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Canon EOS 7D Mark II (G) User manual

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Copyright 2025 Manuals.Online. All Rights Reserved.

A System with Real
Flexibility and Power
A leader in the rapidly advancing
field of digital imaging, George
Lepp is best known as a celebrated
outdoor and nature photographer,
lecturer and author. His passions
for natural beauty, technical pre-
cision, cutting-edge technology
and environmental responsibility
are revealed in his beautiful and
compelling photographic images.
In the EOS System, Lepp has
found unequaled flexibility and
powerful detail capturing ability.
Images That Tell the
Real Story
Joachim Ladefoged has worked in
more than 50 countries, winning
international recognition for cov-
ering war, conflict and ordinary life
around the world. The first Danish
photographer to win a first place
award at a World Press Photo
competition, he is credited with
being one of the driving forces
behind the new wave of Danish
photojournalism. Ladefoged’s
unique documentary style, evident
in both his still and video work, is
perfectly complemented by the
EOS System.
Tools for Multimedia
Creativity
As a multimedia artist, Richard
Koci Hernandez is extensively
involved in both still photography
and videography. The former deputy
director of multimedia at the San
ose Mercury News, he tirelessly
explores new avenues of photo-
journalism, seeking innovative
approaches to storytelling. The
extensive and growing capabilities
of the EOS System — especially
the ability to capture ull HD video
with a DSLR — make Hernandez an
enthusiastic Canon professional.
Stunning Stills and HD
Video with One Camera
Clay Blackmore is a renowned
innovator in the world of wedding
photography and portraiture.
Blackmore’s style blends the
beauty and timelessness of classi-
cal portraiture with the spontaneity
and appeal of photojournalism. A
celebrity and society favorite, his
clients include entertainment,
sports and political luminaries.
Blackmore’s camera system of
choice — Canon EOS, now with
the added ull HD video capture
capability — opens new doors of
creativity and opportunity.
Spectacular Images,
Superb Camera Handling
rom personality portraits and
advertising campaigns to magazine
layouts and fine art work, Greg
Gorman has developed and
showcased a discriminating and
unique style in his profession. His
photography is timeless, and his
images paint pictures of human
nature in its infinite range. With
advanced capabilities, the EOS
System provides Gorman with a
powerful, practical alternative to
medium format cameras.
Performance Under
Pressure
Aspen-based photographer Tyler
Stableford has earned a worldwide
clientele for his commercial and
editorial photography. In 2005,
Men’s ournal named him one of
the “World’s Greatest Adventure
Photographers” for his work
exploring Iceland’s glacier caves.
The rigors of outdoor commercial
and action/adventure shooting
demand a camera system that
delivers faultless image quality
with unequivocal ruggedness and
durability — all reasons why
Stableford shoots with the Canon
EOS System.
Exceptional Performance, Phenomenal Image Quality
With its superb 21.1 Megapixel Full-Frame CMOS sensor, latest-generation DIGIC 4 Image
Processor, high-performance AF sensor, high-resolution VGA 3.0-inch Clear View LCD
monitor and many additional advanced features, the OS 5D Mark II sets new standards
for image quality, responsiveness, shooting flexibility and versatility. It is an SLR ideal for
professional and serious amateur photographers alike. Capabilities such as Full HD video
recording and expanded Live View Function provide more applications beyond the
traditional scope of SLR cameras, creating new possibilities in professional use.
Innovative image enhancement features further ensure the highest quality image
capture. The free Firmware Upgrade 2.0.3, adds 24p (23.976) and 25p, adjusts 30p to
29.97, adds manual control of audio in 64 levels, adds a histogram display for judging
exposure in manual video mode, allows movie shooting in Av and Tv modes, and adjusts
audio recording from 44.1 KHz to 48 KHz further solidifying the OS 5D Mark II as a
seminal media tool.
The Featured Professiona s
EDDING PHOTOJOURNALISM DOCUMENTARY NATURE CELEBRITY
Greg
Gorman
Greg
Gorman
Joachim
Ladefoged
Joachim
Ladefoged
Richard Koci
Hernandez
C ay
B ackmore
C ay
B ackmore
Explorer of LightExplorer of Light
Explorer of Light Explorer of Light
George Lepp
George Lepp
Richard Koci
Hernandez Ty er
Stab eford
Ty er
Stab eford
ADVERTISING
©2009 Clay Blackmo e. All Rights Rese ved.
Brilliant Stills,
Spectacular
Video
68
Canon has gone
beyond my ildest
dreams...a camera ith
amazing speed, image
quality and high ISO
capability
ith lo
noise...all
packaged in
a compact,
durable body, and it
even does HD video.
This camera is the
standout camera for
edding photography.
The future of edding
photography is here!”
Clay
Blackmore
Explorer of Light
An Ex raordinary S ill Camera
The EOS 5D Mark II features an advanced autofocus system
that uses nine primary AF points with six supplemental assist
points around the center point. It ensures fast, accurate
AF with enhanced performance in low-light situations.
The EOS 5D Mark II also features the innovative
Highlight Tone Priority function, which takes full advan-
tage of the imaging sensor’s wide dynamic range and
uses sophisticated exposure control and image processing
to preserve greater detail in highlight areas.
The Canon 21.1 Megapixel Full-Frame CMOS Sensor
combined with the latest-technology Canon DIGIC 4 Image
Processor delivers images of stunning quality. Captured
images exhibit exceptionally low noise even when shooting
at higher ISO settings, making possible high-quality
capture in a wide range of available light conditions.
Swi ch from S ills o Video
The full-frame sensor and DIGIC 4 Image Processor also
make it possible to shoot superb Full HD (high definition)
video. The EOS 5D Mark II can shoot Full HD video at 1920 x
1080 pixels or SD (standard definition) video at 640 x 480
pixels with a frame rate of 30 fps. The camera provides
an HDMI output for full-resolution digital transfer of Full
HD video to monitors, projectors and other post-produc-
tion equipment.
Durable and Wea her-Resis an
The EOS 5D Mark II features a body made of magnesium
alloy, making it exceptionally rigid and durable but still
sufficiently lightweight to ensure excellent portability
and handling. The body is also extensively fitted with
seals and gaskets to keep out moisture and dust. The
result is a tough, dependable camera body that with-
stands the rigors of professional use.
Canon REALiS SX80 Projec or
EALiS projectors combine the brilliance and sharpness of
LCOS (Liquid Crystal On Silicon) technology with Canon
AISYS light engine technology. Native 1400 x 1050 (SXGA+)
resolution and s GB support assures crisp, detailed pro-
jected images, still or video. The projector’s HDMI input
supports Full HD (1080i/1080p) signals making it easy to
view images directly from the EOS 5D Mark II.
Mul iflash Ligh ing Wi hou Wires
Canon EX-series Speedlites make multiple-flash photog-
raphy simple. A Master Speedlite flash unit or transmitter
can wirelessly control an unlimited number of additional
Speedlites, creating myriad possibilities for lighting, no
matter the location. Fully adjustable Master/Slave output
ratios, modeling flash and advanced Canon E-TTL II flash
exposure control make it easy to achieve the perfect lighting
every time.
“
WEDDING
EOS 5D Ma k II
Full-F ame
CMOS Senso
(Actual Size)
81
83
83
©2009 Clay Blackmore. All Rights Reserved.
©2009 Richard Koci Hernandez. All Rights Reserved.
Video Capture
with Still-Camera
Handling
72
This camera is a
dream come true
for photojournalism.
Who knew it would be
here so fast and would
be so revo-
lutionary?
Video with
my SLR,
I’m in
heaven! y days as a
photojournalist carrying
around audio, video
and stills to create
compelling multimedia
just got easier. The true
‘one’ tool for visual
storytellers is here and
it’s amazing!”
Richard Koci
Hernandez
Image Quality Above All
Whether shooting stills
or video with the OS 5D
Mark II, you press into serv-
ice the most advanced Canon technologies,
designed to meet the demands in performance and qual-
ity. The full-frame Canon CMOS sensor, together with
the Canon DIGIC 4 Image Processor, enables low-noise
image recording of unprecedented caliber. The OS 5D
Mark II also employs precision 14-bit A/D converters to
process the output of the imaging sensor. This ensures
smoother tonal transitions and more natural gradations.
Tonal precision is further enhanced by the Highlight
Tone Priority feature to preserve greater detail in image
highlight areas. Dynamic range is effectively expanded in this
critical range of exposure, making gradations smoother
and minimizing loss of highlight detail.
The Full-Frame Optical Advantage
OS Digital SLR cameras with full-frame
sensors let you use F Lenses exactly as
you would with 35mm film SLR cameras.
Whether you are shooting stills or video with the OS 5D
Mark II, its full-frame sensor lets you use the entire range
of superb Canon F lenses without a conversion factor.
You thereby take full advantage of the specific optical
characteristics for which the lenses were designed.
Professional Dependability and Durability
The OS 5D Mark II body is made of magnesium alloy,
making it exceptionally strong and durable but, sufficiently
light in weight to ensure responsive
handling. The body is also extensively
fitted with seals and gaskets to keep out
moisture and dust. The result is a tough,
dependable camera body that stands up to the
demands of professional use.
Capture Video in
Full HD
With the OS 5D Mark II,
shooting high-quality
video no longer
requires a separate
piece of equipment. Just
switch to video mode and shoot Full HD 1920 x 1080 or
SD video. Video is captured using the same 24 x 36mm,
full-frame image sensor, ensuring detailed, high-resolution
images. Outstanding video quality is further assured by
MP G-4 recording at a high data rate, which substantially
reduces compression artifacts and provides a smooth,
detailed image. Record sound using the convenient built-in
microphone or use the camera’s audio inputs to capture
stereo sound with an external mic.
The brilliant 3.0-inch Clear View LCD monitor provides
Live View Function capability in still and video shooting
modes. Its 920,000 dots/VGA resolution delivers an
exceptionally detailed view, making it a superb video
monitor for recording and playback. For full-resolution
digital signal transfer to external monitors, projectors
and post-production equipment, the OS 5D Mark II
includes an HDMI output port.
“
PHOTOJOURNALISM
83
83
81
81
©2009 oachim Ladefoged. All Rights Reserved.
Lights,
Camera,
Action!
74
Acamera that
meets the needs of
today’s photographers.
A small step for man,
a giant step for pho-
tographers.
A camera
that ‘moves’
the ‘still’
world.”
Joachim
Ladefoged
Shooting Full HD with S R Advantages
With more professional still photographers
taking on crossover video shooting assign-
ments, the OS 5D Mark II fills a growing
need. As a Canon OS camera, you can
use the entire range of F lenses. And because the OS
5D Mark II features a full-frame sensor, you don’t have to
concern yourself with conversion (crop) factors, thus
maximizing your control of factors such as depth-of-field.
Superb video quality is ensured by 14-bit A/D converters,
ensuring smoother tonal transitions and more natural
gradations. Tonal reproduction is further enhanced by the
Highlight Tone Priority feature, preserving greater detail in
image highlight areas. Dynamic range is effectively expanded
in this critical range of exposure, making gradations
smoother and minimizing loss of highlight detail.
The OS 5D Mark II delivers video and still images of
stunning quality. Captured images exhibit low noise, ensur-
ing exceptional playback clarity, detail and color purity. It
also provides outstanding low-noise performance even
when shooting at higher ISO settings, making possible
high-quality capture in a wider range of light conditions.
Simplified Custom Camera
Settings
Picture Style provides a number of
presets that eliminate the need to
make numerous individual changes to camera settings.
The OS 5D Mark II provides six factory preset styles and
three additional custom presets. The Picture Style you
select for the Live View mode is used for video recording.
Therefore, all settings registered in that Picture style —
such as sharpness, color saturation, etc. — will be reflect-
ed in the captured video footage.
Tough and Dependable
The OS 5D Mark II body
is made of magnesium
alloy, making it exception-
ally strong and durable,
yet lightweight. The body
is also extensively fitted with seals and gaskets to keep
out moisture and dust. Rugged build quality is augment-
ed by the Canon Self Cleaning Sensor Unit removing
dust on the imaging sensor using ultrasonic vibration.
A fluorine coating on the front surface low-pass filter
also helps prevent the accumulation of sticky and moist
dust particles.
Rapid, Responsive Still Shooting
A high-performance shutter assembly, fast
autofocus system, advanced CMOS sensor, and
state-of-the-art DIGIC 4 Image Processor combine to make
the OS 5D Mark II a nimble, responsive camera. Despite
the huge amount of data associated with 14-bit, 21.1
Megapixel image capture, the OS 5D Mark II can shoot
continuously at 3.9 fps. Shooting speed is also enhanced
by UDMA (Ultra Direct Memory Access) CF cards compati-
bility, which enables you to use the newer, faster UDMA
CF cards.
“
DOCUMENTARY
83
82
85
81
©2009 George Lepp. All Rights Reserved.
76
T
his is a great cam-
era for outdoor and
nature photographers!
Its lightweight but
sturdy body is easy to
handle
and per-
fect for
field work.
The 21.1
egapixel Full-Frame
C OS Sensor captures
every detail of the
landscape. The large,
high-resolution LCD
monitor with Live
View is a real benefit
for previewing images
in the field. I’m espe-
cially excited about
the high-definition
video capabilities, a
feature that makes
this camera one of the
most innovative and
versatile creative tools
I’ve seen yet.”
George Lepp
Explorer of ight
Spectacular High-Resolution Capture
The OS 5D Mark II incorporates a 21.1
Megapixel Full-Frame CMOS Sensor that
delivers still and video images of excep-
tional low noise and are unsurpassed in clarity, detail
and color purity. The full-frame sensor enables you to use
the entire range of Canon F lenses with no need for conver-
sion factors. For enhanced tonal reproduction, the OS 5D
Mark II incorporates Highlight Tone Priority, making gra-
dations smoother and minimizing loss of highlight detail.
The OS 5D Mark II also features Lens Peripheral
Illumination Correction, which automatically corrects for
light fall-off at the corners. Using a database of F lenses,
this corrective system works automatically at the time of
capture when shooting JP Gs. With RAW images, the same
correction can be performed using Canon DPP software.
Another image enhancement features the Auto Lighting
Optimizer; it automatically adjusts brightness and contrast
during image processing.
Rugged Dependability
The OS 5D Mark II body is
made of lightweight magne-
sium alloy, making it easy to handle and transport without
sacrificing strength and durability. The body is also highly
weather resistant thanks to the extensive use of seals
and gaskets to keep out moisture and dust. The weather-
resistant design is complemented by the Canon Self
Cleaning Sensor Unit. Part of the OS Integrated Cleaning
System, it removes dust on the imaging sensor using
ultrasonic vibration.
Big, Bright, Clear View CD Monitor
A 3.0-inch Clear View LCD (920,000 dots/VGA) monitor
provides a large, bright, highly detailed display. The
increased resolution makes it possible to view images
with far greater detail and enhances the Live View
Function capabilities.
HDMI Output
The camera provides an HDMI output for full-resolution
digital transfer of Full HD video to monitors, Canon
R ALiS projectors and post-production equipment.
Advanced Flash Photography
The OS 5D Mark II is fully compatible with the Canon
Speedlite flash system. There are versatile solutions for
macro photography such as the Macro Ring Lite MR-14 X,
which features twin circular flash tubes that can be fired
at equal or uneven power at ratios that can be varied
over a six-stop range. The Macro Twin Lite MT-24 X pro-
vides a different, directional option for close-up, nature
and macro photography. With either macro flash unit,
one or more compatible X-series Speedlites can be
used as wireless Slaves for creative lighting solutions.
Canon -TTL II flash exposure control uses the camera’s
valuative metering sensor — the same sensor that reads
ambient light. This sophisticated system compares light
values and accurately calculates the flash output required
for optimum illumination of the main subject and back-
ground. It ensures balanced, natural lighting, for example,
when using fill flash.
“
NATURE
81
83
84
Exceptional
Image Quality,
Unmatched
Versatility
Opera singer, Plácido Domingo
©2009 Greg Gorman. All Rights Reserved.
The New Studio
Alternative to
Medium Format
78
Having always
been a big fan of
the EOS 5D, the new
Canon EOS 5D ark II
is an astounding step
forward,
with its 21.1
egapixel
resolution
full-frame
sensor, superb image
quality and 3.0-inch
VGA LCD monitor in
a compact, durable
body. And with the
ability to record High
Definition Video, what
more could anyone
ask for?”
Greg Gorman
Explorer of ight
Richly Detailed, 21.1 Megapixel Image Recording
High-resolution imaging is a primary reason
medium format digital cameras are popular
among studio photographers. With Canon
OS high-megapixel full-frame cameras, many professionals
are rethinking their camera system choice for studio
work. Noise is exceedingly low, ensuring captures of
astounding clarity, detail and color purity. Moreover, the
OS 5D Mark II is supported by the entire range of Canon
F lenses, a comprehensive system of optics that is a
true standout in the medium format world.
WFT-E4 II A/WFT-E4A
Wireless File Transmitter
The WFT- 4 II A or WFT- 4A
provides added camera
handling versatility while providing advanced wireless
file transfer and networking functionality. Attached to
the camera, the WFT- 4 II A or WFT- 4A serves as a vertical
grip, duplicating basic camera controls for easier vertical
shooting. It provides wireless network connectivity,
enabling various “tethered” shooting options, such as
remote viewing for studio clients. The WFT- 4 II A or
WFT- 4A also has a USB port that can be connected to an
external storage device, multiplying the camera’s
recording media options.
Easy Camera Handling
The OS 5D Mark II offers many advantages of medium
format cameras, such as high-resolution image capture and
high image quality. The big difference, of course, is that
the OS 5D Mark II is a Canon OS SLR. The camera han-
dling is responsive and system support is simply amazing.
High-Resolution ive View Function Capability
A 3.0-inch Clear View
LCD (920,000
dots/VGA) displays
large, detailed
images, enhancing
the camera’s Live
View shooting and
image playback
capabilities. The OS 5D Mark II also provides an HDMI
output, which enables full-resolution digital transfer of
Live View Function and playback images to in-studio HD
monitors and projectors.
Fast-Response Shooting
The OS 5D Mark II incorporates
a high-performance shutter
assembly, fast autofocus system,
advanced CMOS sensor and
state-of-the-art DIGIC 4 Image
Processor. The combination
enables continuous shooting at 3.9 fps despite the
huge amount of data associated with 21.1 Megapixel
image capture. Camera response is also enhanced by
UDMA compatibility, which enables you to use the
newer, faster UDMA CF cards.
“
CELEBRITY
81
84
86
Wireless File Transmitter WFT-E4 II A
Engineered to
Let You Stay
with the
Action
80
When I’m shooting
on a rock wall or
a mountainside, I want
to be able to capture
world-class images with
the lightest
possible
equipment.
For this
shot, I used
Canon’s EF 14mm f/2.8L
II US lens to capture
both Jessa and the beau-
tiful alpine environment.
The EOS 5D ark II’s
high-definition video
capabilities revolutionize
the way I work. With
web and multimedia
presentations playing
crucial roles in our
profession, capturing
high-quality video
alongside stills is more
important than ever.”
Ty er
Stab eford
Explorer of ight
Dependable Performance
Without the Extra Weight
The OS 5D Mark II might be
light in weight, but it’s a
“heavyweight” when it comes
to professional features and performance. The camera
body is made of magnesium alloy, making it exceptional-
ly strong and durable. The use of this advanced alloy,
however, ensures weight is kept to a minimum, resulting
in a camera that can be handled with ease and won’t
slow you down. The body is also extensively fitted with
seals and gaskets to keep out moisture and dust. The
result is a tough, dependable camera body that stands
up to the demands of professional use.
Remarkable Shooting Speed
A high-performance shutter assem-
bly, fast autofocus system,
advanced CMOS sensor design,
and state-of-the-art DIGIC 4 Image
Processor combine to deliver crisp camera response and
fast continuous shooting speeds. The OS 5D Mark II
shoots at 3.9 fps despite the huge amount of data
associated with 21.1 Megapixel image capture.
Astounding Image Quality
The new Canon 21.1 Megapixel full-frame sensor com-
bined with the Canon DIGIC 4 Image Processor delivers
spectacular image capture with exceptionally low noise.
The OS 5D Mark II maintains its trademark low-noise
performance even when shooting at higher ISO settings,
enabling the use of faster shutter speeds often needed in
action photography.
Self Cleaning Sensor Unit
Photographers who must
change lenses in dusty environ-
ments will appreciate the Canon Self Cleaning Sensor
Unit. Part of the OS Integrated Cleaning System, which
uses both mechanical and software methods to effectively
deal with dust accumulation on the imaging sensor, this
self-cleaning unit employs an improved ultrasonic
vibration mechanism and a fluorine coating on the front
surface low-pass filter that better repels sticky and
moist dust particles.
arge, High-Resolution CD Monitor
A 3.0-inch Clear View LCD monitor with significantly
increased resolution (920,000 dots/VGA) makes it possible
to view images with far greater detail. The large overall size
makes the display easier to use and more informative than
ever. The screen’s striking brightness ensures excellent
viewing ability even in bright outdoor conditions. A built-in
ambient light sensor automatically adjusts screen bright-
ness as needed.
“
ADVERTISING
83
83
81
83
84
©2009 Tyler Stableford. All Rights Reserved.
Performance: Precision
and Speed
Fast, Accurate Autofocus
The EOS 5D Mark II
features outstand-
ing autofocus
performance, a
hallmark of EOS
SLR cameras. Nine
A points make it
easier to lock onto
subjects, even if
they are not
centered in the
composition.
There are also six
supplemental assist points around the center
A point, which can significantly improve
focus tracking accuracy with moving subjects
when using the AI Servo A mode. Three of
the center A points are sensitive at f/2.8,
which enhances available light autofocus
performance.
Moreover, the EOS 5D Mark II autofocus
system incorporates an advanced automatic
compensation system that virtually eliminates
the focusing errors that can occur with different
light sources. By sensing the spectral character-
istics of the scene’s lighting and automatically
making appropriate adjustments, this A system
ensures greater focusing precision, especially
when shooting in artificial light.
or shooting situations that call for manual
A point selection, a quick press of the A point
selection button on the EOS 5D Mark II enables
the user to quickly make a choice, using the
Multi-controller, Main Dial, or Quick Control
Dial. As with other EOS cameras, multiple A
modes are provided: One-Shot A , AI ocus A ,
and AI Servo A . As with the EOS-1 series cameras,
the EOS 5D Mark II has a dedicated A Start button.
A microadjustment can be performed glob-
ally (for all lenses) or individually for each lens
in a photographer’s arsenal. Up to 20 lenses
can be programmed for A microadjustment.
Rapid Continuous Shooting Speed
A high-performance shutter assembly, the fast
autofocus system, the advanced CMOS
sensor and the cutting edge DIGIC 4 Image
Processor combine to endow the EOS 5D
Mark II with outstanding responsiveness
and shooting speed. Despite the huge data
handling requirements associated with 21.1
Megapixel image capure, the EOS 5D Mark II
can shoot continuously at 3.9 fps. It can also
capture up to 78 consecutive full-resolution
JPEG images or up to 13 RAW images in a
single continuous burst.
Superb Exposure Control
The EOS 5D Mark II incorporates a sophisticated
35-zone metering sensor linked to the nine A
points. The following metering modes are
provided: Evaluative, Partial, Spot, and Center-
Weighted average. Partial metering reads
approximately 8% of the viewfinder and Spot
metering reads approximately 3.5%. With the
optimized 35-zone metering sensor and
improved algorithms, the EOS 5D Mark II
provides more consistent and correct ambient
and flash exposures in a wider variety of
difficult shooting situations.
A new shooting mode has been added to
the Mode Dial: Creative Auto (CA). It starts with
same settings as the ull Auto mode, but it
enables frequently used functions to be modi-
fied easily. Ideal for less experienced shooters
who nonetheless desire a measure of custom
control, Creative Auto provides a basic guide at
the bottom of the LCD monitor. Adjustments
can also be made via a single screen that
display all modifiable parameters.
8281
Overview:
A Trustworthy High-Performance
Full-Frame S R
The Canon EOS 5D Mark II is an exceptional
digital SLR, perfect for professional photogra-
phers as well as serious digital photography
enthusiasts seeking a camera a cut above typical
offerings. eaturing a technologically advanced
Canon 21.1 Megapixel ull- rame CMOS sensor,
the powerfull Canon DIGIC 4 Image Processor,
14-bit A/D conversion and numerous perform-
ance enhancements, the EOS 5D Mark II delivers
outstanding image capture capability while
expanding traditional SLR functionality.
Image Quality
ight Capturing
Full-Frame CMOS Sensor
The EOS 5D Mark II incorporates the Canon
CMOS sensor, which delivers an imaging reso-
lution of approximately 21.1 Megapixels.
The recording area of the sensor is 36.0 x
24.0mm, which is equivalent to the full-frame
size of the 35mm film format. Compared to
typical smaller digital camera sensors, the
Canon full-frame sensor can accommodate a
tremendous pixel count while maintaining a
larger individual pixel site size for incredible
light gathering characteristics. Moreover, full-
frame sensors enable photographers to take
full advantage of the entire range of superb
Canon E lenses without a conversion factor.
That means lenses perform at their best,
making optimal use of the specific optical
characteristics for which they were designed.
This is an important benefit for photographers
who have sizable E lens collections.
Powered by the DIGIC 4
Image Processor
The Canon
DIGIC Image
Processor is a high-per-
formance imaging
processor that has been
a major distinguishing
feature of Canon digital cameras. Designed
and developed by Canon, the DIGIC Image
Processor features proprietary algorithms and
high-speed signal processing, delivering razor-
sharp image detail, natural color reproduction,
advanced camera responsiveness and reduced
power consumption. Successive generat ions
of Canon DIGIC technology have brought about
steady improvement in processing speed and
image quality, providing the necessary power
to deal with the increased volume of data
generated by imaging sensors of ever-increasing
pixel dimensions.
The DIGIC 4 Image Processor in the EOS 5D
Mark II personifies Canon image technologies,
elevating imaging performance to dizzying
heights. While retaining all of the best features
of its predecessors, the DIGIC 4 Image Processor
ensures faithful natural color reproduction and
handles the high-resolution data from the 21.1
Megapixel CMOS sensor at the high speeds
required to assure instantaneous camera
response.
Moreover, the DIGIC 4 Image Processor
makes possible richly advanced features,
such as ull HD video recording, Live View
unction with face detection A and Auto
Lighting Optimizer (all described later).
High-Resolution Image Capture
The 21.1 Megapixel Canon CMOS sensor
captures images with extraordinary detail
and acuity. The generous pixel dimensions
(5616 x 3744) not only assures uncompro-
mised image quality at enormous print output
sizes, but also provides expanded image
cropping flexibility. In many professional
applications, the EOS 5D Mark II makes it
unnecessary to use medium-format cameras
to capture sufficient image detail.
Advanced 14-bit A/D Conversion
The extra power of the DIGIC 4 Image
Processor enables far greater precision in the
analog-to-digital conversion of the data from
the CMOS sensor. The EOS 5D Mark II improves
A/D conversion from 12 to 14 bits per channel.
Tonal gradations for RAW images are
represented by 16,384 separate levels per
channel rather than 4,096. When saved as a
16-bit TI image, the image retains the full
range of tones captured at 14 bits. Also, JPEG
images, at 8 bits per color channel, are gen-
erated from the 14-bit data. Artifacts related
to limited dynamic range, such as tonal skip-
ping and highlight clipping, are thereby
reduced substantially, improving gradation,
detail and overall image quality.
Exceptional ISO Range
The very design of the EOS 5D Mark II CMOS
sensor has advanced image capture capa-
bilities and improved sensitivity. Combined
with the sophisticated performance of the
DIGIC 4 Image Processor, the EOS 5D Mark II
delivers an amazing ISO range of 100 – 6400
in standard mode, selectable in 1/3-stop
increments. In extended range mode, the
available ISO settings are 50, 12800 and
25600. More importantly, the combined low-
noise performance of the sensor and image
processor makes the higher ISO settings
usable in real-world shooting situations.
Outstanding ow-Noise Performance
The EOS 5D Mark II CMOS sensor features
advanced on-chip noise-reduction technology.
To achieve its remarkable performance, this
design incorporates a novel feed-through out-
put amp that ensures both high speed capture
and low noise. Noise is further reduced by an
improved manufacturing process, an optimized
pixel amp and an optimized reading circuit.
Gorgeous image quality is also ensured by
an improved noise reduction system, which
can be used for long exposures and/or high-
ISO shooting. A Custom unction can be used
to select automatic noise reduction with long
exposures. Similarly, a Custom unction enables
the photographer to fine-tune the degree to
which noise reduction is applied when shoot-
ing at high ISO settings. The EOS 5D Mark II
has the ability to select all but the strongest
noise reduction setting without adversely
affecting the maximum burst shooting speed
in continuous mode.
Multiple RAW Recording Options
RAW capture is a must for photographers who
wish to maintain maximum control over their
images using a variety of post-processing
options. The EOS 5D Mark II augments tradi-
tional RAW recording by providing three RAW
capture modes. The standard RAW mode
provides a maximum resolusion of 5616 x
3744 pixels (approximately 21.1 Megapixel)
image. The RAW1 and sRAW2 modes capture
at 3861 x 2574 (approx. 10 Megapixels) and
2784 x 1856 (approx. 5.2 Megapixels) pixels,
respectively. These RAW recording options
greatly enhance shooting flexibility,
enabling the photographer to select pixel
dimensions appropriate to the assignment
and reducing file sizes whenever possible to
streamline processing.
Advanced Technologies Matching High
Expectations
36.0 mm
24.0 mm
EOS 5D Mark II Full-Frame
CMOS Sensor (Actual Size)
Recording Quality Specifications: EOS 5D Mark II
The number of possible shots and maximum burst are based on Canon’s testing standards and a 2GB C card. Under Maximum burst, the
number in parentheses is the maximum burst with a UDMA-compatible 2GB C card used in Canon’s testing standards. JPEG L1, ISO 100,
Picture Style: Standard, Custom unction: Default settings. The actual file size, number of possible shots and maximum burst will vary
depending on the subject, memory card brand, image-recording quality, ISO speed, Picture Style, Custom unction settings, etc.
* Shooting is possible until the card becomes full.
ISO Seed Range
50 100 - 6400 25600
H1 H2L
AF Sensor
AF Sensor configuration
TECHNOLOGY
Image Size Pixels
[Approx. B]
File Size
[Approx. B/
Shot]
Possible
Shots
[Approx.]
aximum
Burst
[Approx.]
Printing Size
[Inch]
JPEG
L1
L2
1
2
S1
S2
RAW
S RAW 1
S RAW 2
RAW+L1
RAW+L2
RAW+ 1
RAW+ 2
21.00
(5616 x 3744)
6.1 310 78 (310*)
11.10
(4080 x 2720)
16.5x23.4
or large r
Around
11.7x16.5
Around
8.3x11.7
16.5x23.4
or larger
Around
11.7x16.5
Around
8.3x11.7
RAW: 16.5x23.4
or larger
JPEG: 16.5x23.4
or larger
RAW: 16.5x23.4
or larger
JPEG: Around
11.7x16.5
5.20
(2784 x 1856)
21.00
(5616 x 3744)
10.00
(3861 x 2574)
5.20
(2784 x 1856)
21.00
(5616 x 3744)
21.00
(5616 x 3744)
21.00
(5616 x 3744)
11.10
(4080 x 2720)
Image Size Pixels
[Approx. B]
File Size
[Approx. B/
Shot]
Possible
Shots
[Approx.]
aximum
Burst
[Approx.]
Printing Size
[Inch]
S RAW1+L1
S RAW1+L2
S RAW1+ 1
S RAW1+ 2
S RAW1+S1
S RAW1+S2
S RAW2+L1
S RAW2+L2
S RAW2+ 1
S RAW2+ 2
S RAW2+S1
S RAW2+S2
10.00
(3861 x 2574)
21.00
(5616 x 3744)
10.00
(3861 x 2574)
11.10
(4080 x 2720)
10.00
(3861 x 2574)
5.20
(2784 x 1856)
5.20
(2784 x 1856)
21.00
(5616 x 3744)
5.20
(2784 x 1856)
11.10
(4080 x 2720)
5.20
(2784 x 1856)
5.20
(2784 x 1856)
sRAW1: Around
11.7x16.5
JPEG: 16.5x23.4
or larger
sRAW1: Around
11.7x16.5
JPEG: Around
11.7x16.5
sRAW1: Around
11.7x16.5
JPEG: Around
8.3x11.7
sRAW1: Around
8.3x11.7
JPEG: 16.5x23.4
or larger
sRAW1: Around
8.3x11.7
JPEG: Around
11.7x16.5
sRAW1: Around
8.3x11.7
JPEG: Around
8.3x11.7
RAW+S1
RAW+S2
10.00
(3861 x 2574)
21.00
(5616 x 3744)
RAW: 16.5x23.4
or larger
JPEG: Around
8.3x11.7
25.8 + 2.1 66 8 (8)
3.0 610 610* (610*) 25.8 + 1.0 69 8 (8)
3.6 510 330 (510*) 14.8 + 6.1 89 8 (8)
1.9 990 990* (990*) 14.8 + 3.0 100 8 (8)
2.1 910 910* (910*) 14.8 + 3.6 100 8 (8)
1.0 1680 1680* (1680*) 14.8 + 1.9 110 8 (8)
25.8 72 13 (14) 14.8 + 2.1 110 8 (8)
14.8 120 15 (15) 14.8 + 1.0 110 8 (8)
10.8 170 20 (20) 10.8 + 6.1 110 8 (8)
25.8 + 6.1 57 8 (8) 10.8 + 3.0 130 8 (8)
25.8 + 3.0 64 8 (8) 10.8 + 3.6 130 8 (8)
25.8 + 3.6 62 8 (8) 10.8 + 1.9 140 8 (8)
25.8 + 1.9 67 8 (8) 10.8 + 2.1 140 8 (8)
10.8 + 1.0 150 8 (8)
f/2.8-sensitive sensor f/5.6-sensitive senso r
Professional Features
High-resolution 3.0-inch Clear View
CD Monitor
The high-performance LCD monitor provides
large, detailed image and informational display.
The brilliant 3.0-inch Clear View LCD features
approximately 920,000 dots, providing 100%
image area coverage and a wide viewing angle
of 170° (both vertically and horizontally).
Brilliant brightness ensures excellent viewing
ability even in bright outdoor conditions. A
built-in light sensor below the monitor is used
to automatically adjust screen brightness to
suit the ambient light conditions. Automatic
adjustment selects dark, standard or bright,
however, the user can choose manual adjust-
ment over a range of seven brightness levels.
The increased resolution of the LCD monitor
makes it possible to view images with far
greater detail, making it easier for shooting
judgments and camera adjustments, especially
when using the Live View unction. The large
size and pixel dimensions make the LCD easier
to use and more informative than ever.
The screen also features a panel coating that
is more smudge resistant and provides
excellent anti-reflection and water-repellent
properties. The monitor can thus be viewed
more clearly in a greater variety of shooting
situations.
Expanded ive View Function
Capabilities
The EOS 5D Mark II enables the LCD monitor to
be used for Live View unction in all capture
modes, whether shooting still photos or
movies in ull HD or SD. Live View unction
settings can be accessed via a centralized
function screen for easier use.
Via the unction screen, the user can enable
or disable the Live
View unction and
choose whether to
use it for stills
only or for both
stills and movies.
In Live View mode,
the camera uses
Evaluative meter-
ing via the image
sensor. Most
shooting options —
such as Drive
mode, ISO speed,
Picture Style,
white balance and
A mode (see
right) — can be
selected while in
Live View unction.
Three screen settings automatically adjust
display brightness to suit the mode of operation.
The Still Display setting makes the Live View
image easier to see with standard still expo-
sures. The image is shown at maximum lens
aperture unless the depth-of-field preview but-
ton is pressed, in which case Live View image
simulates the actual picture brightness as well
as the depth-of-field. The Exposure Simulation
setting provides a preview of expected
changes to the capture image when shutter
speed or aperture changes are made or expo-
sure compensation is used. The Movie Display
setting provides optimal brightness for video
shooting. The video capture frame is indicated
by a semi-transparent mask superimposed on
the screen area, showing the video recording
field of view and aspect ratio. The Movie
Display setting is automatically selected dur-
ing any video shooting.
8483
Full HD Video Recording
Evolved Video Shooting Capability
Still photographers who also need to capture
motion picture video will find the video record-
ing capabilities of the EOS 5D Mark II highly
useful, often eliminating the need to carry a
separate camcorder. The EOS 5D Mark II can
shoot video at ull HD (High Definition) at
1920 x 1080 pixels or SD (Standard Definition)
at 640 x 480 pixels.
The free irmware Upgrade 2.0.3 adds 24p
video acquisition and changes the 30p video
frame rate to 29.97, complying with TV produc-
tion standards, plus adds manual audio level
control and increases the audio sampling fre-
quency to 48KHz. When shooting movies man-
ually, the new histogram display facilitates
monitoring, while Shutter Priority AE mode (Tv)
and Aperture-priority (Av) mode offer flexible
options for controlling exposure. Additionally,
2.0.3 improves camera and lens communica-
tion during manual sensor cleaning.
To begin video shooting, the user simply
presses the SET button while the camera is in
Live View mode. Pressing SET again ends
recording. The maximum file size of individual
video clips is 4GB. This works out to approxi-
mately 12 minutes of footage when shooting
in ull HD, and 24 minutes shooting SD. There
is no real delay before being able to start the
next new video clip, and the only limit to the
number of clips you can shoot is the size of
your memory card. Videos are recorded as
MOV files (with MPEG-4 compression), and the
sound is recorded using uncompressed linear
PCM (pulse code modulation).
The Picture Style selected for the Live View
mode is used for video recording. Thus, adjust-
ments to a Picture style — such as sharpness,
color saturation, etc. — will be reflected in the
captured video footage.
ocus is performed prior to the start of video
recording. As with still shooting, the user can
focus manually or use one of three A modes.
ocus can be re-acquired in the midst of video
shooting using the A Start button. Either Program
AE or full manual exposure control is available
for video recording. The image sensor is used
for metering, and exposure is calculated in real
time using an evaluative algorithm.
A built-in microphone below the camera
nameplate records monaural sound. Stereo
recording is possible with an external stereo
microphone connected to the camera’s mic
input connector (a standard 3.5mm stereo
jack). Audio levels are automatically adjusted
whether recording with the built-in or an exter-
nal microphone.
Still photos can be captured at any time
during video recording simply by pressing the
shutter release button. The photo is captured
at the currently active still image quality settings.
Video recording is momentarily interrupted while
a still photo is being captured; the Live View
unction returns and video recording auto-
matically resumes as soon as the still capture
is completed.
Video can be played back on the EOS 5D
Mark II LCD monitor with sound reproduced via
a built-in speaker located to the right of the
viewfinder eyepiece. Playback options include
standard and slow motion replay (with variable
speed) and various still-frame capabilities.
Easy File Transfer
The new plug-in will allow for simple and easy
transfer of video content from Canon’s EOS DSLR
cameras directly into inal Cut Pro. The EOS
MOVIE Plugin-E1 will take advantage of inal Cut
Pro’s powerful Log and Transfer feature, which
allows users to select video for import from the
memory card, add custom metadata and ingest
the clips in the background so the editing
can begin immediately. The plug-in will be
compatible with inal Cut Pro 6.06 or higher
and currently supports Canon EOS 5D Mark II,
EOS 7D and EOS-1D Mark IV cameras.
Rugged, Durable Design
Magnesium Alloy Body
Magnesium alloy is known for its excellent
strength-to-weight ratio. Because the EOS 5D
Mark II body is constructed of magnesium
alloy, the camera is exceptionally rigid and
durable while maintaining a light weight that
promotes excellent portability and handling.
The magnesium alloy also functions as an
electromagnetic shield, providing added data
protection. Above all, the EOS 5D Mark II is
built to withstand heavy-duty use, providing
reliable long-term performance even under
harsh conditions.
Heavy-duty Shutter, Tested to
150,000 Cycles
The EOS 5D Mark II
shutter assembly
features resilient
durability and
advanced capabilities.
It is rated for 150,000 shutter cycles, a dura-
bility rating surpassed only by the EOS-1 series
digital SLR cameras. It also continues to ensure
high precision and outstanding performance,
providing a maximum shutter speed of 1/8000
second, X-sync at 1/200 second, and continuous
shooting speeds of up to 3.9 fps with a full-
frame sensor. The refined design of the shutter
also enables the camera’s extensive Live View
shooting capabilities.
Innovative EOS
Integrated Cleaning
System
Professional photogra-
phers, especially those
who must change lenses in dusty environments,
have universally praised the Canon EOS
Integrated Cleaning System. It uses both
mechanical and software methods to effectively
deal with dust accumulation on the imaging
sensor. Dust that settles on the sensor surface
is removed using ultrasonic vibration. This
self-cleaning routine is automatically activated
whenever the camera is powered on or off (It
can also be manually activated). A special col-
lar positioned around the sensor collects the
loosened dust. Moreover, by shooting a plain
white subject, the photographer can acquire
dust delete data that is transmitted along with
the image (whether JPEG or RAW). Canon
Digital Photo Professional (DPP) software can
then be used to manually or automatically
erase the dust spots, potentially saving a
tremendous amount of time in post-processing.
The EOS 5D Mark II incorporates an
advanced Integrated Cleaning System. The Self
Cleaning Sensor Unit is optimized for the EOS
5D Mark II’s full-frame sensor and improved
with a more effective ultrasonic vibration
mechanism. The
low-pass filter on
the front surface
also has a fluo-
rine coating that
has a high resist-
ance to dust
adhesion. Sticky
and moist dust
particles, which
have always been
difficult to loosen
by vibration
alone, are now
more effectively
moved.
Piezoelectric
element
Support material
Phaser layer
Infrared-absorption glass
Low-pass filter -2
CMOS sensor
Sealing material
Low-pass filter -1
Dichroic mirror
(Reflects infrared rays)
Infrared-absorbing glass
Low-pass filter -2
(Separates image in
vertical direction)
Low-pass filter -1
(Separates image in
horizontal direction)
Phaser layer
(Converts linear polarized
light into circular polarized light)
CMOS
sensor
Dirt-resistant
fluorine coat
Sunlight
Reflected
light
Anti-reflection coat
Scratch-resistant
hard coat
Anti-reflection coat
Anti-reflection coat
Resin cover
LCD panel
Live View setting screen
Screen Display setting screen
AF Mode screen
Magnesium alloy chassis
Shutter unit
LPF Construction
Self Cleaning
Sensor Unit
Self Cleaning Sensor Unit Construction Diagram
Video file
(1)
Still photo file
(2) (3) (4)
Approx. 1 sec.
Video Still display Video
Pressed
completely
CF card
Recording completed
live video reappears
Still photo shooting uring vi eo recor ing
(conceptual diagram)
(1) – (4) indicates the recording sequence
Coating Layers on LCD Monitor
TECHNOLOGY