Cloud MPA SERIES User manual

MPA SERIES
MIXER-AMPLIFIER
Installation and User Guide

MPA Series User Manual v2.0
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WARNING:
To reduce the risk of re or electric shock, do not expose this appliance to rain or moisture.
CAUTION:
Use of controls or adjustments or performance of procedures other than those specied may result in hazardous radiation
exposure.
WARNING: SHOCK HAZARD – DO NOT OPEN
AVIS: RISQUE DE CHOC ELECTRIQUE – NE PAS OUVRIR
The lightning ash with the arrowhead symbol within an equilateral
triangle, is intended to alert you to the presence of uninsulated
dangerous voltages within the product’s enclosure that may be of
sufcient magnitude to constitute a risk of electric shock.
The exclamation point within an equilateral triangle is intended to
alert the user to the presence of important operating and maintenance
(servicing) instructions in the literature accompanying the appliance.

MPA Series User Manual v2.0
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Important Safety Instructions
1. Read these Instructions.
2. Keep these Instructions.
3. Heed all Warnings.
4. Follow all Instructions.
5. Do not use this apparatus near water.
6. Clean only with a dry cloth.
7. Do not block any ventilation openings. Install in accordance with the manufacturers’ instructions.
8. Do not install near any heat sources such as radiators, heat registers, stoves or other apparatus (including ampliers) that
produce heat.
9. Do not defeat the safety purpose of the polarized or grounding - type plug. A polarized plug has two blades with one wider
than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong are
provided for your safety. When the provided plug does not t into your outlet, consult an electrician for replacement of
the obsolete outlet.
10. Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point
where they exit from the apparatus.
11. Only use attachments/accessories specied by the manufacturer.
12. Use only with the cart, stand, tripod, bracket or table specied by the manufacturer or sold with the apparatus,
when a cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip-over.
13. Unplug this apparatus during lightning storms or when unused for long periods of time.
14. Refer all servicing to qualied service personnel. Servicing is required when the apparatus has been damaged in any way,
such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus
has been exposed to rain or moisture, does not operate normally, or has been dropped.
Do not expose the apparatus to dripping or splashing, and ensure that no objects lled with water, such as vases, are
placed on the apparatus.
L’appareil ne doit être exposé aux écoulements ou aux éclaboussures et aucun objet ne contenant de liquide, tel
qu’un vase, ne doit être placé sur l’appareil.
The mains plug is used as the disconnect device and it should remain readily accessible during intended use. In order
to isolate the apparatus from the mains, the mains plug should be completely removed from the mains outlet socket.
Le prise du secteur ne doit pas être obstruée ou doit être facilement accessible pendant son utilisation. Pour être
complètement déconnnecté de l’alimentation d’entrée, la prise doit être débranchée du secteur.
This apparatus is of Class 1 construction and must only be connected to a mains outlet socket with a protective
earthing connection.
Terminals marked with the symbol may use Class 2 Wiring, but voltages at these terminals may be of sufcient
magnitude to constitute a risk of electric shock. The external wiring connected to these terminals requires
installation by an instructed person or the use of pre-made leads or cords.

MPA Series User Manual v2.0
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MPA Series User Manual v2.0
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Contents
Important Safety Instructions ..................... 3
Safety Information ........................................ 6
Safety Notes regarding Installation ........................6
Safety Considerations and Information ................6
Caution - High Voltages ............................................6
Caution - Mains Fuse ................................................6
Caution - Servicing ....................................................6
General Description...................................... 7
Schematic Diagram ...................................... 7
Front Panel Description ............................... 8
Rear Panel Description................................. 8
Music Inputs................................................... 9
Sensitivity & Gain Control .......................................9
Music Source Select ..................................................9
Remote Control of Music Source .........................9
Select and Level ..........................................................9
Music Equalisation......................................... 9
Music Priority .............................................. 10
Microphone Inputs ...................................... 10
Gain Control .............................................................10
Microphone Access Input .......................................10
Using Mic 1 with a telephone system .................11
Front Panel Microphone Level Controls... 11
Microphone Equalisation ............................ 11
Microphone Priority.................................... 11
Microphone over music priority ..........................11
Mic 1 over Mics 2-4 priority .................................11
Chime........................................................... 11
Power Amplier Stage and Outputs.......... 12
Line Output ...............................................................12
Low impedance operation .....................................12
High pass lter ..........................................................12
MOH/Utility Output ...............................................12
MOH/Utility Output ...............................................13
Auxiliary Output ......................................................13
Music Mute (Fire Alarm Interface) .......................14
Loudspeaker EQ cards................................ 14
Installation Instructions ..........................................14
General Notes ............................................. 15
Multi-zone Applications ..........................................15
EMC Considerations ...............................................15
Earthing ......................................................................15
Ventilation ..................................................................15
Technical Specications.............................. 16
Location of internal jumpers, etc............... 17
Factory Default Jumper Settings ...........................17

MPA Series User Manual v2.0
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Safety Information
Safety Notes regarding Installation
• Do not expose the unit to water or moisture.
• Do not expose the unit to naked ames.
• Do not block or restrict any air vent.
• Do not operate the unit in ambient temperatures above
35OC.
• Do not touch any part or terminal carrying the
hazardous live symbol ( ) while power is supplied to
the unit.
• Do not perform any internal adjustments unless you
are qualied to do so and fully understand the hazards
associated with mains-operated equipment.
• The unit has no user-serviceable parts. Refer servicing
to qualied service personnel.
• If the moulded plug is cut off the mains lead for any
reason, the discarded plug is a potential hazard and
should be disposed of in a responsible manner.
Conformities
This product conforms to the following European EMC
Standards:
BS EN 55103-1:2009
BS EN 55103-2:2009
This product has been tested for use in commercial and
light industrial environments. If the unit is used in controlled
EMC environments, the urban outdoors, heavy industrial
environments or close to railways, transmitters, overhead
power lines, etc., the performance of the unit may be
degraded.
The product conforms to the following European electrical
safety standard:
BS EN 60065:2012
The MPA Series was developed and manufactured with high
quality materials and components, which can be recycled
and/or reused.
The WEEE symbol indicates that
electrical and electronic equipment
must be disposed of separately from
normal waste at the end of its
operational lifetime.
Please dispose of this product by taking it to your local
collection point or recycling centre.
Safety Considerations and Information
The unit must be earthed. Ensure that the mains power
supply provides an effective earth connection using a three-
wire termination.
When the mains switch is in the off (‘O’) position the
live and neutral conductors of the mains transformer are
disconnected.
Caution - High Voltages
Do not touch any part or terminal carrying the hazardous
live symbol ( ) while power is supplied to the unit.
Terminals to which the hazardous live symbol refers require
installation by a qualied person.
Caution - Mains Fuse
Replace the mains fuse only with the same type and rating as
marked on the rear panel.
The fuse body size is 20 mm x 5 mm.
Caution - Servicing
The unit contains no user serviceable parts. Refer servicing
to qualied service personnel. Do not perform servicing
unless you are qualied to do so.
Disconnect the power cable from the unit before removing
the top panel and do not make any internal adjustments with
the unit switched on.
Only reassemble the unit using bolts/screws identical to the
original parts.

MPA Series User Manual v2.0
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g.1: MPA Series Schematic Diagram
General Description
The Cloud MPA Series is a range of mixer-ampliers with applications in Licensed, Retail, Leisure and similar venues.
Two models are available to suit different output power requirements (120 or 240 watts); otherwise both models have
identical facilities.
The mixer-ampliers have inputs for six stereo line signals and four microphone signals. Front panel controls are provided
for music source selection, music level and microphone levels. All pre-set controls are located on the rear panel with further
conguration jumpers mounted on the main PCB.
A remote level control or combined level control/music source selector can be wired to the unit for installations that require
remote control.
Schematic Diagram

MPA Series User Manual v2.0
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Front Panel Description
1MIC LEVEL 1 to 4 - level controls for Mic Inputs 1
to 4
2MUSIC SOURCE – selects active Line Input
(1 to 6)
3
MUSIC LEVEL – adjusts level of selected Line Input
4
PEAK – illuminates if Mic or Line signals level are too
high
5MUSIC MUTE – illuminates when external
Emergency Mute is active
6
MAINS – AC power switch with LED
7
Ventilation slots – forced-air cooling air intake
Rear Panel Description
8
LINE 1 to LINE 6 – stereo line inputs for music
sources
9
GAIN 1 to GAIN 6 – level trims for each line input
10
MUSIC EQ – LF and HF EQ adjustment for music
channel
11
MIC 1 to MIC 4 – balanced mic inputs
12
GAIN 1 to GAIN 4 – level trims for each mic input
13 MIC EQ – LF and HF EQ adjustment for mic channel
14
ACCESS – external paging control input for
Mic 1
15 LOW IMPEDANCE OUTPUT – speaker output
for low-Z connection
16 LINE OUTPUT – for connection of 100 V/
70 V/25 V line distribution system
17 AUX OUTPUT – balanced line level output for
feeding additional ampliers, etc.
18 MOH/UTILITY OUTPUT – two congurable
outputs for Music On Hold or ancillary use
19 MIC and MUSIC LEVELS – adjust level of mic and
music at MOH/UTILITY OUTPUT
20 MUSIC MUTE – Emergency control input for muting
music source
21 REMOTE MUSIC CONTROL – for connection of
RL-1 or RSL-6 remote control panels
22 REMOTE/LOCAL – disables front panel controls
when remote control is in use
23 IEC mains input
24 Mains fuse
25 Fan – forced-air cooling air exhaust
31
2
4
5
6
77
g.2: MPA Front Panel
10
8
9
11
22
14
16
17
18 15
23
24
12
25
2113 19 20
g.3: MPA Rear Panel

MPA Series User Manual v2.0
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Music Inputs
The unit has six stereo line inputs; these inputs are suitable
for most music sources such as compact disc players, tape
players, satellite receivers and the like. Each stereo input is
summed internally to mono.
All inputs are unbalanced and use RCA phono sockets. The
input impedance is 47 kohms.
Line 6 input can be congured to have priority over any
other music source, see “Music Priority” on page 10.
Sensitivity & Gain Control
All six stereo line inputs have a preset gain control on the
rear panel adjacent to the respective input sockets. The gain
control has a range of 20 dB allowing the input sensitivity to
be varied from -12 dBu (200 mV) to +8 dBu (2.0 V).
The preset gain control should be adjusted so that all the
input signals are operating at the same level and that the
front panel level control has an optimum range of control.
Music Source Select
This front panel switch is used to select the desired music
signal. Remote control of source selection is possible with a
remote control plate (RSL-6), see g.4.
Music Level Control
A front panel mounted music level control is provided.
Remote control of music level is possible by connecting a
remote control plate (either RSL-6 or RL-1), See g.4.
Remote Control of Music Source
Select and Level
The MPA Series mixer-ampliers are compatible with
standard Cloud remote control plates: RSL-6 Series (music
source select and level) and RL-1 Series (level only).
Either type of plate may be connected at the rear 3-pin
5 mm-pitch screw terminal connector (Remote Music
Control), using the wiring shown in g.4.
Use two-core (RSL-6 or RL-1) or single-core (RL-1 only)
screened cable to connect the remote level plate (max
length 100 metres).
Pressing the button adjacent to the rear panel connector
activates the remote control plate and disables both the
front panel level and source select controls. If an RL-1 is
being used, the internal jumper J4 should be moved from
its default ‘SW’ setting to ‘FR’, to override the disabling of
the front panel source select switch. See g.9 for location of
jumpers.
Music Equalisation
One set of independent bass and treble controls is provided
for the music signals. These preset controls are located
on the rear panel below the line input sockets. The treble
control has a range of ±10 dB at 10 kHz and the bass
control has a range of ±10 dB at 50 Hz.
123
REMOTE MUSIC
CONTROL
CONNECTOR
123
REMOTE LEVEL CONTROL WIRING
RL-1
SINGLE-CORE SCREENED CABLE MAY BE USED
123
REMOTE MUSIC
CONTROL
CONNECTOR
123
REMOTE SOURCE & LEVEL CONTROL WIRING
RSL-6
USE TWO-CORE SCREENED CABLE
g.4: RL-1 and RSL-6 Wiring

MPA Series User Manual v2.010
Music Priority
A Juke Box, Digital Sound Store or other audio source can
be given automatic priority over all other music inputs by
connecting it to Line 6 input and moving internal jumpers
5A and 5B from the OFF position (factory default) to the
ON. When this mode of operation is selected, the unit
will operate normally until a signal is detected on Line 6,
when the selected source (usually background music) is
muted, allowing the source connected to Line 6 to replace
it. Once the signal on line 6 stops, the selected source will
smoothly restore to its former level. The time taken for the
restoration is set in the factory at 3 seconds, but it may be
set at 6 or 12 seconds with internal jumper J7. (3s is suitable
for announcements, but the longer times may be more
appropriate when a jukebox or similar is the Line 6 source.)
See g.9 for location of jumpers.
Microphone Inputs
Four microphone inputs are provided; the microphone pre-
ampliers are an electronically balanced, transformer-less
design congured for optimum low noise performance. The
input impedance is greater than 2 kohm and is suitable for
microphones in the 200 ohm to 600 ohm range.
Inputs are via 3-pin 3.5 mm-pitch screw terminal connectors
on the rear panel.
Connect microphones as shown in g.5. Note that if using an
unbalanced microphone, pins 1 and 2 should be connected
together.
Phantom power is available on any or all of the mic inputs,
and is activated by setting internal jumpers J9 to J12 (for mic
inputs 1 to 4 respectively) to the ON position. See g.9 for
location of jumpers.
Care should be taken to ensure that phantom power is
activated only when the microphone connected to the
input requires external phantom power; damage to the
microphone may result otherwise.
Gain Control
A mic gain control (of the preset type) is provided adjacent
to each input connector.
The gain can be adjusted from 10 dB to 50 dB. A high
overload margin is maintained at all gain settings.
Microphone Access Input
Mic input 1 is equipped with an external access control
input; this is a 2-pin 5 mm-pitch screw terminal connector
adjacent to the Mic input 1 connector. The access input
is primarily intended to provide compatibility with paging
microphones and their associated switching arrangements.
By default, the access function is bypassed.
To use the function, it must be enabled by moving internal
jumper J13 from its default ON setting to OFF. See g.9 for
location of jumpers. Once enabled, the microphone input
is muted while the pins of the access connector are open-
circuit. When the pins are connected together, Mic input 1
becomes active for use.
The access input can also trigger the following functions:
• Mic 1 Priority over Mics 2-4
Activation of Mic 1 via the access input will give Mic 1
priority over Mics 2, 3 and 4 if internal jumper J8 is set
to ON. See g.9 for location of jumpers. See also “Mic 1
over Mics 2-4 priority” on page 11.
• Chime
The internal chime generator will be activated if internal
jumper J1 is set to ON. See g.9 for location of jumpers.
See also “Chime” on page 11.
1 2 3
+
-
SCN
1 2 3
+
SCN
BALANCED CONNECTION UNBALANCED CONNECTION
MIC INPUTS
PIN 1: SCREEN (GROUND)
PIN 3: HOT/PHASE (+)
PIN 2: COLD/ANTIPHASE (-)
g.5: Microphone Input Wiring

MPA Series User Manual v2.0 11
Using Mic 1 with a telephone system
Mic 1 input may be recongured to accept an audio input
directly from a compatible telephone system. This permits
announcements to be made from some (or any) internal
telephone extensions in a building. Not all telephone
systems are suitable for this application, and the system
documentation should be consulted in detail to ensure
compatibility.
Internal jumpers J15A, J15B and J15C need to be moved for
this application. (See g.9 for internal jumper locations.) This
inserts a transformer in series with the input connector to
provide full electrical isolation from the telephone system.
Note that the mic input sensitivity is decreased by 10 dB
when the transformer is enabled, and this results in the mic
gain control operating over the range 0 dB to 40 dB.
The audio (or “paging”) output of the phone system should
be connected to the MIC 1 input in the normal way. In
“telephone mode”, Mic 1 input is optimised for connection
to a 600 ohm output; this should suit the majority of
telephone systems. Note that the front panel
MIC LEVEL 1 control is still operational.
Front Panel Microphone Level
Controls
A separate level control is provided for each mic input and
these provide the user with a convenient means of adjusting
the audio level of the microphones.
The microphone signals are routed directly to the power
stage and are unaffected by the operation of the music level
control.
The gain controls on the rear panel (see Gain Control)
should be set at a level where microphone distortion does
not occur even when the front panel level controls are fully
clockwise.
Microphone Equalisation
The four microphone inputs are summed together and are
routed to the power stage via a xed high pass lter and
an adjustable EQ section. The xed lter attenuates the
signal below 100 Hz, which helps to reduce the effects of
microphone handling noise.
The two preset EQ controls are on the rear panel adjacent
to the mic inputs; the LF and HF controls provide ±10 dB
of adjustment below 100 Hz and above 5 kHz respectively.
After installation, some test announcements should be made,
ideally by the people who will normally make them. The
Mic EQ should be adjusted if necessary to maximise voice
clarity.
Microphone Priority
MPA Series mixer-ampliers provide two separate
microphone priority functions. One of these enables the
microphones to have priority over music, the other allows
Mic 1 to have priority over the other microphones.
Microphone over music priority
Fully automatic voice operated priority (VOX function) is
available for the microphone signals. This function is enabled
by internal jumper J6 (default setting is ON). When enabled,
the music signal is automatically attenuated by 30 dB when
a microphone signal is detected, allowing the message to be
clearly heard. Normal music operation is restored smoothly
after the announcement ends.
Note that the presence of a signal on any of the four mic
inputs will operate this function.
Mic 1 over Mics 2-4 priority
If internal jumper J8 is set to ON (the default setting is
OFF), Mic inputs 2, 3 and 4 will be muted whenever the
Microphone Access Input is enabled. This ensures that Mic 1
will always have priority over any other microphones in use
when Mic 1 is used for paging.
Note that if jumper J13 is left at its default setting of ON,
Mics 2, 3 and 4 will be permanently disabled by this function,
leaving Mic 1 as the only active microphone input.
Chime
MPA Series ampliers have an internal pre-announcement
chime generator. The chime is triggered by the Microphone
Access Input, if enabled by jumper J1 being set to ON. J1’s
default setting is OFF.
An internal preset rotary control is provided to adjust the
chime volume; the front panel level controls have no effect
on the chime level. See g.9 for locations of internal controls.

MPA Series User Manual v2.0
12
Power Amplier Stage
and Outputs
Line Output
The MPA Series amplier’s output stage incorporates an
output transformer suitable for driving 100 V, 70 V or 25
V line speaker distribution. The secondary (output side) of
the transformer is permanently wired to the line output
connector (a 4-pin 5 mm-pitch screw terminal type). A safety
cover is tted over the connector, which may be removed
to connect the speaker cable. Replace the cover after the
connection has been made.
The transformer secondary has three line outputs: 100 V,
70 V and 25 V; while these have a common 0 V connection,
the output is fully oating i.e., it is isolated from the rest of
the amplier. The maximum total combined load should not
exceed the rated power for the amplier model (see table
below).
When driving 100/70/25 V line circuits, it is strongly
recommended that the amplier’s 65 Hz high pass lter is
set ON (see High pass lter in following column).
Low impedance operation
To convert the amplier to low impedance operation, the
primary winding of the toroidal transformer nearer the
rear of the unit should be unplugged from CON8 on the
main PCB (a short pair of heavy red and black wires), and
replaced by the spare plug connected to the rear panel low
impedance output socket (same wire types). Refer to
g.9 (“Location of internal jumpers, etc.” on page 17) for
the location of this connector. Note that the 100/70/25 V
line outputs will no longer be available once the transformer
is unplugged even though the transformer secondary is still
connected to the line output connector.
The low impedance output is available on a 2-pin 5 mm-pitch
screw terminal connector on the rear panel. Note that one
of the output pins is connected internally to 0 V.
MPA Series ampliers are able to deliver their rated power
into a 4 ohm load, as follows:
MODEL RATED POWER
MPA120 120 watts
MPA240 240 watts
The maximum output power will be reduced with higher
load impedances. When using multiple low-impedance
loudspeakers (normally 8 ohms) with a single amplier, series
and parallel wiring should be employed to produce a total
load impedance of not less than 4 ohms.
High pass lter
A high pass lter is provided to protect speakers,
transformers etc. from the effects of low frequency signals.
The lter is enabled by the internal jumper J2 (see g.9). The
lter reduces the output level of frequencies below 65 Hz,
and should always be used if the line output transformer is
in circuit.
MOH/Utility Output
The MOH/UTILITY OUTPUT (MOH = Music On
Hold) is an auxiliary output which can be used for various
purposes. The source is selectable by internal jumper J16.
The output is available both as a transformer-isolated
600 ohm feed and a non-isolated line level feed.
A common application for the isolated output is to provide
continuous music-on-hold programme to a telephone
system. The line level output may be used to drive additional
external power ampliers, for example.
The output connector 18 is a 4-pin, 5 mm-pitch screw
terminal type, wired as follows (see also g.6):
PIN LABELLED USE
1 0V LINE LEVEL Unbalanced 0 dBu
output
2+
3-600 OHM ISOLATED Isolated output for
telephone system
4+
Note that one pin of the line level output is connected
internally to 0 V.
The transformer-isolated output is suitable for connection
to a nominal 600 ohm load. The output level is nominally
0 dBu, and the transformer provides full galvanic isolation
from a telephone system. It should be noted that a xed
hi-pass lter is tted in this output, to reduce bass
frequencies when used for this purpose.
Before using the MOH/Utility output with a telephone
system, it is recommended that the system manual is
consulted to check suitable audio levels and any other
compatibility issues.

MPA Series User Manual v2.0
13
MOH/Utility Output
Two source options are available for the signal at the
MOH/Utility output, selected by internal jumper J16. The
options are:
• The output is always fed with the music signal connected
to LINE 1. When in use with a telephone system as
an MOH source, it is generally more desirable for the
music source to remain constant; these options are
available for this purpose.
• The output always follows the music source selection
(either on the front panel or via remote control). The
MUSIC LEVEL control does not affect the level at the
MOH/UTILITY OUTPUT. This option is the factory
default setting.
See g.9 for locations and settings of PCB jumpers.
The signal at the MOH/UTILITY OUTPUT may be any
required mix of the selected music signal and the summed
signals at the four microphone inputs, and is set using the
rear panel presets MIC LEVEL control and MUSIC
LEVEL 19 . Each signal is effectively ‘off’ with the preset
control in its fully anticlockwise position. Note that the
signal at this output is NOT altered by the front panel
MUSIC LEVEL or MIC LEVEL controls.
The MIC LEVEL control should be turned fully down if the
output is to be used for Music On Hold with a telephone
system, otherwise paging announcements will be heard by
telephone callers.
If SELECTED is set as the MOH/Utility source (the factory
default setting), and Line 6 Priority is enabled (see “Music
Priority” on page 10), the MOH/Utility output will switch
to Line 6 along with the main output if the input becomes
active.
Auxiliary Output
To permit the connection of additional ampliers (or other
equipment), a balanced output from the MPA’s pre-amplier
section is available at a rear panel 3-pole, 3.81 mm-pitch
screw terminal connector 17 . See g.7a and g.7b.
All the unit’s controls and settings (levels, source selection,
priority settings, etc.) are effective at the Auxiliary Output.
However, note that neither the switchable 65 Hz high pass
lter nor the tting of an optional loudspeaker EQ card have
any effect on this output.
1 2 3 4
LINE
LEVEL 600 ohm
0 V +
1 2 3 4
600 ohm
To MOH input of
telephone system
MOH/Utility Output
OR
INDUCTION LOOP AMPLIFIER
LINE
LEVEL
+-
g.6: MOH/Utility Output Wiring
MPA AUX OUTPUT
pin 1: ground
pin 2: cold
pin 3: hot
Balanced input (e.g., XLR):
pin 1 ground
pin 2 hot
pin 3 cold
+-
+
-
SCN
1 2 3
12
3
SCN
MPA AUX OUTPUT
pin 1: ground
pin 2: cold
pin 3: hot
Unbalanced input
(e.g., phono)
1 2 3
+
+SCN
SCN
g.7a: Balanced Wiring
g.7b: Unbalanced Wiring

MPA Series User Manual v2.014
Music Mute
(Fire Alarm Interface)
In some installations (such as licensed premises or retail
outlets within a shopping mall), there may be a local
authority or re service requirement to mute the music
signals from a re alarm control panel when an alarm
condition arises. The MPA Series ampliers include a facility
to mute the music signals only (i.e., mic inputs are still
active), via the Music Mute input. This is a 2-pin
5 mm-pitch screw terminal connector on the rear panel, and
the contacts are fully isolated.
Activation of the Music Mute is often via a relay mounted
close to the MPA Series amplier, powered by the re alarm
control panel. Other arrangements may exist depending
on the design of the re control system and the re alarm
installation company should be consulted when making the
connection. The MPA Series ampliers will mute on either a
contact closure at the Music Mute input (NO) or an open-
circuit (NC). Selection of NO or NC operation is made with
internal jumper J14. NO is the factory default. See g.8.
Loudspeaker EQ cards
MPA Series Mixer-Ampliers are compatible with various
popular installed-sound loudspeakers; a loudspeaker
equalisation module may be tted to the output stage to
optimise the frequency response to the loudspeaker type
being used.
The cards may be obtained from Cloud Electronics as
optional accessories. Please check the Cloud website
(www.cloud.co.uk) for makes and models of loudspeakers
for which compatible EQ cards are available.
Installation Instructions
Refer to the PCB layout diagram (see g.9) for the location
of the EQ card connector and its associated bypass jumper
J3.
To install an EQ module, proceed as follows:
1. Switch off the power and isolate the unit from the
mains.
2. Remove the top panel.
3. Remove jumper J3 from the main PCB.
4. Plug the EQ card into its connector; note that the
connector has two notches on one side which engage
with lugs on the card’s mating connector to ensure
correct orientation
5. Replace the top panel.
REMOTE MUSIC MUTE TERMINATIONS
1 2
MUSIC MUTE
INPUT
NORMALLY OPEN (NO)
CONNECTION
1 2
MUSIC MUTE
INPUT
NORMALLY CLOSED (NC)
CONNECTION
RELAY RELAY
g.8: Remote Music Mute

MPA Series User Manual v2.0 15
General Notes
Multi-zone Applications
Where the sound system specication calls for separate
control in several zones, multiple MPA Series ampliers can
be used.
Signal sources can be connected to several inputs as required,
but care must be taken to ensure the output stage of the
signal source is capable of driving the resulting lower input
impedance.
The impedance of the line inputs (music inputs) is 47 kohms
and it is reasonable to assume that most op-amp based signal
sources are able to drive a 10 kohm load, allowing up to ve
ampliers to be paralleled.
The input impedance of the mic inputs is 2.4 kohms, making
them suitable for microphones with a nominal impedance
of 600 ohms or less. A single 600 ohm microphone could
therefore typically be connected to four paralleled mic
inputs. If this guideline gure cannot be adhered to, the use of
suitable mic or line distribution ampliers is recommended.
To avoid any problems associated with differences in mains
supply earthing, we recommend that all MPA Series ampliers
used in a multi-zone application should be
co-located and connected to a common mains supply.
Note that when using multiple MPA Series ampliers in a
19” rack, suitable ventilation arrangements must be made to
ensure that lower ampliers do not cause those above to
overheat (see ‘Ventilation’ for further information).
EMC Considerations
MPA Series ampliers fully conform to the relevant
electromagnetic compatibility (EMC) standards and are
technically well behaved. You should experience no problems
interfacing units to other items of equipment and under
normal circumstances, no special precautions need to be
taken.
If the unit is to be used in close proximity to potential
sources of HF disturbance such as high power
communication transmitters, radar stations and the like, it is
suggested that input signal leads be kept as short as possible.
Always use balanced interconnections wherever possible. If
the MPA Series amplier is mounted in a 19” rack, do not
locate the unit in close proximity to a powerful amplier of
any kind, which may radiate a strong magnetic eld from the
power transformer.
Earthing
When several mains powered units are connected together
via their signal cables, there is a risk of one or more earth
loops which may cause an audible hum on the system even
with the gain controls set to minimum.
The 0 V rail of an MPA Series amplier is directly coupled to
the chassis ground. No interconnection problems should be
encountered, but if there is any hum or other extraneous
noise when source equipment is connected, the situation can
generally be remedied by observing the following guidelines:
• Always connect sources using balanced connections
wherever possible, with the cable screen only connected
at the receiving end (amplier input).
• Use audio isolating transformers (readily available from
trade suppliers) at the inputs if necessary. These will
ensure that the amplier is electrically isolated from the
source equipment.
• The signal source units should be located as close as
possible to the ampliers and the metal housing of
the various units should not be electrically connected
together through the equipment rack. If this is a problem,
rack isolating kits are available from specialist hardware
suppliers. If the problem persists, try to connect all
interconnected units, including power ampliers to a
common power source to ensure a common ground is
provided.
Ventilation
MPA Series ampliers are force cooled by a thermostatically-
controlled fan. The fan is operative at all times, remaining
at low speed at internal temperatures below 50 ºC, then
increasing in speed above this temperature to a maximum
speed at 70 ºC.
Always allow adequate space around the amplier(s) to allow
a free ow of air through the unit(s). In 19” rack applications
we recommend leaving 1U of rack space above and below
each unit. Plain 1U blank panels, not slotted ventilation panels
should be used, as the latter reduce the effect of forced-air
cooling.
The direction of airow in MPA Series ampliers is from
front-to-rear; it is recommended not to mix the ampliers
with other equipment employing forced-air cooling which
acts in the opposite direction within the same rack.
In free standing applications we recommend tting the
feet supplied and placing the unit on a at surface and
leaving the ventilation slots on top of the unit free from any
obstructions.

MPA Series User Manual v2.0
16
Technical Specications
Line Inputs
Sensitivity 195 mV (-12 dBu) to 2.0 V (+8 dBu)
Input Gain control 20 dB range
Input impedance 47 kohms
Headroom >20 dB
Equalisation HF: ±10 dB/10 kHz LF: ±10 dB/50 Hz
Microphone Inputs
Gain control 40 dB range
Input Impedance >2k ohms (balanced)
Phantom Power 15 V, switchable per-input by jumpers
Headroom >20 dB
Equalisation HF: ±10 dB/5 kHz LF: ±10 dB/100 Hz
Outputs
Output Power*
(any output, 1kHz
continuous sine wave
@ <0.07% THD+N)
MPA120 120 watts
MPA240 240 watts
Frequency response
Line inputs
Low-Z output +0 dB/-1 dB from 20 Hz – 20 kHz
(65 Hz lter switched out)
High voltage output +0 dB/-2 dB from 20 Hz – 20 kHz
(65 Hz lter switched out)
Mic inputs
Low-Z output -3 dB @ 100 Hz (3rd. order lter);
-1 dB @ 20 kHz
High voltage output -3 dB @ 100 Hz (3rd. order lter);
-2 dB @ 20 kHz
Distortion
Line inputs
Low-Z output <0.03% @ 1 kHz, 1 dB below full power
(80 kHz bandwidth)
High voltage output <0.04% @ 1 kHz, 1 dB below full power
(80 kHz bandwidth)
Mic inputs <0.03% @ 1 kHz, 1 dB below full power (80 kHz
bandwidth)
Noise Line inputs -90 dB 22 Hz –22 kHz, at speaker output, relative to full power
Protection Fixed level signal limiter(max gain reduction of 20 dB), DC protection, IV limiting & short
circuit protection, switch-on delay
* see also “Low impedance operation” on page 12.
General Specications
Power input 230 V, 115 V, 100 V versions available
Fuse rating
MPA120 230 V T2A H
115/100 V T4A H
MPA240 230 V T4A H
115/100 V T6.3A H
Fuse type All models 20 mm x 5 mm
Dimensions
(W x H x D)
482.6 mm x 88 mm (2U) x 300 mm (+ connectors & knobs)
19” x 3.5” x 11.8” (+ connectors & knobs)
Net weight
MPA120 10.5 kg
23.5 lbs
MPA240 21.6 kg
48.3 lbs

MPA Series User Manual v2.0
17
Location of internal jumpers, etc.
FAN
J1
J5A &
J5B
J6
J8
J10
(below ribbon cable)
EQ
CARD SOCKET
J15A
J15B
J15C
REAR OF AMPLIFIER
MPA SERIES: MAIN PCB.
TOP VIEW. ONLYPRIMARY
COMPONENTS SHOWN.
J2
J3
J4
J11 J16 J14
J12
(under sub-board)
J13
J9
J7
NOT TO SCALE
CON8
CHIME
VOLUME CONTROL
Factory Default Jumper Settings
Jumper Function Default Setting
J1 Mic 1 access triggers chime OFF
J2 65 Hz high pass lter frequency ON
J3 EQ card socket bypass ON
J4 Front panel source select switch disable SW
J5 (A & B) Line input 6 priority OFF
J6 Mic over music priority (VOX function) ON
J7 Line 6 priority release time 3, 6 or 12 seconds 3S
J8 Mic 1 priority over Mics 2, 3 & 4 OFF
J9 Mic 1 phantom power OFF
J10 Mic 2 phantom power OFF
J11 Mic 3 phantom power OFF
J12 Mic 4 phantom power OFF
J13 Mic 1 Access Input bypass ON
J14 Music Mute NO or NC NO
J15 (A, B & C) Enable Mic 1 for telephone system OFF
J16 MOH/Utility Output music source SELECTED
g.9: Internal jumpers

MPA Series User Manual v2.0
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MPA Series User Manual v2.0
19

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