Baldwin Pianovelle RP1 User manual

1
Introduction
Thanks for purchasing a Baldwin Pianovelle, a high quality product that employs the most advanced technology available to
produce real piano sounds.
Although Pianovelle is very easy to use, you are recommended to consult this manual whenever you are not sure what to do. Of
utmost importance is, of course, how you treat your Pianovelle. Do not forget, therefore, to read the General Safety Instructions
below to guarantee a long and trouble free use of your instrument.
General safety instructions
Power source
• Be sure that your local AC mains voltage matches the voltage specified on the name plate before connecting to the mains.
• DC power cannot be used to power this instrument.
Handling the power cord
• Never touch the power cord or its plug with wet hands.
• Never pull on the cord to remove it from the wall socket, always pull the plug.
• Never forcibly bend the power cord.
• If the power cord is scarred, cut or broken, or has a bad contact, it will be a potential fire hazard or source of serious
electric shock. NEVER use a damaged power cord; have it replaced by a qualified technician.
If water gets into the instrument
• Remove the power cord from the wall socket at once, and contact the store where the unit was purchased.
• The top surface of your instrument should never be used as a shelf for flower vases and other containers which hold
liquids.
Metal items etc. inside the unit
• Do not permit metal items or other materials to fall inside the unit.
Metal items may result in electric shock or damage.
• Be especially careful with regards to this point when children are near the unit. They should be warned never to try to put
anything inside, and never to slide a hand into the unit while you or other persons are playing.
• If articles do fall inside, remove the power cord from the wall socket at once and, if necessary, contact the store where the
unit was purchased.
• As a general precaution, never open the unit and touch or tamper with the internal circuitry.
If the instrument plays in an abnormal way
• Turn off the power immediately, remove the power cord from the mains outlet and contact the store where it was pur-
chased.
• Discontinue using the unit at once. Failure to do so may result in additional damage or other unexpected damage or
accident.
General user maintenance
• Clean the cabinet and keys of your RP1/RP2/GRP3 using a soft, clean, slightly damp cloth and polish with a soft, dry
cloth.
• Never use industrial cleaners, detergents, abrasive cleansers, waxes, solvents or polishes as they may damage the instru-
ment finish.
• Always turn off the power supply after use and never turn the unit on and off repeatedly in quick succession as this places
an undue load on the electronic components.

2
Instrument Overview
RP1 Control Panel
1 4 6 8
DEMO MASTER SET
VOLUME
MIN MAX
TRANSPOSE
BRILLIANCE
PIPE
ORGAN JAZZ ORGAN POP ORGAN CHOIR
STRINGS A.GUITAR A.BASS E.BASS
LOWER
HARPSICLAVVIBES
FM
PIANO
RHODEX
WURLITZ
ELECTRIC
HONKY
TONKY
CONCERT
GRAND
SOUNDS
KEY
SPLIT
A.S.B.
Additional Sound Bank
REVERB
STAGE
ROOM
HALL
CHORUS
TREMOLO
PHASER
DSP
EFFECTS
SOFT
NORMAL
HARD
TOUCH
PLAY & RECORD
PLAY REC
DEMO MASTER SET
VOLUME
MIN MAX
TRANSPOSE
BRILLIANCE
PIPE
ORGAN JAZZ ORGAN POP ORGAN CHOIR
STRINGS A.GUITAR A.BASS E.BASS
LOWER
HARPSICLAVVIBES
FM
PIANO
RHODEX
WURLITZ
ELECTRIC
HONKY
TONKY
CONCERT
GRAND
SOUNDS
KEY
SPLIT
A.S.B.
Additional Sound Bank
REVERB
STAGE
ROOM
HALL
CHORUS
TREMOLO
PHASER
DSP
EFFECTS
SOFT
NORMAL
HARD
TOUCH
PLAY & RECORD
PLAY REC
2 3 5 7 9 10 11 12
16 17
1 VOLUME Controls the general volume of the instrument.
2 DEMO Activates a demonstration song consisting of 16 songs chained together.
3 MASTER SET Gains access to functions which control various aspects of the instrument: Tune, Temperaments,
Layer Balance, Reverb Depth, Effects Depth, Effects Rate, Spatial Stereo (RP2/GRP3), MIDI
Transmit, MIDI Receive, MIDI Local, MIDI Transpose, MIDI Filters, Contrast (RP2/GRP3).
4 TRANSPOSE Increases (+ button) or decreases (- button) the general pitch of the instrument within a range of ±
12 semitones.
5 BRILLIANCE Provides three settings which affect the tonal quality of a Sound : Mellow, Normal, Bright.
6 SOUNDS BUTTONS Select the Sounds. Press one button to play a single Sound across the entire keyboard (Single
mode). Select two buttons to layer two sounds across the entire keyboard (Layer mode).
A Split keyboard can also be achieved (see Key Split).
7 KEY SPLIT Divides the keyboard at note F#3 (by default) and assigns one of the two Bass Sounds to the left
split. The right split takes any one of the remaining Sounds.
8 A.S.B. Additional Sound Bank: gains access to variations of the panel Sounds (1 variation for each
sound).
9 REVERB Provides a selection of Reverb effects. A “bypass” is also available when all led indicators are off.
10 DSP EFFECTS Provides a selection of modulation Effects. A “bypass” is also available when all led indicators are off.
11 TOUCH Gains access to a selection of velocity curves which influence the keyboard sensitivity: Soft,
Normal, Hard.
12 PLAY & RECORD [RP1] A scratch pad sequencer, permitting the recording of one song (max. 15,000 events).
[RP2/GRP3] A two track sequencer (max (45,000 events) with typical sequencer functions; Play/
Stop, Pause, Rewind, Fast Forward, Record, Metronome, Beat, Erase.
In playback, you can play along with one or two Sounds in real time on all models.
13 MUSIC LIBRARY [RP2/GRP3 only] Gains access to a ROM Music Library consisting of several directories and
sub-directories containing a selection of pieces of various classic composers.
14 IMS Intelligent Music Search: an automatic means of recalling the Library Songs by playing the first
few notes of the piece (in any key and tempo*).
*Note: A table in the Appendix shows the names of the songs in the Music Library and the patterns corre-
sponding to the first notes that recall the songs.

3
RP2/GRP3 Control Panel
CHORUS
PLAY & RECORD
MASTER SET
DEMO
BRILLIANCE
TRANSPOSE
VOLUME
MIN MAX
KEY
SPLIT
A.S.B. REVERB
STAGE
ROOM
HALL TREMOLO
PHASER
DSP
EFFECTS
SOFT
NORMAL
HARD
TOUCH PLAY REC
Additional Sound Bank
CUSTOM CUSTOM
STOP
STOP REW FF
TRACK 1 TRACK 2 METRON TIMING ERASE I.M.S.
MUSIC
LIBRARY
PIPE
ORGAN JAZZ ORGAN POP ORGAN CHOIR
STRINGS A.GUITAR A.BASS E.BASS
LOWER
HARPSICLAVVIBES
FM
PIANO
RHODEX
WURLITZ
ELECTRIC
HONKY
TONKY
CONCERT
GRAND
SOUNDS
2 3 5 7 9 10 121115
681 4
14
13
15 DISPLAY [RP2/GRP3 only] User interface both
for real time operation as well as
programming modes (Sequencer, Master
Set, Library, IMS, Transpose). Includes
the “Up/Down” and “+/-” navigating
buttons for editing operations.
16 KEYBOARD COVER RP2/GRP3 only: When not in use, always
pull down the keyboard cover.
17 POWER SWITCH Press to turn the instrument on and off.
MUSIC STAND Where you can rest your sheet music. For
models RP1/RP2, raise the music stand
from its folded position until the spring
loaded rear support flips outwards, then
lower the stand gently until it rests in its
upright position. The GRP3 stand is also
raised upright from a resting position.
To lower the stand (RP1/RP2/GRP3), pull
it slightly towards you, fold flat the rear
support and gently lower the stand until it rests flat.
NI/CDBATTERY Pianovelle instruments are fitted with a rechargeable Nickel/Cadmium battery which maintains
edited data in memory after turning off the instrument (new Split Point, the last selected Play
Mode, the recorded Song in the sequencer, Effects assignments, etc.). While the instrument is on,
the battery is recharged.
Models RP1/RP2

4
Getting Started
1. Insert the power cord into an appropriate wall outlet.
2. Press the POWER switch to turn on the instrument.
RP1: The instrument will be set to play the Concert Grand Sound across the
entire keyboard. The relative led indicator of the Sound in the Sounds
section will be on.
RP2/GRP3: As well as the led indicator, the display will show the
following information:
CONCERT GRAND 00
3. Play on the keyboard and regulate the Volume.
• Set the general volume of the instrument to an appropriate level by regulat-
ing the VOLUME slider to about the half way mark.
• Note: No sound will be heard when the VOLUME slider is set to the MIN position.
4. Select and play single RP Sounds
The RP Sounds are presets permanently resident in the instrument’s ROM
and recalled by pressing the relative Sound buttons.
• Press the Sound buttons one after the other to listen to the individual Sounds.
• RP1: Each newly selected Sound cancels the previous one.
• RP2/GRP3: As well as the led indicator, the display shows
the name of the selected Sound and relative Program Change number:
RHODEX 04
Playing one Sound only corresponds to SINGLE MODE playing. See also
LAYER MODE and SPLIT MODE afterwards.
Pianovelle presets include the following type of Sounds:
• 8 piano type timbres (piano, harpsichord, vibes, etc.);
• 8 complementary timbres (strings, bass, organ, etc.).
Note on the Polyphony: If you are playing RP1, the Sound you are playing
in Single mode has a minimum of 32 note polyphony [meaning that you can
play at least 32 notes at the same time]. Some RP1 Sounds are 64 note
polyphonic. If you are playing RP2/GPR3, Single mode playing permits a
minimum of 64 notes; some Sounds provide 128 note polyphony.
See “Layer Mode” afterwards to find out what happens to the polyphony.
5. Play using the pedals
All Pianovelle models are equipped with three pedals: Soft, Sostenuto and Damper.
SOFT the Soft pedal (left) is a switch control pedal (On/
Off) and affects the timbre of the sound such that it
plays softer, allowing you to continue using the same
playing style at a lower volume.
SOSTENUTO the Sostenuto pedal (centre) is a switch control pedal
(On/Off). When depressed, it sustains the notes of
the keys currently pressed. All new notes played
after having depressed the pedal will not be affected.
• You can hold Organ, Choir and Strings sounds for
as long as the Sostenuto pedal is depressed.
PIPE
ORGAN JAZZ ORGAN POP ORGAN CHOIR
STRINGS A.GUITAR A.BASS E.BASS
LOWER
HARPSICLAVVIBES
FM
PIANO
RHODEX
WURLITZ
ELECTRIC
HONKY
TONKY
CONCERT
GRAND
SOUNDS
Led indicator on
VOLUME
MIN MAX
PIPE
ORGAN JAZZ ORGAN POP ORGAN CHOIR
STRINGS A.GUITAR A.BASS E.BASS
LOWER
HARPSICLAVVIBES
FM
PIANO
RHODEX
WURLITZ
ELECTRIC
HONKY
TONKY
CONCERT
GRAND
SOUNDS
Soft Sostenuto Damper
Important: Before using the pedals, make
sure that the pedal cable is correctly
inserted in the appropriate socket at the
back of the instrument. Refer to the
assembly instructions in the Appendix.

5
DAMPER the Damper pedal (right) applies the Sustain effect to all notes released. If you release a note after
depressing the Damper, the note will proceed towards its natural decay according to the type of
sound played.
The Damper is particularly effective with Piano type sounds. In the case of Organ, Choir and
Strings sounds, the notes will be held for as long as the Damper is depressed.
• Note: for all piano type sounds, the notes of the uppermost keys (from E6 to C8) are automati-
cally sustained, such as in an acoustic piano.
Damper Reproduction
Research carried out by Generalmusic in physical modelling and its applications to the Damper Pedal has achieved a
Damper Pedal reproduction based on 8 levels of action. This permits a gradual application of the Damper effect to repro-
duce particular sonorities such as the “mezzopedale” effect. Furthermore, it is possible to obtain a full-bodied sound,
typical of acoustic pianos which produce a sympathetic strings resonance when all the dampers are raised from the strings.
• Note: Research in Damper Physical Modelling and its applications is the result of collaboration between Generalmusic
and the CSC department of the University of Padova.
6. Set the Brilliance and add Reverb and/or DSP Effects as required
You can change the tone (BRILLIANCE) of your Sounds and render them
more realistic by adding various effects (REVERB, DSP EFFECTS).
These functions are discussed separately further ahead.
• Note: Brilliance does not affect all RP Sounds:
e.g. Organ Sounds.
7. Playing with Headphones
You can play in total silence without disturbing others in the same room by
plugging a set of headphones into one of the appropriate sockets, located
directly under the keyboard on the left side of the instrument. Two sets of
headphones can be used.
Regulating the Volume when playing with Headphones
• Use the VOLUME slider.
• Note: Inserting a headphone jack into the left Phones socket disconnects the
internal speaker system. Inserting a headphone jack into the right Phone
socket does not affect the internal amplification.
External amplification, if connected, is not affected by inserting headphones
into the phones sockets.
• Important: If you do not hear any sound, check that the Speakers plug is
correctly inserted in the appropriate socket at the back of the instrument.
Refer to the Assembly Instructions at the back of the manual.
8. Adjust the Keyboard Sensitivity with the Touch function
You can choose from three different keyboard sensitivity settings, commonly
known as velocity or dynamic curves, to suit your style of playing.
The choices are: SOFT, NORMAL and HARD.
The Touch button has three settings which are selected in a cycle by pressing
the button repeatedly.
SOFT The most sensitive keyboard response which permits
maximum sound levels with a light touch.
NORMAL An intermediate response suitable for most styles of
music.
HARD A not so sensitive keyboard response which requires
a heavier touch to obtain maximum sound levels.
CHORUS
TREMOLO
PHASER
DSP
EFFECTS
REVERB
STAGE
ROOM
HALL
REVERB
STAGE
ROOM
HALL
CUSTOM
CHORUS
TREMOLO
PHASER
DSP
EFFECTS
CUSTOM
RP1 Reverb &
DSP Effects RP2 Reverb & DSP Effects
VOLUME
MIN MAX
SOFT
NORMAL
HARD
TOUCH
SOFT
NORMAL
HARD
SOFT
NORMAL
HARD
SOFT
NORMAL
HARD
TOUCH
BRILLIANCE

6
Listen to the demonstration songs
Pianovelle has 16 demonstration songs permanently resident in memory which demonstrate the instrument’s capabilities. The
songs are composed of 16 well known pieces (classic and modern).
In Demo Song mode, the Sound section activates as a source of demo songs where each piece resides in a Sound button. The
songs are chained automatically or they can be played individually by selecting the relative sound button.
How to listen to the demo chain song
1. Press the DEMO button to start the Demo Songs.
• The led above the Demo button turns on and all the leds of the Sounds
section start to flash for a few seconds.
• RP2/GRP3: the display shows the following:
-DEMO-
Press Sounds Key
• If no Sound button is pressed while the leds are flashing, the demo Song
starts automatically and plays all 16 songs in order, starting
from the Song stored in the Concert Grand slot.
•RP2/GRP3: The display shows the number of the current Demo song in
play and updates for each song change.
-DEMO-
*DEMO-SONG01
• While the song plays, the Volume can be regulated.
Note: No other button (other than the Sound buttons) is active during demo
song playback mode.
• When the chained song reaches the end, it starts from the beginning auto-
matically and continues to repeat until stopped.
2. To stop the Demo song at any point, press the DEMO button.
• The led above the button turns off and the instrument returns to the last selected status.
How to select a single Demo song
1. Press the DEMO button.
2. Press one of the Sound buttons (e.g. Vibes).
• A Demo song is triggered while the leds are still flashing.
RP2/GRP3: The display shows the number of the Demo
song selected:
-DEMO-
*DEMO-SONG06
While the song plays, the Volume can be regulated.
• When the song reaches the end, the next song in order starts after a short pause.
• You can change song by pressing another Sound button.
3. To stop the Demo song at any point, press the DEMO button.
• The led above the button turns off and the instrument returns to the last selected status.
PIPE
ORGAN JAZZ ORGAN POP ORGAN CHOIR
STRINGS A.GUITAR A.BASS E.BASS
LOWER
HARPSICLAVVIBES
FM
PIANO
RHODEX
WURLITZ
ELECTRIC
HONKY
TONKY
CONCERT
GRAND
SOUNDS
DEMO
DEMO
PIPE
ORGAN JAZZ ORGAN POP ORGAN CHOIR
STRINGS A.GUITAR A.BASS E.BASS
LOWER
HARPSICLAVVIBES
FM
PIANO
RHODEX
WURLITZ
ELECTRIC
HONKY
TONKY
CONCERT
GRAND
SOUNDS

7
Play Modes
The Pianovelle Sounds can be selected to play in three different ways, called Play Modes: SINGLE, LAYER, SPLIT.
Single Mode
Press a Sound button to select Single mode
This playing mode corresponds to the situation when a single Sound plays across the
entire keyboard range (described on page 4). Each time you select a different
Sound, the previous one is cancelled.
CONCERT GRAND
RP2/GRP3: the display shows the currently selected Sound.
• Press any other Sound button to change Sound.
• Use the VOLUME slider to regulate the overall volume.
Layer Mode
This playing mode allows you to combine two Sounds to play at the same time
(superimposed) across the entire keyboard range.
STRINGS
CONCERT GRAND
To select LAYER mode, press two Sound buttons at the same time
Example:
• Press Concert Grand and Strings at the same time
(or one then the other while holding the first).
• RP1: The leds of the Preset selectors light up
to show which sounds have been selected.
• RP2/GRP3: the display shows a layered situation as follows:
CONCERT GRAND 06
STRINGS 13
• Use the VOLUME slider to regulate the overall volume.
Balancing layered Sounds
LAYERED Sounds are factory set to provide a correct balance but the setting can
adjusted to suit your needs by using the LAYER BALANCE function of the MASTER
SET section explained in detail on page 21.
Returning to Single mode from Layer mode
To return to Single mode, press the button corresponding to the Sound
you wish to play. This cancels the other Sound and its corresponding led
indicator of turns off, leaving the single Sound.
PIPE
ORGAN JAZZ ORGAN POP ORGAN CHOIR
STRINGS A.GUITAR A.BASS E.BASS
LOWER
HARPSICLAVVIBES
FM
PIANO
RHODEX
WURLITZ
ELECTRIC
HONKY
TONKY
CONCERT
GRAND
SOUNDS
PIPE
ORGAN JAZZ ORGAN POP ORGAN CHOIR
STRINGS A.GUITAR A.BASS E.BASS
LOWER
HARPSICLAVVIBES
FM
PIANO
RHODEX
WURLITZ
ELECTRIC
HONKY
TONKY
CONCERT
GRAND
SOUNDS
VOLUME
MIN MAX
Note on the Polyphony: The overall
polyphony in Layer mode is halved, the
minimum number depending on the
instrument. If you play along with a
demo song or a recorded song, the
overall polyphony is reduced even
further, depending on whether you
play along with one or two Sounds in
real time.
PIPE
ORGAN JAZZ ORGAN POP ORGAN CHOIR
STRINGS A.GUITAR A.BASS E.BASS
LOWER
HARPSICLAVVIBES
FM
PIANO
RHODEX
WURLITZ
ELECTRIC
HONKY
TONKY
CONCERT
GRAND
SOUNDS

8
Split Mode
This playing mode permits two Sounds to be played separately on a divided key-
board. A divided keyboard is said to be “Split”. The right Split plays one Sound
while the left Split plays one of the two Bass Sounds only. In Split mode, the
keyboard is divided at note F#3 by default, as shown below.
A.BASS CONCERT GRAND
SPLIT POINT F#3
The Bass Sound assigned to the left split plays within the keyboard range A0…F#3 (default).
The Sound assigned to the right split plays within the keyboard range G3…C8 (default).
• Note: The split point can be altered to suit personal requirements (see “How
to program a new Split Point” afterwards).
How to activate SPLIT mode
1. Press the KEY SPLIT button.
• The relative led indicator lights up.
RP2/GRP3: the display will show the current split position for a few seconds:
SPLIT Point
F#3
• If Single Mode is currently active, pressing the Key Split button activates the
A. Bass sound for the left split and assigns the selected Sound to the right split.
• If Layer Mode is currently active, pressing the Key Split button deactivates
the second Sound and assigns the first one to the right split and the A. Bass
sound to the left split.
RP2/GRP3: the display will show the current situation after assigning
the sounds.
CONCERT GRAND 00
A.BASS 15
2. Select the other Bass sound to change the Bass Sound assigned
to the left split.
3. Select any other Sound, (other than a Bass sound) to change the
Sound assigned to the right split.
4. To deactivate Split mode, press the KEY SPLIT button.
• The relative led indicator turns off, the Bass sound assigned to the left split
is deactivated and the sound assigned to the right split is automatically set for
Single mode playing.
How to program a new Split point
1. Press and hold the Key Split button.
• The relative led indicator turns on.
RP1: The Key Split led starts to flash to indicate the pending split change.
RP2/GRP3: The display shows the current split point for a few seconds.
PIPE
ORGAN JAZZ ORGAN POP ORGAN CHOIR
STRINGS A.GUITAR A.BASS E.BASS
LOWER
HARPSICLAVVIBES
FM
PIANO
RHODEX
WURLITZ
ELECTRIC
HONKY
TONKY
CONCERT
GRAND
SOUNDS
• Note: If a Bass sound is currently
selected in Single mode, pressing the
Key Split button assigns the Bass
sound to the left split and, if no other
selections are effected within the first
4/5 seconds, the same Bass sound is
also assigned to the right.
KEY
SPLIT
KEY
SPLIT
KEY
SPLIT

9
2. Press a key on the keyboard corresponding to the desired split point.
A.BASS CONCERT GRAND
NEW SPLIT POINT C3
RP1: The key pressed emits an acoustic sound (bell) as confirmation of the operation effected.
RP2/GRP3: The display shows the key pressed, indicating the new split point.
SPLIT Point
C3
• The new split point remains in memory after turning off the instrument.
• Note: you can restore the default Split Point by using the Master Reset operation.
See page 25 from more details.

10
Sound variations - the A.S.B. button
Your Pianovelle has one variation of each Sound located in a special bank called the ADDITIONAL SOUND BANK (ASB button).
Selecting ASB Sounds
1. Press the ASB button.
2. Use the Sound selectors in the normal way to select the variations.
For example, if you select Honky Tonk in ASB mode, you will recall Rock Piano 17.
RP2/GRP3: The display shows the name of the Sound variation and relative
Program Change number.
ROCK PIANO 17
To play a normal Sound together with an ASB sound in Layer mode:
1. Press and hold a Sound button, activate the ASB button and select the second Sound.
PIPE
ORGAN JAZZ ORGAN POP ORGAN CHOIR
STRINGS A.GUITAR A.BASS E.BASS
LOWER
HARPSICLAVVIBES
FM
PIANO
RHODEX
WURLITZ
ELECTRIC
HONKY
TONKY
CONCERT
GRAND
SOUNDS
A.S.B.
Additional Sound Bank
PIPE
ORGAN JAZZ ORGAN POP ORGAN CHOIR
STRINGS A.GUITAR A.BASS E.BASS
LOWER
HARPSICLAVVIBES
FM
PIANO
RHODEX
WURLITZ
ELECTRIC
HONKY
TONKY
CONCERT
GRAND
SOUNDS
• The second Sound selected will be the ASB Sound (String Slow in the above example).
RP2/GRP3: The display will show the new status as follows:
CONCERT GRAND 00
STRING SLOW 28
Starting from Layer Mode
If you are currently in Layer Mode and you want to select an ASB Sound, it is necessary to navigate via the Single mode status.
• Press one of the two Sound buttons to return to Single Mode.
• Press and hold a Sound button, activate the ASB button and select the second Sound.
Note: Refer to the Appendix for a complete list of Sounds, their variations and
respective Program Change numbers.
Starting from Split Mode
If you are currently in Split Mode and you want to select an ASB Sound:
• Press the ASB button.
• Reselect the current Sound or select a different one to recall the ASB version.
• Reselect the current Bass Sound or select the other one to recall the relative variation.
To return to normal Sound selection
• Press the ASB button to deactivate it and to return to normal panel Sound selection.
• Note: After deactivating the ASB button, the current variation will remain
active until a Sound button is reconfirmed or a new one is selected.
A.S.B.
Additional Sound Bank

11
BRILLIANCE
BRILLIANCE
BRILLIANCE
NORMAL
BRIGHT
MELLOW
Brilliance
This function affects the timbric quality of the Sound by regulating the Cutoff
frequency of a Lowpass filter incorporated in the preset’s “sample header” (refer to
the Glossary at the back of this manual for an explanation).
You can select from three different “Brilliance” settings:
MELLOW, NORMAL and BRIGHT.
• When both leds are off, the Brilliance setting corresponds to NORMAL.
• Press the +button to select BRIGHT (led turns on).
• Press the –button to return to Normal (both leds off) and again to select
MELLOW.
• Return to the Normal Brilliance by pressing the +button.
Note: the Brilliance function does not show any messages on RP instruments
fitted with a display.
Reverb & DSP Effects
The Reverb and DSP Effects functions respectively apply a Reverberation effect and a
DSP Effect to the Sounds, permitting a choice of three (RP1) or eight (RP2/GRP3) effect
types from each function. The effect types available are selected in a cyclic procedure
and include a Bypass stage when all led indicators are off (see below).
How to select a Reverb or DSP Effect type
1. Press the relative button repeatedly until you obtain the
effect required.
• The Reverb or DSP Effect type selected is shown by the relative led
indicator which turns on.
• RP1: you can choose from three Reverb types (Room, Stage, Hall) and
three DSP Effect types (Chorus, Tremolo, Phaser).
• RP2/GRP3: you can choose from eight Reverb types: Room, Stage, Hall,
Custom (Concert, Church, Small Room 1, Small Room 2, Slap);
and eight DSP Effect types: Chorus, Tremolo, Phaser, Custom (Flanger,
Chorus 2, Tremolo 2, Delay, Delay 2).
2. Assign a preferred effect to each Sound
You can assign a different Reverb and/or DSP Effect type to each Sound.
This permits you to recall your Sounds with the preferred effects every time.*
• Simply select the effect(s) required after selecting the Sound. The assigned
effect(s) will remain memorised after turning off the instrument.
• In Layer mode, the effect(s) recalled will correspond to the first Sound
button pressed. The second Sound does not recall its memorised DSP Effect.
• In Split mode, the effect(s) recalled will correspond to the Sound playing on
the right split while the Bass sound is not processed by the effects.
* Note: The Concert Grand ØØ Sound does not memorise assigned Reverb or DSP
Effect types but resets to the default status every time the instrument is turned on. The
Concert Grand 16 (ASB version), however, memorises assigned effect types.
3. Select Custom Reverb or DSP Effect types - RP2/GRP3 only
RP2/GRP3 models include a Custom Reverb and Custom DSP Effect, each of
which provide an additional 5 effect types to choose from in the display:
Custom Reverb Concert, Church, Small Room 1, Small Room 2, Slap.
Custom DSP Flanger, Chorus 2, Tremolo 2, Delay, Delay 2.
• Select the Custom location by pressing the Reverb or DSP Effect button repeatedly.
The display activates temporarily for selection.
CUSTOM REVERB
CONCERT
CHORUS
TREMOLO
PHASER
DSP
EFFECTS
REVERB
STAGE
ROOM
HALL
RP1 Reverb & DSP Effects
REVERB
STAGE
ROOM
HALL
CUSTOM
CHORUS
TREMOLO
PHASER
DSP
EFFECTS
CUSTOM
RP2/GRP3 Reverb & DSP Effects
(BYPASS)
CHORUS
TREMOLO
PHASER
DSP
EFFECTS
CHORUS
TREMOLO
PHASER
DSP
EFFECTS
CHORUS
TREMOLO
PHASER
DSP
EFFECTS
CHORUS
TREMOLO
PHASER
DSP
EFFECTS
RP1: DSP Effect selection procedure
(BYPASS)
REVERB
STAGE
ROOM
HALL
CUSTOM
REVERB
STAGE
ROOM
HALL
CUSTOM
REVERB
STAGE
ROOM
HALL
CUSTOM
REVERB
STAGE
ROOM
HALL
CUSTOM
REVERB
STAGE
ROOM
HALL
CUSTOM
RP2/GRP3: Reverb selection procedure
REVERB
STAGE
ROOM
HALL
CUSTOM
CHORUS
TREMOLO
PHASER
DSP
EFFECTS
CUSTOM

12
CHORUS
TREMOLO
PHASER
DSP
EFFECTS
CUSTOM
REVERB
STAGE
ROOM
HALL
CUSTOM DSP EFF.
FLANGER
CHORUS 2
TREMOLO 2
DELAY
DELAY 2
CUSTOM REVERB
CONCERT
CHURCH
SMALL ROOM 1
SMALL ROOM 2
SLAP
CUSTOM DSP EFF.
FLANGER
• Scroll through the additional effects with the +/–buttons.
• Shortly after, the display returns to the previous status.
4. To select a different Custom Effect
After the temporary Custom display disappears, it is possible to continue
selecting Custom effects, provided that no other effect selections or Sound
selections are carried out. If you do press the Reverb or DSP Effect button,
you will have to repeat the selection cycle until you reach the Custom
position.
• Press the +or –button (without touching the Reverb or DSP Effect button).
The temporary Custom display activates again.
CUSTOM REVERB
CHURCH CUSTOM DSP EFF. TREMOLO 2
• Select a different Custom effect as already explained above.
5. Select the Bypass status (all models)
Press the Reverb button or DSP Effect button repeatedly until all leds are off.
In this status, the Sound to which the Bypass status has been assigned plays
without effects.
• Note on Reverb Depth: The Reverb Depth (volume) can be adjusted for
each preset and each effect to suit your requirements. How to carry out this
adjustment is explained in the MASTER SET section, under Reverb Depth.
• Note on Effect Depth and Effect Rate: these two parameters can be
adjusted for each preset and each effect to suit your requirements. How to
carry out this adjustment is explained in the MASTER SET chapter, under
Effect Depth and Effect Rate.
Natural String Resonance
The Concert Grand Sound is influenced by the Natural String Resonance effect which simulates the string resonance heard in
acoustic pianos when struck strings produce a sympathetic resonance of unstruck strings. This effect is obtained playing new
notes when one or more notes of the keyboard are already pressed.
• Note: Research in physical modelling technology and its applications to
produce Natural String Resonance is a result of the collaboration between
Generalmusic and the CSC department of the University of Padova.

13
Transpose
All Pianovelle models incorporate a real time Transpose function which allows
you to change the playing key of the instrument as a whole by acting on the
TRANSPOSE panel buttons (+/ –).
• The +(sharp) button raises the pitch in semitone steps (+ 12 semitones =
positive transposition).
• The –(flat) button lowers the pitch in semitone steps (– 12 semitones =
negative transposition).
RP2/GRP3: pressing one of the Transpose buttons (e.g. +) recalls a tempo-
rary display which shows the following:
TRANSPOSE
+1 C=C#
1. To raise the pitch, press the +Transpose button repeatedly
until the required transposition is obtained.
• The led indicator above the +button turns on to confirm that the instrument
is in a positive transposed status.
RP1: Play, for example, a note C each time you press the +button to listen to
the change of key. If you press the +button while holding a key, the transpo-
sition takes effect only after releasing the key.
RP2/GRP3: a pitch increases is displayed as follows:
TRANSPOSE
+2 C=D
2. To lower the pitch, press the –button repeatedly until
the required transposition is obtained.
• If the instrument is currently in a positive transpose status, press the –
button repeatedly until the led indicator above the +button goes off and the
one above the –button turns on.
RP1: Play a note C, for example, each time you press the –button to listen to
the change of key.
RP2/GRP3: a pitch decrease is shown as follows:
TRANSPOSE
-2 C=D
• The selected Transposition remains in memory after turning off the instru-
ment. You can also restore the default Transpose status by using the Master
Restore function which restores the default values to all edited functions (see
page 25).
Transpose Cancel
• Press both +and –Transpose buttons at the same time to cancel the current
transpose setting.
RP1: The led above the +or –Transpose button goes off to indicate the return
to standard pitch.
RP2/GRP3: the default Transpose status is displayed for about three seconds:
TRANSPOSE
Ø C=C
TRANSPOSE
TRANSPOSE
TRANSPOSE
TRANSPOSE

14
Sequencer
All Pianovelle models are equipped with a Sequencer which allows you to store a recorded Song and play it back. You can also
play along in real time with the playback.
Model RP1 contains a “scratch pad” sequencer with the “Play/Stop” and “Record” functions which permit the recording and
playback of a single track song.
Models RP2 and GRP3 are equipped with a two track sequencer which includes the following functions: Play/Stop, Pause,
Rewind, Fast Forward, Record, Metronome, Beat, Erase.
• The song remains in memory until it is replaced with a new one or cancelled.
Sequencer RP1
This “scratch pad” sequencer can record a song consisting of approximately 15.000
events. The recorded song remains in memory after turning off the instrument.
• Two functions govern the operation of this sequencer:
PLAY Marked with the arrow head (©) and square (■)
symbols that denote the “Play” and “Stop” functions
respectively. Starts and stops the recording in
Record mode or starts and stops the playback of the
recorded song contained in memory.
RECORD Marked with a circular symbol (v). Activates Record mode.
How to record a Song
Before recording your song, you can set the control panel with the desired Sound(s) and play mode (Single, Layer, Split). Regu-
late the Volume, add the desired effects, set the Touch function and select the required Brilliance setting.
1. Press the Record button.
• Both leds on the Record and Play buttons turn on to indicate
entry to Record mode. Whatever song currently residing in memory
is erased.
2. Press the Play button to start the recording.
• The led above the Record button starts to flash, indicating the
Record mode status.
NB. recording starts immediately by pressing a
key on the keyboard or by pressing one of the pedals.
3. Start to play on the keyboard.
During the recording, you can change Sounds.
• If you exceed the sequencer’s limit of recorded events, the
sequencer stops recording automatically.
4. When you have finished your song, stop the recording with the Play button.
• The Record button led stops flashing.
At this point, you can choose to escape Record mode or to record new events.
If you record new events, they will replace the old (Replace recording).
For example, you can repeat the recording if you are not satisfied with it.
To escape record mode: go directly to point 5.
To record new events: press the Play button to start the playback of
the sequence. The old events will be automatically cancelled.
• Start to play the new sequence.
• When you have finished, stop the recording with the Play button.
5. Press the Record button to escape record mode.
• The relative led indicator turns off. The led above the Play
button remains on indicating the presence of a song in memory.
6. Press the Play button to playback the recorded song.
• You can play along with the song in playback.
• Note: you cannot change the recorded Sounds while the Song is in playback.
You can, however, play along with the playback using one or two Sounds as desired.
Simply select the Sounds in the normal way.
PLAY & RECORD
PLAY REC
PLAY & RECORD
PLAY REC
PLAY & RECORD
PLAY REC
PLAY & RECORD
PLAY REC
PLAY & RECORD
PLAY REC

15
Sequencer RP2/GRP3
The two-track sequencer allows you to record a two-track Song of about 45,000
events. You can record one track at a time (multi-track recording). In playback, you
can play along with up to two Sounds in real time, you can deactivate a recorded
track and play along with just one recorded track.
You can choose from two recording methods:
• Record your song just as you play it.
For example, you may want to record in Layer mode using Concert Grand
and Strings.
• Record one track at a time (multi-track recording).
While the first recorded track is in playback, you can record the second track.
For example, you can record a Bass sound in Track 1 and a Piano sound in
Track 2. Refer to the recording procedure detailed afterwards.
The RP2/GRP3 Sequencer functions
PLAY/STOP This button is marked with the arrow head (©) and square (■) symbols that denote the “Play” and
“Stop” functions respectively.
Play starts and stops the playback or recording modes.
PAUSE Marked with the symbol (❚ ❚).
Stops a playback or recording sequence. Pressing a second time starts again from the stop point.
REWIND Marked with the double arrowhead symbol pointing left (§§).
”Rewinds” the sequence one bar at a time. A fast rewind action is obtained by holding the button
pressed.
FAST FORWARD Marked with a double arrowhead symbol pointing right (©©).
Advances the sequence one bar at a time. A fast forward action is obtained by holding the button
pressed.
RECORD Marked with the symbol (v).
Activates the Record mode, placing the sequencer in “record pending mode”. Recording starts by
pressing the Play or Pause button. The RP2/GRP3 sequencer captures recorded events in Overdub
mode: new events are added to the old.
TRACK 1/TRACK 2 Buttons that activate the sequencer tracks for recording or playback. The status of each track is
defined by the relative led.
• Led off - track “empty” or off.
• Led on - recorded track.
• Led flashing - track in record.
METRONOME Activates/deactivates the Metronome and gains access to the Tempo parameter. The Metronome
“tick” helps to keep in time, useful in record mode.
TIMING Gains access to a selection of Time Signatures and activates an accentuated metronome. This
button is tied to the Metronome function and activates only if the Metronome function is selected.
The Timing button activates a temporary display (lasting about 5/6 seconds).
ERASE Cancels the events recorded in the sequencer tracks. While pressing this button, press the button
for the track or tracks you wish to erase. The led of the erased track goes off to indicate that the
Erase operation is complete.
Setting up for the recording
You can enter record mode with the Sound or Sounds that you want to record, or you can select the required Sound configuration
after entering record mode.
• When you first enter record mode, the RP2/GRP3 will be configured to record a song with a Time Signature in 4/4 time
with a Tempo of 120 beats per minute.
• You can modify the Time Signature parameter only after activating record mode and before starting the actual recording.
Once you have started to record, the Time Signature parameter cannot be modified.
• Points 3 and 4 below detail the procedures necessary to modify the Tempo and Time signature.
PLAY & RECORD
PLAY REC
STOP
PAUSE REW FF
TRACK 1 TRACK 2 METRON TIMING ERASE

16
How to record a Song
1. Press the REC button to activate the sequencer for recording.
• The led above the Track 1 button starts to flash.
• The Tempo display activates showing the current setting. The Tempo can be
modified with the + and - buttons.
-REC- 01/1
Tempo =120
• Also shown is the Song Pointer (Ø1/1) which runs when the
sequencer is in motion. The first figure on the left represents
the current Bar while the second figure on the right represents
the beats of the bar.
2. Select the Sound to record.
For example, you can record the left part of a classical piano piece on Track 1
and the right part on Track 2 in the second recording.
3. Activate the Metronome (if required).
This button activates a temporary display (lasting about 5/6 seconds) show-
ing the Metronome level (volume) and Tempo (recording/playback speed).
-METRONOME-
V=100 =120
The Metronome Vol parameter can be regulated with the Up/Down
buttons while the Tempo is changed with the +/–buttons.
• Note: the Metronome display remains active for approx. 6 seconds during which you
must effect the change required. If you fail to effect the required change, the display
will return to the record display. Reactivate the Metronome function again to effect
the required change.
4. Activate the Timing function for the Metronome accent
(if required) or to change Time Signature
• Note: the Timing button activates only when the Metronome function is currently selected.
The Timing function adds an accent to the Metronome and gains access
to the Time signature parameter. The display shows two parameters:
-TIMING-
V=100 T/S=120
• The Metronome accent (Vol)
The Metronome accent plays a bell sound on the first beat of every
bar. The accent’s Volume can be regulated with the Up/Down buttons.
• The Time Signature (T/S)
You can choose a Time signature with the + or - buttons.
The Time Signatures available are: 2/4; 3/4; 4/4; 5/4; 6/8; 9/8; 12/8.
• Note: the Time signature can only be regulated BEFORE
starting the first recording. If you record a second track separately,
it will not be possible to change the established time signature of
the recording.
5. Press the Play button to start the recording.
• You will have a one bar lead into the recording before played
events will start to be captured.
PLAY & RECORD
PLAY REC
STOP
REW FF
TRACK 1 TRACK 2 METRON TIMING ERASE
PAUSE
-REC- Ø1/1
Tempo =120
Tempo change
-METRONOME-
V=100 =120
Metronome Volume
change
PLAY & RECORD
PLAY REC
STOP
REW FF
TRACK 1 TRACK 2 METRON TIMING ERASE
PAUSE
-TIMING-
V=100 T/S=4/4
Time Signature
change
-TIMING-
V=100 T/S=4/4
Metronome accent
change
PLAY & RECORD
PLAY REC
STOP
REW FF
TRACK 1 TRACK 2 METRON TIMING ERASE
PAUSE
Start Recording

17
6. Play on the keyboard
• Record the first track.
7. When you have finished, press Play/Stop to stop the recording.
• The instrument will remain in Record mode.
• The recorded track is confirmed (the relative led stops flashing and
remains permanently on).
8. Activate Track 2 by pressing the respective button.
• The led above the button starts to flash.
9. Press the Play button to start the recording.
• Track 1 will playback allowing you to record Track 2 in time with Track 1.
10. When you have finished recording Track 2, press the
Play/Stop button to stop the recording.
• The second track will be confirmed automatically.
• To add new events, see Overdubbing below.
11. Press the Rec button to escape Recording mode.
• The led indicators of the recorded tracks will remain permanently on.
Playback
Press Play to start the playback.
• During playback, you can deactivate/activate the track of your choice and
play along with one or two Sounds in real time. Select the Sounds using the
normal selection procedure.
• You can deactivate the track of your choice before starting the playback.
• Note: the sequencer records the starting Sound(s) and all Sound selections,
DSP Effect and Reverb assignments, and Pedal operations carried out during
the recording.
Overdubbing
RP2/GRP3 models record in Overdub mode, allowing you to add additional
events to those already recorded.
• After recording a track, press Pause to stop the recording.
• Press the Rewind button to take the track to the beginning (or to any point
before the stop point).
• Press Pause again to start the recording. A one bar lead will be provided
automatically, after which you can start to play. The new events will be
“merged” with the previously recorded events.
Then proceed as already described to complete the song.
Erase
You can cancel the Song entirely or partially by using the Erase function.
Partial Erase
Hold the Erase button and press the track button that you wish to erase for
about 2/3 seconds. The relative led indicator of the erased track goes off as
confirmation of the cancellation.
Erase all
Hold the Erase button and press the both Track buttons simultaneously. The led
indicators above both buttons are cancelled as confirmation of the cancellation.
• Note: You cannot erase recorded events while the instrument is in Record mode.
The recorded Song remains in memory after turning off the instrument.
You can also cancel the song in memory by means of the Master Reset function (see page 25).
PLAY & RECORD
PLAY REC
STOP
REW FF
TRACK 1 TRACK 2 METRON TIMING ERASE
PAUSE
To record Track 2
PLAY & RECORD
PLAY REC
STOP
REW FF
TRACK 1 TRACK 2 METRON TIMING ERASE
PAUSE
Escape Record mode
PLAY & RECORD
PLAY REC
STOP
FF
TRACK 1 TRACK 2 METRON TIMING ERASE
PAUSE
REW
Pause record
PLAY & RECORD
PLAY REC
STOP
REW FF
TRACK 1 TRACK 2 METRON TIMING ERASE
PAUSE
Playback the
recording
PLAY & RECORD
PLAY REC
STOP
FF
TRACK 1 TRACK 2 METRON TIMING ERASE
PAUSE
REW
Partial Erase

18
Music Library (RP2/GRP3)
RP2/GRP3 models incorporate the Music Library function which permits the selection of a piano piece from a directory of pieces
contained in the instrument’s ROM. Each directory is further subdivided into sub-directories, each of which contains a selection
of well known compositions.
• Note: The songs contained in the Music Library are recorded with the scope
of being used as study pieces; they contain little or no expression. These
pieces are ideal for the student who can listen to and follow each composi-
tion, slowing down the Tempo and activating the metronome.
• See the Appendix for a list of all pieces contained in the Music Library.
How to select a piece from the Music Library
1. Press the Music Library button.
• The display shows the first of a selection of main directories which corre-
spond mostly to the names of composers.
-LIBRARY-
1.TEACHING
2. Use the Up/Down buttons to scroll through the main directories
• The main directories are numbered from 1 - 8. For example, directory 3 is
shown as follows:
-LIBRARY-
3.J.S.BACH
3. Gain access to a main directory by pressing the + button.
• The main directories contain several sub-directories corresponding to the
names of composers or names of musical pieces consisting of more than one
movement.
-LIBRARY-
3.1INVENZ_Z_VOCI
• Press the - button if you want to return to the corresponding main directory.
4. Scroll the sub-directories with the Up/Down buttons.
-LIBRARY-
3.2WELL_TEMP_CLA
5. Gain access to the selected sub-directory with the + button.
• The sub-directories contain the musical pieces.
• Each piano piece is identified by an asterisk (*) before the name.
-LIBRARY-
*PRELUDIO 01
6. Select the desired piece with the Up/Down buttons.
-LIBRARY-
*PRELUDIO 01
• Press the - button to return to the corresponding sub- directory.
MUSIC
LIBRARY
MUSIC
LIBRARY
-LIBRARY-
3.2WELL_TEMP_CLA
Access Sub-
directory (+)
-LIBRARY-
*PRELUDIO 01
Scroll individual pieces
with Up/Down buttons
-LIBRARY-
3.2WELL_TEMP_CLA
Scroll Sub-directories
with Up/Down buttons
-LIBRARY-
1.TEACHING
Scroll Main
directories
-LIBRARY-
1.TEACHING
Access Main
Directory (+)

19
7. Press the Play button of the Sequencer to start the selected piece.
• While the music plays, all the sequencer buttons are active except the
Record and Erase buttons.
Therefore, you can Pause, Rewind and Advance the music as required.
You can activate/deactivate the Track buttons of your choice.
You can activate the Metronome and change Tempo, allowing you to follow
the pieces at a slower speed, a must for the student.
• All the musical pieces are two track piano recordings: Track 1 corresponds
to the left hand, Track 2 to the right hand.
• You can also effect a Transposition and select one or two Sounds to play
along with the play back.
8. When the music reaches the end, it stops automatically.
• You can stop a playback at any time with the Play button.
Intelligent Music Search (RP2/GRP3)
This function permits the automatic selection of a musical pieces stored in the Music Library by playing a short sequence of
introductory notes at any playing speed and in any key.
How to select a musical piece using IMS™
1. Press the IMS button.
• The display activates as shown below.
-I.M.S.-
**** ****
2. Play the first few notes of the piece you wish to hear.
• You can play from a minimum of two to a maximum of eight notes.
• For each note played, a note symbol appears in place of the flashing cursor.
The cursor shifts to the next empty slot.:
-I.M.S.-
**** ****
• As soon as the piece of music has been recognised (even before playing all
eight notes), the display shows the name of the selected piece:
-LIBRARY-
*HungariaDance68
The recalled piece will be recognised only if the sequence of notes played is
correct. If you make a mistake, the computer will search until it finds a piece
corresponding to the notes played, or it will notify a failure if it is not able to
recognise the played sequence:
-I.M.S.-
**** failed ****
After a few seconds, the message will disappear and you can repeat the
search operation.
3. Press the Play button to start the selected piece.
PLAY & RECORD
PLAY REC
STOP
REW FF
TRACK 1 TRACK 2 METRON TIMING ERASE
PAUSE
PLAY & RECORD
PLAY REC
STOP
REW FF
TRACK 1 TRACK 2 METRON TIMING ERASE
PAUSE
I.M.S.
I
n
t
e
l
l
i
g
e
n
t
M
u
s
i
c
S
e
a
r
c
h
Activate the auto-select
function (Intelligent Music
Search)

20
Master Set
The Master Set function gains access to a menu consisting of a series of functions which intervene on several aspects of your
instrument.
The functions are: Tune, Temperament, Layer Balance, Reverb Depth, Effect Depth, Effect Rate, Spatial Stereo (RP2/GRP3 only),
MIDI Transmit, MIDI Receive, MIDI Local, MIDI Transpose, MIDI In Filter, Contrast (RP2/GRP3 only).
The edited settings for all the above functions remain in memory after turning off the instrument. The settings can be restored to
their default values using the Master Reset function. See page 25 for more details.
Master Set operates differently according to which instrument you have.
Master Set menu for RP1
Owing to the fact that RP1 does not have a display, the
Master Set functions are accessed by means of 12 Sound
selection buttons after activating Master Set.
PIPE
ORGAN JAZZ ORGAN POP ORGAN CHOIR
STRINGS A.GUITAR A.BASS E.BASS
LOWER
HARPSICLAVVIBES
FM
PIANO
RHODEX
WURLITZ
ELECTRIC
HONKY
TONKY
CONCERT
GRAND
SOUNDS
Each Sound button activates a Master Set function.
Each function has a value which can be regulated by using
a particular range of keys on the keyboard. The range differs
according to the function selected. In most cases, the note
C4 is equivalent to the value 0 and a set of notes above the
zero point provide positive values while those below provide
negative ones. In other cases, C4 corresponds to the lowest
point of a set of values or settings that differ according to
the function selected.
The diagram below shows the extreme case for the Tune
function. The keys exploited to regulate the values of the
RP1 Master Set functions emit an acoustic sound (a bell)
together with the currently selected preset Sound.
Those not involved in the Master Set operation do not
emit acoustic sounds other than the Sound of the
currently selected preset.
ACTIVE ZONE FOR RP1 MASTER SET TUNE
CENTRAL REFERENCE POINT: NOTE C4
C#6
B1
The table on this page shows the functions assigned to the Sound buttons and the
relative notes ranges used to regulate the function values.
Master Set menu for RP2/GRP3
The Master Set functions for models RP2/GRP3 are identical to those available for RP1, but with two additional functions: Spatial
Stereo and Contrast.
Access to the RP2/GRP3 Master Set functions is via the display using the navigation buttons on either side.
TUNE
440.0Hz
TUNE
440.0Hz
Once the Master Set button has been activated (led indicator flashing), the functions are selected with the Up/Down buttons (on
RP1 Master Set table
SOUND MASTER SET
FUNCTION NOTE RANGE ACTIVATED
Concert Grand Tune
Standard Pitch
Positive tuning
Negative tuning
B1…C4…C#6
C4
C#4…C#6
B3…B1
Honky Tonk Temperaments
Equal
Meantone
Kirnberger
Tartini-Vallotti
C4…D#4
C4
C#4
D4
D#4
Wurlitzer Electric Layer Balance
Centre
First Sound
Second Sound
F#3…C4…F#4
C4
C#4…F#4
B3…F#3
Rhodex Reverb Depth C4…C5
FM Piano Effect Depth C4…C5
Vibes Effect Rate C4…C5
Clavinet Midi Transmit
Channels 1-16
Off
C4…E5
C4…D#5
E5
Harpsichord Midi Receive
Channels 1-16
Off
Omni mode
Multi mode
C4…F#5
C4…D#5
E5
F5
F#5
Pipe Organ Midi Local
Local On
Local Off
Split/Left
Split/Right
C4…D#4
C4
C#4
D4
D#4
Jazz Organ Midi Transpose
Standard Pitch
Positive
Negative
C3…C4…C5
C4
C#4…C5
B3…C3
Pop Organ Midi In Filter
Off
Program
Control
Panel
C4…D#4
C4
C#4
D4
D#4
Choir Midi Out Filter
Off
Program
Control
Panel
C4…D#4
C4
C#4
D4
D#4
Scroll the Master Set functions
with the Up/Down buttons Change Function value or status
with the +/–buttons