Behringer DEEPMIND 12 User manual

Quick Start Guide
DeepMind 12
True Analog 12-Voice Polyphonic Synthesizer with 4 FX Engines, 2 OSCs and LFOs
per Voice, 3 ADSR Generators, 8-Channel Modulation Matrix, 32-Step Sequencer,
Tablet Remote Control and Built-In WiFi
V 5.0

2DeepMind 12 Quick Start Guide 3
Las terminales marcadas con este símbolo
transportan corriente eléctrica de
magnitud suciente como para constituir
un riesgo de descarga eléctrica. Utilice solo cables de
altavoz profesionales y de alta calidad con conectores
TS de 6,3 mm o de bayoneta prejados. Cualquier otra
instalación o modicación debe ser realizada únicamente
por un técnico cualicado.
Este símbolo, siempre que aparece,
leadvierte de la presencia de voltaje
peligroso sin aislar dentro de la caja;
estevoltaje puede ser suciente para constituir un riesgo
dedescarga.
Este símbolo, siempre que aparece,
leadvierte sobre instrucciones operativas
y de mantenimiento que aparecen en la
documentación adjunta. Por favor, lea el manual.
Atención
Para reducir el riesgo de descarga
eléctrica, no quite la tapa (o la parte
posterior). No hay piezas en el interior del equipo que
puedan ser reparadas por el usuario. Si es necesario,
póngase en contacto con personal cualicado.
Atención
Para reducir el riesgo de incendio o
descarga eléctrica, no exponga este
aparato a la lluvia, humedad o alguna otra fuente que
pueda salpicar o derramar algún líquido sobre el aparato.
Nocoloque ningún tipo de recipiente para líquidos sobre
el aparato.
Atención
Las instrucciones de servicio deben
llevarlas a cabo exclusivamente personal
cualicado. Para evitar el riesgo de una descarga eléctrica,
no realice reparaciones que no se encuentren descritas
en el manual de operaciones. Lasreparaciones deben ser
realizadas exclusivamente por personalcualicado.
1. Lea las instrucciones.
2. Conserve estas instrucciones.
3. Preste atención a todas las advertencias.
4. Siga todas las instrucciones.
5. No use este aparato cerca del agua.
6. Limpie este aparato con un paño seco.
7. No bloquee las aberturas de ventilación. Instale el
equipo de acuerdo con las instrucciones del fabricante.
8. No instale este equipo cerca de fuentes de calor
tales como radiadores, acumuladores de calor, estufas u
otros aparatos (incluyendo amplicadores) que puedan
producir calor.
9. No elimine o deshabilite nunca la conexión a tierra
del aparato o del cable de alimentación de corriente.
Unenchufe polarizado tiene dos polos, uno de los cuales
tiene un contacto más ancho que el otro. Una clavija con
puesta a tierra dispone de tres contactos: dos polos y la
puesta a tierra. El contacto ancho y el tercer contacto,
respectivamente, son los que garantizan una mayor
seguridad. Si el enchufe suministrado con el equipo no
concuerda con la toma de corriente, consulte con un
electricista para cambiar la toma de corriente obsoleta.
10. Coloque el cable de suministro de energía de manera
que no pueda ser pisado y que esté protegido de objetos
alados. Asegúrese de que el cable de suministro de
energía esté protegido, especialmente en la zona de la
clavija y en el punto donde sale del aparato.
11. Use únicamente los dispositivos o accesorios
especicados por el fabricante.
12. Use únicamente la
carretilla, plataforma,
trípode, soporte o mesa
especicados por el
fabricante o suministrados
junto con el equipo.
Altransportar el equipo,
tenga cuidado para evitar
daños y caídas al tropezar con algún obstáculo.
13. Desenchufe el equipo durante tormentas o si no va a
utilizarlo durante un periodo largo.
14. Confíe las reparaciones únicamente a servicios
técnicos cualicados. La unidad requiere mantenimiento
siempre que haya sufrido algún daño, si el cable de
suministro de energía o el enchufe presentaran daños,
sehubiera derramado un líquido o hubieran caído objetos
dentro del equipo, si el aparato hubiera estado expuesto
a la humedad o la lluvia, si ha dejado de funcionar de
manera normal o si ha sufrido algún golpe o caída.
15. Al conectar la unidad a la toma de corriente eléctrica
asegúrese de que la conexión disponga de una unión
atierra.
16. Si el enchufe o conector de red sirve como único
medio de desconexión, éste debe ser accesiblefácilmente.
17. Cómo debe deshacerse de
este aparato: Este símbolo indica
que este aparato no debe ser
tratado como basura orgánica,
según lo indicado en la Directiva
WEEE (2012/19/EU) y a las
normativas aplicables en su país.
En lugar de ello deberá llevarlo al punto limpio más
cercano para el reciclaje de sus elementos eléctricos/
electrónicos (EEE). Al hacer esto estará ayudando a
prevenir las posibles consecuencias negativas para el
medio ambiente y la salud que podrían ser provocadas
por una gestión inadecuada de este tipo de aparatos.
Además, el reciclaje de materiales ayudará a conservar
los recursos naturales. Para más información acerca del
reciclaje de este aparato, póngase en contacto con el
Ayuntamiento de su ciudad o con el punto limpio local.
18. No instale esta unidad en un espacio muy reducido,
tal como encastrada en una librería o similar.
19. No coloque objetos con llama, como una vela
encendida, sobre este aparato.
20. Tenga presentes todas las advertencias relativas
al reciclaje y correcta eliminación de las pilas. Las pilas
deben ser siempre eliminadas en un punto limpio y nunca
con el resto de la basura orgánica.
21. Puede usar este aparato en lugares con climas
tropicales y moderados que soporten temperaturas de
hasta 45°C.
MusicTribe no admite ningún tipo de responsabilidad
por cualquier daño o pérdida que pudiera sufrir
cualquier persona por conar total o parcialmente en la
descripciones, fotografías o armaciones contenidas en
este documento. Las especicaciones técnicas, imágenes
y otras informaciones contenidas en este documento
están sujetas a modicaciones sin previo aviso. Todas las
marcas comerciales que aparecen aquí son propiedad
de sus respectivos dueños. Midas, KlarkTeknik,
Lab Gruppen, Lake,Tannoy,Turbosound,TC Electronic,
TC Helicon, Behringer, Bugera, Oberheim, Auratone y
Coolaudio son marcas comerciales o marcas registradas
de MusicTribe Global Brands Ltd. © Music Tribe Global
Brands Ltd. 2021 Reservados todos los derechos.
Si quiere conocer los detalles y condiciones aplicables
de la garantía así como información adicional sobre la
Garantía limitada de MusicTribe, consulte online toda la
información en la web musictribe.com/warranty.
Instrucciones de
seguridad
NEGACIÓN LEGAL
GARANTÍA LIMITADA
Important Safety
Instructions
LEGAL DISCLAIMER
LIMITED WARRANTY
Terminals marked with this symbol carry
electrical current of sucient magnitude
to constitute risk of electric shock.
Use only high-quality professional speaker cables with
¼"TS or twist-locking plugs pre-installed. Allother
installation or modication should be performed only
by qualiedpersonnel.
This symbol, wherever it appears,
alertsyou to the presence of uninsulated
dangerous voltage inside the
enclosure-voltage that may be sucient to constitute a
risk ofshock.
This symbol, wherever it appears,
alertsyou to important operating and
maintenance instructions in the
accompanying literature. Please read the manual.
Caution
To reduce the risk of electric shock, donot
remove the top cover (or the rear section).
No user serviceable parts inside. Refer servicing to
qualied personnel.
Caution
To reduce the risk of re or electric shock,
do not expose this appliance to rain and
moisture.The apparatus shall not be exposed to dripping
or splashing liquids and no objects lled with liquids,
suchas vases, shall be placed on the apparatus.
Caution
These service instructions are for use
by qualied service personnel only.
Toreduce the risk of electric shock do not perform any
servicing other than that contained in the operation
instructions. Repairs have to be performed by qualied
servicepersonnel.
1. Read these instructions.
2. Keep these instructions.
3. Heed all warnings.
4. Follow all instructions.
5. Do not use this apparatus near water.
6. Clean only with dry cloth.
7. Do not block any ventilation openings. Install in
accordance with the manufacturer’s instructions.
8. Do not install near any heat sources such as
radiators, heat registers, stoves, or other apparatus
(including ampliers) that produce heat.
9. Do not defeat the safety purpose of the polarized
or grounding-type plug. A polarized plug has two blades
with one wider than the other. A grounding-type plug
has two blades and a third grounding prong.The wide
blade or the third prong are provided for your safety. Ifthe
provided plug does not t into your outlet, consult an
electrician for replacement of the obsolete outlet.
10. Protect the power cord from being walked on or
pinched particularly at plugs, convenience receptacles,
and the point where they exit from the apparatus.
11. Use only attachments/accessories specied by
themanufacturer.
12. Use only with the
cart, stand, tripod, bracket,
or table specied by the
manufacturer, orsold with
the apparatus.When a cart
is used, use caution when
moving the cart/apparatus
combination to avoid
injury from tip-over.
13. Unplug this apparatus during lightning storms or
when unused for long periods of time.
14. Refer all servicing to qualied service personnel.
Servicing is required when the apparatus has been
damaged in any way, such as power supply cord or plug
is damaged, liquid has been spilled or objects have fallen
into the apparatus, the apparatus has been exposed
to rain or moisture, does not operate normally, or has
beendropped.
15. The apparatus shall be connected to a MAINS socket
outlet with a protective earthing connection.
16. Where the MAINS plug or an appliance coupler is
used as the disconnect device, the disconnect device shall
remain readily operable.
17. Correct disposal of this
product:This symbol indicates
that this product must not be
disposed of with household
waste, according to theWEEE
Directive (2012/19/EU) and
your national law.This product
should be taken to a collection center licensed for the
recycling of waste electrical and electronic equipment
(EEE).The mishandling of this type of waste could have
a possible negative impact on the environment and
human health due to potentially hazardous substances
that are generally associated with EEE. At the same time,
your cooperation in the correct disposal of this product
will contribute to the ecient use of natural resources.
For more information about where you can take your
waste equipment for recycling, please contact your local
city oce, or your household waste collection service.
18. Do not install in a conned space, such as a book
case or similar unit.
19. Do not place naked ame sources, such as lighted
candles, on the apparatus.
20. Please keep the environmental aspects of battery
disposal in mind. Batteries must be disposed-of at a
battery collection point.
21.
This apparatus may be used in tropical and moderate
climates up to 45°C.
MusicTribe accepts no liability for any loss which may
be suered by any person who relies either wholly or in
part upon any description, photograph, or statement
contained herein. Technical specications, appearances
and other information are subject to change without
notice. All trademarks are the property of their
respective owners. Midas, KlarkTeknik, Lab Gruppen,
Lake,Tannoy,Turbosound, TC Electronic,TC Helicon,
Behringer, Bugera, Oberheim, Auratone and Coolaudio
are trademarks or registered trademarks of Music
Tribe Global Brands Ltd. © Music Tribe Global Brands
Ltd. 2021 All rights reserved.
For the applicable warranty terms and conditions
and additional information regarding MusicTribe’s
LimitedWarranty, please see complete details online at
musictribe.com/warranty.

12 DeepMind 12 Quick Start Guide 13
(EN) Step 1: Hook-Up
(ES) Paso 1: Conexión
(FR) Etape 1 : Connexions
(DE)
Schritt 1: Verkabelung
(PT) Passo 1: Conexões
(IT) Passo 1: Allacciare
(NL) Stap 1: Hook-Up
(SE) Steg 1: Anslutning
(PL) Krok 1: Podłączeni
DeepMind 12 Hook-up
Expression Pedal
Headphones
Footswitch
DeepMind iOS App
DeepMind iOS App
OUTPUT2
CVNORM
OUTPUT1MINVOL
10
0
OUTPUT2
CVNORM
OUTPUT1MINVOL
10
0
Desktop Computer
MIDI Controller
Expression Pedal
Headphones
Studio Monitors
Audio Interface
Footswitch
DeepMind iOS App
Wi-Fi Connection
OUTPUT2
CVNORM
OUTPUT1MINVOL
10
0
Mixing console
Active Loudspeakers
Laptop Computer
MIDI Controller
Expression Pedal
Headphones
Footswitch
Live System
Sistema para actuación en directo
Système pour représentation
Live-System
Sistema Ao Vivo
Sistema live
Live-systeem
Live-system
System na żywo
Studio System
Sistema para estudio de grabación
Système de studio
Studio-System
Sistema de Estúdio
Studio System
Studio-systeem
Studio-systemet
Studio System
Band / Practice System
Sistema para un grupo/ensayos
Système pour répétition
Band/Proberaum-System
Sistema Banda/Prática
Sistema band / pratica
Band / oefensysteem
Band / övningssystem
Zespół / system ćwiczeń

12 DeepMind 12 Quick Start Guide 13
(EN) Step 1: Hook-Up
(ES) Paso 1: Conexión
(FR) Etape 1 : Connexions
(DE)
Schritt 1: Verkabelung
(PT) Passo 1: Conexões
(IT) Passo 1: Allacciare
(NL) Stap 1: Hook-Up
(SE) Steg 1: Anslutning
(PL) Krok 1: Podłączeni
DeepMind 12 Hook-up
Expression Pedal
Headphones
Footswitch
DeepMind iOS App
DeepMind iOS App
OUTPUT2
CVNORM
OUTPUT1MINVOL
10
0
OUTPUT2
CVNORM
OUTPUT1MINVOL
10
0
Desktop Computer
MIDI Controller
Expression Pedal
Headphones
Studio Monitors
Audio Interface
Footswitch
DeepMind iOS App
Wi-Fi Connection
OUTPUT2
CVNORM
OUTPUT1MINVOL
10
0
Mixing console
Active Loudspeakers
Laptop Computer
MIDI Controller
Expression Pedal
Headphones
Footswitch
Live System
Sistema para actuación en directo
Système pour représentation
Live-System
Sistema Ao Vivo
Sistema live
Live-systeem
Live-system
System na żywo
Studio System
Sistema para estudio de grabación
Système de studio
Studio-System
Sistema de Estúdio
Studio System
Studio-systeem
Studio-systemet
Studio System
Band / Practice System
Sistema para un grupo/ensayos
Système pour répétition
Band/Proberaum-System
Sistema Banda/Prática
Sistema band / pratica
Band / oefensysteem
Band / övningssystem
Zespół / system ćwiczeń

14 DeepMind 12 Quick Start Guide 15
DeepMind 12 Controls
(EN) Step 2: Controls
(5) (6) (7) (1) (3)
(2) (4) (8) (9) (10) (11) (12)
(13)
(20)
(20)
(19)
(18)
(17)
(16)
(15)
(14)
(1) DISPLAY - this large backlit LCD screen shows
the synthesizer status, parameters, and the
ve main menus. The contrast and brightness
are adjustable on the PANEL SETTINGS page of
the GLOBAL menu.
(2) NAVIGATION - navigate within the display
menus using the UP, DOWN, +/YES and
-/NO buttons.
(3) MENUS - these switches allow access to the
display menus.
PROG MENU - the main display of the
synthesizer. Shows the current program, the
currently adjusted parameter and a visual
representation of the parameter and the
three envelopes.
FX MENU - add up to four eects from the
list available. Change the eects routing by
selecting one of the ten MODEs available.
Each of the eects has individual controls
for all parameters.
GLOBAL MENU - view and adjust settings
for the synthesizer. There are ve pages,
CONNECTIVITY, KEYBOARD, PEDAL,
PANEL and SYSTEM.
COMPARE MENU - in this menu, you can
compare the current program with the stored
program and see the dierence in physical
fader positions.
WRITE MENU - in this menu, you can write
the current program settings to the program
library. You can also rename the program and
set its category type.
(4) DATA ENTRY - selected parameters on the
display are adjusted using the rotary knob or
the fader. The rotary knob has a click which
allows very accurate control. The fader allows
rapid adjustment across the full range.
MOD - this switch opens the modulation
matrix on the display and allows up to 8
modulations to be created from the list of
sources and destinations.
(5) ARP/SEQ - this area controls the arpeggiator
and the control sequencer.
ON/OFF - when activated, this generates an
arpeggio based on pressed keys. Note - the
control sequencer is turned on from its edit
page only.
RATE - adjusts the rate of the arpeggiator /
sequencer in beats per minute (BPM).
GATE TIME - adjusts the duration of the note
played based on a percentage of the time
between triggered notes.
CHORD - allows you to play any chord with a
single key. The chord is given a root note and
mapped across the keyboard.
POLY CHORD - allows you to play multiple
chords from multiple keys. The chords are
mapped to individual keys.
TAP/HOLD - tap this button in time with your
performance to set the rate/BPM, or press and
hold to engage the HOLD function.
EDIT - this allows additional arpeggiator/
control sequencer parameters to be edited
from the main display.
(6) LFO 1 and 2- low frequency oscillators used
to modulate or control other parameters.
RATE- this sets the rate, or speed of the LFO.
DELAY TIME - the duration of time which will
elapse before the LFO starts.
EDIT - this allows additional LFO parameters
to be edited from the main display.
LFO WAVEFORMs - these LEDs indicate the
type and status of the waveforms produced
by each LFO.
(7) OSC 1 & 2 - These analog full range oscillators
create waveforms which are the sound source
of the synthesizer.
OSC 1 & 2 PITCH MOD - amount of pitch
modulation applied to respective OSC.
OSC 1 SQUAREWAVE - this switch turns the
square wave output for OSC 1 on/o.
OSC 1 PWM - amount of pulse width
modulation applied to the OSC 1 square wave.
OSC 1 SAWTOOTH - this switch turns the
sawtooth output for OSC 1 on/o.
OSC 2 TONE MOD- amount of tone
modulation applied to OSC 2.
OSC 2 PITCH - controls the base pitch
of OSC 2.
OSC 2 LEVEL - controls the level of OSC 2.
NOISE LEVEL - controls the amount of white
noise added to the oscillators.
EDIT- this allows additional OSC parameters
to be edited from the main display.
(8) POLY - this area is used to control the
polyphony of the synthesizer.
UNISON DETUNE - when voices are playing in
unison, this adjusts the amount of detuning
between the voices.
EDIT- this allows additional POLY parameters
to be edited from the main display.
(9) VCF - the voltage controlled low pass lter
used to lter high frequencies from the sound
of the synthesizer.
FREQ - adjusts the cut-o frequency of
the lter.
2-POLE - changes the roll o slope of the
lter from the default 4-POLE mode to a
2-POLE mode.
RES - adjusts the resonance of the lter
cut-o point.
EDIT - allows additional VCF parameters to be
edited from the main display.
ENV - adjusts the level of the VCF ENVELOPE
which controls the lter cut-o frequency.
INVERT - used to invert the polarity of
the VCF envelope applied to the lter
cut-o frequency.
LFO - adjusts the depth of the selected
LFO waveform applied to the lter
cut-o frequency.
KYBD - adjusts the amount of keyboard
tracking to be applied to the lter
cut-o frequency.
(10) VCA - the voltage controlled amplier used to
control the output level.
LEVEL - controls the output level of the VCA.
EDIT - this allows additional VCA parameters
to be edited from the main display.
(11) HPF - the voltage controlled high pass lter
used to lter low frequencies from the sound
of the synthesizer.
FREQ - used to adjust the frequency of the
high pass lter.
BOOST - this switch applies a +12 dB bass
boost to the signal path
(5) (6) (7) (1) (3)
(2) (4) (8) (9) (10) (11) (12)
(13)
(20)
(20)
(19)
(18)
(17)
(16)
(15)
(14)

14 DeepMind 12 Quick Start Guide 15
DeepMind 12 Controls
(EN) Step 2: Controls
(5) (6) (7) (1) (3)
(2) (4) (8) (9) (10) (11) (12)
(13)
(20)
(20)
(19)
(18)
(17)
(16)
(15)
(14)
(1) DISPLAY - this large backlit LCD screen shows
the synthesizer status, parameters, and the
ve main menus. The contrast and brightness
are adjustable on the PANEL SETTINGS page of
the GLOBAL menu.
(2) NAVIGATION - navigate within the display
menus using the UP, DOWN, +/YES and
-/NO buttons.
(3) MENUS - these switches allow access to the
display menus.
PROG MENU - the main display of the
synthesizer. Shows the current program, the
currently adjusted parameter and a visual
representation of the parameter and the
three envelopes.
FX MENU - add up to four eects from the
list available. Change the eects routing by
selecting one of the ten MODEs available.
Each of the eects has individual controls
for all parameters.
GLOBAL MENU - view and adjust settings
for the synthesizer. There are ve pages,
CONNECTIVITY, KEYBOARD, PEDAL,
PANEL and SYSTEM.
COMPARE MENU - in this menu, you can
compare the current program with the stored
program and see the dierence in physical
fader positions.
WRITE MENU - in this menu, you can write
the current program settings to the program
library. You can also rename the program and
set its category type.
(4) DATA ENTRY - selected parameters on the
display are adjusted using the rotary knob or
the fader. The rotary knob has a click which
allows very accurate control. The fader allows
rapid adjustment across the full range.
MOD - this switch opens the modulation
matrix on the display and allows up to 8
modulations to be created from the list of
sources and destinations.
(5) ARP/SEQ - this area controls the arpeggiator
and the control sequencer.
ON/OFF - when activated, this generates an
arpeggio based on pressed keys. Note - the
control sequencer is turned on from its edit
page only.
RATE - adjusts the rate of the arpeggiator /
sequencer in beats per minute (BPM).
GATE TIME - adjusts the duration of the note
played based on a percentage of the time
between triggered notes.
CHORD - allows you to play any chord with a
single key. The chord is given a root note and
mapped across the keyboard.
POLY CHORD - allows you to play multiple
chords from multiple keys. The chords are
mapped to individual keys.
TAP/HOLD - tap this button in time with your
performance to set the rate/BPM, or press and
hold to engage the HOLD function.
EDIT - this allows additional arpeggiator/
control sequencer parameters to be edited
from the main display.
(6) LFO 1 and 2- low frequency oscillators used
to modulate or control other parameters.
RATE- this sets the rate, or speed of the LFO.
DELAY TIME - the duration of time which will
elapse before the LFO starts.
EDIT - this allows additional LFO parameters
to be edited from the main display.
LFO WAVEFORMs - these LEDs indicate the
type and status of the waveforms produced
by each LFO.
(7) OSC 1 & 2 - These analog full range oscillators
create waveforms which are the sound source
of the synthesizer.
OSC 1 & 2 PITCH MOD - amount of pitch
modulation applied to respective OSC.
OSC 1 SQUAREWAVE - this switch turns the
square wave output for OSC 1 on/o.
OSC 1 PWM - amount of pulse width
modulation applied to the OSC 1 square wave.
OSC 1 SAWTOOTH - this switch turns the
sawtooth output for OSC 1 on/o.
OSC 2 TONE MOD- amount of tone
modulation applied to OSC 2.
OSC 2 PITCH - controls the base pitch
of OSC 2.
OSC 2 LEVEL - controls the level of OSC 2.
NOISE LEVEL - controls the amount of white
noise added to the oscillators.
EDIT- this allows additional OSC parameters
to be edited from the main display.
(8) POLY - this area is used to control the
polyphony of the synthesizer.
UNISON DETUNE - when voices are playing in
unison, this adjusts the amount of detuning
between the voices.
EDIT- this allows additional POLY parameters
to be edited from the main display.
(9) VCF - the voltage controlled low pass lter
used to lter high frequencies from the sound
of the synthesizer.
FREQ - adjusts the cut-o frequency of
the lter.
2-POLE - changes the roll o slope of the
lter from the default 4-POLE mode to a
2-POLE mode.
RES - adjusts the resonance of the lter
cut-o point.
EDIT - allows additional VCF parameters to be
edited from the main display.
ENV - adjusts the level of the VCF ENVELOPE
which controls the lter cut-o frequency.
INVERT - used to invert the polarity of
the VCF envelope applied to the lter
cut-o frequency.
LFO - adjusts the depth of the selected
LFO waveform applied to the lter
cut-o frequency.
KYBD - adjusts the amount of keyboard
tracking to be applied to the lter
cut-o frequency.
(10) VCA - the voltage controlled amplier used to
control the output level.
LEVEL - controls the output level of the VCA.
EDIT - this allows additional VCA parameters
to be edited from the main display.
(11) HPF - the voltage controlled high pass lter
used to lter low frequencies from the sound
of the synthesizer.
FREQ - used to adjust the frequency of the
high pass lter.
BOOST - this switch applies a +12 dB bass
boost to the signal path
(5) (6) (7) (1) (3)
(2) (4) (8) (9) (10) (11) (12)
(13)
(20)
(20)
(19)
(18)
(17)
(16)
(15)
(14)

16 DeepMind 12 Quick Start Guide 17
DeepMind 12 Controls
(EN) Step 2: Controls
(22) (21)
(23) (24) (25) (26) (27) (28) (29) (30)
(22) (21)
(23) (24) (25) (26) (27) (28) (29) (30)
(12) ENVELOPE - these are the three envelopes
used to modulate other parameters.
A [ATTACK] - controls the attack time of
the envelope.
D [DECAY] - controls the decay time of
the envelope.
S [SUSTAIN] - controls the sustain level of
the envelope.
R [RELEASE] - controls the release time of
the envelope.
VCA - selects the envelope used to control the
voltage controlled amplier.
VCF - selects the envelope used to control the
voltage controlled lter.
MOD - selects the envelope used for user
specic modulation.
CURVES - changes the ADSR controls to
aect the associated curves for each stage of
the envelope.
(13) VOICES - these LEDs show which voices are
active as keys are played.
(14) OCTAVE - these LEDs show the octave shift
applied to the keyboard.
(15) PORTAMENTO - changes the slide time
between played notes.
(16) VOLUME - controls the output level of
the synthesizer.
(17) OCTAVE UP/DOWN - raise or lower the
keyboard’s pitch range in steps of an octave.
(18) PITCH BEND WHEEL - this spring loaded
wheel allows you to lower / raise the
pitch expressively.
(19) MOD WHEEL - used for expressive modulation
of parameters.
(20) KEYS - 49 semi-weighted full-size keys
featuring expressive velocity and after-touch.
Rear Panel
(21) POWER INPUT - connect using the supplied
power cable only.
(22) POWER SWITCH - use this to turn the
synthesizer on and o. Only turn it on after all
connections have been made.
(23) OUTPUT L / R - this is the main output of the
synthesizer. It should be connected to your
audio interface or sound system. Remember
to turn your monitors / loudspeakers on last
when turning on your system and turn your
monitors / loudspeakers o rst when turning
your system o.
(24) PHONES - the headphones output of
the synthesizer follows the main output.
Connect your headphones here. Ensure
the volume control is at minimum when
putting on headphones or when turning the
synthesizer on or o.
(25) SUSTAIN - this ¼" TS jack allows you to
connect a sustain pedal, such as a normally-
open switch. The operation of this pedal
can be customized using the GLOBAL /
PEDAL SETTINGS menu.
(26) PEDAL/CV - this ¼" TRS jack allows you to
connect an expression pedal. The operation
of this pedal can be customized using the
GLOBAL / PEDAL SETTINGS menu.
(27) MIDI IN - this 5-pin DIN jack receives
MIDI data from an external source. This
will commonly be an external hardware
sequencer, a computer equipped with a MIDI
interface, etc.
(28) MIDI OUT - this 5-pin DIN jack sends MIDI
data to an external source. This will commonly
be an external hardware sequencer, a
computer equipped with a MIDI interface, etc.
(29) MIDI THRU - this 5-pin DIN jack is used to
pass through MIDI data received at the MIDI
INPUT. This will commonly be sent to another
synthesizer or drum machine assigned to a
dierent DEVICE ID, or MIDI Channel.
(30) USB PORT - this USB type B jack allows
connection to a computer. The DeepMind 12
will show up as a class-compliant USB MIDI
device, capable of supporting MIDI in and
out. The DeepMind 12 does not require any
additional drivers to work with Windows,
Android, MacOS and iOS devices.
USB MIDI IN - accepts incoming MIDI data
from an application.
USB MIDI OUT - sends MIDI data
to an application.

16 DeepMind 12 Quick Start Guide 17
DeepMind 12 Controls
(EN) Step 2: Controls
(22) (21)
(23) (24) (25) (26) (27) (28) (29) (30)
(22) (21)
(23) (24) (25) (26) (27) (28) (29) (30)
(12) ENVELOPE - these are the three envelopes
used to modulate other parameters.
A [ATTACK] - controls the attack time of
the envelope.
D [DECAY] - controls the decay time of
the envelope.
S [SUSTAIN] - controls the sustain level of
the envelope.
R [RELEASE] - controls the release time of
the envelope.
VCA - selects the envelope used to control the
voltage controlled amplier.
VCF - selects the envelope used to control the
voltage controlled lter.
MOD - selects the envelope used for user
specic modulation.
CURVES - changes the ADSR controls to
aect the associated curves for each stage of
the envelope.
(13) VOICES - these LEDs show which voices are
active as keys are played.
(14) OCTAVE - these LEDs show the octave shift
applied to the keyboard.
(15) PORTAMENTO - changes the slide time
between played notes.
(16) VOLUME - controls the output level of
the synthesizer.
(17) OCTAVE UP/DOWN - raise or lower the
keyboard’s pitch range in steps of an octave.
(18) PITCH BEND WHEEL - this spring loaded
wheel allows you to lower / raise the
pitch expressively.
(19) MOD WHEEL - used for expressive modulation
of parameters.
(20) KEYS - 49 semi-weighted full-size keys
featuring expressive velocity and after-touch.
Rear Panel
(21) POWER INPUT - connect using the supplied
power cable only.
(22) POWER SWITCH - use this to turn the
synthesizer on and o. Only turn it on after all
connections have been made.
(23) OUTPUT L / R - this is the main output of the
synthesizer. It should be connected to your
audio interface or sound system. Remember
to turn your monitors / loudspeakers on last
when turning on your system and turn your
monitors / loudspeakers o rst when turning
your system o.
(24) PHONES - the headphones output of
the synthesizer follows the main output.
Connect your headphones here. Ensure
the volume control is at minimum when
putting on headphones or when turning the
synthesizer on or o.
(25) SUSTAIN - this ¼" TS jack allows you to
connect a sustain pedal, such as a normally-
open switch. The operation of this pedal
can be customized using the GLOBAL /
PEDAL SETTINGS menu.
(26) PEDAL/CV - this ¼" TRS jack allows you to
connect an expression pedal. The operation
of this pedal can be customized using the
GLOBAL / PEDAL SETTINGS menu.
(27) MIDI IN - this 5-pin DIN jack receives
MIDI data from an external source. This
will commonly be an external hardware
sequencer, a computer equipped with a MIDI
interface, etc.
(28) MIDI OUT - this 5-pin DIN jack sends MIDI
data to an external source. This will commonly
be an external hardware sequencer, a
computer equipped with a MIDI interface, etc.
(29) MIDI THRU - this 5-pin DIN jack is used to
pass through MIDI data received at the MIDI
INPUT. This will commonly be sent to another
synthesizer or drum machine assigned to a
dierent DEVICE ID, or MIDI Channel.
(30) USB PORT - this USB type B jack allows
connection to a computer. The DeepMind 12
will show up as a class-compliant USB MIDI
device, capable of supporting MIDI in and
out. The DeepMind 12 does not require any
additional drivers to work with Windows,
Android, MacOS and iOS devices.
USB MIDI IN - accepts incoming MIDI data
from an application.
USB MIDI OUT - sends MIDI data
to an application.

34 DeepMind 12 Quick Start Guide 35
DeepMind 12 Getting started
(EN) Step 3: Getting
started
(ES) Paso 3: Puesta en
marcha
DeepMind 12 Puesta en marcha
OVERVIEW
This ‘Getting Started Guide’ will help you set up the
DeepMind 12 analog polyphonic synthesizer and
briey introduce its capabilities.
CONNECTION
To connect the DeepMind 12 to your system
please consult the connection guide earlier in
this document.
BROWSING PROGRAMS
To change programs, use the -NO and +/YES
switches. To access the program browser press and
hold the PROG switch, then press the GLOBAL switch,
or move the rotary knob. For more information
on program management please consult the
product manual.
PROGRAMMING
The DeepMind 12 programming techniques are
described in detail in the product manual.
RECORD, EDIT and PLAYBACK AUTOMATION
When using the analog engine of the synthesizer
with a Digital Audio Workstation (DAW) you can
record and playback any automatable parameter.
This allows you to record expressive automation and
playback or edit that automation in your DAW.
USING AS A CONTROLLER
When using the synthesizer features as a controller
you can control your virtual instruments and
Digital Audio Workstation (DAW) with the
accurate touch and feel of a high quality keyboard,
1 rotary potentiometer, 26 slide faders, and 33
backlit switches. For mapping please consult the
product manual.
SOFTWARE SET-UP
The DeepMind 12 is a USB Class Compliant MIDI
device, and so no driver installation is required.
The DeepMind 12 does not require any additional
drivers to work with Windows, Android, MacOS and
iOS devices.
HARDWARE SETUP
Make all the connections in your system.
Apply power to the DeepMind 12 using the supplied
power cable only. Ensure your sound system is
turned down. Turn on the power switch.
DAW SETTINGS
In your DAW, create a new channel and select the
DeepMind 12 as the MIDI input device. On the same
channel ensure that recorded MIDI is also sent back
by making the DeepMind 12 the same channel's MIDI
output device.
If you can't see the DeepMind 12 in your DAW
channel options please consult your DAW
documentation to ensure you have enabled the
DeepMind 12 as a MIDI device.
GLOBAL SETTINGS
The GLOBAL menus allow you to customize the
DeepMind 12 analog polyphonic synthesizer to
your specic workow / requirements. For more
information on the GLOBAL settings, please consult
the product manual.
FIRMWARE UPDATE
Check that the latest rmware in your unit is up to
date (see the GLOBAL/SYSTEM SETTINGS menu
of the display). If not, then updating the rmware
will give you the latest enhancements. Visit our
website behringer.com, and download the latest
rmware from the DeepMind 12 analog polyphonic
synthesizer product page.
IMPORTANT NOTE: Updating the
rmware may aect your programs,
please ensure you make a full back
up. For detailed instructions please
consult the product manual.
RESUMEN
Esta ‘Guía de puesta en marcha’ le ayudará a
congurar su sintetizador analógico polifónico
DeepMind 12 y le presentará brevemente
sus posibilidades.
CONEXIÓN
Para conectar el DeepMind 12 a su sistema, consulte
la guía de conexiones que encontrará un poco antes
en este documento.
BÚSQUEDA DE PROGRAMAS
Para cambiar de programa, use los interruptores -NO
y +/YES. Para acceder al buscador de programas,
mantenga pulsado el interruptor PROG y pulse
después el interruptor GLOBAL o gire el mando
giratorio. Para más información sobre la gestión de
los programas, consulte el manual de instrucciones
completo del producto.
PROGRAMACIÓN
Las técnicas de programación del DeepMind 12 son
descritas en detalle en el manual de instrucciones
completo del producto.
GRABACIÓN, EDICIÓN y AUTOMATIZACIÓN DE LA
REPRODUCCIÓN
Cuando use el núcleo analógico del sintetizador
con un workstation de audio digital (DAW),
podrá grabar y reproducir cualquier parámetro
automatizable. Esto le permitirá rabar y reproducir
una automatización expresiva o editar dicha
automatización en su DAW.
USO DE UN CONTROLADOR
Si va a usar las funciones de este sintetizador como
controlador, podrá controlar tanto instrumentos
virtuales como workstation de audio digital (DAW)
con el toque preciso y la sensibilidad de su teclado
de alta calidad, 1 potenciómetro giratorio, 26 faders
deslizantes y 33 interruptores retroiluminados. Para
saber las distintas opciones de asignación o mapeo,
consulte el manual de instrucciones completo del
producto.
CONFIGURACIÓN DEL SOFTWARE
El DeepMind 12 es un dispositivo USB compatible
con MIDI, por lo que no es necesario instalar ningún
driver. El DeepMind 12 no necesita ningún driver
adicional para funcionar con dispositivos Windows,
Android, MacOS e iOS.
CONFIGURACIÓN DEL HARDWARE
Realice todas las conexiones de su sistema. Conecte
a la corriente el DeepMind 12 usando únicamente el
cable de alimentación incluido. Asegúrese de que el
sistema de sonido esté apagado y entonces encienda
la unidad.
CONFIGURACIÓN DEL DAW
En su DAW, cree un nuevo canal y seleccione el
DeepMind 12 como el dispositivo de entrada MIDI. En
ese mismo canal, asegúrese de que el MIDI grabado
sea también re-emitido, haciendo que el DeepMind
12 sea el dispositivo de salida del mismo canal MIDI.
Si el DeepMind 12 no aparece en las opciones
de canal de su DAW, consulte la documentación
del DAW para asegurarse de que ha activado el
DeepMind 12 como un dispositivo MIDI.
AJUSTES GLOBALES
El menú GLOBAL le permite personalizar su
sintetizador analógico polifónico DeepMind 12
para adaptarlo a sus necesidades / ujo de trabajo
concretos. Para ver más información acerca de los
ajustes GLOBAL, consulte el manual de instrucciones
completo del producto.
ACTUALIZACIÓN DE FIRMWARE
Compruebe que el rmware de su unidad esté
actualizado a la última versión disponible (vea el
menú Global/SYSTEM SETTINGS de la pantalla). En
caso contrario, la actualización del rmware hará
que disponga de las últimas mejoras desarrolladas
para el producto. Visite nuestra web behringer.
com y descárguese la última actualización de
rmware disponible desde la página de producto del
sintetizador analógico polifónico DeepMind 12.
NOTA IMPORTANTE:
La actualización del rmware puede
afectar a sus programas, por lo que
asegúrese de hacer una copia de
seguridad completa. Para ver todos los detalles
sobre cómo hacer esto, consulte el manual de
instrucciones completo del producto.

42 DeepMind 12 Quick Start Guide 43
Specications
Global
Display Backlit LCD
Main Menus PROG, FX, GLOBAL, COMPARE, WRITE
Edit Menus ARP/SEQ, LFOs, OSCs, POLY, VCF, VCA,
VCA ENV, VCF ENV, MOD ENV, MOD MATRIX
Presets 8 banks each with 128 programs
Fader Modes MIDI CC, NRPN, OFF
Controls
Keyboard 49 semi-weighted, full-size keys
Keyboard sensing Aftertouch and note on/o velocity
Encoders 1 rotary knob
Faders 26 slide faders (35 mm)
Switches 33 backlit switches
Modulation Free moving wheel
Pitch Bend Spring loaded wheel
Connectivity
MIDI In/Out/Thru 5-pin DIN / 16 channels
Pedal/CV ¼" TRS
Sustain ¼" TS
USB USB 2.0, type B
Output L/R ¼" TRS, balanced, max. +18 dBu
Headphones ¼" TRS, unbalanced, max. +21 dBu
Synthesizer Architecture
Number of voices 12 analog
OSC 2 per voice
LFO 2 per voice
VCF 2-pole / 4-pole
HPF (Common to all voices) 6 dB per octave
Envelopes VCA, VCF, MOD
Mod Matrix 22 sources / 130 destinations
Digital Eects
FX Slots 4 per Program
FX Types 34 Algorithms
Internal eects engines 1 true stereo SHARC DSP
Eects signal processing 32/40-bit oating point @ 48 kHz
A/D-D/A performance 24-bit 48 kHz, 114 dB dynamic range
Bypass True hard bypass
USB
Type Class compliant USB 2.0, type B
Supported
operating systems
Windows 7 or higher**
Mac OS X 10.6.8 or higher
iOS 8 or higher (iPad)
Android 6.0 or higher
Wi-Fi
Antenna Internal
Access Point,
number of clients Max. 1
IEEE 802.11 b/g standard 2.4 GHz
Frequency Range 2,412 - 2,462 MHz
WLAN channels 11
Max Output Power 16 dBm (802.11 b) / 20 dBm (802.11 g) /
20 dBm (802.11 n)
Power
Mains connector Standard IEC receptacle
Power consumption 55 W max.
Fuse T3.15AH250 V
Internal Switch-mode PSU Autorange 100-240 V, (50/60 Hz)
Environmental
Operating
temperature range 5°C – 40°C (41°F – 104°F)
Physical (Packaged)
Dimensions (H x W x D) 103 x 822 x 257 mm (4.1 x 32.4 x 10.1")
Weight 8.4 kg (18.5 lbs)
Shipping Weight 10.5 kg (23.1 lbs)
DeepMind 12 Pierwsze kroki
(PL) Krok 3: Pierwsze
kroki
PRZEGLĄD
Ten „Przewodnik wprowadzający” pomoże Ci
skongurować analogowy syntezator polifoniczny
DeepMind 12 i pokrótce przedstawić jego
możliwości.
POŁĄCZENIE
Aby podłączyć DeepMind 12 do swojego systemu,
zapoznaj się z instrukcją połączeń we wcześniejszej
części tego dokumentu.
PROGRAMY PRZEGLĄDANIA
Aby zmienić programy, użyj przełączników -NO
i + / YES. Aby uzyskać dostęp do przeglądarki
programów, należy nacisnąć i przytrzymać
przełącznik PROG, a następnie nacisnąć przełącznik
GLOBAL lub poruszać pokrętłem. Więcej informacji
na temat zarządzania programami można znaleźć w
instrukcji produktu.
PROGRAMOWANIE
Techniki programowania DeepMind 12 są
szczegółowo opisane w instrukcji produktu.
NAGRYWANIE, EDYCJA I AUTOMATYKA
ODTWARZANIA
Używając silnika analogowego syntezatora z
cyfrową stacją roboczą audio (DAW), możesz
nagrywać i odtwarzać dowolny parametr, który
można zautomatyzować. Pozwala to na nagrywanie
ekspresyjnej automatyzacji i odtwarzanie lub edycję
tej automatyzacji w DAW.
UŻYWANIE JAKO KONTROLERA
Używając funkcji syntezatora jako kontrolera,
możesz sterować wirtualnymi instrumentami i
cyfrową stacją roboczą audio (DAW) z dokładnym
dotykiem i dotykiem wysokiej jakości klawiatury,
1 potencjometru obrotowego, 26 suwaków
suwakowych i 33 podświetlanych przełączników.
Mapowanie można znaleźć w instrukcji produktu.
USTAWIENIA OPROGRAMOWANIA
DeepMind 12 jest urządzeniem MIDI zgodnym
z klasą USB, więc nie jest wymagana instalacja
sterownika. DeepMind 12 nie wymaga żadnych
dodatkowych sterowników do pracy z urządzeniami
Windows, Android, MacOS i iOS.
KONFIGURACJA SPRZĘTU
Wykonaj wszystkie połączenia w systemie. Podłącz
zasilanie do DeepMind 12 wyłącznie za pomocą
dostarczonego kabla zasilającego. Upewnij się,
że system dźwiękowy jest wyłączony. Włącz
przełącznik zasilania.
USTAWIENIA DAW
W programie DAW utwórz nowy kanał i wybierz
DeepMind 12 jako urządzenie wejściowe MIDI. Na
tym samym kanale upewnij się, że nagrane MIDI
jest również odsyłane, ustawiając DeepMind 12 jako
urządzenie wyjściowe MIDI tego samego kanału.
Jeśli nie widzisz DeepMind 12 w opcjach kanału
DAW, zapoznaj się z dokumentacją DAW, aby
upewnić się, że włączyłeś DeepMind 12 jako
urządzenie MIDI.
USTAWIENIA OGÓLNE
GLOBALNE menu umożliwiają dostosowanie
analogowego syntezatora polifonicznego DeepMind
12 do konkretnego przepływu pracy / wymagań.
Więcej informacji na temat ustawień GLOBALNYCH
można znaleźć w instrukcji produktu.
AKTUALIZACJA FIRMWARE
Sprawdź, czy najnowsze oprogramowanie sprzętowe
urządzenia jest aktualne (zobacz menu Globalne
/ USTAWIENIA SYSTEMU na wyświetlaczu). Jeśli
nie, aktualizacja oprogramowania sprzętowego
zapewni najnowsze ulepszenia. Odwiedź naszą
stronę internetową behringer.com i pobierz
najnowsze oprogramowanie sprzętowe ze strony
produktu DeepMind 12 analogowego syntezatora
polifonicznego.
WAŻNA UWAGA: Aktualizacja
oprogramowania sprzętowego może
mieć wpływ na programy, upewnij
się, że wykonałeś pełną kopię
zapasową. Szczegółowe instrukcje znajdują się w
instrukcji produktu.