Adobe 65023809 - Creative Suite 4 Master... Configuration guide

i
Adobe Creative Suite 4 Printing Guide
Adobe® Creative Suite 4 Printing Guide
Introduction....................................................................................1
WhatThisGuideIsIntendedtoDo...............................................................1
HowThisGuideIsStructured....................................................................1
PartnerProgramforPrintProfessionals ..........................................................2
Chapter1:CommonResources ..........................................................3
TheAdobePDFPrintEngine.....................................................................3
AdobeGraphicsModel..........................................................................3
ColorBlindnessPreview.........................................................................3
PDFCreation....................................................................................3
HelpingCustomersPrepareFilesforSubmission.................................................9
Transparency..................................................................................10
Chapter2:AdobeInDesignCS4.........................................................16
PreparingInDesignDocumentsforOutput .....................................................17
AboutInDesignProgramVersions..............................................................20
TextFeatures ..................................................................................30
RotatedSpreadViewing........................................................................32
UsingtheInDesignforensictools...............................................................33
FindingProblems:AdditionalForensicTools ....................................................35
ColorManagementIssues......................................................................39
Workingwithabookle .......................................................................41
CreatingPDFFilesfromInDesign...............................................................42
PrintingfromInDesign.........................................................................43
HelpingCustomersPrepareInDesignFiles......................................................50
Chapter 3: Adobe Photoshop CS4 and Photoshop CS4 Extended. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55
GeneralGuidelines.............................................................................56
AppropriateFormats ..........................................................................61
PrintingfromPhotoshop.......................................................................69

ii
Adobe Creative Suite 4 Printing Guide
Chapter4:AdobeIllustratorCS4........................................................73
Bleed..........................................................................................74
WorkingwithmultipleArtboards...............................................................74
Working with Text from Dierent Versions of Illustrator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76
DocumentColorModes........................................................................78
LiveEects ....................................................................................80
ExaminingCustomerFiles......................................................................86
Forensictools..................................................................................88
PrintingfromIllustrator ........................................................................89
CreatingPDFFiles..............................................................................92
OpeningIllustratorPDFFilesinIllustrator.......................................................93
Chapter5:AdobeAcrobat9Pro.........................................................95
Changes, Enhancements, and New Features in Acrobat 9 Pro . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95
ExaminingPDFs ...............................................................................96
OverprintPreviewinAcrobat9Pro.............................................................97
Acrobat9ProPrintProductionTools............................................................98
ComparingDocuments .......................................................................109
EditingPDFles ..............................................................................110
PreviewingandFlatteningtransparency.......................................................120
UsingtheJobDenitionFormat(JDF) .........................................................125
Using Comment and Review features in Acrobat 9 Pro. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .128
PrintingPDFFiles.............................................................................132
Linkstoknownissuesandresources...........................................................137

Adobe Creative Suite 4
Printing Guide
Introduction
Welcome to the Adobe® Creative Suite® 4 Printing Guide. Adobe is dedicated to provid-
ing soware that allows designers to express their visual ideas, while providing tools
and resources to printers to ensure that those ideas print as intended. While designers
explore the creative features of Adobe Photoshop® CS4, Adobe InDesign® CS4, and
Adobe Illustrator® CS4, as well as the capabilities of Acrobat® 9 Pro, printers need to
take a rather dierent approach. You might call it “reverse engineering”: inspecting,
analyzing, and, if necessary, modifying customer les to facilitate printing. While this
document is focused on the needs and requirements of printers, it is also useful for
production artists who are preparing les for print.
Some modications (for example, replacing solid black areas with a rich black build, or
converting RGB text to black-only) are dictated by the physical requirements of print-
ing. Some tweaks may be necessary to accommodate a particular raster image proces-
sor (RIP) or imaging device. Not all workows are the same, and solutions vary accord-
ingly. Regardless of your particular workow, the more you know about the tools used
by designers to create les, the better equipped you are to anticipate, prevent, nd, and
x problems. In addition, you’ll be better able to advise your customers as they prepare
les for submission.
What This Guide Is Intended to Do
is guide serves as both a detailed technical reference for handling Creative Suite 4
les from your customers, and as a training tool for your sta.
For example, this guide will introduce you to forensic tools, such as the Overprint
Preview option in Illustrator, InDesign, and Acrobat 9 Pro, as well as the Output
Preview function in Acrobat, all of which are invaluable in highlighting potential
problems. e earlier you can pinpoint problems in a job, the less expensive and com-
plicated they are to rectify.
As RIPs have matured and transparency attening has become more sophisticated,
there are fewer issues with jobs containing transparency. e advent of pure PDF
workows based on the Adobe PDF Print Engine will result in more reliable reproduc-
tion of PDF content—that is, greater consistency and delity to the designer’s intent.
For example, transparency eects in InDesign CS4, such as gradient feather, glow, and
inner shadow eects, image without the need for attening when output through a PDF
Print Engine-based RIP. You’ll nd guidance in this document for identifying such
eects and for preparing jobs to correctly render them during output. Additionally,
you’ll nd links to other available reference materials that cover such topics in depth.
How This Guide Is Structured
Some technologies and concepts—such as PDF creation, transparency, and the Adobe
Graphics Model—are common across the Adobe products used for print design and
production in Creative Suite 4 Design Premium, Design Standard or Master Collection.
You’ll nd information about such topics in the “Common Resources” chapter.
is document is organized so that you can quickly nd information about specic
soware. As a job enters production in a printing plant, its path varies according to the
conventions of the particular plant, as well as the requirements of the job. But because
many jobs involve the aggregation of artwork and text in an InDesign layout, it makes
sense to treat InDesign as a “hub,” and Photoshop, Illustrator, and Acrobat as related
TABLE OF CONTENTS
1 Introduction
3 Chapter 1: Common Resources
16 Chapter 2: Adobe InDesign CS4
55 Chapter 3: Adobe Photoshop CS4 and
Photoshop CS4 Extended
73 Chapter 4: Adobe Illustrator CS4
95 Chapter 5: Adobe Acrobat 9 Pro

Adobe Creative Suite 4 Printing Guide 2
spokes. As the applications themselves are deeply integrated, you’ll nd cross references that
mirror the interdependent ecosystem of the Creative Suite. For example, it’s not enough to know
how to place an image in InDesign: you also need to know how certain aspects of a Photoshop
image (such as opacity, blending modes, or vector content) will print from InDesign.
Because an Adobe PDF is oen the nal product of the job, Acrobat wraps up this guide. You’ll
nd advice for generating PDFs in the “Common Resources” chapter, with additional applica-
tion-specic information in sections on individual applications. e Acrobat section will famil-
iarize you with the preview, preight, and editing tools available in Acrobat 9 Pro.
Additional resources are included throughout and at the end of this guide, to help you locate
specic information online.
Partner Program for Print Professionals
As a Member of the Adobe Partner Connection Print Service Provider Program, your company
will enjoy the support of our industry’s benchmark service and support program. Don’t miss the
opportunity to put Adobe’s technical, product and promotional resources to work for your busi-
ness’ success. Join this winning team today.
For complete information about membership and benets, please visit http://www.adobe.com/
go/printserviceprovider.

Adobe Creative Suite 4 Printing Guide 3
Chapter 1: Common Resources
e integration between components in the Creative Suite 4 family allows for such productiv-
ity enhancing features as shared color management settings, common PDF presets les, shared
color swatches, and the ability to use native les—such as Photoshop .psd, Illustrator .ai, Acrobat
.pdf, and even InDesign .indd formats—as artwork. Since there is so much “common ground,”
this section addresses features and issues that are the same across many of the Creative Suite 4
components.
The Adobe PDF Print Engine
e Adobe PDF Print Engine is not a shrink-wrapped product. It is a printing platform based
on PDF and other Adobe core technologies. OEM RIPs and workow systems incorporating
the PDF Print Engine can process PDF les natively (without converting data to PostScript® or a
proprietary intermediate format), thus maintaining live transparency. Being able to use native,
unconverted (and unattened) PDF les throughout a workow provides a complete, end-to-end
PDF environment that uses common technology to generate, preview, and print PDF les.
e Adobe PDF Print Engine combines the strengths of Adobe PDF for content denition and
the Job Description Format (JDF) standard for job ticketing and process control in powering
RIP and workow systems. Available in printing systems from Adobe print solution partners,
the Adobe PDF Print Engine enhances output consistency throughout the workow, improving
overall print productivity and protability. Adobe PDF Print Engine 2 will extends these benets
to production workows for Variable Data Printing (VDP) used in personalized publishing (e.g.
direct marketing), and output to a digital color press.
For more information on the Adobe PDF Print Engine and the partners who market RIPs and
workow systems incorporating it, see http://www.adobe.com/products/pdfprintengine.
Adobe Graphics Model
e Adobe Graphics Model ensures consistent rendering and display of color and transpar-
ency eects in Illustrator, Photoshop, InDesign and Acrobat. It is essentially a soware RIP that
processes graphics instructions and displays the results on screen. e Adobe Graphics Model
allows InDesign to consistently display placed raster and vector art at full resolution, as if you
were viewing the original art in Photoshop or Illustrator. It also enables you to view realistic
rendering of overprinting and special eects such as opacity settings and blending modes.
Color Blindness Preview
Photoshop and Illustrator now oer the option to view content as it would be seen by people with
two forms of color blindness, Protanopia, and Deuteranopia.
PDF Creation
e Adobe PDF Library is used consistently by Creative Suite 4 components which generate PDFs
natively (that is, without needing to generate PostScript and Distill). Consequently, Illustrator,
InDesign, and Photoshop can directly generate PDF les without the need for Acrobat Distiller®.
Of course, Distiller is still available to convert PostScript les into PDFs if necessary, but directly
exporting PDF les is the recommended method of creating PDF les. It’s faster and easier to
generate PDF les through direct export and, in addition, if you wish to maintain live transpar-
ency (if your RIP supports it), directly exporting PDFs is the only way to do so.
Note: Prior to Creative Suite 2, exported PDFs contained font information encoded in CID (charac-
ter identier) form. Some non-Adobe RIPs could not correctly process such PDFs, even though CID
encoding had been part of the PDF specication for some time. To work around the problem and
eliminate most instances of CID encoding, many printers created PDFs by generating PostScript
and distilling. Today, most RIP vendors support CID encoding; issues with PDFs containing CID
encoding should be moot. Occasionally, CID encoding is needed to support some glyphs, whether
the PDF is exported or created by Distiller. Also note that you may nd that Creative Suite 4 pro-
duces PDFs that are smaller in le size than PDFs exported from previous versions.

Adobe Creative Suite 4 Printing Guide 4
While it may be more familiar to create PostScript and use Distiller to generate PDFs rather
than exporting PDFs, that’s unnecessary in current workows. Even if your imposition so-
ware or RIP dictates that you submit Acrobat 4.0-compatible les, there should be no issues in
using exported PDFs created using the PDF/X-1a preset, which meets the PDF 1.3 specication.
Contact your RIP and imposition vendors to obtain updated versions that support more modern
PDF formats. For more information on PDF specications, see the “Acrobat 9 Pro” section in
this document.
If your workow includes a RIP that utilizes the Adobe PDF Print Engine (APPE), take advan-
tage of the support for unattened transparency by exporting to the latest level of PDF supported
by your RIP, or to standards-based PDF such as PDF/X-4, rather than generating PostScript and
Distilling to create a PDF (which would atten transparency).
PDF settings: An overview
Whether you are generating PDFs from Illustrator, Photoshop, InDesign, or through Distiller,
the categories of PDF settings are the same. ese settings are found in the Export Adobe PDF
dialog (InDesign), the Save As dialog (Illustrator and Photoshop), and under Edit PDF Settings
(Distiller).
PDF Export Options: InDesign PDF Save As Options: Illustrator
PDF Save As Options: Photoshop
• Adobe PDF Preset indicates whether a default preset or a user-created preset is
being used. If you’ve started with an existing preset and modied some of its set-
tings, the preset name is followed by “(modied).”

Adobe Creative Suite 4 Printing Guide 5
• Standard species whether the setting achieves a dened PDF/X format for the le
(such as PDF/X-1a, PDF/X-3, or PDF/X-4), or meets the denitions for one of the
PDF/A (archival) standards.
• Compatibility indicates the minimum version of Acrobat required to read the le.
e label in parentheses shows the PDF le specication that applies; for example,
“Acrobat 5 (PDF 1.4)” indicates that the resulting PDF will be compatible with
Acrobat 5.0 and later, and that the le meets the PDF 1.4 specication. Proper
compatibility also aects other applications that must process the PDF, such as
imposition soware. While an Acrobat 9-compatible le may seem more “modern,”
your imposition soware may not allow you to use it. Consult the documentation for
such soware, as well as the requirements for your RIP, to determine the appropriate
compatibility setting.
• General includes basic le options, such as page range. e choices in the “Options”
and “Include” sections of the General pane (such as Bookmarks, Hyperlinks, and
Tagged PDF) aect only web-appropriate PDFs and do not pertain to print-ready
PDFs. However, if you are producing a document that may be used in various media
or that could be archived, it is recommended that you congure these options appro-
priately as well.
• Compression allows you to specify settings for compression and downsampling of
images. Additional options let you compress text and line art, and crop images to
frame limits.
• Marks and Bleeds options let you include crop and bleed marks, as well as page
information, bleed, and slug area.
• Output controls how colors are converted (or preserved), based on your choices and
the color management settings in eect.
• Advanced controls font embedding and subsetting, OPI comments, transparency
attening (if necessitated by the PDF compatibility setting), and the inclusion of JDF
information.
Embedding includes the entire character set of a font in the resulting PDF; subsetting
is a form of embedding that includes only characters used in the document, and
results in a smaller le size. Although Illustrator, InDesign, Photoshop and Distiller correctly
embed fonts in PDF les, some non-Adobe applications may not. Additionally, some fonts can-
not be embedded in PDFs because of vendor licensing restrictions. It is advised that you never
create a PDF without embedding or subsetting fonts.
• Security allows you to add password-based security to the PDF le. (Security
options are not available during creation or editing of a PDF preset. Security options
are available only at the time of PDF creation or later within Acrobat). Note that
imposition soware may reject a PDF with security settings, even if the le does not
require a password. It’s best to avoid any security restrictions on PDFs intended for
print. If a customer supplies a PDF with security settings applied, request that they
submit a replacement PDF without security settings. Note that security is not sup-
ported in PDF/X compliant les for this reason.
• Summary displays an overview of the PDF settings. To expand the description for
each category, click the arrow to the le of the topic. If any conicts occur (such as a
source color prole that doesn’t match the color settings le in eect), a warning will
appear in the Warnings area.
Default PDF settings
Several of the default PDF presets (also referred to as joboptions les) are specically intended
for commercial printing, with some important dierences noted. Typically, it’s most appropri-
ate to start with one of the default settings, modify it to suit your needs, and save that setting
as a custom job option. Since PDF settings are stored in a common repository and shared by
InDesign, Illustrator, Photoshop, and Distiller, you can create custom presets in one of the
applications, and the settings will automatically be available to the other applications. (However,
some installed presets are available only within Distiller or Illustrator). Adobe applications
install a default set of PDF creation presets, which cannot be edited; however, you can start with

Adobe Creative Suite 4 Printing Guide 6
a default preset, duplicate it, and edit the duplicate preset for your workow. While the interfaces
for creating PDF options dier slightly between the applications, the concepts are the same. An
introduction to the features of the common default presets follows.
Smallest File Size
Appropriate for online distribution or e-mail attachments (but not for commercial printing), the
Smallest File Size option aggressively compresses and resamples image content, and converts all
RGB, CMYK, and grayscale content to the sRGB color space (spot colors are retained, however).
is may result in noticeable color shis from the original artwork. Note that the compatibility
setting for Smallest File Size is now Acrobat 6.0, to reect latest best practices and requirements.
Settings include:
• Compatibility: Acrobat 6.0 (PDF 1.5), which maintains live transparency and layers.
• Color Images: Bicubic downsampling to 100ppi; Compression = Automatic (JPEG);
Image Quality = Low.
• Grayscale Images: Bicubic downsampling to 150ppi; Compression = Automatic
(JPEG); Image Quality = Low.
• Output: Destination = sRGB IEC61966-2.1.
High Quality Print
Intended for imaging on in-house proofers and desktop printers. Any RGB, Lab or spot-color
content will remain in the original color space and won’t be converted to CMYK. While this
might be appropriate for desktop printers or other digital imaging devices, color appearance may
be compromised if the PDF is processed in a workow that does not honor color proles. High
Quality Print settings include:
• Compatibility: Acrobat 5.0 (PDF 1.4), which maintains live transparency.
• Color Images: Bicubic downsampling to 300ppi; Compression = Automatic (JPEG);
Image Quality = Maximum.
• Grayscale Images: Bicubic downsampling to 300ppi; Compression = Automatic
(JPEG); Image Quality = Maximum.
• Output: No color conversion; include tagged source proles.
Press Quality
e settings of the Press Quality preset create a PDF that is appropriate for commercial oset
printing. Note that PDF Compatibility is Acrobat 5.0, which maintains live transparency. Press
Quality settings include:
• Compatibility: Acrobat 5.0 (PDF 1.4).
• Color Images: Bicubic downsampling to 300ppi; Compression = Automatic (JPEG);
Image Quality = Maximum.
• Grayscale Images: Bicubic downsampling to 300ppi; Compression = Automatic
(JPEG); Image Quality = Maximum.
• Output: Convert content with proles to destination; preserve color numbers for
untagged content; maintain spot colors.
Settings available from within individual applications
Standard [available in Distiller only]
Intended for viewing and printing business documents (but not for commercial print). Most spot
color content is usually maintained, but areas interacting with transparency may be converted to
RGB. Standard settings include:
• Compatibility: Acrobat 6.0 (PDF 1.5).
• Color Images: Bicubic downsampling to 150ppi; Compression = Automatic (JPEG);
Image Quality = Medium.
• Grayscale Images: Bicubic downsampling to 150ppi; Compression = Automatic
(JPEG); Image Quality = Medium.
• Output: Destination = sRGB IEC61966-2.1.

Adobe Creative Suite 4 Printing Guide 7
Oversized Pages [available in Distiller only]
Intended for use in architectural and engineering environments, this option allows pages in
excess of 200 x 200 inches (such as CAD les) to be saved as PDFs. Most spot color content is
maintained, but areas interacting with transparency may be converted to RGB. Settings include:
• Compatibility: Acrobat 7.0 (PDF 1.6).
• Color Images: Bicubic downsampling to 150ppi; Compression = Automatic (JPEG);
Image Quality = Medium.
• Grayscale Images: Bicubic downsampling to 150ppi; Compression = Automatic
(JPEG); Image Quality = Medium.
• Output: Destination = sRGB IEC61966-2.1.
PDF/A-1b:2005 (CMYK) and PDF/A-1b:2005 (RGB) [available in Distiller only]
PDF/A is an ISO standard for long-term storage of electronic documents (the Astands for
“archival”). Audio and video content are not allowed, and the PDF may not invoke external
information sources (such as attachments, fonts, or hyperlinks). No encryption is permitted, and
JavaScript is not allowed. Settings include:
• Compatibility: Acrobat 5.0 (PDF 1.4).
• Color Images: Bicubic downsampling to 300ppi; Compression = Automatic (JPEG);
Image Quality = Maximum.
• Grayscale Images: Bicubic downsampling to 300ppi; Compression = Automatic
(JPEG); Image Quality = Maximum.
• Output: Color mode depends on the choice of the PDF/A-1b:2005 (CMYK) or
PDF/A-1b:2005 (RGB) standard.
Illustrator Default [available in Illustrator only]
A PDF created with Illustrator’s Default setting is essentially an Illustrator le in a PDF wrapper:
to Illustrator, it’s just a normal Illustrator le, with all layers, objects, and eects intact. To other
applications, it’s a PDF with Acrobat 6.0 compatibility. Unlike other PDF les, these les can be
opened safely in Illustrator and edited, provided that the necessary fonts are active, if the option
to “Preserve Illustrator Editing Capabilities” is selected. Settings include:
• Compatibility: Acrobat 6.0 (PDF 1.5).
• Color and Grayscale Images: No downsampling; Compression = ZIP 8-bit.
• Output: No color conversion.
PDF/X: Industry standards
Tailored specically for the printing industry, PDF/X specications are intended to provide a
framework for creating print-ready PDFs. PDF/X is a subset of the full PDF specication, rened
to prevent the inclusion of non print-appropriate content such as movies and hyperlinks, and to
ensure that important needs—such as correct font embedding—are honored. As RIPs and other
workow components become more sophisticated, the PDF/X standards evolve to meet the needs
and capabilities of the changing environment, hence the multiple specications. How do you
determine which of the PDF/X standards is appropriate for your workow? e compatibility
level (Acrobat 4 or 5) may be dictated by the capability of your RIP or other components (such
as imposition soware); the output settings will be determined by whether or not you’re using a
color-managed workow.
Given the proven reliability of PDF/X formats in print workows, it is highly recommended that
you start with the most appropriate PDF/X specication for your workow, and make whatever
modications you need (such as invoking bleed or adding marks).
PDF/X-1a:2001
PDF/X-1a les can contain CMYK, grayscale, and spot-color content, but no RGB content. e
ArtBox or TrimBox must be internally dened in the le; fonts must be embedded and/or subset.
Acrobat 4.0 compatibility dictates that transparency is attened (ideally, at the high-quality
resolution Settings include:
• Compatibility: Acrobat 4.0 (PDF 1.3). Transparency will be attened.

Adobe Creative Suite 4 Printing Guide 8
• Color Images: Bicubic downsampling to 300ppi; Compression = Automatic (JPEG);
Image Quality = Maximum.
• Grayscale Images: Bicubic downsampling to 300ppi; Compression = Automatic
(JPEG); Image Quality = Maximum.
• Output: Convert to destination color space; no embedded proles.
PDF/X-3:2002
e specication for PDF/X-3 builds on PDF/X-1a, adding support for embedded color proles
and thus allowing RGB and Lab content in addition to the color spaces supported by PDF/X-1a.
Use this format in a color-managed workow Setting include:
• Compatibility: Acrobat 4.0 (PDF 1.3). Transparency will be attened.
• Color Images: Bicubic downsampling to 300ppi; Compression = Automatic (JPEG);
Image Quality = Maximum.
• Grayscale Images: Bicubic downsampling to 300ppi; Compression = Automatic
(JPEG); Image Quality = Maximum.
• Output: No color conversion; embedded proles.
PDF/X-4:2008
PDF/X-4 extends the PDF/X-3 specication, adding support for live, unattened transparency, as
well as layers. e inclusion of layers and live transparency may make PDF/X-4 les inappropriate
in workows using older devices and processes. Consult the documentation for your RIP and any
other steps in your workow, such as imposition, to determine if PDF/X-4 les can be processed
correctly. Part of the PDF/X-4 standard is the requirement that a “conforming reader” application
shall be used to properly process it, which may mean that you need to obtain a patch or upgrade
for your RIP or other processes (such as trapping and imposition) that will handle PDFs (RIPs
using the Adobe PDF Print Engine can correctly process PDF/X-4 les). Settings include:
• Compatibility: Acrobat 5.0 (PDF 1.4). Live transparency is maintained. (Note that,
while the ocial PDF/X-4 specication allows Acrobat 7.0 [PDF 1.6] compatibility,
CS4 applications use Acrobat 5.0 compatibility.)
• Color Images: Bicubic downsampling to 300ppi; Compression = Automatic (JPEG);
Image Quality = Maximum.
• Grayscale Images: Bicubic downsampling to 300ppi; Compression = Automatic
(JPEG); Image Quality = Maximum.
• Output: No color conversion; embedded proles.
Managing custom PDF presets
Supplied PDF presets are stored in one common location for access by Illustrator, InDesign,
Photoshop and Distiller (with the exceptions of application-specic presets noted previously).
Because the presets are stored in a common repository, if you attempt to delete a preset, you’ll
receive an alert that deletion will aect more than the application you’re using at the moment.
User-created custom presets are also available to Illustrator, InDesign, Photoshop and Distiller,
but are stored in a separate location from the factory presets. On the Mac, you’ll nd custom set-
tings in [user]/Library/Application Support/Adobe/Adobe PDF/Settings. On a PC, they’re stored
in C:\Documents and Settings\[user]\Application Data\Adobe\Shared Documents\Adobe PDF\
Settings. As you establish methods for the creation of PDFs for your particular workow, stan-
dardize all of your prepress workstations, and share those methods and the correct presets with
your customers to ensure submission of appropriate PDF les as nal job les. You can provide
the correct PDF presets to your customers as *.joboptions les; they simply double-click the le
and it’s automatically installed in the correct location.
e methods for exporting and importing saved PDF presets varies slightly by Creative Suite 4
component; see this document’s section on the individual component (or consult the Help menu
for the application) for specics.