
Before you start recording, tap and hold the name of the media at the bottom of the
touchscreen to select the memory card or USB-C flash disk you want to use.
The bar over the media type you have selected turns blue to indicate the camera is set
to record to this media. To record to a different card or drive, tap and hold the name of
the media. While recording, the bar is red.
Choosing the Recording Format
Blackmagic Pocket Cinema Camera records using Apple ProRes codecs including ProRes
422 HQ, ProRes 422, ProRes422 LT and ProRes 422 Proxy. ProRes codecs let you fit more
video on your SD card, CFast card or USB-C flash disk. ProRes 422 HQ provides the highest
quality video with the lowest compression. Alternatively, ProRes 422 Proxy gives you far more
recording time with greater compression. Your camera can also record with the Blackmagic
RAW format. You may decide to experiment to see which format best suits your workflow.
It’s important to note that Blackmagic Pocket Cinema Camera can use Blackmagic RAW for full
sensor and windowed sensor formats, and must use ProRes for scaled formats.
For more information on windowed and scaled formats, see the ’maximum sensor frame
rates’ section.
Blackmagic RAW
Blackmagic Pocket Cinema Camera supports the Blackmagic RAW file format. This format offers
superior image quality, wide dynamic range and a broad selection of compression ratios.
Blackmagic RAW features all the user benefits of RAW recording, but the files are very fast
because most of the processing is performed in the camera where it can be hardware
accelerated by the camera itself.
Blackmagic RAW also includes powerful metadata support so the software reading the files
knows your camera settings. If you like shooting in video gamma because you need to turn
around edits quickly and you don’t have time for color correction, then this metadata feature
means you can select video gamma, shoot in video gamma, and the file will display with video
gamma applied when you open it in software. However underneath, the file is actually film
gamma and the metadata in the file is what’s telling the software to apply the video gamma.
So what all this means is if you want to color grade your images at some point, then you have
allthat film dynamic range preserved in the file. You don’t have your images hard clipped in the
whites or the blacks, so you retain detail and you can color grade to make all your images look
cinematic. However, if you don’t have time for color grading, that’s fine because your images
will have the video gamma applied and look like normal video camera images. You are not
locked in on the shoot and you can change your mind later during post production.
Blackmagic RAW files are extremely fast and the codec is optimized for your computer’s
CPU and GPU. This means it has fast smooth playback and eliminates the need for hardware
decoder boards, which is important for laptop use. Software that reads Blackmagic RAW also
gets the advantage of processing via Apple Metal, Nvidia CUDA and OpenCL.
This means that Blackmagic RAW plays back at normal speed like a video file on most
computers, without needing to cache it first or lower the resolution.
It’s also worth mentioning that lens information is recorded in the metadata on a frame by frame
basis. For example, when using compatible lenses, any zoom or focus changes performed over
the length of a clip will be saved, frame by frame, to the metadata in the Blackmagic RAW file.
20Recording