING: To reduce the risk of fire or electric shock, do not expose this apparatus to
rain or moisture.
The exclamation point within an equilateral triangle is intended to alert the
user to the presence of important operating and maintenance (servicing)
instructions in the literature accompanying the product.
To reduce the risk of fire or electric shock, unplug the apparatus when there
is high probability of lightning.
The apparatus MUST BE EARTHED. Use a three wire type power cord like the
one provided with the apparatus.
12. Abnormal smell
If an abnormal smell or smoke is detected from the apparatus, turn the power off
immediately and unplug the unit from the wall outlet. Contact your dealer im-
mediately.
13. Servicing and maintenance
None of the parts inside the enclosure of this apparatus is serviceable by the user.
DO NOT open the enclosure and DO NOT attempt to modify the internal circuitry.
All servicing and maintenance beyond what described in this manual should be
referred to qualified service personnel.
14. Damage requiring service
The apparatus should be serviced by qualified service personnel when:
• Objects have fallen onto, or liquid has been spilled into the apparatus, or
• The apparatus has been exposed to rain, or
• The apparatus does not appear to operate normally or shows a marked
change in performance, or
• The apparatus has been dropped and/or the enclosure damaged.

Rev. 2.0 - EN EU - fw 5.22
Working with Presets
4
CE & RoHS Compliance - Warranty
3.2 RoHS COMPLIANCE
This device has been manufactured in compliance with Directive 2002/95/
EC on the Restriction of the Use of certain Hazardous Substances in Electrical
and Electronic Equipment (RoHS).
This marking indicates that this product must not be dis-
posed with other household waste throughout the EU.
To dispose of your product, please use your local return
and collection system, or contact the retailer where the
product was purchased or Vintage Revolution B.V.
3.1 DECLARATION OF CONFORMITY
Vintage Revolution B.V., The Netherlands, declares that the following prod-
uct:
PedalPro digitally-controlled analogue multieffect, mod. PP003A
conforms to the following Product Specifications:
Safety: EN 60065 / IEC 60065
EMC: EN 55103-1, EN 55103-2
The product complies with the requirements of the Low Voltage Directive
73/23/EEC and the EMC Directive 89/336/EEC as amended by Directive
93/68/EEC.
3-4
Before Getting Started
3.3 DISPOSAL
4.1 ABOUT THIS MANUAL
This electronic format manual makes easy work of exploring the expansive
features of the PedalPro. Electronic manuals make it easier to search for spe-
cific information, browse the contents, access new or revised editions and,
thanks to contextual links, immediately access any related information either
within the manual, or on our website (hyperlinks to an internet website* are
followed by the symbol ). They are also, obviously, better for the environ-
ment and mean no bulky paper manuals gathering dust in your studio. For
updates to the manual or latest versions, add-ons and manuals of related
products, check the Vintage Revolution website .
4.2 BOX CONTENT
The following items should be included in your PedalPro package:
• The PedalProTM digitally-controlled analogue multi-effect.
• USB flash drive containing: Owner’s Manual, PedalManager Software
Suite for Mac OS X, factory preset list.
• Power cord.
• USB cable.
• Registration card (you can also register your PedalPro online at
www.vintage-revolution.com ).
4.3 SHIPPING, STORING AND TRANSPORTING
Great care was taken in the manufacturing and packaging of your PedalPro.
Everything should be included and in perfect working order. Should any parts
be missing however, please contact the dealer from whom you purchased
your PedalPro. They will facilitate the resolution of your issue as quickly as pos-
sible.
Damaged units should never be sent directly to us. Please inform the dealer
from whom you acquired your PedalPro of the damage, as well as the trans-
portation company that delivered it to you. You must follow the steps above
in order to retain the validity of your warranty.
To ensure the optimal protection of your PedalPro during transportation or
use, we recommend using a suitable case such as a flight case. Always use
the original packaging when storing, shipping or returning your unit.
* Accessing a website via a hyperlink requires an internet connection.

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Working with Presets
5 TABLE OF CONTENTS
1 INTRODUCTION p.2
1.1 Message To The Users p.2
1.2 Summary Of Features p.2
2 IMPORTANT SAFETY INSTRUCTION p.3
3 CE & ROHS COMPLIANCE p.4
3.1 Declaration Of Conformity p.4
3.2 RoHS Compliance p.4
3.3 Disposal p.4
4 BEFORE YOU GET STARTED p.4
4.1 About This Manual p.4
4.2 Box Content p.4
4.3 Shipping, Storing and Transporting p.4
5 TABLE OF CONTENTS p.5
6 GETTING TO KNOW YOUR PEDALPRO™ p.6
FrontPanel p.6
Rear Panel p.7
7 SETUP GUIDE p.8
7.1 Mounting the Unit p.8
7.2 Connecting to the Main p.8
7.3 Connecting Your Instrument p.8
7.4 Connecting to Amps / Mixers p.8
7.5 Connecting the Pedalino™ Foot Controller p.9
7.6 Connecting External Effects (Loops) p.10
8 SIGNAL FLOW p.11
9 HOW TO USE THE PEDALPRO p.12
9.1 Working with Presets p.12
9.1.1 Saving a Preset p.12
9.1.2 Recalling a Preset p.13
9.1.3 Exploring a Preset p.13
9.1.4 Editing a Preset p.14
9.1.5 Erasing a Preset p.15
9.1.6 Initialising Your Presets p.15
9.1.7 Restoring the Default Preset List p.15
5
Table of Contents
9.2 Working with Favourite Presets p.16
9.2.1 Adding/Replacing a Preset from the Favourite List p.16
9.2.2 Recalling a Favourite Preset p.16
9.2.3 Editing a Favourite Preset p.16
9.2.4 Deleting a Favourite Preset p.16
9.3 Working with PedalPro’s Effects p.17
9.3.1 Compressor p.18
9.3.2 Distortion p.20
9.3.3 Boost (Pre-amp) p.22
9.3.4 Noise Gate p.23
9.3.5 Tremolo/Panner p.23
9.3.6 Phaser p.26
9.3.7 Filters p.28
ROUTING OPTIONS - AN OVERVIEW p.28
9.3.8 Volume Control p.36
9.4 Post Effects p.37
POST EFFECTS ROUTING OPTIONS p.37
9.4.1 Chorus, Vibe, Flanger p.38
9.4.2 Delay and Detuner p.41
9.4.3 AUX Connections (Post-loop) p.43
AUX LOOPS ROUTING OPTIONS - AN OVERVIEW p.44
10 ADDITIONAL FEATURES p.47
10.1 Additional features p.47
10.2 ADES™ Settings p.47
ADES - AN IN-DEPTH LOOK p.48
10.2.1 Expression Control p.48
10.2.2 Tap Tempo Mode p.50
10.2.3 Virtual Board Mode p.51
10.3 MIDI Out p.52
11 WORKING WITH PRESETS ON YOUR COMPUTER p.53
12 INSTALLING A NEW FIRMWARE p.54
13 TECHNICAL SPECS p.55
14 FULL MENU OVERVIEW p.60
APPENDIX A - MODULATING WAVEFORMS p.62
5

Rev. 2.0 - EN EU - fw 5.22
1. Bypass key – Press it to completely bypass the PedalPro in your sound
chain. The button will light up to indicate that the machine is bypassed. This is
a true analogue relay bypass, just like every bypass in the PedalPro.
2. Display - Shows presets names, effects parameters, machine configura-
tions and other info.
3. Arrow keys – Use the four arrow keys [3a to 3d] to move between different
areas of a menu page. The LEFT and RIGHT arrow keys [3a and 3d] are also
used to toggle between the full preset list and the favourite preset list. The UP
and DOWN arrow keys [3b and 3c] can be used to scroll the preset lists.
4. Selection dial – Use the selection dial to scroll preset lists or change the
value of effect parameters. Spin it faster to jump quickly through the range of
available values; slow it down to set the precise value of the parameter.
5. EDIT/SAVE - Press the EDIT/SAVE key to access the value of effects’ param-
eters (Edit mode). After you have created/modified a preset, press the EDIT/
SAVE key to save the preset (Save mode).
6. ENTER/LOAD - Use this key to load a preset from the list or to confirm the
preset’s name when creating/modifying presets
7. EXIT/(USB) - Press EXIT/(USB) to exit from the Edit mode. When navigating
menus, press EXIT/(USB) to go one level up in the menu structure. Hold the
Overview - Front Panel
EXIT/(USB) for 2 seconds to enter the USB communication mode.
8. Power switch - Turns the power on and off.
9. Soft Mute key – Press the Soft Mute key before switching guitar. The button
will light up to indicate that the output is muted and you can now change the
guitar – or the external effects - connected to the PedalPro. No more pops
and booms!
10. Multifunction keys – Multifunction keys [10a to 10d] are soft-programma-
ble. Their functions vary with the menu page and the operating status of the
unit. In effect menus, the multifunction keys BYPASS EFFECT 1 [10a] and BYPASS
EFFECT 2 [10c] are used to switch on/bypass effects, while the two PARAM.
SWITCH keys [10b, 10d] are used to control some of the effects’ parameters as
explained below.
11, 12. Page - and Page + – Use <-> and <+> keys to move between menu
pages.
13. ADES connector - Connect here Pedalino™ Foot Controller and other
peripherals using VR’s ‘Advanced music DEScriptor’ protocol.
14. USB connector - Connect your computer to the PedalPro using this con-
nector in order to manage presets, upgrade the firmware or use the sophisti-
cated possibilities of the PedalManager software.
6
( )
OFF
ON
È1/4
Play: 0Ç C omps00 oo l
Cm po Di st N g et e mTr
1 2
3a 3b 3c 3d
3 4 5 6 78
9
10a 10b 10c 10d
10 11 12 13 14
6

Rev. 2.0 - EN EU - fw 5.22
Overview - Rear Panel
15. Power input - Connect only the power chord supply with the PedalPro
to this input. The other end of the chord must be connected to an earthed
main socket.
16. AUX SEND & RETURN post-loop connectors - These connectors allow
you to post-loops two external pedals or one stereo effect. Please refer to the
section on AUX Connections, on page 43, for more information on routings
and signal levels.
17. Voltage Selector - Select the AC voltage corresponding to your local AC
power.
18. Fuse holder - T1 AH 250V. Always replace with a fuse of the correct value.
19. MIDI OUT connector - Connect MIDI-controlled units here and use your
PedalPro as MIDI controller, integrating external units MIDI program change
into the presets of your PedalPro.
20. OUTPUT connectors - Use mono jack cables to connect these 1/4” out-
puts into guitar amplifiers, inputs of mixers or recording device. For mono rigs
use the LEFT connector only (see ‘Setup Guide’ on page 8).
21. EXTERNAL EFFECT pre-loop connectors - To connect an external effect
(i.e. a stompbox) into the PedalPro effects chain, connect the SEND con-
nector [21b] to the input connector of the external effect and the RETURN
connector [21a] to its output connector (see section ‘Connecting external
effects’ on page 10).
22. INPUT connector - Connect your instrument to this high-impedance
mono input connector.
7
FUSE
15
17 18 19 22
16
16a 16b 16c 16d
20
20a 20b
21
21a 21b
IN
Check carefully that the switch is in the position corresponding to
the local AC power BEFORE FIRST POWERING THE UNIT and AFTER
MOVING TO A DIFFERENT COUNTRY. SEVERE damages to the unit can
ensue if the switch in set in the wrong position! 6

Rev. 2.0 - EN EU - fw 5.22
Setup Guide
8
Avoid overheating the unit by ensuring good ventilation. Make sure
that cooling apertures on the top and bottom panels are unobstruct-
ed. Avoid installing the PedalPro directly above or below heat-radiat-
ing devices, such as power amplifiers and tube gear.
The machine should have come to you with the switch already set
for the voltage currently in use in your country. Please check wheth-
er this is the case by inspecting the position of switch 17 on the
back panel. Use only VR supplied power cords. Vintage Revolution
cannot be held responsible in the case of ensuing malfunctioning or
failure.
OUTPUT
LEFT
(mono)
OFF
ON
EXT. EFFECT
SEND
External pedal
(optional)
←
←
EXT. EFFECT
RETURN
IN
PedalProTM
( )
OFF
ON
È1/4
Pla y: 0ÇP sreP00 hu a
Cmpo Di st N g et emTr
er
ADESTM
PedalinoTM
foot controller
(optional)
no exp r . pe
000ÓPur ePhaser
da l
7.1 MOUNTING THE UNIT
In a 19” rack
• The PedalPro is a standard 2U 19” module. Find a suitable space in your
rack and use the mounting screws provided.
On a flat surface
You can also rest your PedalPro on a flat, dry, solid surface of sufficient size.
Avoid resting your PedalPro on the floor – its mechanical and electrical com-
ponents may not withstand shocks from inadvertently kicking or stepping on it.
7
7.2 CONNECTING TO THE MAIN
• Use the power cord supplied to connect your PedalPro to the main. Plug
one end of the cord into power connector 15 and the other end into an
earthed main socket.
7.3 CONNECTING YOUR INSTRUMENT
• Connect your instrument to the input jack [22] on the rear panel.
If you connect your guitar or another instrument when the PedalPro is
on, first turn your amplifier(s) off, or press the Soft Mute key 9. The yel-
low light on the Soft Mute key 9 indicates that the processor is now
muted. You should also do this when switching instruments.
7.4 CONNECTING AMPS / MIXERS
Mono set-up
The diagram below shows you how to connect the PedalPro to a mono
power amplifier, a mixer using a mono input, or a mono amp/speaker rig.
• Connect a single mono instrument cable between the OUTPUT LEFT
(mono) connector [20a] of the PedalPro and the input of your amplifier.

Rev. 2.0 - EN EU - fw 5.22
Setup Guide
9
OUTPUT
LEFT
(mono)
OUTPUT
RIGHT
OFF
ON
OFF
ON
EXT. EFFECT
SEND
External pedal
(optional)
←
←
EXT. EFFECT
RETURN
IN
PedalProTM
( )
OFF
ON
È1/4
Play : 0ÇP sr eP00 hu a
Cmpo Dis t Ng et e mT r
er
PedalinoTM
foot controller
(optional)
ADESTM
• Connect a single mono instrument cable between the OUTPUT LEFT
(mono) jack [20a] of the PedalPro and the input of one amplifier, and
another mono instrument cable between the OUTPUT RIGHT jack [20b]
and the input of the second amplifier.
Connecting your amplifier/s and the PedalPro to different grounded
AC outlets may result in a hum ground loop. To avoid HUM ground
loops, connect your gear properly to AC mains: make sure that the
PedalPro power chord plug, as well as any amplifier and external
effect power chord plugs are plugged into the same grounded AC
outlet.
It’s important to check that the AC source is properly rated to handle
this amount of gear or you could overload it. In situations where your
amplifiers and PedalPro must be connected to different sockets, you
may need an audio isolation transformer.
7.5 CONNECTING PEDALINO™ FOOT CONTROLLER
Pedalino™ Foot Controller* is the revolutionary foot controller that operates
the PedalPro, and is designed specifically for operating your PedalPro while
playing live.
• Before switching on the Pedalino™ Foot Controller, connect the Pedalino
to the PedalPro via the ADES™ cable (supplied with the Pedalino) on
ADES connector [13] on the front panel of the PedalPro.
The display of the PedalPro will now show:
7
S ONE *D* A
For more information on how to operate the PedalPro via the Pedalino Foot
Controller, please see the Pedalino Owner’s Manual (available on Vintage
Revolution’s website ).
* Pedalino Foot Controller is included when purchasing a PedalPro System.
Stereo set-up
The diagram on the next page shows you how to connect the PedalPro to a
stereo amplifier, to a mixer using a stereo input, or to a stereo amp/speaker.

Rev. 2.0 - EN EU - fw 5.22
Setup Guide
10
7
Ext_effect – External effect loop. Indicates whether the external loop is
switched on [Á] or off (Â).
• To switch the external effect loop on or off and thus add or remove it
from your effects chain, press the BYPASS EFFECT 1 key [10a].
To explore the additional features of the post-loop connections, please refer
to the section ‘AUX Connections (Post-loop)’, on page 43.
È1/2_E tx ÇÂe tff ec
A xu t py e:No_loops_on
7.6 CONNECTING EXTERNAL EFFECTS (LOOPS)
PedalPro features PedalPro features pre and post loops that allow you to
include external effects in your rig.
By connecting to the EXT. EFFECT SEND [21b] and RETURN [21a] jacks, you will
place your external pedal in the pre-loop as indicated in Fig. 8-1. See chap-
ter 8, ‘Signal Flow’, or the section ‘Routing Options - An Overview’, on page
28, for details on where the external effects is located in the effect chain.
• To connect an external pedal in the pre-loop of your PedalPro loop, use
a TRS or a TS cable to connect the EXT. EFFECT SEND jack [21b] to your
external effect’s Input, and another one to connect the effect’s Output
to EXT. EFFECT RETURN jack [21a].
• To enter the external loop page, press the multifunction key [10d], la-
belled ‘Ext’, on page 2 of the main menu.
The display of the PedalPro will now show:

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Signal Flow
11
8. SIGNAL FLOW
Swappable analogue effects - A world first
While PedalPro’s effects are arranged with the goal of maximising the pleas-
ure you can get out of your machine – only you can decide on the right
order for your effects.
For the first time ever in any analogue multi-effect processor, PedalPro allows
you to reposition some effects in the chain. PedalPro’s filters can be posi-
tioned at the end of the chain, before the distortion, cascaded or in parallel,
noise
gate
LEFT
RIGHT
OUTPUT
LEFT
(mono)
OUTPUT
RIGHT
buffer compressor
envelope
detector
envelope
detector
external
pedal pre-amp distortion panner/
tremolo
phaser noise
gate
filter F1
IN
volume
control
volume
control
post
effects L
volume
control
post
effects R
on the left, and right channels, or on the same channel. Post effect blocks
include Chorus, Flanger, Delay and a post-loop section. For more information
and routing options, please refer to chapter 9.4 ‘Post Effects’, on page 37.
Few examples of this revolutionary feature of your PedalPro are shown below.
Please see the filters routing section, on page 28, for more information and for
a complete overview of the effect chain configurations (or ‘Route types’)
available.
filter F2
noise
gate
LEFT
RIGHT
buffer compressor
envelope
detector
envelope
detector
external
pedal pre-amp distortion panner/
tremolo
phaser noise
gate
IN
volume
control
volume
control
OUTPUT
LEFT
(mono)
OUTPUT
RIGHT
post
effects L
post
effects R
noise
gate
LEFT
RIGHT
buffer compressor
envelope
detector
envelope
detector
external
pedal pre-amp distortion panner/
tremolo
phaser noise
gate
IN
filter F1
+
filter F2
volume
control
volume
control
OUTPUT
LEFT
(mono)
OUTPUT
RIGHT
post
effects L
post
effects R
filter F1
noise
gate
LEFT
RIGHT
buffer compressor
envelope
detector
envelope
detector
external
pedal pre-amp distortion panner/
tremolo
phaser noise
gate
IN
filter F2
volume
control
volume
control
OUTPUT
LEFT
(mono)
OUTPUT
RIGHT
post
effects L
post
effects R
Fig. 8-1. Example 1. Effect chain configuration: Route type 01.
8
Fig. 8-3. Example 3. Effect chain configuration: Route type 04.
Fig. 8-2. Example 2. Effect chain configuration: Route type 06. Fig. 8-4. Example 4. Effect chain configuration: Route type 08.

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How to Use Your PedalPro: Presets
12
9
9.1 WORKING WITH PRESETS
PedalPro is a breakthrough in analogue multi-effects not just because it is
practically the first, but because of how it allows you to store your sounds.
Sounds are stored as presets – of which the PedalPro has the capacity to
store no less than 500 complete machine configurations. 18 can be stored
as favourite presets, for quick access to the sounds you use most often. Via a
USB connection, an unlimited number of presets can be stored, saved, trans-
ferred, and even emailed using the preset library software on your computer.
What you can store in a preset
In a word: everything – all the parameters of every effect on your PedalPro.
The entire configuration of your machine can be stored in one preset. Even
two MIDI program change messages of a MIDI effect connected to the
PedalPro can be stored in a preset.
A preset holds the following information:
• The effects chain, including which effects are active and which are by-
passed, and the position of the swappable effects in the chain.
• The settings of all the effects’ parameters.
• The status (active/bypassed) of pre and post loops.
• An virtual board (if it has been associated).
• Two MIDI programme change messages.
• The parameter associated with the external expression pedal (not in-
cluded with your machine) connected to the Pedalino™ Foot Controller.
Restoring your factory settings
PedalPro comes preloaded with 500 presets. All are user-editable and avail-
able for you to experiment with and/or replace with your own sounds. Should
you want to re-set or re-load the original factory presets, you will find them
available on the USB drive that comes with your PedalPro.
See the section ‘Restoring your default preset list’, on page 15.
9.1.1 Saving a preset
Once you are happy with the sound you’ve created and want to store it for
future use, you’re ready to save it as a preset.
• Press EDIT/SAVE [5]. The screen will show the current preset location and
the name of the current preset.
c
New n e hoAma ut
C ru Dis
S:
Posi t ni :
e t ro
ropave te Wa
ntr tio
0 60
tÇÁ
n
o
Presets 000 to 199 were created by VR and come pre-installed in your
PedalPro. To protect these presets from being accidentally overwritten, Save
protection is turned on by default – indicated by the symbol Á. With Save
protection on, PedalPro will NOT allow you to assign a new preset to those
numbered between 000 and 199.
• If you want to overwrite one of the presets 000 to 199, turn off ‘Save pro-
tection’ by pressing the multifunction key 10a. Once the protection is off,
your newly-created preset can overwrite the factory preset. The ‘Save
protection’ switch has no effect on presets 200 to 499 and these presets
can be overwritten at any time.
• You now have the option of editing the preset name. To do this, use the
selection dial [4] to scroll through the available characters, and the LEFT
and RIGHT arrow keys [3a, 3d] to move to the previous or following char-
acter of the name.
• You can also change the preset number in order to move it to a specific
location. Press the DOWN arrow key [3c] to move to the preset number
(‘Position’). Change the number using the selection dial [4]. The third line
of the screen shows you the current position of the preset selected.
• Press SAVE [5] to save your newly-created preset in the position you have
chosen.
• Press ENTER [6] to confirm.

Rev. 2.0 - EN EU - fw 5.22
Working with Presets
13
How to Use Your PedalPro: Presets
TIPS & TRICKS - VR SPECIAL CHARACTERS
A set of VR-designed special characters can be added to the name of
the preset you have just saved to remind you of the particular features of
that preset.
These must be added when you are assigning the name of the preset,
and can be found by scrolling to the end of the alphabetical letters used
to name your preset.
SYMBOL MEANING
ÄSINGLE COIL – indicates that this is a preset to be used with
your single coil guitar.
ÃDUAL COIL – indicates that this is a preset to be used with
your dual coil guitar.
ÆSTEREO PRESET – indicates that the effect chain of this preset
has a stereo output.
�EXPRESSION PEDAL - indicates that this preset has a param-
eter associated to the expression pedal connected to the
Pedalino™ Foot Controller.
9.1.2 Recalling/loading a preset
• To recall and load a preset, scroll through the preset list using the UP and
DOWN arrow keys [3b, 3c]. You can also scroll through the list using the
selection dial [4].
• Press ENTER [6] to load the preset.
9
• Press Page - [11] or Page + [12] to scroll through the four pages of the
main menu.
• Using the appropriate multifunction key [10], select one of the effects,
and enter the effect’s menu. You will now see the settings for the effect
of the preset you are currently playing. See the section ‘Working with
PedalPro’s effects’, on page 17, for more details on the effects’ param-
eters.
• Some of the effects, for instance the filters, have more than one page of
settings. This is indicated on the top right corner of the screen. To access
the different pages of the effects’ settings, scroll through the pages using
Page - [11] or Page + [12].
• To exit the effect’s menu pages, simply press EXIT [7] and you will return
to the main menu.
In List Mode
You can also explore the parameters of any preset, without actually loading
it. To do this, start from Play Mode and scroll through the preset list (List Mode)
using the selection dial [4]. When in List Mode, the screen will look like this:
È1/4
Play: 0ÇP sreP00 hu a
Cmpo Di st Ng et e mTr
er
È 1/4
Li s tÇ 1 -00
Cm po D i s t N g et e mT r
9- C Wy Ba94 br y
2-00
dÖ
P sr e P hu a er
V mnt T ri e
9.1.3 Exploring a preset
This feature allows you to explore the current settings of the different effects in
a preset. You can do this either in Play Mode, i.e., when the effect has been
loaded, or in List Mode i.e., when simply scrolling through the list of presets.
In Play Mode
When in Play Mode the screen will look like this:

Rev. 2.0 - EN EU - fw 5.22
• Use the selection dial [4] to modify the values of the parameters (indi-
cated by the blinking cursor). Move between parameters using the arrow
keys [3]. The sounds produced by your PedalPro will change in real time
as you modify each parameter.
• Turn the effect’s features on or off simply by pressing the appropriate
multifunction key [10]. Please refer to the section ‘Working with Pedal-
Pro’s effects’, on page 17, for a detailed explanation of the features of
each effect and how to access them.
• Once you are happy with how the effect sounds, press EXIT [7] to exit
from the parameters page and return to the list of presets.
The preset list will now look like this:
14
9
9.1.4 Editing a preset
Parameter or switch?
Before editing your presets it’s important to first understand the difference
between two PedalPro functions: the switch and the parameter.
A switch is indicated with the symbol Çplaced after the function or effect
name. This indicates that the function can be directly switched on (Á) or off
(Â) using one of the multifunction keys 10, without entering into Edit Mode.
A parameter is indicated with the symbol :. This indicates that it can only be
adjusted by entering into Edit Mode.
• To edit a preset you must first load it, i.e., enter Play Mode.
• Press Page - [11] or Page + [12] to scroll through the four pages of the
main menu, until you see the page where the effect you want to edit is
indicated on the bottom line of the display.
• Press the multifunction key [10] corresponding to the effect you want to
modify to enter the effect’s menu.
• To change the parameters of that effect, press EDIT [5]. You are now in
Edit Mode.
È 1/4
Edi t: 0*00
Cm po D i s t N g et e mT r
P sr e P hu a e r
The header ‘Edit’ and the asterisk (*) after the preset’s number indicate that
the PedalPro configuration for the loaded preset has been modified, but not
yet saved in a preset.
You will also note that, for as long as the asterisk is present, you are not able
to scroll through the list of presets using either the selection dial [4] or the
UP and DOWN arrow keys [3b,3c]. You are also not able to connect the
Pedalino™ Foot Controller. These functionalities will remain locked until the
modifications to the preset are either saved or discarded.
• To save changes to the preset, press SAVE [5] and confirm ‘yes’ by press-
ing ENTER [6].
• To discard the changes, press EXIT [7] again and return to Play Mode.
How to Use Your PedalPro: Presets
• Use the selection dial [4] or the UP and DOWN arrow keys [3b, 3c] to
scroll through the presets until you find the preset you want to explore
(the preset will be pointed at by the arrow next to the word ‘List’ on the
screen).
• Press Page - [11] or Page + [12] to move through the four pages of the
main menu until the effect you want to explore appears on the bottom
line of the screen.
• Press the multifunction key [10] corresponding to the effect’s configura-
tion page(s). The settings for that effect in the preset will now be visible.
See the section ‘Working with single effects’ for an explanation of all the
effects parameters.
• To exit the effect’s menu pages, simply press EXIT [7]. You will return to the
main menu.

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15
9
9.1.5 Erasing a preset
• To erase a preset from the PedalPro memory and free that memory
space, first load the preset.
• Press the Page - [11] or Page + [12] to go to page 4/4 of the main menu.
• Press the multifunction key [10d], labelled ‘Erase’ on the display.
>> E
eurS ? Enter Y= es
e re ets <s <ra p ?
0-P sreP00 hu a er
È4/4
Play: 0Ç00
A ESD MI D raseI E
P srePhu a er
• Press ENTER [6] to confirm that you wish to delete the preset, or press EXIT
[7] to cancel the action.
• You can also erase a preset simply by saving a new preset in the same
location. See the section ‘Saving a preset’, on page 12.
Presets can also be erased using your computer and the PedalManager
software that came with your PedalPro. Please refer to the software help file
for more information.
9.1.6 Initialising your presets
You have the option to completely erase PedalPro’s preset memory.
WARNING: THIS PROCEDURE DELETES ALL EXISTING PRESETS
IN YOUR PedalPro AND CANNOT BE UNDONE. Make sure you
have first stored any presets you want to keep in your com-
puter using the PedalManager software. This procedure will
also reset the settings on page 2 of the MIDI menu.
• Switch off the PedalPro and wait until the display backlight is off.
• Now switch on the PedalPro while pressing the BYPASS key [1] on the
unit, keeping it pressed until the ‘Initialise’ message appears on the dis-
play (it takes about 5 seconds).
• Press ENTER [6] to confirm, and wait until the process is complete.
• To interrupt the procedure simply switch off the PedalPro, or press EXIT [7].
Ieu rS ? E nt e r Y= e s i i st eni la
9.1.7 Restoring the default preset list
The USB flash drive included with your PedalPro contains a file called ‘presets.
vrf’. This file contains the factory presets that came preloaded in your Pedal-
Pro.
• To restore the default factory presets of your PedalPro, locate the file in
the USB drive, and upload it to your PedalPro using VR PedalManager
software included. Please refer to section 12 on page 54 of this manual,
or to the PedalManager User Manual for more information.
How to Use Your PedalPro: Presets
You will see the following confirmation screen:
* in the directory ‘Default’ of the USB drive, or download it from VR website .

Rev. 2.0 - EN EU - fw 5.22
16
9.2 WORKING WITH FAVOURITE PRESETS
PedalPro allows you to select up to 18 onboard presets as part of a favourite
presets list.
This list ensures you have quick and easy access to your preferred presets or
those you need for a certain gig.
9
t <<>> Fa
Fav 21 ÇVin
r ti L e
vou i s
tTrem:
• Press EDIT [5]. The screen will change to Edit Favourite Mode. The cursor
will blink under the number next to the ‘Fav memory’ indicator.
• Use the selection dial [4] to choose which of the eighteen favourite
presets memory positions you want to modify/replace. The number of the
memory position selected is indicated by the ‘Fav memory’ indicator.
• Press the DOWN arrow key [3c]. The cursor will now blink to indicate
which of the 500 presets in the PedalPro main memory will be saved in
the favourite preset memory position you have selected.
e < <
Fa v m 0rem y :
>> Ed of va roi t u i t
2
: 00 i-P hte s1 C r csrP l e
• Use the selection dial [4] to select the preset you want to add to your
favourite list (in the example shown, preset ‘001-PhsCircle’ will be saved
in the favourite preset memory position 02).
• Press EXIT [7] twice to exit and then press SAVE [5] to store your new
favourite preset list.
9.2.2 Recalling/loading a favourite preset
To recall and load a favourite preset, you must first be in Play Mode.
• Press the RIGHT arrow key [3d] to enter the favourite list and therefore
Favourite List Mode.
• Scroll through the favourites list with the UP and DOWN arrow keys [3b,
3c], or using the selection dial [4].
• Press the ENTER [6] to load the selected favourite preset.
QUICK TIP: Your favourites list can be accessed directly via the Pedalino
Foot Controller using the button on the Pedalino labelled ‘Favourites’ (See
Pedalino Owner’s Manual)
9.2.3 Editing a favourite preset
The sound of a favourite preset cannot be edited directly when playing in
Favourite List Mode.
• Return to Play Mode by pressing the LEFT arrow key [3a] – and exiting
Favourites List Mode. You will notice that the same preset selected under
the Favourites List Mode is now selected in Play Mode (note: the preset
number Play Mode may be different from its number in Favourite Mode,
but the preset is actually the same).
• Follow the instructions in the section ‘Editing a preset’, on page 14, to edit
your preset and save it. The changes are automatically carried over to
the preset in your favourite list.
9.2.4 Deleting a favourite preset
• Simply replace the link with another preset as described in the section
‘Adding/replacing a preset from the favourite presets list’, on page 16.
How to Use Your PedalPro: Favourite Presets
9.2.1 Adding/replacing a preset from the favourite list
To add or replace a preset in your favourite list you must first be in Play Mode.
• Press the RIGHT arrow key [3d] to enter the favourite list and therefore
Favourite List Mode.

Rev. 2.0 - EN EU - fw 5.22
17
9.3 WORKING WITH PEDALPRO’S EFFECTS
PedalPro has ten top onboard analogue effects, each with various param-
eters that can be modified to alter the sound you produce. Many of these
parameters have never before been accessible in analogue effects.
The first three pages of PedalPro’s main menu give you access to the con-
figuration pages of all fourteen on-board analogue effects and of pre- and
post loops.
How to Use Your PedalPro: Favourite Presets
9
È1/4
Pl a y : 0 Ç P sr e P00 hu a
Cm po D i st N g et e mT r
er
Compressor, Distortion and Pre-amp, Noise Gate, Tremolo/Panner are on
page 1/4 (1 of 4) the main menu.
È2/4
Play: 0Ç00
Pash Fl tr Levr Extl
P srePhu a er
Phaser, Filters, Volume controls, and External effect (loops) controls are on
page 2/4 of the main menu.
È3/4
Play: 0Ç00
C Flh Dly
P srePhu a er
Chorus, Flanger and Delay can be accessed on page 3/4 of the main menu.
È4/4
Play: 0Ç00
A ESD MI D raseI E
P srePhu a er
Finally, additional features of your PedalPro, such as the MIDI controls and
the ADES™ settings for communication with VR’s range of controllers, can be
accessed on page 4/4 of the main menu. For more details see the section
‘Additional Features’.

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Working with Effects: Compressor
18
9.3.1 Compressor
A compressor is used to control the dynamic range of a signal. Using an ‘en-
velope detector’, the compressor detects the signal level of the input signal.
Then, by automatically reducing the gain when the level of the input signal
is higher (louder) than a certain threshold, the compressor ensures that the
dynamic range of the compressed signal is lower than the dynamic range of
the input signal.
Three different compressor types
PedalPro has three different Compressors (compressor types): tubegen, vary-
mu and limiter, and two different compression modes: limiter mode and tube
compression mode.
When the Compressor is operating in limiter mode, a hard knee compression
ensures a long sustain, rendering the output dynamic range extremely small.
This mode is great for a long solo sustain and will produce a sound similar to a
MXR dyna comp* compressor, VOX 1903*, or Keeley Compressor*.
When the Compressor is operating in tube compression mode, the soft knee
gently controls the sound peak while the low-medium level sound passes
through. This is great for the rhythm phrase. You can use the Tubegen com-
pressor type to produce a sweet peak control, or the Variable Mu®* com-
pressor for more sustain on the medium volume notes, typical of a Variable
Mu® tube compressor.
The vary-mu compressor type is designed for medium-strong compression –
up to 1:4 - 1:30. The Tubegen compressor type is designed for light-medium
compression 1:3 - 1:22.
PedalPro’s compression curves
-55 -50 -45 -40 -35 -30 -25 -20 -15 -10 -5
-10
-5
0
5
10
15
20
Vin [dBm]
Vout [dB]
Compression curve comparison: PedalPro vs Vari Mu*
PedalPro
Vari Mu tube compressor
PARAMETERS
• To enter the Compressor configuration page, press the multifunction key
[10a] labelled ‘Comp’ on page 1 of the main menu.
The diagram below shows you the screen of the Compressor configuration
page:
È1/1
tubeg:eT neyp
A tct : 03 Rel ss
C mpo Ç Á
Sens: 880 . 2 Out: 0 .94 4
k : 1.0
r sse or
m s
Compressor – Compressor effect switch. Range: on (Á), off (Â)
• To switch the Compressor on or off and thus add or remove it from your
effects chain, press the BYPASS EFFECT 1 key [10a].
Type – Compressor type. Range: tubegen, vary-mu, limiter
The parameter Type indicates the compressor type used. This can be set to
either ‘limiter’ to operate in Limiter Mode, or to ‘tubegen’ or ‘vary-mu’ to
operate in tube compression mode, with either a sweet peak control (‘tube-
gen’) or more sustain on the medium volume notes (‘vary-mu’).
• To change the compressor model, press EDIT [5] when in the Compres-
sor configuration page, and use the arrow keys [3] until the cursor blinks
under the compressor type name.
• Use the selection dial [4] to select between the limiter, tubegen and
vary-mu compressors.
Sens – Sensitivity. Range: 0-100%
This parameter sets the desired amount of compression.
• To change the value of Sens, press EDIT [5] when in the Compressor con-
figuration page, and use the arrow keys [3] to position the blinking cursor
next to the Sens value.
• Use the selection dial [4] to set the desired amount of sensitivity.
*All trademarks are property of their respective owners and used for reference only.
-60 -55 -50 -45 -40 -35 -30 -25 -20 -15 -10 -5
0
5
10
15
20
25
30
Vin [dBm]
Vout [dB]
Limiter perfomances: PedalPro vs MXR dyna comp compressor*
dyna comp
PedalPro
9

Rev. 2.0 - EN EU - fw 5.22
Working with Effects: Compressor
19
Out – Output Level. Range: 0-100%, in increments of approximately 0.4%
The Output Level is the output volume level of the compressor, and acts as a
make-up.
Adjust this level according to the Sensitivity selected. In practice, a high level
of compression (a high Sensitivity) prefers a lower Output Level, and a low
level of compression (a low Sensitivity) prefers a higher Output Level.
• To change the compressor Output Level, press EDIT [5] when in the Com-
pressor configuration page, and use the arrow keys [3] to position the
blinking cursor on the Out value.
• Use the selection dial [4] to set the desired amount of Output Level.
Attck – Attack time. Range: 3ms, 8ms, 13ms, 22ms, 31ms, 40ms, 57ms, 83ms.
Attack determines how quickly the compressor intervenes on the sound.
• To change the value in milliseconds of the Attack, press EDIT [5] when in
the Compressor configuration page, and use the arrow keys [3] to posi-
tion the blinking cursor on the Attck value.
• Use the selection dial [4] to set the desired amount of Attack.
Rels – Release time. Range: 0.1s, 0.2s, 0.3s, 0.5s, 0.7s 0.8s, 1s, 1.8s
The Release determines how quickly the compressor releases the control of
the dynamic after the sound signal level has been compressed (reduced).
• To change the value in seconds of the Release, press EDIT [5] when in the
Compressor configuration page, and use the arrow keys [3] to position
the blinking cursor on the Rels value.
• Use the selection dial [4] to set the desired amount of release.
TIPS & TRICKS - COMPRESSOR
Select one of the three compression types according to the amount of
compression you want to achieve.
• For light-medium compression use the ‘tubegen’ compressor that pro-
duces compression from 1:3 to 1:22.
• For medium-strong compression that gives a medium amount of sus-
tain, use the ‘vary-mu’ tube compressor that produces compression
from 1:4 to 1:30.
• For strong compression (or limiter) that provides long sustains, use the
‘limiter’ compressor that produces compression from 1:12 to 1:40.
Preventing loud peaks (tube compression)
To prevent loud peaks due to excessive pick striking or to control the
amplification distortion of a filter with a high resonance (Q), start with the
following setting:
• Type: tubegen; Sens: 18.0; Out: 30.0; Attck: 3ms; Rels: 0.1s.
These settings will produce a compression of 1:12.
If necessary, increase or decrease the sensitivity (Sens) until you obtain the
desired compression level. Adjust the output level (Out) to regulate the
output volume.
Embellishing (tube compression)
If you are playing arpeggios either with your pick or your finger and you
want to embellish them by producing a smoother, more fluid effect, start
with the following settings:
• Type: vary-mu; Sens: 40.0; Out: 50.0; Attck: 13ms; Rels:1s.
Increase or decrease the sensitivity level according to your guitar. If you
prefer a faster-responding compressor, reduce the release time (Rels).
Long Sustain (limiter)
If you need a long sustain during your solo, start with the following settings:
• Type: limiter; Sens: 60.0; Out: 30.0; Attck: 3ms; Rels: 1.8s.
Adjust the level of compression, by acting on the sensitivity (Sens) accord-
ing to the solo phrase you are going to perform. Remember, when the
sensitivity increases, the compression becomes very aggressive espe-
cially when you are playing multiple strings. In this case, you may want to
increase the Attack time (Attck) until you get the desired sustain, with a
reasonable gain reduction.
Adjust the output level according to the sound you want to produce. Use
the output volume (Out) within a range of 30-70% if you don’t need a gain
boost in front of the distortion.
9

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20
9
9.3.2 Distortion
Just about every existing distortion on the market uses pre-amplifiers with high
gains, and a distortion section that produces distortion according to the input
signal amplitude.
In PedalPro, we do it differently. The Distortion is implemented using the
saturation of low-noise FETs instead of op-amps and diodes. The result is a
smoother, tube-like second-harmonic distortion that is rich and full of punch,
with a clearly-defined sound that is totally noise free.
Two additional features
Two additional features distinguish the PedalPro Distortion from existing dis-
tortions. These are the bright switch and the low-pass filters. With the bright
switch engaged, you can create a screaming distortion. With the low-pass
filters, you can alter the amount of high tones.
IN
gain bright distortion tone
control
programm.
low-pass
filter (LP)
volume
control
OUT
brgt on
off
boost on
off
dist on
off
LP filter selector
The bright switch (parameter ‘Brgt’) excites middle and high tones before the
signal is distorted. The tone parameter (‘Tone’) blends the high tone with the
low+middle tones after the distortion. When the tone is 50%, the amount of
high tones and middle-low tones is the same. The low-pass filter selector (‘LP’)
is a programmable low-pass filter that is placed right after the tone control.
This last filter is used mainly to remove the high frequency.
Introducing the new blues-effect distortion
In standard distortions, even when it’s possible to adjust the gain of the pre-
amplification, additional noise and unwanted op-amp processing are una-
voidable stages of the distortion process. The blues sound has never been as
warm and clear as it should have been due to these unnecessary electronics
– inherent problems with every distortion on the market.
The PedalPro makes it possible, for the first time, to bypass the Boost (pre-am-
plifier) and drive the Distortion by only the guitar signal. With the guitar signal
pumped directly into the heart of the Distortion circuit, the result is a soft
blues-style distortion, free of noise and with crystal-clear definition – an effect
tailor-made for the blues player’s musical repertoire.
PedalPro also allows you to bypass the Distortion, or both the Distortion and
the Boost. The Distortion can also be driven by the output level of the Com-
pressor – again allowing you to avoid the pre-amplification stage.
PARAMETERS
• To enter the Distortion configuration page, press the multifunction key
[10b] labelled ‘Dist’ on page 1 of the main menu.
The diagram below shows you the Distortion configuration page (greyed-out
parameters are part of the Boost settings, see next section).
È1/1
Tone[ : L25]% 5.
B o Ço dB] :[
D ts Ç Á 0 P
OutD[ :]% 061. 5
 - 10
B gr ÇÁ t: 0
Gts 5.
i
Dist – Distortion effect switch. Range: on (Á), off (Â)
• To add (Á) or remove (Â) the Distortion from your effect chain, press the
BYPASS EFFECT 1 key [10a].
Brgt – Brightness. Range: on (Á), off (Â)
When the brightness parameter is engaged, the sound passes through a
high-pass filter with a cut-off frequency of around 800 Hz before entering the
distortion stage.
This emphasises the middle and high tones of the distortion, creating a
‘screaming’ sound.
• To switch the Brightness mode on (Á) or off (Â), press the PARAM. SWITCH
key [10b].
Working with Effects: Distortion
Fig. 9-1. The Distortion