Casio KX-101 User manual
casio
KX-101
_____
Operation
Manual
............1
Manual
de
Operacion.......65
CASIO.
casio
KX-101
COMPUTERIZED
RADIO
CASSETTE
KEYBOARD
Thank
you
very
much
for
purchasing
the
Casio
KX-101.
Before
using
it,
please
read
this
manual
carefully
in
order
to
discover
the
KX-101's
many
functions
and
make
full
use
of
its
potential.
For
long-asting
enjoyment,
please
follow
the
directions
given
here
when
operating
your
new
KX-101.
CONTENTS
-
7
Main
Features
of
the
KX-101
Power
Supply
Speaker
Connection
Use
as
a
Radio
Cassette
Recorder
®@
\Listeningito
Ragio
Brosdcasts.
|...
gece
dene
Ses
Heeeks
shuns
sARS
™
Recording
Radio
Broadcasts
=
Using
Computerized
Play
Functions
When
Recording
.
.
*
Space
Search
Function
*
Restart
Recording...
.
*
Record
Muting......
™
Listening
to
Tapes
(Playback)
.
=
Computerized
Playback
....
.
*
Single
Playback
Direct
Playback
Jump
Playback
(JP)
..
*
Intro,
Playback
.....
Programmed
Playback
.
..
.
Shuffle
Playback
Repeat
Playback
FF
or
RWD
to
a
specified
tune
Use
as
a
Keyboard
Instrument
®
Playing
the
Keyboard
™
Selecting
the
Sound
(9
Tone
colors)
. .
.
.
™
Using
the
Auto-Rhythms
(12
Rhythms)
.
=
Using
Auto-Accompaniment
(11
Chords)
ae
Music
Programming
®
How
to
Enjoy
Music
Programming...
...........-+sesseeeveeeeeees
Having
Fun
with
Var
Various
te
of
Performances
™
AutoPlay
.
2
peeeie
=
One
Key
Play
.
er
°
Saving
a
Progratol
ape
(MT
Functior
*
Direct
Recording
*
Space
Search
Function
(SPACE
SEARCH)
.........
Loading
a
Program
that
has
been
‘Saved
*
Enjoying
Digital
Tapes
.
*
Various
Types
of
Playback
.
:
Microphone
Mixing
=
Using
the
Internal
Mike
or
an
External
Microphone
for
Recording
Various
Methods
of
Recording
_
Timer
Controlled
Playback/Recording
Head
Maintenance/Tape
Handling
Names
and
Functions
of
Each
Part
Programming
Example
Troubleshooting
Chart
Care
of
Your
Unit
Specifications
a
ee
Main
Features
of
the
KX-101
@
Computerized
Cassette
Drive
for
a
Whole
Variety
of
Automatic
Playback
and
Recording
Possibilities
The
KX-101
is
equipped
with
a
number
of
different
computerized
playback
and
recording
functions:
1)
SPACE
SEARCH
function
searches
out
unrecorded
sections
when
you
want
to
begin
a
recording,
2)
REC
RETURN
function
automatically
rewinds
the
tape
up
to
the
point
where
the
previous
recording
started
for
you
to
restart
your
unsatisfying
recording.
3)
SINGLE
PLAYBACK
function
plays
only
one
tune
and
then
stops
automatically.
4)
DIRECT
PLAYBACK
function
automatically
finds
and
plays
back
your
desired
tune.
5)
INTRO
PLAYBACK
function
lets
you
listen
to
the
first
25
seconds
of
each
recorded
tune,
6)
JUMP
PLAYBACK
function
skips
unrecorded
portions
on
the
tape
by
rapidly
advancing
the
tape.
7)
PROGRAMMED
PLAYBACK
function
plays
the
tunes
in
exactly
the
order
you
want.
8)
SHUFFLE
PLAYBACK
function
selects
and
plays
the
tunes
one
after
the
other
at
random.
9)
REPEAT
PLAYBACK
function
rewinds
the
tape
to
the
beginning
after
playing
to
the
end
and
repeats
playback,
(Repeat
playback
can
be
used
in
combination
with
3,
5,6
and
7
written
above.)
10)
Rapid
advance
or
rewind
to
any
desired
tune
after
or
before
the
one
presently
being
played
back,
11)
Direct
recording
to
any
specified
portion,
(Digital
recording
only.)
*Computerized
playback
and
recording
can
also
be
used
for
the
musical
information
pro-
grammed
with
the
keyboard
(except
2).
@
Music
Programming
Function,
Allowing
You
to
Program
Tunes
According
to
the
Musical
Score.
A
three
channel
programming
system
for
melody,
countermelody
and
chords.
Tunes
can
be
programmed
easily
by
just
entering
pitch
and
duration
of
notes
as
well
as
chords
according
to
the
musical
score.
Durations
of
notes
and
rests,
or
symbols
for
repetitions
such
as
7
or
I?
can
be
input
at
the
touch
of
a
finger.
Since
tone
color
(sound),
rhythm,
fill-in,
arpeggio
etc.
can
be
entered
as
well,
even
the
most
difficult
pieces
of
music
can
be
programmed
very
easily.
The
programmed
tune
can
then
be
played
back
in
various
ways
such
as,
Auto
Play,
One
Key
Play
(playing
melodies
or
accompaniment
using
one
finger)
or
Minus
One
Auto
Play
(ideal
for
practicing
improvisations
and
singing
along).
Furthermore,
your
best
efforts
can
be
converted
to
digital
signals
and
recorded
on
cassette
tapes.
With
your
own
musical
‘data
bank’
you
can
recall
past
performances
any
time
you
wish.
@
Equipped
With
Full-fledged
Performance
Functions
Such
as
9
Different
Sounds,
12
Auto-
Rhythms
and
Auto-Accompaniment
3
octaves,
37
keys,
4-voice
polyphonic
keyboard.
9
different
sounds
(tone
colors)
and
12
rhythms
can
be
selected
at
the
touch
of
a
key.
By
simply
pushing
the
buttons
with
the
chord
names,
anyone
can
perform
professional-level
chord,
bass
and
arpeggio
accompaniment
in
step
with
the
rhythm.
Power
Supply
The
KX-101
can
be
driven
on
both
AC
and
DC
power.
Connect
the
provided
AC
power
cord
to
the
AC
power
socket
on
the
KX-101
and
plug
it
into
an
AC
outlet,
(OC
power
)
Open
the
battery
compartment
cover
on
the
back
of
the
unit
and
install
eight
D
size
(SUM-1)
manganese
dry
batteries,
making
sure
the
+
and
—
terminals
are
aligned
correctly.
Power
Supply
@
Battery
Life
and
Battery
Replacement
ale
J
When
tape
speed
becomes
slower,
sound
is
distorted
or
volume
e
Power
(ndieater
too
low,
please
replace
all
8
batteries
with
new
ones.
When
the
batteries
become
weak,
the
power
indicator
light
also
becomes
weaker,
showing
that
it
is
time
to
replace
the
batteries.
POWER
7
[FM
Recording
Time*
Peas
egex
|Auto
Play
Time*|
Manual
Playing
Time*
aa
z
|
s
a
With
high
performance
type
|
Approx.
10
hrs.
|
Approx.
10
hrs.|
Approx.
10
hrs.
|
Approx.
20
hrs.
SUM-1
batteries
ea
ali
gear
bell
ApprOK:20
hm.
[Approx
20h]
Mpprox20'hes.|
APpro
50
hrs.
*
Measurements
according
to
EIAJ
standards.
For
Auto
Play
time
and
manual
playing
time
battery
life,
about
two
hours
of
playing
a
day
were
taken
as
a
standard.
;
(Notes
on
Battei
=
an
ee
Incorrect
use
of
batteries
can
lead
to
fluid
leakage
or
explosi@n.
Please
note
the
follow-
ing
points
carefully:
@Please
insert
the
batteries
with
the
poles
+
,
—
facing
in
the
right
direction.
@)Please
make
sure
that
all
batteries
are
of
the
same
type.
(8)
Do
not
use
new
batteries
and
used
batteries
together.
@Do
not
attempt
to
recharge
the
batteries.
@®Do
not
dispose
of
batteries
in
fire,
short
circuit
them,
open
them
or
heat
them.
@
For
Longer
Battery
Life
*
Your
batteries
will
last
longer
if
you
do
not
use
them
continuously
over
long
periods,
but
turn
off
the
power
for
a
while
after
1
or
2
hours
of
use.
*
When
not
using
your
KX-101
for
a
long
time,
please
remove
the
batteries
so
as
to
avoid
damage
due
to
leakage
etc.
*
The
batteries
will
last
longer
if
all
8
of
them
are
always
replaced
at
the
same
time.
@
Auto
Power
Save
Function
This
Auto
Power
Save
function
avoids
wasting
electric
power
if
you
forget
to
turn
off
the
power
switch.
If
power
is
on
and
the
KX-101
is
not
used
for
about
12
minutes,
it
automati-
cally
enters
Power
Save
mode
and
the
Power
indicator
goes
out.
In
this
Power
Save
mode,
Programs
are
not
erased.
When
a
key
is
pressed
during
the
Power
Save
mode,
the
KX-101
reverts
to
the
normal
operating
mode
and
the
Power
indicator
lights
up.
Sp
eaker
Conne
ctic
.
@
When
attaching
them
to
the
main
unit
1)
Attach
the
speakers
to
the
left
and
right
of
the
main
unit.
Engage
the
two
catches
each
on
the
sides
of
=
|
:
the
main
unit
and
of
the
speakers
and
push
|]
0)
down.
‘
Speaker
(left)
Catch
2)
Connect
the
supplied
speaker
cords
(short).
RELEASE
OO
The
speakers
can
be
removed
by
pressing
the
release
button
and
pulling
up
the
speakers,
Input
jack
on
the
speaker
Speaker
output
jack
@
When
setting
up
the
speakers
at
a
distance
from
the
main
unit
When
you
want
to
set
up
the
speakers
at
a
greater
distance
from
each
other,
or
when
using
the
keyboard
as
shown
in
the
illustration,
connect
the
speakers
with
the
long
speaker
cords
provided.
When
using
the
keyboard
Use
as
a
Radio
Cassette
Recorder
B
Listening
to
Radio
Broadcasts
Please
perform
the
following
operations
in
the
order
shown
in
the
illustration.
O)
ja)
|Q)
jo
O}
{3}
|o}
(2)
|)
Ja
SULLLLTIIL
LIE
MODE
selector
Usually
set
to
STEREO.
When
there
is
a
lot
of
interference
during
reception
of
a
stereo
broadcast,
setting
it
to
MONO
will
reduce
the
noise.
TUNING
indicator
Lights
up
when
tuning
is
optimal
as
an
aid
for
accurate
tuning.
PHONES
jack
For
connection
of
headphones,
letting
you
listen
in
privacy.
MIXING
MIC
jack
For
connection
of
an
external
microphone
for
mike
mixing.
BALANCE
control
Adjusts
the
balance
between
the
left
and
right
speaker.
TONE
control
For
adjusting
the
tone.
MIXING
MIC.
VOLUME
Used
during
microphone
mixing.
FM
STEREO
indicator
Lights
up
when
a
stereo
broadcast
is
being
received.
Use
as
a
Radio
Cassette
Recorder
]
Set
the
FUNCTION
Selector
to
Radio.
Select
the
desired
band
by
setting
to
FM
or
AM
(MW).
*
The
illustration
and
explanation
above
are
for the
specifications
for
the
U.S.A.
and
Canada.
The
received
frequency
ranges
and
number
of
bands
vary
as
shown
below,
depending
on
the
area
of
use.
Received
Frequency
Ranges
Southeast
Asia,
Africa,
Oceania
No,
of
eran
FM AM
(MW)
LW
sw
U,S.A.,
Canada
2
88
~108MHz
|
525~1605
MHz
=
=
European
countries
3
87.5~108
MHz
|
520~1610MHz
|
150~285
KHz
a;
;
:
i
podem
Sonne
alg
de
3
88
~108
MHz
|
525~1605
MHz
=
7~22
MHz
Turn
the
tuning
knob
until
the
channel
indicator
indicates
the
station
you
want
to
listen
to.
A
Adjust
the
volume.
unit.
@
Antenna
Adjustment
FM
broadcasts
........
tion
and
angle.
When
there
is
a
lot
of
interference
during
reception
of
AM
broadcast,
noise
can
be
reduced
by
adjusting
the
pitch
control
knob
on
the
bottom
of
the
Pull
out
the
tele-
AM
broadcasts
........
The
built-in
‘fer-
scopic
antenna,
adjusting
its
length,
direc-
rite
bar
antenna
is
used.
Push
in
the
tele-
scopic
antenna
and
place
the
KX-101
in
the
direction
that
provides
the
best
recep-
tion.
Telescopic
antenna
ey
*
When
pushing
in
the
antenna,
push
in
each
section
carefully.
cl
Use
as
a
Radio
Cassette
Recorder
@
Recording
Radio
Broadcasts
Following
the
steps
described
on
p.
7
and
8,
tune
in
on
the
program
you
want
to
record.
Then
perform
the
following
operations
in
the
order
shown
in
the
illustration.
]
Insert
a
cassette
tape.
Push
the
eject
button
and
insert
a
cassette
from
above
with
the
side
you
want
to
record
on
facing
outward.
Set
to
the
position
corresponding
to
the
tape
being
used.
METAL
for
metal
tape
CrO,
for
CrO,
tape
NORMAL
for
normal
tape
—
©L_j|©
REC
MUTE
button
Records
a
period
of
silence
when
pressed
during
a
recording.
PAUSE
button
For
temporarily
stopping
the
tape.
Press
the
REC
(record)
button.
The
indicator
lights
up
and
recording
begins.
*
In
order
to
stop
recording,
press
the
STOP
button.
Variable
Monitor
Recording
level
is
automatically
adjusted
to
the
optimal
setting,
independent
of
the
setting
of
the
MAIN
VOLUME.
It
is
therefore
possible
to
set
the
speakers
and
headphones
to
any
desired
volume
during
recording.
For
copyright
reasons,
recordings
of
radio
broadcasts,
records,
etc.
may
only
be
made
for
personal
use.
Use
as
a
Radio
Cassette
Recorder
@
Using
Computerized
Play
Functions
When
Recording
SPACE
‘SEARCH
1)
Space
Search
function
(
()
)
The
practical
feature
automatically
searches
out
unrecorded
sections
when
you
want
to
begin
arecording.
When
the
Space
Search
Button
is
pressed,
the
tape
enters
fast
forward
mode.
If
any
un-
recorded
section
of
over
4
seconds
in
fast
forward
mode
(about
40
to
80
seconds
in
normal
playback
mode)
is
encountered,
the
tape
is
automatically
rewound
and
stops
at
a
position
which
ensures
approx.
4
~
5
seconds
(playback
time)
of
blank
tape
after
the
last
recorded
part.
Unrecorded
part
WAL
oy
LLL
Recorded
sections
(7
-
|
Space
Search
4~5
sec.—f
—
—+
40
~
80
seconds
(playback
time)
(Approx.
4
sec.
in
fast
forward
mode)
reTURN
2)
Restart
Recording
(
CJ
)
If
you
are
not
satisfied
with
your
recording,
or
if
you
want
to
start
your
recording
all
over
again,
this
function
is
very
handy.
Pressing
the
REC
RETURN
button
during
a
recording
causes
recording
to
stop
and
automatically
rewinds
the
tape
up
to
the
point
where
the
previous
recording
started.
;
(Record
Muting
(REC
MUTE)
)
When
you
want
to
cut
out
unnecessary
parts
such
as
commercials
during
recordings
of
broadcasts
etc.,
or
when
you
want
to
leave
an
appropriate
blank
between
two
tunes,
you
can
use
the
record
muting
function
in
order
to
create
a
pleasant
tape.
@
Record
Muting
Operation
REC
MUTE
1)
Pressing
the
REC
MUTE
button
during
recording
creates
a
blank
on
the
tape,
the
length
of
which
is
determined
by
how
long
you
press
the
REC
MUTE
button.
Sound
will
be
Si)
heard
from
the
speakers
and
headphones,
but
it
is
not
,
recorded,
(When
using
a
tape
which
has
already
been
ao
recorded
on,
the
previous
recording
will
be
erased.)
Starts
record
muting
=
PAUSE
REC
MUTE
2)
If
the
PAUSE
button
is
pressed
while
simultaneously
press-
ing
the
REC
MUTE
button,
the
tape
is
temporarily
stopped
at
that
point.
Release
the
REC
MUTE
button
after
the
tape
ay hy
has
stopped.
3)
When
you
want
to
start
recording
the
next
part,
press
the
es
PAUSE
button
again
at
the
appropriate
moment,
and
recording
will
recommence.
5
Release
the
pause
mode
—{
Creating
the
Blanks
Necessary
for
Correct
Computerized
Playback
Operation
The
various
computerized
playback
functions
explained
on
p.
12~14
rely
on
detecting
the
blank,
unrecorded
sections
on
the
tape
in
order
to
locate
the
desired
tunes.
Please
use
the
Space
Search
and
Record
Muting
functions
described
above
in
order
to
create
the
blanks
required
for
correct
computerized
playback
performance.
i=
Use
as
a
Radio
Cassette
Recorder
W
Listening
to
Tapes
(Playback)
Please
perform
the
following
operations
in
the
order
shown
in
the
illustration.
]
Set the
FUNCTION
selector
to
TAPE.
Insert
a
cassette
tape
Push
the
eject
button
and
insert
a
cassette
from
above
with
the
side
you
want
to
play
back
facing
outward.
(coe)
J
ot
lo
Ten-keys
Clear
key
Set
key
Set
to
the
position
corresponding
to
the
tape
being
used.
METAL
for
metal
tape
CrO,
for
CrO;
tape
NORMAL
for
normal
tape
Press
the
PLAY
button.
The
indicator
lights
up
and
playback
begins.
54
Adjust
the
volume.
*
When
you
want
to
wind
the
tape
at
high
speed
in
the
forward
direction,
press
the
»»
button.
For
rewinding
the
tape,
press
the
<<
button.
*
If
you
want
to
stop
tape
reproduction,
press
the
STOP
button.
*
Auto
Stop
function
When
the
tape
is
completely
wound
onto
the
right
reel
during
recording
or
playback,
the
tape
transport
automatically
stops.
—#P=
Use
as
a
Radio
Cassette
Recorder
@
Computerized
Playback
The
computerized
playback
features
of
this
model,
which
detects
the
unrecorded
sections
(over
4
seconds)
between
recorded
portions
on
the
tape,
allow
automatic
searching
and
playback
of
any
desired
tune.
1)
Single
Playback
ey)
Plays
only
one
tune
and
then
stops
automatically.
If
the
SINGLE
button
is
pressed
when
the
head
is
positioned
at
an
unrecorded
portion,
the
tape
is
advanced
at
high
speed
up
to
the
beginning
of
the
next
tune,
and
that
one
tune
is
then
played
back.
If
the
head
is
positioned
at
a
recorded
portion,
playback
starts
from
there
and
continues
up
to
the
end
of
the
tune.
Recorded
portion
snc
Unrecorded
Portion
a
oO
ZZ.
Zs
WLLL
VLA
WA
VLA.
ZA
fe
Playback
Playback
(When
the
head
is
positioned
at
an
unrecorded
portion)
(When
the
head
is
positioned
at
a
recorded
portion)
*
Repeated
Playback
of
a
Single
Tune
Pressing
the
REPEAT
button
after
pressing
the
SINGLE
button
repeats
REPEAT
SINGLE
playback
of
that
single
tune
the
number
of
times
the
REPEAT
button
tJ oO
was
pressed.
2)
Direct
Playback
The
desired
tune
is
automatically
found
and
played
back.
The
tune
is
specified
by
the
ten-keys
(0~9)
to
the
right
of
the
cassette
compartment.
Then
pressing
the
PLAY
button
causes
the
tape
to
be
advanced
or
rewound
up
to
the
beginning
of
the
specified
tune,
which
is
then
played
back.
Tune
numbers
from
1
to
999
may
be
used
for
Direct
Playback.
Example:
You
want
to
listen
to
the
fifth
tune
on
the
tape.
aes
SINGLE
Operation:
Press
key
5
of
the
ten-keys,
then
press
the
PLAY
button
or
the
SINGLE
button.
(5)
—
(—
|
oO
*
When
the
specified
number
has
two
or
more
digits
(f.e.,
you
want
to
listen
to
tune
12),
the
ten-keys
must
be
pressed
in
the
order
of
higher
to
lower
digits
(in
our
example,
‘‘1”,
then
“2”").
If
you
make
a
mistake,
press
the
Clear
key
(C),
and
then
re-enter
the
correct
number
with
the
ten-keys.
*
Direct
Playback
can
be
used
not
only
in
combination
with
Single
Playback,
but
also
with
Jump
Playback
and
Intro
Playback,
which
are
explained
below.
When
a
tape
was
inserted
for
the
first
time,
it
is
rewound
once
in
order
to
find
out
the
first
tune.
Pp
3)
Jump
Playback
(Q)
This
function
skips
unrecorded
portions
by
entering
fast
forward,
then
plays
back
the
next
tune.
It
is
practical
particularly
when
there
are
long
blanks
between
tunes.
If
the
JP
button
is
pressed,
the
unrecorded
portions
are
skipped
(fast
forward)
and
the
re-
corded
portions
are
played
back.
L
*
fa
a
t3
a
FF
1
VA
WZ,
b
Playback
b
@
be
&
@
={9=
Use
as.
a
Radio
Cassette
Recorder
INTRO
4)
Intro.
Playback
(
(]
)
After
finding
the
beginning
of
a
tune,
its
first
25
seconds
(approx.)
are
played
back.
Then,
the
next
tune
is
searched
out
and
its
first
25
seconds
(approx.)
played
back,
and
so
on.
This
feature
is
practical
for
identifying
the
contents
of
a
tape.
If
the
head
is
positioned
at
an
unrecorded
section
when
the
INTRO
button
is
pressed,
the
tape
is
advanced
and
the
first
25
seconds
(approx.)
of
the
next
recorded
section
is
played
back,
after
which
playback
stops
and
the
tape
is
automatically
advanced
to
the
next
recorded
section.
Again,
the
first
25
seconds
(approx.)
are
played
back.
If
the
head
is
positioned
at
a
recorded
section
when
the
INTRO
button
is
pressed,
that
tune
is
played
for
about
25
seconds
from
the
position
of
the
head
(or,
if
less
than
25
seconds
of
the
tune
are
left,
playback
is
performed
from
there
up
to
the
end
of
the
tune).
All
following
tunes
are
played
back
from
the
start.
@
FF
Sz
VA
ee
»
Playback
te
ob
ct
@
BS
5)
Programmed
Playback
(
ne
)
Since
the
order
or
the
tunes
fo
be
played
back
can
be
programmed
freely,
you
can
listen
to
tunes
in
exactly
the
order
you
want.
The
order
of
the
tunes
is
programmed
using
the
ten-keys.
If
the
PROGRAM
button
is
then
pressed,
the
tunes
are
reproduced
in
the
programmed
order.
Example:
You
want
to
listen
to
the
fifth
tune
first,
then
to
tunes
number
2,
7
and
3.
Using
the
SET
button
in
combination
with
the
ten-keys,
enter
the
program
in
the
following
order:
C)Sj
se)
(7
Ise)(s)
*
If
you
made
a
mistake,
press
the
Clear
key
(C)
and
repeat
the
whole
procedure
from
the
start.
an
TVR
WIE
Ue
57ST
WSL
VXZA
.
“FF
Playback)
C
Rewind
7
Playback
ee
»
4
Rewind
Playback!
*
If
the
tape
was
inserted
for
the
first
time,
it
is
rewound
once
in
order
to
find
out
the
first
tune.
6)
Shuffle
Playback
(
[1]
)
Pressing
the
SHUFFLE
button,
the
tunes
are
selected
randomly
and
played
back
one
after
the
other
at
random,
*
If
the
tape
was
inserted
for
the
first
time,
it
is
rewound
once
in
order
to
find
out
the
first
tune.
7)
Repeat
Playback
(
i
)
Repeat
Playback
can
be
used
in
combination
with
the
following
5
playback
modes:
normal
playback,
Single
Playback,
Jump
Playback,
Intro
Playback
and
Programmed
Playback,
The
number
of
repetitions
is
determined
by
the
number
of
times
the
REPEAT
button
is
pressed
before
or
during
Repeat
Playback.
Normal
Playback
...
Press
the
REPEAT
button
after
pressing
the
PLAY
button.
The
tape
is
rewound
to
the
beginning
after
having
been
played
to
the
end,
and
playback
is
repeated.
a
Use
as
a
Radio
Cassette
Recorder
Single
Playback
....
Press
the
REPEAT
button
after
pressing
the
SINGLE
button.
Only
one
tune
is
repeated.
Jump
Playback
.....
Press
the
REPEAT
button
after
pressing
the
JP
button.
After
the
tape
has
been
played
to
the
end,
it
is
rewound
to
the
beginning
and
Jump
Playback
is
repeated.
Intro
Playback
.....
Press
the
REPEAT
button
after
pressing
the
INTRO
button,
After
being
played
to
the
end,
the
tape
is
rewound
to
the
beginning
and
Intro
Programmed
Playback
repeated.
Play
BAEK.
25
cocic
os
Press
the
REPEAT
button
after
pressing
the
PROGRAM
button.
Repeat
Playback
is
performed
in
the
programmed
order.
*
The
maximum
number
of
possible
repetitions
is
15.
*
Pressing
the
STOP
button
stops
playback
and
clears
the
specified
number
of
repetitions.
8)
FF
or
RWD
to
a
specified
tune
It is
possible
to
rapidly
advance
or
rewind
the
tape
to
any
desired
tune
after
or
before
the
one
presently
being
played
back.
Up
to
999
tunes
before
or
after
the
present
one
can
be
specified.
Example
1)
You
want
to
search
out
the
sixth
tune
after
the
one
you
are
presently
listening
to.
Consider
the
tune
you
are
presently
listening
to
as
number
0.
Therefore,
you
must
enter
6
with
the
ten-keys
and
then
press
the
»»
button
in
order
to
search
out
the
desired
tune.
The
tape
is
advanced
and
the
sixth
tune
after
the
present
one
searched
out,
after
which
the
tape
stops.
Operation:
{Ss}
-
Sr
Example
2)
You
want
to
search
out
the
fifth
tune
before
the
one
you
are
currently
listening
to.
Consider
the
tune
you
are
presently
listening
to
as
number
0.
You
must
therefore
enter
5
with
the
ten-keys
and
then
press
the
<<
button
in
order
to
search
out
the
desired
tune.
The
tape
is
then
rewound
and
stops
at
the
beginning
of
the
fifth
tune
before
the
one
that
is
currently
being
heard.
Operation:
(Ss)
—
=A
ES)
Beginning
of
the 5th
tune
ae
er
Beginning
of
the
6th
tune
4
3
2
1
°
4
2 3
4
5
[WAI
17
5th
tune
before
the
present
one
Present
tune
6th
tune
after
the
present
tune
*
If
the
head
is
positioned
at
an
unrecorded
section
In
this
case,
the
present
unrecorded
section
should
be
considered
as
0.
Enter
the
number
of
unrecorded
sections
up
to
the
desired
tune
with
the
ten-keys,
and
then
press
the
»»
key
or
the
<<
key
as
necessary.
SUMNER
Present
position
=fi=
Use
as
a
Keyboard
Instrument
@
Playing
the
Keyboard
Follow
the
steps
shown
in
the
illustration:
Set
the
FUNCTION
selector
to
KEYBOARD.
Always
set
to
KEYBOARD
when
using
the
KX-101
as
a
keyboard
instrument.
2
Set the
keyboard
mode
to
“PLAY”.
Set
the
CHANNEL
to
POLY
or
MONO.
POLY:
The
keyboard
can
be
played
as
a
4-voice
polyphonic
instru-
ment.
MONO:
The
keyboard
can
be
played
as
a
monophonic
(single
voice)
instrument.
Adjust
the
volume
with
the
POLY
and
MONO
volume
controls.
*
The
volume
can
be
adjusted
in
proportion
to
the
main
volume.
Now,
try
playing
the
keys.
*
The
sound
has
been
set
to
PIANO
1,
=f
I
POLY
POLY
®
®
Y
ate
pee
|
Sn
i
ae
1
\
i}
i
L
p
|
1
\
|
|
|
|
i)
|
i
4.
|
|
|
|
|
the
left
On
the
Position
of
the
Melody
Sound
}
Use
as
a
Keyboard
Instrument
When
the
MODE
selector
is
set
to
STEREO
and
the
BALANCE
control
is
set
to
the
center
position,
the
position
of
the
melody
sound
(the
position
of
the
sound
that
is
produced
by
the
speaker)
is
distributed
as
shown
in
the
illustration
below.
(For
more
details,
see
p.
34)
Position
Left
Toward
Center
Toward
—_
Right
the
right
Speaker
(R)
sttitttitiite
BALANCE
.
If
single
notes
are
played
when
the
channel
is
set
to
POLY,
the
position
of
the
sound
changes
constantly
in
the
order
@
left,
@
right,
@
toward
the
left,
@®
left,
@
right,
@
toward
the
left,
@
....
and
so
on.
.
If
chords
are
played
with
the
channel
set
to
POLY,
the
component
notes
of
the
chords
are
all
heard
from
a
different
position,
depending
on
the
number
of
notes
to
the
chord.
The
positions
are
®
and
@
with
two
note
chords,
@,
@
and
®
with
three
chords,
and
@,
@,
®
and
@
with
four
note
chords.
*
Set
the
MODE
selector
to
MONO
if
you
do
not
want
to
change
the
position
of
the
sound.
.
When
the
keyboard
is
played
with
the
channel
set
to
MONO,
the
sound
position
is
toward
the
right.
srepeo|
~16—
Use
as
a
Keyboard
Instrument
Selecting
the
Sound
(9
Tone
colors)
The
KX-101
has
9
preset
tone
colors.
These
sounds
can
be
selected
by
first
pressing
the
TONE
select
button,
and
then
the
appropriate
black
key
on
the
keyboard.
First,
press
the
TONE
select
button.
When
this
button
is
pressed,
a
high-pitched
confirmation
sound
is
heard.
*
This
sound
is
not
heard
when
the
rhythm
volume
and
main
volume
controls
are
set
to
their
minimum
positions.
Select
the
desired
tone
color
with
the
appropriate
black
key.
9
of
the
black
keys
can
be
used
for
sound
selection.
oO
a0
suri
i
Thitii
itis
|
CASIO
Fava
compare:
RADIO
CASSETTE
KX-101
tefaU=l=l=!
=
00/9090
=
olololaigigig
ii
a6
gpatco0t
teeter
®
Unison
Pressing
the
UNISON
button
adds
a
unison
effect,
giving
a
“fatter”
sound.
*
When
using
the
POLY
channel,
adding
UNISON
changes
the
keyboard
to
a
monophonic
one
(only
1
key
can
be
played
at
a
time).
The
sound
position
fills
the
whole
field
from
right
to
left.
*
|n
order
to
release
the
unison
effect,
press
the
UNISON
button
once
more.
me
|;
oe
UNISON
ARPEGGIO
ia
S
]
Lights
up
when
UNISON
is
on.
Use
as
a
Keyboard
Instrument
@
Using
the
Auto-Rhythms
(12
Rhythms)
The
KX-101
is
equipped
with
12
different
Auto-Rhythms,
The
rhythms
are
selected
by
first
pressing
the
RHYTHM
select
button,
and
then
the
appropriate
white
key.
Press
the
RHYTHM
select
button.
-
When
this
button
is
pressed,
a
high-pitched
confirmation
sound
is
heard.
Select
the
rhythm
of
your
choice
with
the
appropriate
white
key.
As
soon
as
you
do,
the
selected
rhythm
will
start
to
be
heard.
12 of
the
white
keys
can
be
used
for
rhythm
selection.
3
H
Lh
ial
il
al
nde
Adjust
the
rhythm
volume
with
the
RHYTHM
volume
control.
*
The
volume
can
be
adjusted
in
proportion
to
the
main
volume.
The
tempo
of
the
rhythm
can
be
adjusted
with
the
TEMPO
buttons.
Pressing
[a]
speeds
up
the
rhythm,
pressing
[¥)
slows
it
down.
4
Pressing
the
SYNCHRO/STOP
button
stops
the
rhythm.
@
Fillin
If
any
of
the
three
FILL
IN
buttons
(I~III)
is
pressed
when
an
Auto-
Rhythm
is
being
played,
a
fill
in
pattern
is
inserted
into
the
rhythm.
There
are
three
kinds
of
fill
in,
|
to
III.
*
Pattern
II
is
used
for
endings
the
tune.
1
t
fi
—§|—
ALL
in
———.
~18—
Use
as
a
Keyboard
Instrument
@
Using
Auto-Accompaniment
(11
Chords)
By
simply
pressing
the
keys
above
which
the
chord
names
are
written,
chords,
bass
and
arpeg-
gios
can
be
performed
in
step
with
the
rhythm
for
perfect
accompaniment.
@
Using
the
Chord
Selectors
The
chord
selectors
consist
of
the
12
keys
C
to
B
for
the
basic
note,
and
the
10
chord
type
keys
which
determine
the
types
of
chords,
such
as
min
(minor),
7th
etc.
Chords
can
be
created
easily
by
pressing
the
basic
note
keys
together
with
the
chord
type
keys.
Basic
note
keys
Non-Chord
key
(no
chord
is
heard)
Chord
type
keys
Example
1)
C
major
(C)
-
Press
0
.
*
For
major
chords,
press
the
basic
note
key
only.
Example
2)
A
minor
(Am)
>
Press
0
and
(4 at
the
same
time.
Example
3)
F#
major
seventh
(F#
maj
7)
+
Press
Q
and
inf
at
the
same
time.
Chord
Playing
in
Step
with
the
Rhythm
(Auto-Accompaniment)
By
starting
the
rhythm
according
to
the
instructions
on
P.
18
(Using
the
Auto-Rhythms)
and
then
creating
chords
with
the
chord
selectors,
you
can
perform
Auto-Accompaniment.
The
kind
of
Auto-Accompaniment
explained
here
uses
Synchro
Start
to
start
automatic
accom-
paniment
the
moment
the
chord
selectors
are
pressed.
—i9—
Table of contents
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