EENNGGLLIISSHHSSWWEEEETT2255..11
8
FRONT PANEL CONTROLS
GGAAIINNcontrol + CLIP LED to adjust the input level.
IINNPPUUTTsocket to plug in a bass guitar.
CCOOMMPPRREESSSSOORRswitch to turn on the compressor and control to adjust the compression rate.
CCOONNTTOOUURRswitch to turn on the contour and control to adjust the intensity. Boosts bass and treble, cuts mids.
BBAASSSScontrol to boost / cut deep frequencies.
LLOOWWMMIIDDcontrol to boost / cut low mid frequencies.
HHIIGGHHMMIIDDcontrol to boost / cut high mid frequencies.
TTRREEBBLLEEcontrol to boost / cut high frequencies.
DDEEEEPPswitch + LED to boost low frequencies.
BBRRIIGGHHTTswitch + LED to boost high frequencies.
MMUUTTEEswitch + ON / MUTE LED mutes the signal of all outputs except the PHONES and TUNER socket. To avoid
switching noise use the MUTE switch only while no audio signal is beeing played back.
PPHHOONNEESSsocket for connecting headphones (min 200 Ohm).
MMAASSTTEERRcontrol determines the main volume level.
REAR PANEL
GGRROOUUNNDDLLIIFFTTswitch disconnects the protective ground line from signal ground. A humming loop may occour when
several devices are hooked up to the same protective ground line and connected by line cables. Use
GROUNDLIFT to eliminate humming loops.
TTUUNNEERROOUUTTto connect to a tuner, active when MUTE is enabled.
LLIINNEEOOUUTTsocket allows connecting additional power amplifiers or active cabinets.
EEFFFF..LLOOOOPPfor the insertion of an effects unit. Connect EFF. SEND with the input and EFF. RETURN with the output of the
effects device.
DDIIPPRREE//PPOOSSTTswitch to route the signal to
DDIIOOUUTTsocket PRE (pressed, direct signal from the bass) or POST (released, signal affected by equalizer or effects
loop). Symmetric XLR out to connect to e.g. a mixing console.
SSPPEEAAKKEERROOUUTTto connect the amplifier to the speaker.
PPOOWWEERRswitch for turning the amplifier on and off.
MMAAIINNSSI
INNAACCterminal with integrated fuse compartment for connecting the amplifier to mains.
HHOORRNNOOFFFFswitch to turn the horn off.
The rear stand allows for a 45-degree tilt of the amplifier.