Cambridge Sound Works Newton II P1005 User manual
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All manuals and user guides at all-guides.com
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VOLUMEUP
VOLUMEDOWN
SUBWOOFER VOLUME
CONTENTS
0OWEREDSUBWOOFERENCLOSURE
#ONTROLMODULE
!#POWERCABLE
-ODULETOSUBINTERFACECABLE
2EMOTECONTROL
3PEAKERWIRECONNECTORPLUG
#ONTROLMODULEPOWERSUPPLYADAPTER
INSPECTING FOR DAMAGE
%XAMINEEACHPARTCAREFULLYFORSHIPPINGDAMAGE)F
THEREISANYDONOTINSTALLORUSETHESYSTEM2ETURN
THESUBWOOFERTOTHESTOREORMERCHANTWHEREYOU
MADETHEPURCHASEORCALL#AMBRIDGE3OUND7ORKSAT
&/2()&)FORASSISTANCE
70
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50
0
0
20
-6
40
0
100
VOLUME UP
VOLUME DOWN
SUBWOOFER VOLUME
SPECIFICATIONS
P1005:
$IMENSIONS(X7X$
7EIGHTPOUNDS
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1
2
3 4 55
1. low-pass:
%VENTHOUGHASUBWOOFERONLYPRODUCEShBASS
NOTESvTHEUPPERENDOFITSRANGESHOULDBETAILORED
TOBLENDWELLWITHYOURMAINSPEAKERS4HESUB
WOOFERSHOULDNOTPRODUCEANYBASSYOURMAIN
SPEAKERSCANPRODUCE4HELOWPASSCONTROLSETS
THISLIMIT4HELOWESTSETTING(ZSHOULDBEUSED
WITHLARGEMAINSPEAKERS)TSMIDDLESETTINGSSHOULD
BEUSEDWITHSMALLFLOORSTANDINGSPEAKERSORLARGE
BOOKSHELFSPEAKERS)TSHIGHESTSETTINGSHOULDBE
USEDWITHSMALLSPEAKERSSEETABLEONPAGE
2. On/Standby/Limit Indicator:
4HISINDICATORGLOWS amber WHENTHESUBWOOFERIS
IN3TANDBY4HESUBWOOFERUSESVERYLITTLEPOWERIN
THISMODE)TTURNSONRAPIDLYWHENEVERTHEMAIN
SYSTEMISUSED4HISINDICATORGLOWS green WHILETHE
SUBWOOFERIS/NANDOPERATING4HISINDICATORBLINKS
red WHENEVERTHESUBWOOFERREACHESITSFULLOUTPUT
3. phase:
4HEPHASECONTROLCOMPENSATESFORPLACEMENTDIF
FERENCESBETWEENTHEMAINSPEAKERSTHESUBWOOFER
ANDYOURLISTENINGPOSITION!DJUSTINGTHISCONTROL
AFFECTSTHERELATIVELYNARROWRANGEOFNOTESWHERE
THEMAINSPEAKERSANDTHESUBWOOFERhOVERLAPv
!DJUSTITFORMAXIMUMOUTPUTINTHISNARROWRANGENOT
FORhBESTSOUNDv4HEAFFECTTHISCONTROLHASCANBE
SUBTLE)TSEASIESTTOADJUSTWHENPERCUSSIONISPLAYING
AREPETITIVEPATTERN
4. volume:
4HISCONTROLSETSTHEOVERALLOUTPUTLEVELOFTHESUB
WOOFER!DJUSTITWITHTHEREMOTECONTROLFORTHEBEST
OVERALLBLENDWITHYOURMAINSPEAKERSAFTERYOUHAVE
SETTHEOTHERCONTROLS
5. equalizer level and equalizer frequency:
9OURLISTENINGROOMSSHAPEANDCONSTRUCTIONAND
WHEREYOULISTENWITHINITHAVEANUNPREDICTABLEAFFECT
ONDEEPBASS4HESETWOCONTROLSADJUSTDEEPBASS
equalizer frequency ADJUSTSHOWDEEPINTOTHEBASS
THESUBWOOFERWILLRESPOND4HE(ZSETTINGINDI
CATESTHESUBWOOFERISFLATDOWNTOTHATFREQUENCY
equalizer level ADJUSTSTHEOUTPUTCENTEREDAROUNDTHE
EQUALIZERFREQUENCYSETTING
4HESECONTROLSLETYOUDISCOVERTHESTRONGANDDEEP
SONICEVENTSINYOURFAVORITEPROGRAMMATERIALPARTOF
THEFUNOFHAVINGAGREATPOWEREDSUBWOOFER
4HELOWERYOUSETTHEEQUALIZERFREQUENCYANDTHEHIGHER
YOUSETTHEEQUALIZERLEVELTHEMOREAMPLIFIERPOWERYOU
DEVOTETOPRODUCINGTHEDEEPESTBASS
4HISINTURNCANLIMITTHEMAXIMUMOVERALLOUTPUTOF
YOURSUBWOOFER)FYOUWANTMAXIMUMOUTPUTSETTING
THE equalizer frequency ATORABOVE(Z
CANGIVEITTOYOU
OPERATING CONTROLS
70
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50
0
0
20
-6
40
0
100
low-pass
100
70
50 150
130
equalizer
frequency
40
20 60
phase
0 180
equalizer
level
0
-6 +6
volume
0 11
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6. Sub In:
#ONNECTTHE35"/54JACKFROMARECEIVERINTEGRAT
EDAMPLIFIERPREAMPLIFIERORSURROUNDDECODERTOTHIS
JACK5SEANAUDIOSIGNALCABLEWITHSINGLE2#!
PLUGSONEACHEND
7. Preamp Level Inputs:
.ORMALLYTHE2IGHT2AND,EFT,SIGNALOUTPUTS
FROMAPREAMPWILLCONNECTTOTHETO2)'(4).AND
,%&4).4HE#%.4%2).WOULDONLYBEUSEDWHEN
THREEEQUALLEVELSIGNALSNEEDTOBECOMBINED
8. Speaker Level Inputs:
#ONNECTTHE2IGHTAND,EFTSPEAKEROUTPUTSOFA
STEREORECEIVERAMPLIFIER
TOTHEPLUGTHATINSERTSHERE
#ONNECTTHE2IGHT#ENTERAND,EFTSPEAKEROUTPUTS
OFA
$OLBY3URROUNDRECEIVER
IN7)$%MODETOTHE
PLUG
9. Right And Left High Pass Out:
5SETHESEJACKSIFYOUHAVESEPARATECOMPONENTS
PREAMPLIFIERANDPOWERAMPLIFIERANDYOUWANTTO
PREVENTTHELOWFREQUENCYPROGRAMMATERIALFROM
REACHINGYOURMAINSPEAKERS#ONNECTTHESESIGNAL
JACKSTOTHE2IGHT2AND,EFT,SIGNALINPUTJACKSOF
THEPOWERAMPLIFIER5SEASTEREOAUDIOSIGNALCABLE
WITHTWO2#!PLUGSONEACHEND
10. Main Outputs:
#ONNECTONEOFTHESETWOJACKSTOTHESUBWOOFER
ENCLOSUREUSINGTHESUPPLIED)NTERFACE#ABLE5SETHE
OTHERJACKONLYWHENYOUTOCONNECTASECOND.EWTON
3ERIESSUBWOOFERENCLOSURE
The Remote Control
4HE2EMOTE#ONTROLADJUSTSTHEMOTORIZEDVOLUMECON
TROL"ECAUSETHEOUTPUTLEVELOFDEEPBASSINAROOM
CANVARYSUBSTANTIALLYFROMONEPLACETOANOTHERITS
BESTTOADJUSTTHESUBWOOFERSOUTPUTFROMYOURLISTEN
INGPOSITION
CONTROL MODULE INPUTS AND OUTPUTS
00000000
Powered
Subwoofer
POWER
INTERFACE JACKS
120VAC
7.0A
VOLUME UP
VOLUME DOWN
SUBWOOFER VOLUME
6
8
9
10
RIGHT IN LEFT IN
CENTER IN
PREAMP LEVEL INPUTS
RIGHT
HIGH PASS
OUT
SUB IN
LEFT
HIGH PASS
OUT
+– + –+–
RIGHT CENTER LEFT
SPEAKER LEVEL INPUTS 1 2
INTERFACE JACKS
ON
AUTO
OFF
12V
AC INPUT
Newton, Massachusetts USA
Made in China
CONTROL MODULE
NO USER SERVICEABLE PARTS INSIDE
REFER SERVICINGTO QUALIFIED PERSONNEL
9
#ONNECTTHE)NTERFACE#ABLEFROMTHE
#ONTROL-ODULETOONEOFTHESETWOJACKS
Subwoofer Enclosure Input Panel
Control Module Input Panel
7
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4HESUBWOOFERENCLOSURESHOULDBEPLACEDONTHE
FLOOR)TSLOCATIONINTHEROOMAFFECTSITSOUTPUT4HEOUT
PUTINCREASESTHECLOSERTHESUBWOOFERISPLACEDTOTHE
INTERSECTIONOFWALLSANDFLOORSSEEDIAGRAMS
Some Advantages Of Corner Placement: 0LACINGA
SUBWOOFERINORNEARTHECORNEROFAROOMINCREASESITS
MAXIMUMOUTPUT#ORNERPLACEMENTALSOPROVIDESTHE
MOSTCONSISTENTOUTPUTFROMDEEPBASSTOUPPERBASS
3INCECORNERPLACEMENThFORCESvMOREOFTHEBASS
ENERGYTOWARDTHECENTEROFTHEROOMYOUCANOPERATE
THESUBWOOFERATALOWEROVERALLGAINSETTINGTHANIFIT
WASINTHEMIDDLEOFAWALL4HISREDUCESTHEAMOUNT
OFBASSSOMEONEINANEARBYROOMWILLHEAR
Other locations: !NYPOSITIONINAROOMCANBEUSED
BUTAPOSITIONAWAYFROMTHEINTERSECTIONOFTWOROOM
SURFACESWILLBOTHREDUCETHEMAXIUMNOUTPUTOFTHE
SUBWOOFERANDMAKETHEOUTPUTFROMDEEPBASSTO
UPPERBASSLESSEVEN
&ORMOSTPLACESINAROOMTHEORIENTATIONOFTHESUB
WOOFERISNOTCRITICAL)FYOUPLACETHESUBWOOFERDIRECT
LYINACORNERYOUMAYFINDTHAThDIAGONALvPLACEMENT
THEGRILLEPANELSFORMINGADEGREEANGLEWITHBOTH
SIDEWALLSREDUCESWALLSHAKING
7EREALIZEMANYhREALWORLDvFACTORSAFFECTWHEREYOU
CHOOSETOPLACEASUBWOOFERANDCORNERPLACMENT
MAYNOTBEPRACTICAL4HEHIGHLYFLEXIBLECONTROLSON
THE#ONTROL-ODULEALLOWYOUTOEFFECTIVELYCOMPEN
SATEFORUNEVENOUTPUTDUETOPLACEMENT
PLACEMENT
-AXIUM"ASS/UTPUT
-ODERATE"ASS/UTPUT
,EAST"ASS/UTPUT
Ventilation: "ECAUSETHESUBWOOFERENCLOSUREPANEL
REQUIRESADEQUATEVENTILATIONDONOT
PLACEITINSIDEAWALLUNITORANYPIECEOF
FURNITURE!LSODONTPLACEITNEARHEAT
SOURCESORAGAINSTFURNITUREDRAPERIESOROTHERMATERI
ALTHATWILLBLOCKTHEFREEFLOWOFAIRAROUNDTHEFROM
UNDERNEATHTHESUBWOOFER
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INSTALLING CARPET SPIKES
Improving Stability With Carpet Spikes
4HEPOWEREDSUBWOOFERHASFOURSOFTFEETFORLEVEL
STABLEORIENTATIONONANYFLATSURFACEANDTIGHTLYWOVEN
CARPETS)NSTALLINGANDADJUSTINGTHEFOURCARPETSPIKES
CANLEVELTHESPEAKERANDIMPROVEITSSTABILITYONTHICK
CARPETING4HESPIKESPENETRATEACARPETANDCARPET
PADANDTRANSFERTHEWEIGHTOFTHESPEAKERDIRECTLYTO
THEFLOORSURFACE
.OTE 4HESECARPETSPIKESWILLLEAVEFOURSMALLBUT
DISTINCTPUNCTUREHOLESINWOODENFLOORSANDCOULD
DAMAGEOTHERSURFACESESPECIALLYIFTHESUBWOOFERIS
DRAGGEDAFTERTHEYAREINSTALLED$ONOTUSETHESE
SPIKESIFYOUARECONCERNEDABOUTTHEAPPEARANCEOF
THEFLOORBENEATHTHECARPET
#ARPETSPIKEINSTALLATIONCONSISTSOFINSTALLINGADJUST
INGANDLOCKINGTHESPIKES$ETERMINETHEFINALPOSI
TIONOFTHESUBWOOFERBEFOREINSTALLINGTHECARPET
SPIKESSINCEREPOSITIONINGASUBWOOFERISVERYDIFFICULT
ONCETHESPIKESAREINSTALLED
1) 3CREWONELOCKNUTABOUTHALFWAYDOWNTHESHANK
OFEACHCARPETSPIKE
2) 0REPAREASOFTSURFACEONTHEFLOORINFRONTOFTHE
SUBWOOFERSFINALPOSITION#AREFULLYUPENDTHESUB
WOOFERSOTHATITSFRONTPANELTHEONEWITHTHELOGO
RESTSONTHESOFTSURFACE
3) 3CREWEACHCARPETSPIKEINTOONEOFTHEFOURTHREAD
EDFITTINGS,EAVEASMALLGAPBETWEENTHELOCKNUT
ANDTHEFITTING
4) 2EPLACETHESUBWOOFERATITSPROPERLISTENINGPOSI
TION!DJUSTTHESPIKESBYLIFTINGTHESUBWOOFERON
THEAPPROPRIATESIDEANDROTATINGTHESPIKESUNTIL
THESPEAKERISLEVELANDSTABLE
5) (ANDTIGHTENEACHLOCKNUTORUSEAWRENCH
AGAINSTTHEBASETOSECURETHECARPETSPIKETAKING
CARENOTTOROTATETHESPIKE
"ACK
&RONT
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!FTERYOUHAVEPOSITIONEDTHESUBWOOFERENCLOSURE
TOCONNECTTHE#ONTROL-ODULETOYOURAUDIO
COMPONENTS
About your audio components: 9OUCANCONNECTTHE
#ONTROL-ODULETOA
RECEIVER
AN
INTEGRATEDAMPLIFIER
A
PREAMPLIFIERPOWERAMPLIFIERCOMBINATION
OROTHER
AUDIOCOMPONENTWITHLINELEVELORSPEAKERLEVELOUT
PUTS&ORBREVITYTHISGUIDEWILLUSUALLYREFERONLYTOA
hRECEIVERvBUTTHEINSTRUCTIONSWILLALSOAPPLYTOANY
AUDIOCOMPONENT
9OUCANCONNECTTHE#ONTROL-ODULETOARECEIVERSLINE
LEVELOUTPUTONEORTWO2#!JACKSORITSSPEAKERLEVEL
OUTPUTSBUTNOTBOTH!LWAYSDISCONNECTTHE!#
POWERTOTHE#ONTROL-ODULEANDTHESUBWOOFERENCLO
SUREBEFOREMAKINGORCHANGINGANYCONNECTIONS
Line Level Connections
&ORMOSTLINELEVELCONNECTIONSYOUNEEDASIGNAL
CABLEWITHAN2#!PLUGATBOTHENDS#ONNECTTHE
#ONTROL-ODULEINTHEFOLLOWINGWAYS
Dolby Digital receiver: #ONNECTAMONOSIGNALCABLE
FROMTHE2#!JACKOUTPUTLABELED SUB OUT ORPOSSI
BLYLABELED,&%ORJUST35"ONTHERECEIVERTOTHE
SUB IN INPUTONTHE#ONTROL-ODULE
Dolby Surround receiver WITHORWITHOUT0RO,OGIC
#ONNECTASIGNALCABLEFROMTHE SUB OUT 2#!JACK
ALSOLABELED LINE OUTAUDIO OUTORJUST SUBTO
THE SUB IN INPUTONTHE#ONTROL-ODULE
Preamplifier/power amplifier: #ONNECTASTEREOSIG
NALCABLEWITH2#!PLUGSATEACHENDFROMTHE LEFT
AND RIGHT PREAMPOUTPUTSTOTHE RIGHT IN AND
LEFT IN INPUTSONTHE#ONTROL-ODULE#ONNECT
ANOTHERSTEREOSIGNALCABLEFROMTHE RIGHT HIGH-
PASS OUT AND LEFT HIGH-PASS OUT OUTPUTSOF
THE#ONTROL-ODULETOTHE LEFT AND RIGHT INPUTSON
YOURSTEREOPOWERAMPLIFIERORTHE FRONT LEFT
AND FRONT RIGHT INPUTSOFAMULTICHANNELPOWER
AMPLIFIER
/NCEYOURLINELEVELCONNECTIONISMADEBETWEENTHE
RECEIVERAND#ONTROL-ODULESKIPTOh#ONNECTTHE
3UBWOOFER%NCLOSUREvPAGE
CONNECTIONS
RIGHT IN LEFT IN
CENTER IN
PREAMP LEVEL INPUTS
RIGHT
HIGH PASS
OUT
SUB IN
LEFT
HIGH PASS
OUT
+– + –+–
RIGHT CENTER LEFT
SPEAKER LEVEL INPUTS 1 2
INTERFACE JACKS
ON
AUTO
OFF
12V
AC INPUT
00000000
Newton, Massachusetts USA
Made in China
CONTROL MODULE
NO USER SERVICEABLE PARTSINSIDE
REFER SERVICING TOQUALIFIED PERSONNEL
INPUTS
IN
R L
CD
INPUTS
OUTPUTS
AUX
TAPE
OUT
OUT
IN
IN
IN
IN
TAPE
R L
IN
R L
POWER
AMPLIFIER
PREAMP
RIGHT IN LEFT IN
CENTER IN
PREAMP LEVEL INPUTS
RIGHT
HIGH PASS
OUT
SUB IN
LEFT
HIGH PASS
OUT
+– + –+–
RIGHT CENTER LEFT
SPEAKER LEVEL INPUTS 1 2
INTERFACE JACKS
ON
AUTO
OFF
12V
AC INPUT
Newton, Massachusetts USA
Made in China
CONTROL MODULE
NO USER SERVICEABLE PARTSINSIDE
REFER SERVICING TOQUALIFIED PERSONNEL
COAX
SUB OUT
DIGITAL INPUTS
MAIN RIGHT
MAIN LEFT
CENTER
REAR RIGHT
REAR RIGHT
SPEAKER OUTPUTS
SIGNAL CABLE
WITH RCA PLUGS
RECEIVER
OPTICAL
$OLBY$IGITALAND$OLBY3URROUNDRECEIVER
,INELEVELCONNECTOR
0REAMPLIFIER0OWERAMPLIFIERLEVELCONNECTORS
This jack is usually labeled "SUB OUT," but it may
say "SUBWOOFER" or "LFE OUTPUT". Check
the receiver owner's manual to identify it.
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Speaker Level Connection
)FYOURRECEIVERDOESNOTHAVEALINELEVELAUDIOSIGNAL
OUTPUTORIFYOUWISHTOBYPASSTHISOUTPUTYOUNEEDTO
CONNECTTHESPEAKERLEVELINPUTSOFTHE#ONTROL-ODULE
TOYOURRECEIVERSSPEAKEROUTPUTS
7EPROVIDEA3PEAKER7IRE#ONNECTORWITHTWOSHORT
LENGTHSOFSPEAKERWIREALREADYCONNECTEDTOIT)F
WIRESARENOTLONGENOUGHTOREACHFROMTHE#ONTROL
-ODULETOYOURPOWERAMPLIFIERYOUNEEDTOATTACH
LONGERSPEAKERWIRES(OWTODOTHISISDESCRIBEDIN
h!TTACHINGLONGERSPEAKERWIRESvATTHEBOTTOMOF
THISPAGE
4HESPEAKERWIREMARKEDWITHAREDBANDIS2IGHT
POSTIVE4HEUNMARKEDWIRENEXTTOITIS2IGHTNEGATIVE
4HE,EFT0OSITIVESPEAKERWIREISMARKEDWITHAWHITE
BAND4HEUNMARKEDSPEAKERWIRENEXTTOITIS
,EFTNEGATIVE
#ONNECTTHESPEAKERWIRESTOYOURRECEIVERS,EFTAND
2IGHTSPEAKEROUTPUTS&RONT,EFTAND&RONT2IGHT
SPEAKEROUTPUTSOFAMULTICHANNELRECEIVER9OUWILL
HAVETOhPARALLELCONNECTvTHESESWIRESWITHTHEMAIN
SPEAKERWIRESSEEDIAGRAM0OSITIVESPEAKEROUTPUT
TERMINALSWILLUSUALLYBECOLOREDREDANDHAVEAhv
SYMBOL.EGATIVESPEAKEROUTPUTTERMINALSWILLUSUALLY
BECOLOREDBLACKANDHAVEAhnvSYMBOL
&INALLYINSERTTHE3PEAKER7IRE#ONNECTORPLUGINTOTHE
COAX
DIGITAL INPUTS
OPTICAL
OUT
SUBWOOFER
MAIN RIGHT
TO FRONT LEFT &
RIGHT SPEAKERS
TO SUB'S
SPEAKER LEVEL
INPUTS
MAIN LEFT
CENTER
REAR RIGHT
REAR RIGHT
SPEAKER OUTPUTS
Red Band
White Band
#ONNECTPLUGTOSPEAKEROUTPUT
RIGHT (CENTER)
LEFT
#ONNECTPLUGTO
#ONTROL-ODULE
#AMBRIDGE 3OUND7ORKS #A
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3
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G
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B
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7ORKS #AMBRIDE
RECEIVEREND
CONNECTOREND
0REPARE7IRE )DENTIFY7IRE-ARKING
2IDGEON
/NE3IDE
0RINTINGON
/NE3IDE
$IFFERENT
#OLOR
#ONDUCTORS
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Attaching longer speaker wires: &IRSTPREPARETWO
SUITABLELENGTHSOFSPEAKERWIRE9OUCANUSELIGHT
WEIGHTGAUGESPEAKERWIREBECAUSETHISWIRE
WILLNOTCARRYANYSIGNIFICANTELECTRICCURRENT!LSOWIRE
LARGERTHANGAUGEWILLBESOMEWHATHARDERTO
CONNECTINTANDEMWITHANOTHERSPEAKERWIRE
3TRIPOFFvOFINSULATIONFROMONEENDOFEACH
SPEAKERWIRE3TRIPOFvOFINSULATIONFROMTHEOTHER
END4HISENDCONNECTSTOTHE3PEAKER7IRE
#ONNECTOR0LUG
7IRE#ONNECTORTO-ODULE
.OTE
0OSITIVE
.EGATIVEn
3EQUENCE
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JACKINTHE#ONTROL-ODULE
4OINSUREYOUCONNECTTHEWIRESPROPERLYPOSITIVETO
POSITIVENEGATIVETONEGATIVENOTEWHICHOFEACH
SPEAKERWIRESTWOCONDUCTORSIShMARKEDv4HISMARK
INGMAYBEARIDGEINTHEINSULATIONDIFFERENTCOLORED
CONDUCTORSORPRINTINGONONLYONESIDE5SETHE
MARKEDSIDEOFTHESPEAKERWIRETOCONNECTTHEPOSI
TIVESPEAKERTERMINALS5SETHEOTHERWIREFORTHENEGA
TIVETERMINALS
5SINGASMALLFLATBLADEDSCREWDRIVERLOOSENTHEFOUR
SETSCREWSINSIDETHE3PEAKER7IRE#ONNECTORPLUG
0ULLOUTTHESHORTSPEAKERWIRES
&OLLOWINGTHEMARKINGSONTHE3PEAKER7IRE#ONNECTOR
DIAGRAMFOR2IGHTPOSITIVE2IGHTNEGATIVEANDSOON
INSERTTHECORRECTWIRESINTOTHEPLUGSOPENINGS
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7
4IGHTENEACHSETSCREWTOHOLDTHEWIRESINPLACE
Connect to the Subwoofer Enclosure: /NCETHE
INPUTCONNECTIONSAREMADETOTHE#ONTROL-ODULE
CONNECTTHE)NTERFACE#ABLEFROMTHE#ONTROL-ODULE
TOTHE3UBWOOFER%NCLOSURE
4HEINTERFACE#ABLEHASPLUGSTHATLOOKANDCONNECT
LIKETELEPHONECONNECTORPLUGS4HEPLUGSARETHE
SAMEATBOTHENDS
-AKINGSUREBOTHTHE#ONTROL-ODULEAND
SUBWOOFERENCLOSUREAREDISCONNECTED
FROMANY!#POWERSOURCE
Note: 4HESECOND)NTERFACE#ABLEJACKONTHESUB
WOOFERENCLOSUREALLOWSYOUTOCONNECTA.EWTON
3ERIESSECONDSUBWOOFERENCLOSUREWITHASUBTOSUB
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INTERFACECABLE
Power Connections
&IRSTINSERTTHE!#PLUGOFTHE#ONTROL-ODULESPOWER
SUPPLYADAPTERINTOAN!#OUTLET4HENINSERTTHE
ADAPTERSOUTPUTPLUGINTOTHE#ONTROL-ODULES
6!#INPUTJACK4URNTHE#ONTROL-ODULESPOWER
SWITCHTO AUTO
)NSERTTHESUBWOOFERENCLOSURESPOWERCABLEINTOTHE
RECEPTACLEONTHESUBWOOFERENCLOSURESINPUTPANEL
4HENINSERTTHE!#PLUGINTOAN!#OUTLET4URNTHE
SUBWOOFERENCLOSURESPOWERSWITCH ON
Remote Control
4HEREMOTECONTROLADJUSTSTHE VOLUME SETTINGAN
ADJUSTMENTBESTMADEFROMYOURLISTENINGPOSITION
4HEBATTERYINSIDETHEREMOTESHOULDLASTFORAYEAROR
TWO7HENYOUNEEDTOREPLACEITUSEASMALLPOINTED
OBJECTPAPERCLIPPENTOOTHPICKTORELEASETHEBAT
TERYHOLDERSEEDIAGRAM4HEBATTERYTYPEIS#2
6ANDISAVAILABLEWHEREVERWRISTWATCHANDHEARING
AIDBATTERIESARESOLD
Test Your Connections
/NCEALLCONNECTIONSHAVEBEENMADETESTYOUR
SOUNDSYSTEMTOVERIFYTHESUBWOOFERPRODUCESBASS
OUTPUT!DVANCETHE"ASS,EVELCONTROLTOTHE
OCLOCKPOSITION4URNONYOURRECEIVERANDPLAYA
#$ORMOVIEYOUKNOWTOHAVESIGNIFICANTBASS,ISTEN
FORSUBWOOFEROUTPUTASYOUINCREASEYOURRECEIVERS
VOLUMECONTROLUPTOAMODERATEVOLUMELEVEL)FYOU
DONTHEARANYOUTPUTFROMTHESUBWOOFERSLOWLY
ADVANCETHESUBWOOFERS"ASS,EVELPREFERABLYVIA
THEREMOTECONTROL)FYOUDONTGETANYOUTPUT
FINAL SETUP
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VOLUME DOWN
SUBWOOFER VOLUME
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RECHECKYOURCONNECTIONS
Adjusting For Best Performance
7ERECOMMENDYOUADJUSTTHE#ONTROL-ODULEACCORD
INGTOTHEFOLLOWINGSEQUENCE
1. 3ETTHE equalizer CONTROLS
2. 3ETTHE low pass CONTROL
3. 3ETTHE volume CONTROLBYEAR
4. 3ETTHE phase CONTROLBYEAR
5. 2ESETTHE volume CONTROLIFNECESSARY
6. !DJUSTTHE equalizer frequency AND equalizer level
CONTROLSTOYOURPREFERENCE
Adjustment:
1. 3TARTWITHTHE equalizer level SETTOSTRAIGHTUP
ANDTHE equalizer frequency CONTROLSETTOAPPROXI
MATELY(ZSEEDIAGRAMATTHETOPOFTHEPAGE
2. !DJUSTTHE low pass CONTROLACCORDINGTOTHE,OW
0ASS#ONTROL3ETTINGS4ABLEONTHEOPPOSITEPAGE
3. 3ETTHESUBWOOFERS volume WITHTHESUPPLIED
REMOTECONTROL5SESOMEOFYOURFAVORITEPROGRAM
MATERIALVIDEOORAUDIO!DJUSTTHEOUTPUTLEVEL
UNTILYOUAREHAPPYWITHTHEOVERALLBASSBALANCE
4. !DJUSTTHE phase CONTROL4HISCONTROLSACTIONWILL
BESUBTLE-AKETHISADJUSTMENTFROMYOURLISTENING
POSITION)FTHECONTROLMODULEISNOTWITHINEASY
REACHHAVESOMEONEELSEADJUSTTHISCONTROLWHILE
YOULISTEN
phase CONTROLADJUSTMENT0LAYSOMEPROGRAMMATE
RIALWITHCONSTANTREGULARBASSLIKEAKICKDRUM
BEAT2OTATETHE phase CONTROLBACKANDFORTH
ACROSSITSFULLRANGEANDLISTENFORANINCREASEINOUT
PUT4HEOUTPUTDIFFERENCEYOUHEARCOULDBEANY
THINGFROMNEGLIGIBLETOSIGNIFICANT(OWEVERLARGE
THEDIFFERENCELEAVETHISCONTROLSETWHEREITHASTHE
MAXIMUMEFFECT
)FYOUDONOTHEARANYDIFFERENCEINTHEBASSOUTPUT
SKIP3TEP
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50
0
0
20
-6
40
0
100
VOLUME UP
VOLUME DOWN
SUBWOOFER VOLUME
equalizer
frequency
40
20 60
equalizer
level
0
-6 +6
phase
0 180
1. Set The Controls
3. Adjust Volume
4. Adjust Phase
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With a surround processor:
When using the subwoofer output of a surround processor,
set the subwoofer’s frequency control fully clockwise.
Your surround processor has a variety of adjustments to
optimize the sound based on the speakers’ capabilities and
placement. These adjustments vary by processor, so refer to
your processor’s manual for instructions specific to your
equipment. Set your main, center, and surround settings to
“SMALL”, with subwoofer “ON”. Set the volume control
to its centered position and use the processor’s
level adjustments to balance the system. You may then
use the remote control of the subwoofer to quickly fine-
tune the subwoofer level for different program material.
With no surround processor:
When using a source component that does not have a dedi-
cated subwoofer output you must use the crossover fre-
quency adjustment of the subwoofer to match the low fre
-
quency capability of your main speakers. Determine the final
settings by ear
. Refer to the specifications of your main
speakers to determine the best setting to use as a starting
point for this control. You should start from the low frequen-
cy limit of your main speakers. For most small satellite
speakers typical of home theater systems, this will be
between 65 – 100Hz.
Room characteristics are very strong in this
frequency range, so don’t be surprised if the final settings
you like are far from the starting point.
Use the volume control to balance the system.
Listen to a variety of program material with good bass
to fine-tune the various settings. In a properly set up system
the bass should be smooth and clear, but from the listening
position it should sound as if it is coming from the main
speakers, not from a separate subwoofer. If is is not the
case, your subwoofer may be too loud, or the crossover fre-
quency may be set too high.
FREQUENCY ADJUSTMENT
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Fuse Replacement
4HEFUSEHOLDERISLOCATEDONTHEBASEOFTHESUB
WOOFER"OTHSUBWOOFERMODELSUSEAMETRIC8MM
SIZEFUSE!
4OREPLACETHEFUSE
1) 5NPLUGTHE!#CORDFROMTHE!#POWERSOURCETHEN
REMOVETHE!#POWERCORDFROMTHESPEAKER
2) 2EMOVETHEFUSECAPWITHASMALLFLATBLADESCREW
DRIVERSEEFIRSTANDSECONDDIAGRAM
3) 2EPLACETHEFUSEINSIDETHEFUSECAPWITHANOTHER
METRIC8MMSIZEFUSE!SEETHIRDDIAGRAM
4) 2EPLACETHEFUSEANDCAPINTHESUBWOOFER
5) 2ESTORETHESUBTOANUPRIGHTPOSITION
6) #ONNECTTHE!#POWERCORDFIRSTTOTHESUBWOOFER
ANDTHENTOTHEPOWERSOURCE
5. )FYOUFINDTHEINCREASEINOUTPUTCONTRIBUTEDBYTHE
PHASECONTROLISMORETHANYOUCAREFORREDUCETHE
VOLUMECONTROLSETTINGTOBRINGTHESUBWOOFEROUTPUT
BACKINBALANCE
Congratulations! 9OUHAVENOWADJUSTEDTHESUB
WOOFERTOBLENDWELLWITHYOURMAINSPEAKERS
6. 4HE equalizer frequency and equalizer level
CONTROLS
9OURLISTENINGROOMSSHAPEANDCONSTRUCTIONHAVEAN
UNPREDICTABLEBUTSIGNIFICANTEFFECTONHOWSTRONGTHE
DEEPBASSOUTPUTIS
ATYOURLISTENINGPOSITION
4HESE
CONTROLSADJUSTTHESTRENGTHOFTHEDEEPBASSWITHOUT
AFFECTINGTHESUBWOOFERSBLENDWITHTHEMAINSPEAK
ERS&OLLOWTHISLASTPROCEDURETOADJUSTTHEM
a) !DJUSTTHE equalizer level SETTINGUPTOABOUT
OCLOCKSEEDIAGRAMINNEXTCOLUMN&ROMYOUR
LISTENINGPOSITIONPLAYTHEPASSAGEYOUUSEDPREVI
OUSLYTOADJUSTTHESUBWOOFERVOLUME)TSHOULDBE
EASYTOHEARTHEEFFECTOFTHECONTROLONDEEPBASS
CONTENT2EPEATTHEPASSAGEATDIFFERENTEQUALIZER
LEVELSETTINGS-AKESUREYOUASSESSTHESETTINGS
FROMYOURNORMALLISTENINGPOSITION,EAVETHECON
TROLATYOURPREFERREDSETTING
b) 0LAYTHESAMEPASSAGEAGAINANDLISTENTOHIGHER
ANDLOWERSETTINGSOFTHE equalizer frequency CON
TROLFROMYOURPREFERREDLISTENINGPOSITITON
&ORRECORDINGSWITHDEEPBASSCONTENTSETTINGTHE
equalizer frequency CONTROLBELOW(ZWILLPRODUCE
HIGHLYACCURATEANDROOMSHAKINGRESULTSASITREVEALS
NEARINFRASONICSIGNALS4HEREAREONLYTWOMAINREA
SONSTOSETTHISCONTROLABOVE(ZnTHEVERYDEEP
BASSBOTHERSPEOPLEINADJOININGROOMSORTHEOVERALL
OUTPUTLEVELISNgTASSTRONGASYOUWOULDLIKE
)FYOUHAVEALARGEROOMORDESIREVERYHIGH
SOUNDPRESSURELEVELSSETTINGTHE equalizer
frequency CONTROLAT(ZORHIGHERWILLSTILL
PROVIDEGOODDEEPBASSBUTWILLALLOWGREATER
OVERALLOUTPUT
equalizer
level
0
-6 +6
equalizer
frequency
40
20 60
d) 9OUMAYWISHTOREPEATTHISADJUSTMENTPROCEDURE
WITHSOMEDIFFERENTMUSICALORVIDEOPROGRAMPAS
SAGES2EMEMBERTHEREISNOhPERFECTvSETTINGFOR
THESECONTROLS/NCEYOUHAVEFOUNDASETTINGIS
GOODFORAFEWRECORDINGSYOUCANRELIABLYCONSIDER
THEADJUSTMENTCOMPLETE
Normal Use:
!FTERWARDSIFYOUFINDYOUWANTMOREORLESSBASSOUT
PUTFROMYOURSYSTEMEITHERADJUSTANYAVAILABLETONE
CONTROLSONYOURRECEIVERORADJUSTTHEVOLUMECONTROL
ONTHE#ONTROL-ODULE
7EHOPEYOUENJOYTHENEWSONICDIMENSIONSYOUR
.EWTON3ERIESPOWEREDSUBWOOFERREVEALSTOYOU
6. Set the Controls
F
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E
F
U
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E
RISK OF FIRE
REPLACE FUSE
AS MARKED
T
7A 250V
&USE2EPLACEMENT
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P81-1631 Rev A
All manuals and user guides at all-guides.com
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