Air OPx-4 User manual
OPx-4
User Guide
English
Manual Version 1.1
2
Introduction
Thank you for purchasing the AIR OPx-4 plugin instrument. The AIR OPx-4 plugin is a four-operator frequency
modulation powerhouse, delivering the ultimate in FM sound shaping.
•Advance FM synthesis. At the source, each operator is capable of producing complex waveform results via
feedback, formant shaping, FM Filtering and FM shaping parameters.
•Dual multimode filter path with 23 different filter types
•6 envelopes with tempo-synced looping
•2 LFOs
•2 ramps
•3 insert effects slots and 2 global effects slots with dynamic effects. Choose from a huge library of 27 AIR
effects plugins including reverbs, delays, modulation, and distortion.
•Modulation matrix with 32 slots
•Sample layer for adding percussive attacks
This user guide explains the features and functions of the plugin instrument. For more information on using this plugin
with other software, please refer to your software’s documentation for adding and using plugin instruments.
System Requirements & Product Support
For complete system requirements and compatibility information, visit airmusictech.com.
For technical support, visit support.airmusictech.com.
Installation
1. Double-click the .exe (Windows) or .pkg (macOS) file you downloaded. Follow the on-screen instructions to
install the software.
2. Open the plugin application.
3. Click Sign In to sign into your inMusic Brands Profile using your Internet browser. If you do not have an inMusic
Brands Profile yet, you will be prompted to create one.
4. Once you have signed in, click Activate in the plugin window to enter your serial key to unlock the plugin. You
can unlock each plugin on up to three devices at a time.
5. If you do not have a serial key, you can click Try Unlicensed to explore the plugin with intermittent audio alerts.
You can also click 10-Day Trial to initiate a free, fully featured trial of the plugin for 10 days.
If you would like to purchase a serial key, click the link to purchase a license at profile.inmusicbrands.com.
4
Setup Section
1. Keyboard: Click this icon to enable or disable the virtual keyboard. When enabled, you can click these keys to
input notes, or view notes being played on an external MIDI device.
2. Tempo: Displays the current plugin tempo. To change the tempo:
•Click the number and use your keyboard to input a new value.
•Click and drag the tempo value up or down using your cursor.
•Click the Tap button at regular intervals.
3. Settings: Click this icon to open the Settings window, where you can set the following parameters:
•Output: Click this drop-down menu to select an audio hardware driver in your computer system. Click the
Test button to play a test tone for checking your audio output settings. (Careful! You should lower the
volume on your audio system beforehand.)
•Sample Rate: Click this drop-down menu to select the desired sample rate for your project. This depends
on the available sample rates of the type of MPC hardware you are using or of your audio interface (i.e.,
select 96000 Hz only if your interface allows a 96 kHz sample rate).
•Audio Buffer Size: Click this drop-down menu to set your audio system’s latency. Lower values result in a
more immediate playing response but also more CPU consumption. If you are working with larger projects,
this may cause audible clicks and pops. Higher values are more CPU-friendly but can produce more delay
between pressing a pad and hearing the corresponding sound. The ideal audio buffer size also depends on
your computer’s CPU performance. Experiment with this to find the best setting for your system.
•Active MIDI Inputs: Displays available MIDI input devices. To enable a device, check the box next to its
name.
•Bluetooth MIDI: Click this icon to open your system’s Bluetooth settings menu, where you can select a
Bluetooth-enabled MIDI device to control the plugin.
4. Menu: Click this icon to open the menu, where you can find the following options:
•Scale: Click here to select a value to scale the plugin window to a new size.
•Load Preset: Click here to load a saved preset.
•Save Preset: Click here to save the current preset.
•Open User Guide: Click here to open this User Guide.
•About: Click here to view plugin version information.
5. Preset: Click this drop-down menu to view the list of included plugin presets. You can also click the up and
down arrows next to this field to move to the previous or next preset.
1 3
4
2
5
5
Global Controls and Macros
Parameter Description Value Range
Mix & FX Toggles the main view between the Operators
and the Mix & F
X
parameters.
Off, On
Macros These eight macro controls are unique to each
preset.
Varies
Pan Stereo pannin
g
of the instrument. L64 – C – R64
Level Overall volume level of the plugin. -inf – 0.0 – +6.0 dB
6
Operators and FM Matrix
Parameter Description
V
alue Range
Operato
r
s 1–4 Enables or disables the selected voice. Off, On
Ratio As the ratio doubles, the sound goes up one
octave. For instance, if your starting note is C3
(Ratio 1.0000), a Ratio of 0.5000 results in C2, a
Ratio of 2.0000 results in C4, and so on.
0.0000 – 64.0000
Offset Amount of frequency offset in Hz of the
operator from the original pitch.
-9999.00 – 0 – 9999.00
Level
V
olume of the selected Operator in the mix. 0–100%
PW Depth of pulse width modulation. 0–100%
Formant Increases resonant frequencies to adjust the
timbre of the sound.
0.00 – 10.00
FM Matrix Controls the modulation levels for the four
Operator voices.
Use the colored Operator numbers to enable or
disable each voice.
Use the value matrix to decrease or increase
the modulation of the selected voices in the
matrix.
-100 – 0 – +100%
FM Shaping Adjusts the frequency modulation between the
original operator value (at 0) and the squared
value (at 100).
0–100%
FM Filtering Amount of high-end filtering applied to the
sound to reduce harshness.
0–100%
FM Scaling Adjust how much overall modulation from the
FM Matrix is applied to the sound.
0–100%
7
Global / Sample
Click Global to view and edit the global settings for the plugin. Click Sample
to view and edit the settings for the sample layer. You can use this to add a
sampled audio clip as part of the synthesized sound.
Parameter Description Value Range
Global Transpose Transposition of the instrument, in semitones. -48 – 0 – +48 Semitones
Tune Fine tunin
g
of the plu
g
in, in cents. -50 – 0 – +50 Cents
Polyphony Number of available voices. Le
g
ato, Retri
gg
er, 2–7, Poly
Glide Enable or disable pitch
g
lidin
g
. Off, On
Legato Enables or disables pitch gliding for legato
notes.
Off, On
Time Amount of time to slide from the pitch of one
note to the next note played.
0.0 – 2000.0 ms
Sample Laye
r
Select the sample layer sound.
V
aries
Looped Enables or disables loopin
g
of the sample layer. Off, On
Transpose Amount of transposition applied to the sample
layer.
-48 – 0 – +48 semitones
Tune Amount of tuning offset applied to the sample
layer.
-50 – 0 – +50 cents
Level
V
olume of the sample layer. 0–100%
Key Track Ties the pitch of the sample to the pitch being
played.
0–100%
Dec / Rel Len
g
th of decay and release of the sample. 10.00 – 5000.00 ms
Velocity The amount of effect velocity has on the level of
the sample. When set to 0, velocity has no
effect.
0–100%
8
Filter 1/2
Parameter Description
V
alue Range
Type Enables and sets the type of filter applied.
•LP: Low Pass
•BP: Band Pass
•HP: High Pass
•BR: Band Reject
•AP: All Pass
Off, LP4, LP3, LP2, LP1,
BP2, BP4, HP2+LP1,
HP3+LP1, HP4, HP3, HP2,
HP1, BR2, BR4, BR2+LP1,
BR2+LP2, HP1+BR2,
BP2+BR2, HP1+LP2,
HP1+LP3, AP3, AP3+LP1,
HP1+
A
P3
Cutoff Center cutoff frequency of the filter. 55.0 Hz – 20.0 kHz
Res
A
mount of resonance applied to the filter. 0.7–20.0
Drive Amount of overdrive applied to the filter
si
g
nal.
0–100%
LFO 1/2
Click the LFO1 and LFO2 icons to view each LFO’s controls.
Parameter Description
V
alue Range
Global Enables or disables the selected LFO. Off, On
Sync Sync the LFO Speed to the Global Tempo
or turn Off to adjust Speed by Hz.
Off, On
Type Type of modulation waveform. Ramp Up, Ramp Down,
Triangle, Sine, Square,
Rnd1, Rnd2
Speed Speed of modulation.
When Sync is Off:0.10 – 50.00 Hz
When Sync is On:16, 8T, 16D, 8, 4T, 8D, 4,
2T, 4D, 2, 1T, 3/4, 4/4,
5/4, 6/4, 7/4, 8/4
Level Amount of LFO applied. 0–100%
Delay Amount of delay between note start and
LFO start.
0.00 – 15000.00 ms
Phase Position of the waveshape when the sound
is triggered.
0–100%
Fade In Amount of fade-in time applied to the LFO
si
g
nal.
0.00 – 15000.00 ms
9
Utilities
Click the Utilities icon to show these settings in the same area of LFO1/2.
Parameter Description
V
alue Range
Note Counter 1/2 Notes Number of available voices. 2–16
Mode Determines how voices are triggered within the
range set in Notes:
•Wrap: Voices trigger in order and wrap back
around to the minimum once the maximum is
reached.
•Random: A random number is generated
within the value range each time a voice is
played.
•Ping Pong: Alternates between high and low
values within the ran
g
e.
Wrap, Random, Ping
Pong
Velocity Curve Determines how playing notes translates into
velocity values.
At negative values, it takes more force to hit higher
velocity values; at positive values, it takes less
force.
-100 – 0 – +100%
Ramp 1/2 Global Enables or disables applyin
g
the ramp
g
lobally. Off, On
Time Length of time for the selected ramp. 10.00 – 10000.00 ms
Curve
A
djust the shape of the ramp. -100 – 0 – +100%
10
Envelopes 1–6
Use these tabs to adjust the six amplitude modulation envelopes. Tap
the tab to cycle between each, or tap the envelope icons at the top of
the window.
In addition to the controls at the bottom of the window, you can also
directly tap and drag each envelope point in the graph.
Parameter Description Value Range
Time Scale Duration of the envelope. 10.00 – 100.00%
Tempo Sync Length of the envelope relative to the Global Tempo.Set
to Off set the envelope length according to the stage
settin
g
s in milliseconds.
16, 8T, 16D, 8, 4T, 8D, 4, 2T,
4D, 2, 1T, 3/4, 4/4, 5/4, 6/4,
7/4, 8/4, Off
Mode Type of envelope applied. DADSR, Loop, One-Shot
Delay
A
mount of time between note start and envelope start. 0.00 – 15000.00 ms
A
ttack Len
g
th of time for the note to reach full level. 0.50 – 10000.00 ms
Attack Curve Adjust the shape of the envelope’s Attack phase. 0–100%
Decay Length of time for the initial attack decay phase. 1.00 – 10000.00 ms
Decay Level Level of the initial decay phase compared to the attack
phase.
0–100%
Decay Curve
A
djust the shape of the envelope’s Decay phase. 0–100%
Decay 2 Length of time for the secondary decay phase for note to
reach sustain level.
1.00 – 10000.00 ms
Decay 2 Curve
A
djust the shape of the envelope’s Decay 2 phase. 0–100%
Sustain Level of the sound while the note is held. 0–100%
Release Len
g
th of time for the note to dissipate when released. 10.00 – 5000.00 ms
Release Curve Adjust the shape of the envelope’s Release phase. 0–100%
11
Envelopes 1–6 (continued)
Click the Env Scale button to view the Envelope Scaling options, which allow you to further adjust how much of the
envelope is applied.
Parameter Description Value Range
Delay
A
djust the overall Delay envelope amount. 0–100%
A
ttack
A
djust the overall Attack envelope amount. 0–100%
Decay 1 Adjust the overall Decay 1 envelope amount. 0–100%
Decay 1 Level Adjust the overall Decay 1 Level. 0–100%
Decay 2
A
djust the overall Decay 2 envelope amount. 0–100%
Sustain
A
djust the overall Sustain level. 0–100%
Release
A
djust the overall Release envelope amount. 0–100%
Time Stretch
A
djust the overall len
g
th of the envelope. 100.00–400.00%
12
Modulation
The 32 modulation points can be configured to add a wide variety of sound shaping tools.
To enable a modulation point, click the power button to activate it.
To expand the modulation settings, click each modulation number. Click the X icon to return to the list of
Modulations.
To toggle between viewing modulation groups, click the 1–16 or 17–32 icons.
Parameter Description Value Range
Mod 1–32 Power Button Enables or disables each modulation point. Off, On
Mod
A
mount of modulation applied. 0–100%
Type Type of modulation applied. Bipolar, Unipolar, Bipolar
(scaled), Unipolar (reverse)
Min Minimum modulation level of the selected
parameter.
0–100%
Max Maximum modulation level of the selected
parameter.
0–100%
Shaper Determines how the modulation relationship
between the source and target is shaped.
Off, Square, Cubic,
InvSquare, InvCubic,
SquareRoot, CubeRoot, Sine,
DoubleSine, Quantize0025,
Quantize0050, Quantize0075,
Quantize2550, Quantize5075,
Quantize75100,
Amount Amount of the Shaper applied. 0–100%
Source Select the input source of the modulation.
V
aries
Target Select the output target for the modulation. Varies
13
Bus Mix
Use this section to adjust the settings for the three bus mixes:
The columns represent Operators 1–4, the Sample layer, and the submix Panning.
The rows represent the signal path to FX 1–3. Rows 1 and 2 are also routed through Filter 1 and 2, respectively.
Row 3 does not pass through either filter.
All submix outputs will be routed through the Global FX 1–2, if active.
Parameter Description Value Range
Operator 1–4 Volume level of the operator in each submix. 0–100%
Sample Level of sample layer audio in each submix. 0–100%
Pan Stereo pannin
g
of each submix. L64 – C – R64
14
FX1–3
Use these sections to adjust the settings for the three available effects slots:
Off
Chorus
Ensemble
Tremolo
Delay
Multitap Delay
Highpass
EQ (3 bands)
Phaser
Phase (vintage)
Flanger (vintage)
Tube Drive
Compressor
Expander
Click the arrow icon in each FX1–3 slot to select an effect.
Click the 1–3 icon to bypass the effect.
Parameter Description Value Range
Chorus Rate Modulation speed of the chorus effect. 0.01 – 10.0 Hz
Depth Modulation depth of the chorus effect. 0.00 – 24.00 ms
Mix Wet/dry amount of the chorus effect. 0–100%
Delay Amount of delay between the original signal
and modulated signal.
0.00 – 24.00 ms
Feedback
A
mount of si
g
nal feed back into the delay line. 0–100%
Offset Degree of offset that at the start of the LFO
wave.
-180 – 0 – +180 degrees
LFO Wave Type of modulation wave. Tri, Sine
Ensemble Rate Modulation speed of the ensemble effect. 0.01 – 10.0 Hz
Depth Modulation depth of the ensemble effect. 0.00 – 24.00 ms
Mix Wet/dry amount of the ensemble effect. 0–100%
Delay Amount of delay between the original signal
and modulated si
g
nal.
0.00 – 24.00 ms
Shimmer Randomizes the Delay time, adding texture to
the effect.
0–100%
Width Stereo width of the ensemble effect. 0–100%
15
FX1–3 (continued)
Parameter Description
V
alue Range
Tremolo Sync Sync the modulation Rate to the Global Tempo
or turn Off to adjust Rate by Hz.
Off, On
Rate Speed of the modulation.
When Sync is Off: 0.25 – 13.00 Hz
When Sync is On: 8/4, 6/4, 5/4, 4/4, 3/4, 1T, 2,
4D, 2T, 4, 8D, 4T, 8, 16D,
8T, 16
Depth Modulation depth of the tremolo effect. 0–100%
Sync Phase Adjusts the starting position of the modulation
waveform.
-180 – 0 – +180
Shape Type of modulation wave. Sine, Sq
r
Mode Type of effect applied. Trem, Pan
Delay Sync Sync the Delay to the Global Tempo or turn
Off to adjust Delay by milliseconds or seconds.
Off, On
Type Type of delay applied. Mono, Stereo, Cross
Delay Amount of time between the dry signal and the
delayed si
g
nal.
When S
y
nc is Off: 1 ms – 4.00 s
When Sync is On: 16, 8T, 16D, 8, 4T, 8D, 4, 2T,
4D, 2, 1T, 3/4, 4/4, 5/4, 6/4,
7/4, 8/4
Feedback
A
mount of si
g
nal fed back into the delay line. 0–100%
Mix Wet/dry amount of the delay effect. 0–100%
L / R Ratio Reduces the delay Time in either the Left or
Right stereo field. This is useful for creating
offset, panned delays.
L 50:100 – R 100:50
Width Stereo width of the delay effect. 0–100%
Low Cut Center frequency for delay si
g
nal low-cut filter. 20.0 Hz – 1.0 kHz
Hi
g
h Cut Center frequency for delay si
g
nal hi
g
h-cut filter. 1.00 kHz – 20.0 kHz
16
FX1–3 (continued)
Parameter Description
V
alue Range
Multitap Delay From Select the signal where the feedback is taken
from.
Tap 1–5
To Select the si
g
nal where the feedback is sent to. Input, Tap 1–5
Sync
Sync the Delay to the Global Tempo or turn
Off to adjust Delay by milliseconds or seconds.
Off, On
Low Cut Center frequency for delay si
g
nal low-cut filter. 20.0 Hz – 1.0 kHz
Hi
g
h Cut Center frequency for delay si
g
nal hi
g
h-cut filter. 1.00 kHz – 20.0 kHz
Delay Amount of time between the dry signal and the
delayed signal.
When Sync is Off: 1 ms – 4.00 s
When Sync is On: 16, 8T, 16D, 8, 4T, 8D, 4, 2T,
4D, 2, 1T, 3/4, 4/4, 5/4, 6/4,
7/4, 8/4
Feedback Amount of signal fed back into the delay line. 0–100%
Mix Wet/dry amount of the delay effect. 0–100%
Tap 1–5 Enable or disable each tap delay, which create
multiple delay points.
Off, On
Tap Delay 1–5
Percent from the original Delay value that each
tap delay is set to. At 100%, the tap delay uses
the full Delay amount.
0–100%
Tap Level 1–5
V
olume of the tap delay. -inf – 0.0 dB
Tap Pan 1–5 Stereo panning of the tap delay. L100 – C – R100
Hi
g
hpass Cutoff Cutoff frequency of the hi
g
h-pass filter. 0–1000 Hz
Resonance
A
mount of resonance of the filter. 0–100%
EQ (3 bands) Low Gain Level of the low EQ band. -15.0 – 0 – +15.0 dB
Low Freq Center frequency of the low EQ band. 20.0 Hz – 1.00 kHz
Mid Gain Level of the mid EQ band. -15.0 – 0 – +15.0 dB
Mid Q Width of the mid EQ band. 0.50–10.00
Mid Freq Center frequency of the mid EQ band. 40.0 Hz – 16.0 kHz
Hi
g
h Gain Level of the hi
g
h EQ band. -15.0 – 0 – +15.0 dB
Hi
g
h Freq Center frequency of the hi
g
h EQ band. 2.00 – 20.0 kHz
Output Output level of the post-EQ audio. -20.0 – 0 – +20.0 dB
17
FX1–3 (continued)
Parameter Description Value Range
Phaser Sync Sync the Phaser Rate to the Global Tempo or
turn Off to adjust Rate by Hz.
Off, On
Rate Speed of modulation.
When Sync is set to Off: 0.01 – 10.0 Hz
When Sync is set to On: 8/4, 6/4, 5/4, 4/4, 3/4, 1T, 2,
4D, 2T, 4, 8D, 4T, 8, 16D,
8T, 16
Depth
A
mount of modulation applied. 0–100%
Feedback
A
mount of si
g
nal fed back into the audio line. 0–100%
Mix Wet/dry mix of the phase
r
effect. 0–100%
Low Cut Center frequency for the phaser low-cut filter. 20.0 Hz – 1.00 kHz
Cente
r
Center frequency of the phaser poles. 100 Hz – 10.0 kHz
Poles Number of phase stages, where a higher
number creates a more intense phasin
g
effect.
2, 4, 6, 8
LFO Wave Adjusts the modulation wave between a triangle
wave and sine wave.
0–100%
Offset Degree of offset that at the start of the LFO
wave.
-180 – 0 – +180 deg
Phase (vintage) Rate Speed of modulation. 0.10 – 10.00 Hz
Depth
A
mount of modulation applied. 0–100%
Feedback Amount of signal fed back into the audio line. 0–100%
Mix Wet/dry mix of the phase
r
effect. 0–100%
Offset Degree of offset applied to start of the LFO
wave or the modulation speed.
When Phase/Rate is set to Phase: -180 – 0 – +180 deg
When Phase/Rate is set to Rate: 25–400%
Phase/Rate
Determines what is affected by the Offset
control.
Phase, Rate
Model Type of vinta
g
e phaser model.
V
ibe, Stone, Ninety, Tron
Flanger
(vinta
g
e)
Rate Speed of modulation. 0.10 – 10.00 Hz
Depth
A
mount of modulation applied. 0–100%
Mix Wet/dry mix of the phase
r
effect. 0–100%
Feedback
A
mount of si
g
nal fed back into the audio line. 0–100%
Headroom Amount of gain reduction between the clean
signal and the flanger signal.
-20.0 – 0.0 dB FS
18
FX1–3 (continued)
Parameter Description Value Range
Tube Drive Drive Amount of drive applied. 0–100%
Headroom Point at which the incoming signal starts to
distort. At lower settings, the signal will distort
even at low volumes. At higher settings, the
signal will remain “clean” at lower or mid-range
volumes and then start distorting when it
becomes very loud
-30.0 – 0.0 dB
Saturation
A
mount of saturation applied. 0–100%
Output Output level of the post-drive audio. -20.0 – 0 – +20.0 dB
Compressor Type Type of compression applied. Peak, RMS, Opto
Threshold Signal level after which the compressor will be
applied.
-40.0 – 0.0 dB
Ratio
A
mount of compression applied. 1.0:1 – 100:1
Output Amount of additional output gain for the
compressed si
g
nal.
-20.0 – 0 – +20.0 dB
Knee How gradually the compressor reacts as the
threshold is reached.
Lower values apply a "soft" knee (compression
is applied more slowly as signal approaches the
threshold), and higher values apply a "hard"
knee (compression is immediately applied when
the th
r
eshold is reached).
0–100%
A
ttack Len
g
th of time to apply the compression. 10.0 us – 100 ms
Release Length of time for compressed signal to return
to original level.
10.0 ms – 10.00 s
Low Sens Sensitivity threshold of the compressor for low-
end frequencies.
-12.0 – 0 – +12.0 dB
High Sens Sensitivity threshold of the compressor for
hi
g
h-end frequencies.
-12.0 – 0 – +12.0 dB
Expander Threshold Signal level below which the expander will
reduce signal.
-40.0 – 0.0 dB
Ratio
A
mount of expansion applied. 1:1.0 – 1:100
Range Set the dynamic range above the threshold
value.
0.0 – 40.0 dB
Output Output level of the expansion audio. -20.0 – 0 – +20.0 dB
A
ttack Len
g
th of time to apply the expansion. 10.0 us – 100 ms
Release Length of time for expanded signal to return to
original level.
10.0 ms – 10.00 s
19
Global FX1–2
Use these sections to adjust the settings for the two available global effects slots:
Off
Chorus
MultiChorus
Ensemble
Temolo
Delay
Tape Delay
Multitap Delay
Highpass
EQ (Parametric)
EQ (3 bands)
Phaser
Phase (vintage)
Flanger
Flanger (vintage)
Amp Sim
Talk Box
FuzzWah
Tube Drive
Overdrive
Decimator
Compressor
Maximizer
Expander
Enhancer
Reverb
Spring Reverb
Gated Reverb
Click the arrow icon in each G1–2 slot to select an effect.
Click the G1–G2 icon to bypass the effect.
Parameter Description Value Range
Chorus See FX1–3 description above.
MultiChorus Rate Modulation speed of the chorus effect. 0.01 – 10.0 Hz
Depth Modulation depth of the chorus effect. 0.00 – 24.00 ms
Voice Count Number of copies of the sound used to create
the chorus effect.
3, 4, 6
Mix Wet/dry amount of the chorus effect. 0–100%
Delay Amount of delay between the original signal
and modulated si
g
nal.
0.00 – 24.00 ms
Width Stereo width of the effect. 0–100%
Low Cut Center frequency for the effect low-cut filter. 20.0 Hz – 1.00 kHz
LFO Wave Type of modulation wave. Tri, Sine
Ensemble See FX1–3 description above.
Tremolo See F
X
1–3 description
a
b
ove.
Delay See FX1–3 description above.
20
Global FX1–2 (continued)
Parameter Description Value Range
Tape Delay Tape Head
On/Off 1–4
Enables or disables each tape head, which
create multiple delay points.
Off, On
Tape Head
Delay 1–4
Percent from the original Delay value that each
tape head is set to. At 100%, the tape head uses
the full Delay amount.
0–100%
Tape Head Mix
1–4
Wet/dry amount of the tape head. 0–100%
Tape Head Pan
1–4
Stereo panning of the tape head. L100 – C – R100
Tape Head
Feedback 1–4
Amount of signal from the tape head fed back
into the delay line.
0–100%
Sync
Sync the Delay to the Global Tempo or turn Off
to adjust Delay by milliseconds or seconds.
Off, On
Delay Amount of time between the dry signal and the
delayed signal.
When Sync is Off: 1 – 4000 ms
When Sync is On: 16, 8T, 16D, 8, 4T, 8D, 4, 2T,
4D, 2, 1T, 3/4, 4/4, 5/4, 6/4,
7/4, 8/4
Speed Rate that the simulated tape moves. 0.0 – 15.0 ips
Input Level of the incomin
g
si
g
nal. -inf – 0 – + 12.0 dB
Output Level of the outgoing signal. -inf – 0 – + 12.0 dB
Feedback
A
mount of si
g
nal fed back into the delay line. 0–100%
Low Cut Center frequency for delay signal low-cut filter. 20.0 Hz – 1.0 kHz
Hi
g
h Cut Center frequency for delay si
g
nal hi
g
h-cut filter. 1.00 kHz – 20.0 kHz
Mix Wet/dry amount of the delay effect. 0–100%
Wow Rate Speed of wow pitch variation. 0.10 – 20.0 Hz
Wow Depth Modulation depth of wow pitch variation. 0–100%
Flutter Rate Speed of flutter pitch variation. 10.0 Hz – 1.00 kHz
Flutter Depth Modulation depth of flutter pitch variation. 0–100%
Multitap
Delay
See FX1–3 description above.
Highpass See FX1–3 description above.
Table of contents
Other Air Synthesizer manuals
