
Surround sound modes
The 551R supports several music and home-cinema listening modes. The
outputthe 551R can provide, depends both on the source signal present, the
speaker setup selected and the decode mode selected. Before
we
describe
how
to
operate
the
551R, below is a brief guide to the Surround Sound
formats
that
the
551R is compatible with for reference:
[I]
DOLBY
TRUiilll:
I
Dolby's lossless audio technol
ogy
developed primarily for high capacity Blu-
ray discs/players. Dolby
True
HD
delivers theoretically bit-for
-b
it
sound
identical to
the
studio master
by
the use
of
100
%lossless encoding.
Pre
vious
formats such as Dolby Digital 5.1 or
EX
have used lossy encoding where
some data (that is theoretically less audible) is always lo
st
in
the
encoding
process
to
reduce
the
storage capacity needed on the disc. This is a new
format
that
supports up
to
eight (usually used as 7.1) full-range channels
of
24-bit/96
kHz
audio ortwo channels of
24/192
kHz
via
Blu-ray discs and is
not backwards compatible with earlier schemes.
The
format can either be
transmitted as a
'bitstream'
to
the
551R for internal decoding
(recommended) or can be decoded
by
some Blu-ray players internally and
sent
to
the 551R as multi-channel
PCM.
In
both cases an
HOM
I connection
is required
to
the
551R and a suitable Blu-ray player
as
Dolby True
HD
is only
ever trans
mitt
ed over HDMI.
[I]
DOLBY
DIGITAL
PLUS
I
An
encoding scheme based
on
the
original Dolby Digital
CODEC,
but
with
enhancements
to
improve coding efficiency and improved audio quality.
Dolby Digital Plus supports
7.1
fully discrete channels compared to Dolby
Digitals 5.1(or
6.1
in its EXvariant where the
6th
channel is matrix encoded).
These Dolby Digital Plus bitstreams are not backward compatible with legacy
Dolby Digital decoders but require an
AV
Re
ceiver developed
to
decode them
(such as the 551R) and an
HOM/
connection as Dolby Digital Plus is currently
onlytransmitted over HOM/. It
is
howevera requirement
that
a
ny
Dolby Digital
Plus enabled Blu-ray player must also be able transform
the
Dolby Digital
Plus into a backwards compatible Dolby Digital 5.1 output for
pl
ayback on
legacy Dolby Digital systems. The 551R is however fully compatible with
Dolby Digital Plus.
ectts
...
o
Mast
er
Audio
A new lossless audio
CODEC
from
DTS
, rather than being incompatible with
earlier versions,
DTS
-
HD
Master Audio is transmitted as an extension
to
a
normal
DTS
bitstream. A second embedded stream is sent which contains
th
e "difference" between
the
or
iginal s
tudio
master and
the
lossy
compressed
DTS,
plus
the
two extra channels.
DTS
-
HD
Master Audio
enabled d
ev
ices (such as the 551R) are able to use
th
is difference
information
to
recreate a
bit
for bit lossless version of
the
original 7.1 data.
Devices which do not support
the
MasterAudio extension simply decode
the
original 5.1
DTS
stream and ignore the Master Audio extension providing
backwards compatibility.
e~!'!!,
DT5-HD High Resolution Audio
Known also as
DTS-HR
an extension to the original
DTS
audio format.
DTS
-
HD
High Resolution Audio supports 7.1 fully discrete channels compared
to
DTS'
s 5.1 (or 6.1 in its
DTS
ES Matrix or
DTS
ES
Discrete variants).
As
with
DTS
-
HD
MasterAudio a second embedded stream is se
nt
which contains
th
e
"difference" between the original studio master and the lossy compressed
DTS
, plus the two extra channels, however in this case
the
extra stream is
also formed
by
lossy compression. Effectively this
is
a 7.1 version
of
DTS
whi
ch
can
be decoded
by
devices (such as
the
551R) which are able
to
decode
DTS
-
HD
Hi
gh Resolution Audio. Devices which do not support
th
e
High Resolution
ex
tension simply decode the original 5.1
DTS
st
ream and
ignore the
Hi
gh Resolution
ex
tension providing backwards compatibility
[I]
DOLBY
DIGITAL
I
Known also as
DD
(3
/2
) or
DD
5.1, provides (up to) 5.1 outputfrom s
uit
able
encoded Dolby Digital mate
ri
a
l,
with 5 main channels (Front L
ef
t, Front Right,
Centre, Surround Left. Surround Right) and a
Low
Fr
equency Effects Channel
for the subwoofer, all discretely encoded. Decoding Dolby Digi
ta
l requires a
Dolby Digital encoded
DVD
disc and a digital connection from the so
ur
ce
equipment (Such as a
DVD
player)
to
the
551R.
Note:
Do
lby Digital and
DTS
formats can sometimes carry less channels than
their maximum such as Dolby
Di
g
it
al (2/0) which means a Dol
by
Digital
encoded signal which is actually only carrying a two channel stereo signal
(other channels inactive).
ii\'l!!
dts
Di!lito
iS
uJJWOil
Known also as
DTS
(3
/2
) or
DTS
5.1,
DTS
provides (up to) 5.1 output from
suitable encoded
DTS
material, with 5 main channels (Front Left, Front
Righ
t,
Centre, Surround Left, Surround
Ri
ght) and a
Low
Freq
uency EffectsChannel
for the subwoofer, all discretely encoded. Decoding
DTS
requires a suitably
encoded
DTS
disc and a digital connection from the source equipment
toth
e
551R.
azur
551R
[I]
DOLBY
DIGITAL
EX
I
Known alsoas
DO
(3/3)
or
DD
6.1, an enhanced form
of
Dolby Digital.
On
top
of
the discretely encoded 5.1 channels
DO
EX
provides an extra 6th channel
(Surround Back, giving 6.1) matrix encoded into
the
rear surrounds for
greater image depth and more solid sound localisation behind the listener.
DO
EX
requires a
DO
EX
encoded d
isc.
DO
EX
is backwards compatible with
DD
5.1decoding.
If
DO
EX
isdecoded
as
normal
DD
theSurround Back signal
will be present in both Left and
Righ
t Rear Surrounds (forming a phantom
rear centre). It can also be decoded
as
7.1
by
sending
the
Surround Back
decode
to
both the Surround Back Left and Right speakers (forming two
mono Back Surrounds).
Dig.ujS....ound!S
Known also as
DTS
(3/3)
Matrix, an enhanced form
of
DTS.
On
top
of
the
discretely encoded 5.1 channels
DTS
ES
also provides an extra 6th channel
(Surround Back giving 6.1), matrix encoded into
the
rear surrounds for
greater image depth and more solid sound localisation behind the listener.
DTS
ES
requires a
DTS
ES
encoded disc.
DTS
ES
material is backwards
compatible with
DTS
5.1 decoding.
If
DTS
ES
is decoded as normal
DTS
the
Surround Back signal will be present
in
both Left a
nd
Ri
ght
Rea
r Surrounds
(forming a phantom rear centre).
It
can
also be decoded
as
7.1
by
sending
the Surround Back decode
to th
e both the Surround Back L
eft
and Right
speake
rs
(forming two mono Back Sur
ro
unds).
DIJ'
t
..
S...round
i
ES
Another enhanced form
of
DTS
, also known as
DTS
(3/3)
Discre
te
or
DTS
ES
Discrete 6.1.
DTS
ES
Discrete also provides an ext
ra
channel (Surround Back)
for greater image depth and more solid sound localisation behind the
listener, however in this case extra data is included in the bitstream so that
all channels are discretely encoded.
The
Surround
Ba
ck has greater
separation from
th
e other channels than is possible with matrix encoded
technologies.
DTS-ES
Discrete requires a
DTS
-
ES
Discrete encoded disc.
DTS
ES
Discrete is backwards compatible with both
DTS
5.1 and
DTS
ES
Matrix 6.1 decoding.
If
DTS
ES
Discrete is decoded as normal
DTS
the
Surround
Ba
ck signal will be present in both L
eft
and Right
Rea
r Surrounds
(forming a phantom rear centre).
If
DTS
ES
Discrete is decoded wi
th
DTS
ES
Matrix the
Su
rround Back signal will
be
decoded separate
ly
(i.e. as 6.1) but
by
a matrix process, which will give the same channel separation as
if
the
source disc
we
re actually
DTS
ES
Matrix (but notas good as
DTS
EX
Discrete).
It can also be decoded as 7.1
by
sending the Surround Back decode
to
both
th
e Surround Back Left a
nd
Right speakers (forming two mono Back
Surrounds).
[I]
DOLBY
PRO
LOGIC
II
I
The
replacement for
the
original
Pro
Lo
gic,
Pro
Logic
II
is a technology where
5 channels (Front Left, Front Right, Centre, Surround Left, Surround Right)
are encoded into a Stereo mix
by
an analogue matrix process. Dolby
Pro
Logic
II
material can be played back
by
normal Stereo equipment (as Stereo) or
decoded
int
o 5 channel surrou
nd
-sound.
Dolby
Pro
Logic
II
is compatible with the earli
er
4 channel
(left
, Centre, Right
and mono Surround) Dolby
Pro
Logi
c system (which
wa
s the decoding
counterpart
to
Dolby Surround encoding) as used widely on Video tapes,
TV
broadcasts and earlierfilms.
Note: Pro Logic does not include a Low Frequency Effects channel for
the
Subwoofer, but
the
551R can create a Subwoofer output (for 5.1) via Bass
management. Refer
to
the 'Tone/Sub/
LFE
configuration' section in
the
'Operating instructions' part
of
this manual.
[I]
DOLBY
PRO LOGIC
llx
]
A newer version
of
Dolby
Pro
Logic
II
which is able to recreate 7 discre
te
surround sound channels from suitable encoded stereo source materia
l.
Pro
Logic llx also
ha
s modes for post processing either Stereo material or 5.1
material into 7 channels whether or not
it
has been
Pro
Logic llx encoded.
Wh
en 5.1 decodingis required, Dolby Prologic
II
decodingwill alwa
ys
be us
ed
by
th
e 551R in place
of
Pro
Lo
gic llx
as
llx only works for 7 ch
an
nel output.
Note: Pro Logic llxdoes not include a
Low
Frequency Effectschannel
for
the
Subwoofer, but the 551R can create a Subwoofer output (for 7.1) via Bass
management. Refer
to
the
'Tone/Sub/
LFE
configuration' section in
the
'Operating instructions' part
of
this manual.
19
I