Canon XL1 XL1 S User manual

THE BROADCAST QUALITY
DIGITAL CAMCORDER

The Canon XL1s – Meeting
the Highest Ex ectations
Canon pursued imaging greatness resulting in the
ultimate digital camcorder system, the XL1s. It starts
with a highly intelligent “open architecture” design,
which allows you to customise your XL1s with the
widest variety of optional accessories available. Plus,
you have extensive control over picture and sound
adjustments to tailor the “look and feel” of each
recording to your preference or even your clients’.
Whether you define yourself as an imaging
enthusiast, professional videographer or digital
filmmaker, there is a Canon XL1s digital camcorder
configuration that’s just right for you.
• Premium picture quality and performance
• Enhanced manual functions for experienced users
• Wide variety of interchangeable lens
• Leading-edge audio technology
• Full manual zoom lens available
• User oriented interface

3 CCD
The XL1s maximises the capability of the DV format
by using a 3 CCD system assigning a separate CCD to
each primary color (red, green, blue). A beam-
splitting prism precisely separates the light passing
through the lens into individual color components,
and each is sent to its own CCD. This process
achieves outstanding detail with highly accurate
color reproduction suitable for the demands of the
high-end production field – wide dynamic range, low
color noise, natural color resolution and low aliasing.
Pixel Shift
Canon solves common shooting dilemmas by using
a signal processing technique called Pixel Shift,
which has been used in professional grade video
cameras for many years. It achieves wider dynamic
range, brighter video in low light, reduced vertical
smearing and sharper digital photos.
High Resolution Even In Low Light
The XL1s incorporates three CCD image sensors
specifically designed for freedom when shooting under
extremely low light conditions. The size of each pixel is
72 square microns. That’s 150% larger than the pixel-
size on comparable models. The result is approximately
an overall 14 dB improvement in sensitivity.
Three Different Shooting Modes
for All Your Recording Needs
Normal Movie Mode
By merging Canon’s superior lens quality with
3 CCD’s, the XL1s delivers stunning resolution and
color reproduction - some of the best images outside
of a TV studio. This mode records video in the
standard interlaced fashion similar to conventional
camcorders. Normal Movie Mode is ideal for
recording video, which appears smooth and natural
during playback on a TV or video editing computer.
Digital Photo Mode with Self Timer
Take almost 700 brilliantly clear still pictures on
a single tape (in SP mode). The photo mode further
distinguishes the XL1s by capturing extremely high
resolution still images. The camera records the still
pictures for approximately 6 seconds, as well as
recording the sound for your verbal notes or
narration. You can search through the recorded tape
for your photos using the supplied remote control.
Frame Movie Mode
This mode captures video in a unique non-interlaced
method allowing the XL1s to record 25 frames of
video per second. Similar to a motor drive on
a 35 mm camera, Frame Movie Mode performs like
a Digital Motor Drive. You’ll capture every gesture
and expression of your subject with spectacular
clarity. It’s perfect for users who choose to grab high
quality still images from video for making prints,
video for website content, or even sending
emotionally charged images over the internet. The
non-interlaced method popularised by Canon’s XL1s
has even been acknowledged by users for its
cinematic-like appearance.
3 CCD Pixel Shift Technology for Super-High Resolution

The Choice Is Yours…
The XL1s maximises your options via the XL mount
system for a focal length range from 24 to 2,160 mm.
This super-flexible system with unbeatable range is
made possible though the use of Canon’s XL and EF
35 mm camera lenses.
O tical Image Stabilizer 16x Zoom Lens
This lens resolves over 600 TV lines to deliver an
extraordinarily sharp image. By exceeding the DV
standard of 500 TV lines, it provides greater visual
“sharpness” through the critical 100 to 250 TV line
resolution area. This lens also includes Canon
SuperRange Optical Image Stabilizer for stable and
shake free recordings without image “float”. The lens
also features a ND filter, manual focus and zoom
rings and a Push AF button. button.
Manual 16x Zoom Lens
Perfect for the video application that requires precise
manual lens control, this lens provides focus, zoom
and aperture scales. Even more, it includes a powered
zoom, automatic iris and two built-in ND filters.
3x Extra Wide-Angle Zoom
The 3x zoom lens provides the world’s widest field-
of-view on any DV camcorder. The focal length is
3.4 mm to 10.2 mm (35 mm equivalent 24 mm to
72 mm) and the resolution exceeds 600 TV lines.
FS-72U Filter Set
Includes neutral density (ND 8), polarizing and
ultraviolet filters.
1.6x Extender
Attach this extender between the XL1s camera and
the Optical Image Stabilizer 16x Zoom Lens or the
Manual 16x Zoom Lens to increase the focal length
magnification by 1.6x.
EOS Ada ter for Image Magnification
The EF adapter allows you to attach Canon EOS
35 mm camera lenses to the XL1s. This is especially
helpful for subjects such as sports, wildlife,
surveillance and astronomy because the image
magnification of any 35 mm lens is increased 7.2x
when mounted onto the XL1s.
Interchangeable Lens for Increased Flexibility and Creativity in Shooting

0 mm 200 mm 400 mm 600 mm 800 mm 1.000 mm 8.500 mm
Su erRange O tical Image Stabilizer -
The Most Advanced System Available
Until now, Optical Image Stabilizers have used solely
a gyro sensor to detect camcorder vibration (the data
from which controls a vari-angle prism that
continuously corrects the path of the incoming light).
SuperRange goes one step further by examining the
image after it is received by the CCD, and detecting
any low-frequency vibrations missed by the gyro. This
data is fed-back to accelerate and refine the movement
of the vari-angle prism. This greatly improves
performance for low frequency vibration, resulting in
the most advanced Optical Image Stabilizer available
today. This feature is found only on Canon’s Optical
Image Stabilizer 16x zoom lens.
Focal range expressed as 35 mm equivalents
3x wide 3x telephoto 16x wide 16x telephoto 32x digital zoom 32x with 1.6x Extender
Keep It Steady
Extra Wide- ngle Lens XL 3.4-10.2 mm
16x Manual Zoom Lens
16x Zoom Lens
With Extender XL 1.6x
EF SERIES

1 2
3
6 7
141312 15 16 17 18 21 2219
34 36 37
20
8 9 10 11
38
41
40
39
4
5
42
23
35
1 Stereo micro hone
2 Viewfinder focusing ring
3 Viewfinder
4 Eye cu
5 Shoulder stra attachment bar
6 ND FILTER switch
7 STABILIZER switch
8 LIGHT button
9 AUDIO MONITOR button
10 POWER dial
11 EJECT button
12 Focusing ring
13 Zooming ring
14 Auto/Manual Focus switch
15 PUSH AF button
16 EXP. LOCK button
17 LENS RELEASE switch
18 GAIN dial
36 User Preset Select Button
37 User Preset (ON/OFF) Button
38 L/R dials (AUDIO 2)
39 LEVEL dial (AUDIO 1)
40 BALANCE dial (AUDIO 1)
41 AE Shift dial
42 Audio LCD anel
43 DC out terminal
44 Audio 1 RCA Jacks
45 S-Video terminal
46 Video terminal
47 RECORD SEARCH + button
48 EVF DISPLAY button
49 D. EFFECT on/off button
50 SHUTTER u key
51 SHUTTER down key

44
43
29
28
30
46
45
25
26
33
32
27
24
59
58
57
55
54
56
47
52 48
50
51
49 44
53
31
19 White balance selector knob
20 WHITE BALANCE set button
21 STANDBY button
22 Socket for Shoulder Pad SP-100,
Micro hone Ada ter/ Shoulder MA-100
23 Shoulder Pad SP-100
24 EYE POINT SELECT switch
25 START/STOP button
26 LOCK lever
27 Accessory shoe
28 Head hones terminal
29 PHONES LEVEL dial
30 Tally lam
31 Remote sensor
32 Handle Zoom Control
33 PHOTO Button
34 Custom Key 1
35 Custom Key 2
52 RECORD SEARCH - / (record review) button
53 AV insert button
54 FF button
55 REW button
56 Audio DUB button
57 REC button
58 PLAY / PAUSE button
59 STOP button

10.0
10.0
/Div
-70.0 Fxd Y 20 Log Hz 20k
dB
Four Channel Digital Audio for
Recording Versatility
The XL1s records digital stereo sound. You can
record 16 bit audio (2 channels, 48 KHz) or 12 bit
audio (4 channels, 32 KHz). Audio level can be fully
automatic or manually controlled and monitored by
an illuminated VU meter. The XL1s also accepts Line
or Mic level audio sources to ensure an accurate
impedance match.
High Frequency Micro hone
The XL1s comes complete with a high quality
microphone that gives excellent performance in
terms of frequency response.
Head hone Terminal
You can monitor the level and quality of the audio
you are recording, to ensure the best quality.
XLR Audio In uts
The optional MA-200 Microphone Adapter/Shoulder
Pad is equipped with 4 XLR connectors for use with
professional audio equipment and a BNC video
connector. This unit also allows you to attach an
optional, commercially available, wireless micro-
phone receiver. Plus, it functions as a shoulder pad
for advanced handling and control.
MA-200 Micro hone Ada ter/
Shoulder Pad
You can attach 4 mics with XLR-connector
simultaneously and have the video signal by the
BNC-connector.
Four udio Channels
Headphone terminal
M -200 Microphone dapter/Shoulder Pad
M: Frequency Response

Transfer your DV Footage to Film
16:9 As ect Ratio
The XL1s is equipped with two 16:9 aspect
ratio methods.
16:9 Guides
The 16:9 guides are thin white lines, which appear in
the viewfinder only. They let you view a 16:9 wide
screen composition while in the standard 4:3 aspect
ratio, which is especially helpful if you’re planning to
transfer your DV footage to film.
16:9 Recording Mode
The XL1s includes a 16:9 recording mode, which
applies an electronic anamorphic stretch allowing
you to fill the frame of a 16:9 wide screen TV.
Ensures great results in various shooting conditions.
There are six programs in all, giving you the balanced
control that you have come to expect from Canon.
Full Auto
Also called the “Green Zone” and identified by the
green rectangle on the Command Dial, this is the
ideal selection for general shooting.
Auto mode
Similar to Full Auto, Auto mode handles all camera
settings automatically, but also allows the user to
select manual functions
Manual Mode
If you want to make all the decisions, this is the mode
to use. You can choose any combination of shutter
speeds and lens apertures.
S otlight
Designed to be used when subjects are illuminated by
intense light sources, such as under spotlights on
a dark stage. This mode is designed to prevent the
subject from being grossly over-exposed, against
a dark background.
Shutter- riority/A erture- riority
(Tv/Av)
The Tv and Av modes permit easy operation while
retaining the creative image controls commonly
found on Canon’s 35mm SLR cameras. In the Tv
mode, you select the shutter speed from 1/6 to
1/16000 of a second and the XL1s will automatically
set a matching aperture. In the Av mode, you select
the aperture from f/1.6 to f/16 and the XL1s
automatically sets a matching shutter speed.
Programmed E for dvanced Recording Techniques
Tv Mode
v Mode
Please note that the XL1s digitally simulates 16:9 aspect ratio when in 16:9 Recording Mode.
Maximum picture quality is only attained in 4:3 format. Therefore, video captured in 16:9 Recording
Mode may not be suitable for some broadcast wide-screen applications.

Four Different Picture
Adjustment Modes
Up to three picture adjustment settings can be stored,
allowing you quick, creative control.
Color Gain
Adjust the saturation of the color between off to
oversaturated. This adjustment allows you to shoot in
black and white.
Hue
Adjust the Color Phase toward red or green for
exact control.
Camera Shar ness
Adjust the range of picture sharpness to your
preference before recording. Softer may compliment
the subject while sharper will make details clearer.
Setu Level
Adjust the black level of the video signal for the
best shadow detail. (Focus, exposure, white balance,
for example).
Clear Scan
The XL1s can be adjusted to match the frequency of
a CRT monitor, allowing you to record the monitor
without rolling black bars.
EBU Colour Bars
The XL1s generates EBU colour bars for accurate
matching to your monitor or edit suite.
White Balance for Any
Lighting Condition
White Balance can be set for Automatic, preset
Indoors, preset Outdoors and three Set memories, for
any lighting condition.
AE Shift with Three Slow Shutter
Settings
By adjusting the AE Shift Control you can lighten or
darken the image to precisely control the exposure
level of the Program AE modes.
Digital Effects
The XL1s is equipped with a 2x Digital Zoom to
electronically increase the magnification of the image
plus a Fade Trigger feature, which applies a black
fade to the beginning or end of a scene.
1 Fader
Use the fader to start or end scenes with a fade to or
from black.
2 Effects
Give variety to your images during recording by adding
Black and White, Slim, Stretch or Strobe motion.
Gain Creative Control
As well as automatic gain, the XL1s has settings for
–3 dB, 0 dB, +6 dB, +12 dB, +18 dB, and +30 dB for
creative control in any shooting condition.
Zebra Pattern Avoids Overex osure
Reveal areas of overexposure, using these diagonal
stripes to guide you when setting the aperture and
shutter speed. Select from five levels: 80, 85, 90, 95,
and 100%.
Interval Timer
With the interval timer, you can record for a selected
time with selected interval. This function is
convenient for nature observation such as flowers,
sunsets, etc. You can select the interval time from
30 sec., 1 min., 5 min. and 10 min., and the recording
time from 0.5 sec., 1 sec., 1.5 sec. and 2 sec.
VCR Sto
You can turn the recorder section off leaving the
camera section turned on, so you can adjust the
camera section without worrying about the
Automatic shut-off (5-minute timer).
Slow Shutter Settings
Whether your aim is a “streaming” background when
panning or brighter recording in low light, you can
choose from three slow shutter settings –1/30,
1/15 and 1/8 of a second.
Complete Versatility
Camera Sharpness
Hue
Zebra Pattern

Custom Keys
You can assign frequently used functions to the keys
(camera mode and VCR mode independently) to
customise the camera to your shooting preferences or
environment. You can assign the following functions
to the Custom Keys.
Camera Mode
• Index Write • Zebra pattern • VCR stop • TV
screen • Audio 1 in • Audio 2 in • Zoom grip speed
• Zoom handle speed • No function assigned
VCR Mode
• TV screen • Data code • Audio 1 in • Audio 2 in
• No function assigned
Com osite/S-Video In & Out
The XL1s can be connected to any monitor by
a composite (RCA) cable or by an S-Video cable. The
same video terminals also accept video signals for
recording from external sources such as a TV, VCR or
another camcorder. The MA-200 adaptor has a BNC
connector for connection to professional equipment.
AV Insert and Audio Dubbing
Add a new scene into your video from another source
such as a camcorder or VCR. (Your video must be
recorded in SP mode.) You can also add a new stereo
audio track onto your video such as a voice over or
background music. (Your audio must be recorded in
the 12 bit mode.)
DV Control
You can control the record and pause of equipment that
conforms to the AV/C protocol connected to the XL1s
using the DV terminal. For example, record to a
miniDV tape and FireWire Hard drive simultaneously.
Time Code
This precisely identifies each recording down to the
individual frame, showing the hour, minute, second
and frame in the display. The XL1s uses a “drop-
frame” system that is frame accurate.
Data Code
Data code, which is recorded separately from the
video signal, lets you display or hide data such as
date, time, exposure etc. as required. This data can
also be permanently “burned in” over the video for
verification or surveillance purposes.
Index Recording
You can mark “the best take” when you are shooting,
for easy access when playing back in the VCR mode.
Ergonomics and Magnesium Body
The XL1s camcorder is designed to support extensive
field use. Its chassis is mounted on a single, durable
magnesium alloy frame to provide overall strength
and protection from external shock – blending
twenty times the durability of ordinary camcorder
bodies, with countless times the style. The layout and
design of the controls and functions makes the XL1s
ergonomically and practically a joy to use.
To Gri with Recording Controls
In addition to the normal side grip, the XL1s features
a carrying handle complete with a duplicate set of
recording and zoom controls to better meet your
individual recording style, as well as being ideal for
low-angle recording.
Durable, magnesium alloy frame

Photo Search/ Date Search/
Index Search
The wireless controller included with the XL1s allows
you to quickly locate still photos on a recorded
cassette. Video can be searched based on the date
recorded or by the index mark.
Three Zoom S eeds
The XL1s features three zoom speed options: Variable
(pressure controlled) or Low, Medium and Fast.
These apply to the zoom rockers on the handgrip and
the top grip.
Wireless Remote Control
The XL1s kit includes a full function wireless remote
control to manage features during recording and
playback hands free.
LANC Terminal
The LANC terminal permits easy connection of
compatible controllers or the Canon ZR-1000
Remote Control.
Plug and Play!
IEEE 1394 DV Terminal
The XL1s is equipped with a DV IN/OUT terminal
that conforms to IEEE 1394. It takes just a single
digital cable to transfer or copy your videos in pure
digital form to your DV compatible computer or
another Canon DV camcorder. Once you’ve
transferred video images to your computer, you can
edit your movies, stream them over the Internet or
post them on your Web site. Also, you can print them
out on a Canon color printer, transfer them back to
your Canon camcorder and archive them on a Mini
DV cassette, or create a dubbing master.
The Canon XL1s
KIT
• XL1s Camcorder Body
• Zoom Lens 16x 5.5-
88 mm IS
• BP-930 Battery Pack
• CA-910 Compact Power
Adapter
• DC-900 DC Coupler
• S-150 S-Video Cable
• SS-1000 Shoulder Strap
• WL-D3000 Wireless
Controller
• SP-100 Shoulder Pad
• S-150 S-Video Cable
ZR-1000 Zoom Remote Controller CH-910 Dual Battery Charger/Holder
420EX/550EX Speedlite Flash FU-1000 Monochrome CRT Viewfinder Unit
O tional Creative Shooting Accessories
Building on the modular design of the XL1s, Canon
has a complete range of optional accessories to
enhance every shooting situation.
ZR-1000 Remote Control
This optional wired remote control connects to the
LANC terminal to operate the zoom speed, focus,
recording, data display and other features, and
attaches to most tripod handles.
CH-910 Dual Battery Charger/Holder
Holds two battery packs. Charges them consecutively
and connects directly to the MA-200 adapter for
longer recording time and better balance.
SLR-Style Flash Photogra hy for
Correct Ex osure
Attach a Canon Speedlite E-TTL flash (420EX or
550EX) using the optional FA-200 Flash Adapter to
use the XL1s for flash photography, just like you
would with a SLR camera. The camera sets the flash
duration, sending out a pre-exposure flash to ensure
correct exposure before the main flash is sent out.
FU-1000 Monochrome
CRT Viewfinder Unit
With this monochrome CRT viewfinder unit, you can
get more precise focus or detailed information.
• MA 200/100
• FS-72U Filter Set
• 3x Extra Wide-Angle Zoom Lens
• Manual 16x Zoom Lens
• 1.6x Extender
• EOS Ada ter

XL1s Specifications
General
Power Supply Voltage 7.2 VDC
Power Consumption Approx. 8.7 W (using autofocus during recording)
Operating Temperature 0°C to 40°C
Dimensions (W x H x D) Approx. 223 mm x 214 mm x 415 mm
Weight (camera only) Approx. 1,700 g
Weight (fully equipped) Approx. 2,860 g
Continuous Recording Time Approx. 1 h 55 min. with BP-930 battery pack
Approx. 2 h 55 min. with BP-945 battery pack
Approx. 5 h 50 min. with CH-910 and 2x BP-945 battery pack
Chassis Magnesium Alloy Casing
Camera section Camera
Imaging Device 3 x 1/3-inch CCD (3 CCD Pixel Shift)
Pixel Count (per CCD) Total 320,000 pixels
Effective 300,000 pixels
Colour Separation Prism and dicroic filter
Digital Quantization 8-bits A/D
Signal Composition PAL standard colour video signal
Scan Method 625 lines, 50 fields/25 frames
Auto Exposure Modes Full auto, auto, spotlight, TV (shutter-priority), AV (aperture-priority),
Manual
Shooting Modes Field Movie Mode
Frame Movie Mode
Photo (Still) Mode
Moving image shooting
Self-timer 10 sec. / Remote control 2 sec.
Interval timer 4 modes
Clear scan TV mode, M mode: 57.7-200 Hz
Photo (Still) image shooting
Recording time 6.5 sec.
Flash Speedlite 380EX, 420EX, 550EX (with optional FA-200 flash adapter)
Self-timer 10 sec. / Remote control 2 sec.
Picture quality adjustment Colour Gain, Hue, Sharpness, Set-up
Custom Preset Up to 3 types
Custom Key 2 items can be registered among 9 items
Light Metering Method Lower center weighted + peak average light metering
Evaluation 56-zone evaluation metering: Spotlight mode
Minimum Illumination Approx. 2 lux (with XL 5.5-88 mm IS II, and 1/6 sec. Slow shutter)
Shutter Speed (Tv mode) 30 steps 1/6 to 1/16,000 sec.
Slow Shutter 3 levels 1/30, 1/15, 1/8
Aperture (Av mode) 28 steps F1.6 to F16 and Close (depending on lens used)
Gain 7 steps –3 dB, 0 dB, +6 dB, +12 dB, +18 dB, +30 dB, Auto
AE Level Shifting 13 steps Center ± 6 levels -2.0, -1.5, -0.75, -0.5, -0.25, ±0, +0.25, +0.5,
+0.75, +1.0, +1.5, +2.0
AE lock AE lock Button
White Balance TTL 64-Zone new white detection method
Auto, Manual Set (3 positions), Preset (5600 k, 3200 k)
16:9 ratio Area marker display: Displaying an area maker for 16:9 ratio on the
4:3 ratio screen. Recording mode: Vertical extension mode
Digital Effect Colour bar (EBU), 2x Digital zoom
Digital Fade Black auto fade
Zebra pattern Variable levels 80%, 85%, 90%, 95%, 100%
Character Recording Year, Month, Day, Hour, Minute, Second.
Search Photo search, Date search, Index search
Index recording Recorded on tape.
Power Save Shut-off / VCR stop
Lens
Lens Mount Method Bayonet mount (XL mount system)
EF Lens (with optional EF adopter XL)
Focal length increases 7.2x for EF-Lens
Zooming Speed
Handle zoom XL 5.5-88 mm IS II: Variable speed and Constant speed
(3 speed H/M/L)
Grip zoom XL 5.5-88 mm IS II: Constant speed (3 speed H/M/L)
Built-in Filter XL 5.5-88 mm IS II: ND-filterTransmission factor 3.1% (1/32, 5 aperture)
On - Off
Image Stabilizer Super range Optical Image Stabilizer system
Filter Diameter 72 mm
AF (Auto focus) TTL-video signal detection type AF
AF Operating Range Close-up to infinity (depending on lens used)
(2 cm to infinity using XL 5.5-88 mm IS II)
MF (Manual Focus) By using lens focus ring when AF is off
Focus Override Temporary Focus Override without turning the AF off
One Push AF By pressing one pus AF button when AF is off
Viewfinder
Type Electronic colour viewfinder
Image Display 0.7-inch TFT colour LCD, approx. 180,000 pixels
Eyepoint 2 positions: 23 mm (at eye)
Approx. 68 mm (with sports viewfinder)
Adjustment Diopter: +2.0 to 5.0 diopter (at eye)
Brightness control: Bright volume of EVF
Colour control: Menu adjustment
Display On / Partly Off / Off
Recording Section General
Format MiniDV
Recording Method Consumer digital DVC (SD specifications)
PAL format (625 lines, 50 fields)
Tape Speed Approx. 18.83 mm/sec. (SP mode)
Approx. 12.57 mm/sec. (LP mode)
Tape ⁄-inch miniDV
Cassette Size 66.0 x 48.0 x 12.2 mm
Recording Time 80 min. with 80 min. tape (SP mode)
120 min. with 80 min. tape (LP mode)
FF/REW Time Approx. 2 min. 20 sec. (using 60-min. tape)
A/V Insert The tape-recorded with SP mode
Time code Auto
udio
Sampling Frequency 48 kHz/16 bit: 2-ch
32 kHz/12 bit: 4-ch synchro recording is available
Maximum Sensitivity -71 dBv
Signal Level -59 dBv
Microphone High-performance MS system stereo electric capacitor
Recording level and balance Auto / Manual
Audio dubbing 12-bit ST1 mode
XLR audio input 4-channel: MA-200 (optional)
2-channel: MA-100 (optional)
Signal Input
DV In Signal IEEE1394-AV/C protocol
Video In Signal level 1 VP-p 75 ohms (composite)
S-Video In C: 0.3 VP-p/75 ohm
Y: 1.0 VP-p/75 ohm
Audio In -11dBv/47 k ohm (LINE),
-35 dBv/600 ohm (MIC ATT)
-55 dBv/600 ohm (MIC), unbalanced
Signal Output
DV Out Signal IEEE1394-AV/C protocol
Video Out Signal level 1 VP-p 75 ohm (composite)
S-Video Out C: 0.3 VP-p/75 ohm
Y: 1.0 VP-p/75 ohm
Audio Out 4 dBm (47 kohm load)/3 k ohms or less, unbalanced
Others
DV Input/Output Terminal Special 4-pin (IEEE1394 compatible)
Audio Input Terminals RCA terminal jack (L/R) 2 systems
S-Video Signal Terminal 4-pin mini-DIN
Video Input/Output Terminals RCA pin jack
Audio Input/Output Terminals RCA terminal jack (L/R) 2 systems
External Mic Terminal 3.5 mm dia. Stereo mini-jack
Headphone Jack 3.5 mm dia. Stereo mini-jack
Mic Power Terminal 2.5 mm mini
Flash Terminal Special 6-pin
Edit Terminal LANC compatible
* Weight and dimensions shown are approximate. Specifications are subject to change without notice.
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