Elektron Analog Four MKII User manual

Analog Four MKII
Digital mind, analog soul
User Manual

FCC compliance statement
This device complies with part 15 of the FCC rules. Operation is subject to the following two conditions:
(1) This device may not cause harmful interference, and (2) this device must accept any interference
received, including interference that may cause undesired operation.
NOTE: This equipment has been tested and found to comply with the limits for a Class B digital device,
pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection
against harmful interference in a residential installation. This equipment generates, uses and can
radiate radio frequency energy and, if not installed and used in accordance with the instructions, may
cause harmful interference to radio communications. However, there is no guarantee that interference
will not occur in a particular installation. If this equipment does cause harmful interference to radio or
television reception, which can be determined by turning the equipment o and on, the user is encour-
aged to try to correct the interference by one or more of the following measures:
• Reorient or relocate the receiving antenna.
• Increase the separation between the equipment and receiver.
• Connect the equipment into an outlet on a circuit dierent from that to which the receiver is
connected.
• Consult the dealer or an experienced radio/TV technician for help.
European Union regulation compliance statement
This product has been tested to comply with the Low Voltage Directive 2006/95/EC and the
Electromagnetic Compatibility Directive 2004/108/EC. The product meets the requirements of RoHS 2
Directive 2011/65/EU.
This symbol indicates that your product must be disposed of properly according to local laws
and regulations.
Legal disclaimer
The information in this document is subject to change without notice and should not be construed as a
commitment by Elektron. Elektron assumes no responsibility for any errors that may appear in this doc-
ument. Elektron may also make improvements and/or changes in the products and programs described
in this document at any time without notice. In no event shall Elektron be liable for any special, indirect,
or consequential damages or any damages whatsoever resulting from loss of use, data, or profits,
whether in an action of contract, negligence, or other action, arising out of or in connection with the use
or performance of this information.
Canada
This Class B digital apparatus complies with Canadian ICES-003.
Cet appareil numérique de la classe B est conforme à la norme NMB-003.

IMPORTANT SAFETY AND MAINTENANCE INSTRUCTIONS
Please read these instructions carefully and adhere to the operating advice.
1. Do not use this unit near water.
2. Never use aggressive cleaners on the casing or on the screen. Remove dust, dirt and fingerprints with
a soft, dry and non-abrasive cloth. More persistent dirt can be removed with a slightly damp cloth using
only water. Disconnect all cables while doing this. Only reconnect them when the product is safely dry.
3. To avoid scratches or damage, never use sharp objects near the casing or the screen. Avoid
applying any pressure to the screen itself.
4. Install in accordance with the manufacturer’s instructions. Make sure you place the unit on a stable sur-
face before use. If you mount the unit in a rack, be sure to tighten all four screws in the rack mount holes.
5. Connect the unit to an easily accessible electrical outlet close to the unit.
6. When transporting the unit, use accessories recommended by the manufacturer or the original box and
padding.
7. Do not install near any heat sources such as radiators, heat registers, stoves, or any other equipment
(including amplifiers) producing heat.
8. Do not put a protective cover on the unit while the unit is powered on.
9. This product, by itself or in combination with amplifiers, headphones or speakers, is capable of produc-
ing sound levels that may cause permanent hearing loss. Do not operate at a high volume level or at a
level that is uncomfortable.
10.Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles,
and the point where they exit from the unit.
11. Use attachments/accessories specified by the manufacturer.
12. Unplug this unit during lightning storms or when it is not used for long periods of time.
13. Refer all servicing to qualified service technicians. Servicing is required when the unit has been
damaged in any way, liquid has been spilled or objects have fallen into the unit, the unit has been
exposed to rain or moisture, does not operate normally, or has been dropped.
WARNING
To reduce the risk of fire, electrical shock or product damage:
• Do not expose the unit to rain, moisture, dripping or splashing and also avoid placing objects filled with
liquid, such as vases, on the unit.
• Do not expose the unit to direct sunlight, nor use it in ambient temperatures exceeding 35°C as this can
lead to malfunction.
• Do not open the casing. There are no user repairable or adjustable parts inside. Leave service and re-
pairs to trained service technicians only.
• Do not exceed the limitations specified in the Electrical specifications.
SAFETY INSTRUCTIONS FOR THE POWER ADAPTER ELEKTRON PSU-3b
• The adapter is not safety grounded and may only be used indoors.
• To ensure good ventilation for the adapter, do not place it in tight spaces. To prevent risk of electric
shock and fire because of overheating, ensure that curtains and other objects do not prevent adapter
ventilation.
• Do not expose the power adapter to direct sunlight, nor use it in ambient temperatures exceeding 40°C.
• Connect the adapter to an easily accessible electrical outlet close to the unit.
• The adapter is in standby mode when the power cord is connected. The primary circuit is always active
when the cord is connected to the power outlet. Pull out the cord to completely disconnect the adapter.
• In the EU, only use CE approved power cords.

TABLE OF CONTENTS
4
TABLE OF CONTENTS
1. INTRODUCTION ...............................................................10
1.1 CONVENTIONS IN THIS MANUAL............................................................ 10
2. ANALOG FOUR MKII BACKGROUND ...........................................11
3. PANEL LAYOUT AND CONNECTORS ...........................................12
3.1 FRONT PANEL ............................................................................. 12
3.2 REAR CONNECTORS. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
3.3 CONNECTING THE UNIT ................................................................... 14
4. ANALOG FOUR MKII SIGNAL PATH ............................................15
4.1 ABOUT THE COMPONENTS ................................................................ 15
4.1.1 COMMENTS ON THE SIGNAL PATH ........................................................15
4.1.2 ABOUT THE OSCILLATORS AND FILTERS .................................................15
5. OVERVIEW OF THE ANALOG FOUR MKII STRUCTURE..........................16
5.1 +DRIVE .................................................................................... 16
5.2 DATA STRUCTURE ......................................................................... 16
5.2.1 PROJECT .................................................................................16
5.2.2 KIT.......................................................................................16
5.2.3 SOUND ..................................................................................16
5.2.4 BANK ....................................................................................16
5.2.5 PATTERN.................................................................................16
5.2.6 SONG ....................................................................................16
5.2.7 CHAINS ..................................................................................17
5.2.8 GLOBAL .................................................................................17
5.3 ABOUT THE TRACK TYPES ................................................................ 17
5.3.1 THE SYNTH TRACKS......................................................................17
5.3.2 THE FX TRACK ...........................................................................17
5.3.3 THE CV TRACK........................................................................... 17
5.3.4 EDITING THE TRACKS.................................................................... 17
6. THE USER INTERFACE ........................................................18
6.1 PARAMETER EDITING ...................................................................... 18
6.1.1 QUICK PARAMETER EDITING ..............................................................18
6.1.2 PARAMETER VALUE JUMP ................................................................18
6.2 [FUNC] KEY PRESS COMBINATIONS ....................................................... 18
6.3 QUICK SCROLLING ........................................................................ 18
6.4 COPY, CLEAR AND PASTE ................................................................. 19
6.5 THE NAMING MENU........................................................................ 19
6.5.1 POP-UP MENU NAMING ...................................................................19
6.6 OVERBRIDGE.............................................................................. 19
7. QUICK START ................................................................ 20
7.1 PLAYING THE FACTORY PRESETS ..........................................................20
7.2 PERFORMANCE MODE .....................................................................20
7.3 ADJUSTING PARAMETERS .................................................................20
7.4 CHANGING SYNTH TRACK SOUND .........................................................20
8. PROJECTS ....................................................................21
8.1 PROJECT MENU............................................................................ 21
8.1.1 LOAD PROJECT ..........................................................................21
8.1.2 SAVE PROJECT ...........................................................................21

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8.1.3 PROJECT MANAGER......................................................................22
9. KITS AND SOUNDS........................................................... 23
9.1 THE +DRIVE SOUND LIBRARY AND THE SOUND POOL ......................................23
9.2 KIT MENU .................................................................................23
9.2.1 RELOAD KIT ..............................................................................23
9.2.2 LOAD KIT ................................................................................24
9.2.3 SAVE KIT.................................................................................24
9.2.4 CLEAR KIT ...............................................................................24
9.2.5 PERFORMANCE..........................................................................24
9.2.6 POLY CONFIG............................................................................24
9.2.7 VOICE ROUTING. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24
9.2.8 CONTROL 1 IN MOD......................................................................24
9.2.9 CONTROL 2 IN MOD .....................................................................25
9.3 PERFORMANCE MODE ....................................................................25
9.3.1 PERFORMANCE SETUP MENU ............................................................25
9.3.2 PERFORMANCE CONFIGURE.............................................................25
9.3.3 PERFORMANCE RENAME ................................................................26
9.3.4 PERFORMANCE TRACK MUTE ...........................................................26
9.3.5 PERFORMANCE MIXER...................................................................27
9.4 QUICK PERFORMANCE ....................................................................27
9.5 POLYPHONY ..............................................................................27
9.5.1 POLYPHONY CONFIGURATION............................................................27
9.5.2 VOICE ROUTING .........................................................................28
9.6 SOUND MENU ............................................................................. 31
9.7 SOUND BROWSER ......................................................................... 31
9.7.1 VIEW POOL ...............................................................................31
9.7.2 VIEW +DRIVE .............................................................................31
9.7.3 SORT ABC ...............................................................................31
9.7.4 SORT 123.................................................................................31
9.7.5 FILTER ...................................................................................31
9.7.6 SEARCH..................................................................................32
9.8 SOUND MANAGER .........................................................................32
9.8.1 LOAD TO TRACK..........................................................................32
9.8.2 COPY TO ..................................................................................32
9.8.3 STORE TRACK SOUND ...................................................................33
9.8.4 RENAME .................................................................................33
9.8.5 EDIT TAGS ...............................................................................33
9.8.6 DELETE..................................................................................33
9.8.7 TOGGLE .................................................................................33
9.8.8 SEND SYSEX.............................................................................33
9.8.9 SELECT ALL .............................................................................33
9.8.10 DESELECT ALL..........................................................................33
9.9 CLEAR TRACK SOUND ....................................................................33
9.10 RENAME TRACK SOUND ..................................................................33
9.11 SOUND SETTINGS. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33
9.11.1 OSCILLATOR DRIFT ......................................................................34
9.11.2 F1 RESONANCE BOOST..................................................................34
9.11.3 VELOCITY TO VOL .......................................................................34
9.11.4 LEGATO MODE ..........................................................................34
9.11.5 PORTAMENTO ...........................................................................34
9.11.6 VELOCITY MOD..........................................................................34
9.11.7 PITCH BEND .............................................................................34

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9.11.8 MODULATION WHEEL....................................................................34
9.11.9 BREATH CONTROLLER ..................................................................35
9.11.10 AFTERTOUCH...........................................................................35
9.12 PLAYING A SOUND........................................................................35
9.12.1 PLAYING A SOUND WITH A MIDI KEYBOARD..............................................35
9.13 EDITING A SOUND ........................................................................35
9.14 EDITING THE FX AND CV TRACKS .........................................................35
9.14.1 THE FX TRACK...........................................................................36
9.14.2 THE CV TRACK ..........................................................................36
9.15 TRACK MUTING...........................................................................36
10. THE SEQUENCER ........................................................... 37
10.1 BASIC PATTERN OPERATIONS ............................................................37
10.1.1 SELECTING A PATTERN ..................................................................37
10.1.2 PATTERN CONTROL .....................................................................37
10.1.3 TEMPO ..................................................................................38
10.2 PATTERN MODES .........................................................................38
10.3 EDITING A PATTERN ......................................................................38
10.3.1 TRIG TYPES .............................................................................39
10.3.2 GRID RECORDING MODE................................................................39
10.3.3 LIVE RECORDING MODE ................................................................39
10.4 TRACK MENU.............................................................................39
10.4.1 NOTES SETUP ...........................................................................40
10.4.2 ARP SETUP .............................................................................40
10.4.3 RELOAD TRACK .........................................................................40
10.4.4 SAVE TRACK ............................................................................40
10.5 PATTERN MENU ..........................................................................40
10.5.1 RELOAD PATTERN .......................................................................40
10.5.2 SAVE PATTERN..........................................................................40
10.6 ARPEGGIATOR ...........................................................................40
10.6.1 MOD.....................................................................................41
10.6.2 SPD .....................................................................................41
10.6.3 RNG.....................................................................................41
10.6.4 LEG .....................................................................................41
10.6.5 LEN .....................................................................................41
10.6.6 NO2-NO4 ...............................................................................41
10.7 ARPEGGIATOR SETUP ....................................................................42
10.8 NOTE MENU ..............................................................................42
10.8.1 NOT .....................................................................................42
10.8.2 VEL .....................................................................................42
10.8.3 LEN .....................................................................................42
10.8.4 µTM.....................................................................................42
10.8.5 TRC.....................................................................................42
10.8.6 ENV (F)..................................................................................43
10.8.7 ENV (2)..................................................................................43
10.8.8 LFO (1) ..................................................................................43
10.8.9 LFO (2)..................................................................................43
10.9 NOTES SETUP ............................................................................43
10.9.1 GLOBAL QUANTIZE ......................................................................43
10.9.2 TRK QUANTIZE..........................................................................43
10.9.3 TRK KEY SCALE.........................................................................43
10.9.4 TRK KEY NOTE..........................................................................43
10.9.4 TRK TRANSPOSABLE ...................................................................43

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10.10 CLICK TRACK............................................................................44
10.10.1 ACTIVE..................................................................................44
10.10.2 TIME SIG. NUM .........................................................................44
10.10.3 TIME SIG. DEN..........................................................................44
10.10.4 PREROLL...............................................................................44
10.10.5 VOLUME................................................................................44
10.11 SCALE MENU.............................................................................44
10.11.1 NORMAL MODE .........................................................................44
10.11.2 ADVANCED MODE ......................................................................45
10.12 SEQUENCER FEATURES .................................................................45
10.12.1 PARAMETER LOCKS. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .45
10.12.2 SOUND LOCKS .........................................................................46
10.12.3 CONDITIONAL LOCKS ..................................................................46
10.12.4 FILL MODE .............................................................................47
10.12.5 TRIG MUTE .............................................................................47
10.12.6 ACCENT ................................................................................47
10.12.7 NOTE SLIDE ............................................................................48
10.12.8 PARAMETER SLIDE .....................................................................48
10.12.9 SWING. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .49
10.12.10 TRACK TRANSPOSE ...................................................................49
10.12.11 DESTRUCTIVE TRANSPOSE ............................................................49
10.12.12 COPY, PASTE, AND CLEAR OPERATIONS ...............................................49
10.12.13 QUICK SAVE AND RELOAD COMMANDS................................................50
11. CHAINS AND SONGS .........................................................51
11.1 CHAINS ................................................................................... 51
11.1.1 DETAILED MODE..........................................................................51
11.1.2 QUICK MODE............................................................................. 51
11.2 SONGS ................................................................................... 51
11.2.1 SONG EDIT MENU ........................................................................52
11.2.2 ADDING SONG ROWS AND ASSIGNING PATTERNS AND CHAINS .........................52
11.2.3 ADDING REPEATS, MUTES AND TRANSPOSE INFORMATION .............................52
11.2.4 SONG MENU.............................................................................53
12 GLOBAL SETTINGS MENU .................................................. 54
12.1 PROJECT .................................................................................54
12.2 GLOBAL SLOT ............................................................................54
12.3 SYNTH MASTER TUNE ....................................................................54
12.3.1 SYNTH MASTER TUNE ...................................................................54
12.4 SEQUENCER CONFIG .....................................................................54
12.4.1 QUANTIZE LIVE REC .....................................................................55
12.4.2 KIT RELOAD ON CHG....................................................................55
12.5 MIDI CONFIG .............................................................................55
12.5.1 SYNC ....................................................................................55
12.5.2 PORT CONFIG...........................................................................56
12.5.3 CHANNELS..............................................................................57
12.6 CV CONFIG ...............................................................................60
12.6.1 CV A-D CONFIG ..........................................................................60
12.6.2 VOLTAGE TRIM ..........................................................................61
12.7 VOICE ROUTING .......................................................................... 61
12.8 CONTROL INPUT 1 ........................................................................62
12.9 CONTROL INPUT 2........................................................................62
12.10 SYSEX DUMP ............................................................................62

TABLE OF CONTENTS
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12.10.1 SYSEX SEND ............................................................................63
12.10.2 SYSEX RECEIVE ........................................................................63
12.11 SYSTEM ..................................................................................64
12.11.1 USB CONFIG.............................................................................64
12.11.2 OS UPGRADE ...........................................................................65
12.11.3 FORMAT +DRIVE ........................................................................65
12.11.4 CALIBRATION ...........................................................................65
13. STARTUP MENU ............................................................. 66
13.1 TEST MODE ...............................................................................66
13.2 EMPTY RESET ............................................................................66
13.3 FACTORY RESET .........................................................................66
13.4 OS UPGRADE.............................................................................66
14. MORE ON OSCILLATORS, FILTERS, AND ENVELOPES........................ 67
14.1 OSCILLATORS ............................................................................67
14.1.1 SUB OSCILLATORS .......................................................................67
14.1.2 OTHER OSCILLATOR WAVEFORM SELECTIONS ..........................................68
14.2 FILTERS ..................................................................................68
14.2.1 4-POLE LADDER FILTER .................................................................68
14.2.2 2-POLE MULTI MODE FILTER ............................................................68
14.3 ENVELOPES ..............................................................................69
15. SETUP EXAMPLES ...........................................................71
15.1 ANALOG FOUR MKII CONTROL OF AN EXTERNAL ANALOG SYNTHESIZER ................. 71
15.2 ANALOG FOUR MKII WITH OTHER ELEKTRON GEAR.......................................72
15.3 ANALOG FOUR MKII AS A FILTER BANK ...................................................73
15.4 USING AN EXTERNAL OSCILLATOR WITH THE ANALOG FOUR MKII ........................75
15.5 ANALOG FOUR MKII WITH AN ELECTRIC GUITAR ..........................................76
16. USEFUL KEY COMBINATIONS (QUICK KEYS) ................................ 78
16.1 GENERAL .................................................................................78
16.2 NAMING ..................................................................................78
16.3 SOUND BROWSER ........................................................................78
16.4 SAVING AND RELOADING .................................................................78
16.6 SEQUENCER SETTINGS ..................................................................78
16.7 MUTES ...................................................................................78
16.8 CLEAR TRACK / CLEAR PATTERN .........................................................78
16.9 SHIFTING TRIGS AROUND ................................................................78
16.10 CHAIN EDITING ..........................................................................79
17. TECHNICAL INFORMATION ..................................................80
18. CREDITS AND CONTACT INFORMATION ......................................81
APPENDIX A: SYNTH TRACK PARAMETERS..................................... 82
APPENDIX B: FX TRACK PARAMETERS ......................................... 88
APPENDIX C: CV TRACK PARAMETERS ......................................... 93
APPENDIX D: MIDI .............................................................. 96
APPENDIX E: ANALOG FOUR MKII ARCHITECTURE ............................ 104
INDEX ......................................................................... 105

TABLE OF CONTENTS
9

1. INTRODUCTION
10
1. INTRODUCTION
Thank you for choosing the Analog Four MKII. It is a digitally controlled analog synthesizer featuring, among
many things, the renowned Elektron step sequencer. This is truly an analog synthesizer for the creative
artist. To make the most of the machine, we recommend you to carefully read this manual.
1.1 CONVENTIONS IN THIS MANUAL
We have used the following conventions throughout the manual:
Key names are written in upper case, bold style and bracketed letters. For instance, the key labeled “FUNC”
is called [FUNC].
Menu names are written in upper case letters. The OSC1 menu is an example of that.
Parameter names and certain menu options where settings can be made or actions performed are written
in bold, upper case letters. For example, VOL.
Upper case letters are used for parameter setting alternatives, for example, OFF, and certain menu settings,
like LEGATO.
Messages visible on the screen are written in upper case letters with quotation marks. Like this, “BANK A :
CHOOSE PTN.”
Knobs are written in upper case, bold, italic letters. For instance, the knob “Track Level” is called TRACK
LEVEL.
LED indicators like the octave transposition LEDs are written like this: <OCTAVE>.
The following symbols are used throughout the manual:
Important information that you should pay attention to.
A tip that will make it easier for you to interact with the Analog Four MKII.

2. ANALOG FOUR MKII BACKGROUND
11
2. ANALOG FOUR MKII BACKGROUND
Some things never go out of style. They seem to possess an inner, timeless quality, an objective trait that
sets them apart from the rest. Makes them stand out. They are found in all areas of human activity, through-
out history. Including, of course, within the domain of sound.
Making and shaping sound using analog circuits goes far back in time. Initially used in compositions dating
from the first decades of the 20th century, analog circuits were popularized in the 1960s thanks to artists
such as Wendy Carlos. Today, they are frequently emulated by both hardware and software. Their legacy is
impressive. The analog tone and timbre have become synonymous with appealing sounds. Rightly so. The
depth, fullness and slightly skewed characteristics of analog sounds speak directly to us.
We at Elektron owe a lot to analog technology. It is in our blood. The Sidstation, our first product, featured
an analog filter which was decisive in generating the unique sound of the synth. With the Analog Four MKII
we take the next step on our analog journey.
The innovative combination of modern technology and tried and trusted ways of sound generation lets
you experience the analog realm to its fullest. Analog Four MKII is the new benchmark for analog tabletop
synthesizers. Tweaked circuitry delivering deeper bass than ever, new powerful sound control possibilities,
dedicated outputs for each voice. Not to mention the ultra durable buttons, the big OLED screen, and the
premium design. With Overbridge, our award-winning software suite, Analog Four MKII can seamlessly
integrate with DAWs. The Analog Four MKII represents the best of two worlds. Inimitable analog impact
combined with razor-sharp digital accuracy.
The Analog Four MKII is yet another of our contributions to the proud history of analog instruments.
Enjoy a new chapter in analog synthesis,
The Elektron Team
Analog Four MKII User Manual. This manual is copyright © 2017 Elektron Music Machines MAV AB. All
reproduction without written authorization is strictly prohibited. The information in this manual may change
without notice. Elektron’s product names, logotypes, titles, words or phrases may be registered and pro-
tected by Swedish and international law. All other brand or product names are trademarks or registered
trademarks of their respective holders. This User Manual for Analog Four MKII OS version 1.30, was last
updated on November 24, 2017.

3. PANEL LAYOUT AND CONNECTORS
12
3. PANEL LAYOUT AND CONNECTORS
3.1 FRONT PANEL
1 2 10 113 5 12 13 16
22232425
17
28
4 6 7 8 9 1514
19
20
21
18
2627
29
30
37
34 35 36
31 32 33
1. MAIN VOLUME sets the volume for the main outputs and the headphones output.
2. [GLOBAL SETTINGS] opens the GLOBAL SETTINGS menu. The secondary function opens the
SAVE PROJECT menu. A long press opens the LOAD PROJECT menu.
3. QUICK PERF AMOUNT sets the amount of the chosen performance macro.
4. [QPER] key. Used together with the [TRIG 1–10] keys to select which performance macro that should be
controlled by the QUICK PERF AMOUNT knob. The secondary function mutes the performance macros.
5. TRACK LEVEL sets the overall volume level of the active track. Also used for scrolling in menus and
setting various parameter values. The secondary function opens the SOUND BROWSER.
6. [TEMPO] opens the TEMPO menu. [FUNC] + [TEMPO] makes it possible to tap the o.
7. [YES] key. Used for entering sub-menus and for confirming choices.
8. [NO] key. Used for exiting an active menu and backing one step.
9. Screen.
10. The [ARROW] keys. Used for menu navigation. They are called [UP],[DOWN], [LEFT] and [RIGHT].
11. [ARP] key. Opens the ARPEGGIATOR menu that contains arpeggiator settings for the active track.
12. [NOTE] key. Opens the NOTE menu that contains general note settings for the active track.
13. [PARAMETER] keys switch between the PARAMETER pages of the active track. The text on the keys
indicates the pages for the four synth tracks. The first row of white text under the keys is for the FX
track pages and the second row of white text indicates the CV track pages. A second press on the
[PARAMETER] key will in some cases open secondary PARAMETER pages. The [PARAMETER] keys
indicate if the first (red) or second (green) page is active.
14. [OCT-/+] keys transpose the [KEYBOARD] keys. <OCTAVE> LEDs shows the current transposition.
15. DATA ENTRY knobs. Used for adjusting parameters.
16. The [TRACK] keys select the active track. Four synth tracks, one FX track, and one CV track are avail-
able. They are called [T1–4],[FX], and [CV]. [FUNC] + [TRACK] mutes a track. The color of the [TRACK]

3. PANEL LAYOUT AND CONNECTORS
13
keys indicates the track status. Red=active track. Green=audible track. No light=muted track.
Yellow=active and muted track. Dim red=track that will be aected by FX settings (When FX track is
active).
17. [TRNS] is used to transpose the note trigs on the tracks. The secondary function locks the transpose
function.
18. [KEYBOARD] keys are used for playing sounds and assigning note values to note trigs. The first key is
called [KEYBOARD C1].
19. [FILL] Activates FILL mode (when GRID RECORDING mode is not active). The secondary function cues
the FILL mode.
20.<PATTERN PAGE> LEDs indicate how many pattern pages the active pattern consists of and which
pattern page is currently active. The LED flashes on the pattern page that is currently playing.
21. [PAGE] selects the active pattern page in GRID RECORDING mode. The active pattern page is indicated
by the four LEDs above the key. The secondary function accesses the SCALE menu.
22. [TRIG] keys are used for entering trigs to the sequencer. They are also used for choosing patterns.
23.[STOP] stops playback. The secondary function is a paste operation.
24. [PLAY] starts the playback of the sequencer. The secondary function is a clear operation.
25. [RECORD] key. Activates/deactivates GRID RECORDING mode. Starts LIVE RECORDING if held while
pressing [PLAY]. The secondary function is a copy operation.
26.[SONG MODE] activates/deactivates SONG mode.
27. [CHAIN MODE] activates/deactivates CHAIN mode.
28.[BANK A–H] selects between banks A–H.
29.<PATTERN MODE> LEDs indicate which PATTERN mode that is chosen.
30.[PERF] enters PERFORMANCE mode.
31. [KIT] opens the KIT menu. The secondary function saves the current kit.
32.[SND] opens the SOUND menu. The secondary function opens the SOUND SETTINGS menu.
33.[MIX] opens the PERFORMANCE MIXER. The secondary function opens the POLY CONFIG menu.
34.[TRK] opens the TRACK menu. The secondary function opens the CLICK TRACK menu.
35. [PTN] opens the PATTERN menu. The secondary function opens the SWING menu.
36.[SONG] opens the SONG menu. The secondary function saves active song.
37. [FUNC] key. Press and hold for accessing secondary functions for some of the other keys.
Secondary functions are written in green text on the panel.
3.2 REAR CONNECTORS
1 32 4 5 6 7 8 9 10 11 12
1. POWER, For turning the unit on and o.
2. DC IN, Use the included Elektron PSU-3b power adapter, connected to a power outlet.
3. High Speed USB 2.0, Use an A to B USB 2.0 connector cable to a computer host.
4. EXP/CV IN, Input for expression pedal or CV. Use standard 1/4” mono phone plug for CV signals.
5. MIDI THRU/SYNC B, Forwards data from MIDI IN. Can also be configured to send DIN sync to legacy
instruments. Use a standard MIDI cable to connect another MIDI device in the chain.
6. MIDI OUT/SYNC A, MIDI data output. Can also be configured to send DIN sync to legacy instruments.
Use a standard MIDI cable to connect to MIDI In of an external MIDI device.

3. PANEL LAYOUT AND CONNECTORS
14
7. MIDI IN, MIDI data input. Use a standard MIDI cable to connect to MIDI Out of an external MIDI device.
8. CV OUTPUTS A–D, Connect to external synth with CV inputs. Use standard 1/4” mono phone plug.
9. AUDIO INPUT L/R, Use standard 1/4” mono phone plug to input sound from other synthesizers or mixers.
10. TRACK 1–4 STEREO OUTPUTS, Use standard 1/4” stereo (Tip/Ring/Sleeve) phone plug or 1/4” mono
phone plug.
11. MAIN OUT L/R, Use either 1/4” mono phone plug (unbalanced connection) or 1/4” stereo (Tip/Ring/
Sleeve) phone plug (balanced connection).
12. HEADPHONES. Audio output for stereo headphones. Use 1/4” (Tip/Ring/Sleeve) phone plug.
Use the included PSU-3b with your Analog Four MKII. It can, using an appropriate power
cord, be used all over the globe without the need of voltage converters. Using the wrong type
of adapter may damage your unit. Damage caused by the use of incorrect power supply is
not covered by warranty. For more information, please see “17. TECHNICAL INFORMATION”
on page 80.
3.3 CONNECTING THE UNIT
Make sure you place the Analog Four MKII on a stable support, such as a sturdy table with sucient cable
space, or mount in a rack according to the instructions above. Before you start connecting the Analog Four
MKII to other units, make sure all units are switched o.
1. Plug the supplied DC adapter to a power outlet and connect the small plug to the DC IN connector of the
Analog Four MKII unit.
2. Connect the main out L/R from the Analog Four MKII to your mixer or amplifier.
3. If you want to use MIDI, connect MIDI OUT from the Analog Four MKII to the MIDI IN of the device you
wish to send data to. Connect the MIDI IN of the Analog Four MKII to the MIDI OUT of the device you
wish to receive data from. The MIDI THRU port “echoes” the data arriving at the MIDI IN port, and is used
for chaining MIDI units together.
4. Switch on all units. Switch on the Analog Four MKII by pressing the Power switch located at the back of
the unit. Before restarting the unit, wait 2 seconds after the screen goes out.

4. ANALOG FOUR MKII SIGNAL PATH
15
4. ANALOG FOUR MKII SIGNAL PATH
OSCILLATOR 1
SUB OSC
OSCILLATOR 2 LADDER FILTER MULTIMODE FILTER VCA/PAN
SUB OSC RIGHT
LEFT
OVERDRIVE
NOISE
GENERATOR
AM AND
SYNC MODES
4.1 ABOUT THE COMPONENTS
Both oscillators of each voice are analog. All their elaborate waveshaping abilities are completely analog,
with digitally controlled pitches. The noise generator is digital. The two filters and the overdrive circuit
between them are fully analog. The amplifiers are analog. The envelopes and LFOs are digital. They are
designed for maximum eciency and versatility.
4.1.1 COMMENTS ON THE SIGNAL PATH
The signal path from the oscillators to the audio outputs is completely analog. The signal path from the
external inputs to the audio outputs is also fully analog. The digital send eects are parallel to the main
audio path, and the wet signals from the digital send eects are mixed with the dry analog signal before
the main output stage.
4.1.2 ABOUT THE OSCILLATORS AND FILTERS
The oscillators are designed and built from scratch, to obtain a lush sound and provide an array of
control features. The ladder filter utilizes discrete low-noise transistors, and the multimode filter uses
high-quality VCAs. The combination of tradition and innovation ensures a unique sound with a broad
range of possibilities. For more information, please see “APPENDIX E: ANALOG FOUR MKII ARCHITEC-
TURE” on page 104.

5. OVERVIEW OF THE ANALOG FOUR MKII STRUCTURE
16
5. OVERVIEW OF THE ANALOG FOUR MKII STRUCTURE
The image below outlines the data structure of the Analog Four MKII.
128 PROJECTS +DRIVE SOUND LIBRARY
4096 SOUNDS
4 GLOBALS 16 SONGS 128 PATTERNS 128 KITS
4 SOUNDS FX CV
SOUND POOL
128 SOUNDS
5.1 +DRIVE
The +Drive is a non-volatile memory capable of storing up to 128 projects (thousands of patterns, kits, and
songs) internally. The +Drive also gives access to the +Drive Sound library, with the capacity of storing
4096 Sounds. Every project has access to these Sounds.
5.2 DATA STRUCTURE
5.2.1 PROJECT
A project contains 128 patterns, 128 kits, 16 songs, 4 global slots, and a project Sound pool consisting of
up to 128 Sounds. Generic settings and states (tempo, mutes et cetera) are also stored in each project.
A project becomes the active working state of the Analog Four MKII once it’s loaded. From here it is pos-
sible to edit the patterns, kits, songs, and globals of the project. The Analog Four MKII always retains the
active working state, the active project, even when switched o. However, it must be manually saved in a
project slot before another project is loaded or it will be lost. Projects are saved, loaded et cetera in the
GLOBAL menu. For more information, please see “8. PROJECTS” on page 21.
5.2.2 KIT
Kits contain four Sounds, one for each synth track, and settings for the FX and CV tracks. Up to 128 kits
are available for each Analog Four MKII project. Each pattern is linked to a kit. For more information,
please see “9. KITS AND SOUNDS” on page 23.
5.2.3 SOUND
A Sound consists of stored synth track parameter settings. Each synth track can host one Sound.
Sounds can be stored either in the Sound pool of the active project or the +Drive Sound library. The
Sound pool contains 128 Sounds and the +Drive library can consist of 4096 Sounds. For more informa-
tion, please see “9. KITS AND SOUNDS” on page 23.
5.2.4 BANK
Eight banks exist for each project and each bank contains 16 patterns. For more information, please see
“10. THE SEQUENCER” on page 37.
5.2.5 PATTERN
For each of the 8 banks, 16 patterns are available, which means 128 patterns are always available. A pat-
tern consists of sequencer data like trigs, parameter locks, time signature and individual track length for
the synth tracks and the FX and CV tracks, as well as ARP and NOTE page settings. For more informa-
tion, please see “10. THE SEQUENCER” on page 37.
5.2.6 SONG
16 songs are available for each project. They are used to structure the playback of patterns. For more
information, please see “11.2 SONGS” on page 51.

5. OVERVIEW OF THE ANALOG FOUR MKII STRUCTURE
17
5.2.7 CHAINS
A chain is a sequence of patterns. Up to 256 pattern slots are possible to allocate between 64 chains.
For more information, please see “11.1 CHAINS” on page 51.
5.2.8 GLOBAL
The Global settings are general settings for the synth and sequencer as well as MIDI and CV configura-
tions. There are four global slots available for every project, each with its own settings. For more informa-
tion, please see “12 GLOBAL SETTINGS MENU” on page 54.
5.3 ABOUT THE TRACK TYPES
5.3.1 THE SYNTH TRACKS
The synth tracks consist of tracks 1–4. To edit a synth track, press the [TRACK 1–4] key. Sounds are
loaded to the synth tracks. Sounds can be played polyphonically.
5.3.2 THE FX TRACK
The FX track controls the Analog Four MKII internal send eects. To edit the FX track, press the [FX] track
key.
5.3.3 THE CV TRACK
The CV track is used for controlling external equipment capable of receiving analog CV and Gate signals.
To edit the CV track, press the [CV] track key.
5.3.4 EDITING THE TRACKS
The six [PARAMETER] keys open pages for editing the tracks. They contain dierent parameters
depending on the track type. Edit parameters using the DATA ENTRY knobs. Press and turn a knob to
adjust parameters in larger increments.

6. THE USER INTERFACE
18
6. THE USER INTERFACE
The screen is the center of Analog Four MKII editing.
2 31
4567
1. The currently active kit. When turning a DATA ENTRY knob, the full name of the adjusted parameter is
shown here.
2. The current tempo displayed with one decimal.
3. The playback/recording status of the sequencer shown by the standard “record”, “play”, “pause” and
“stop” symbols; , , , and .
4. Up to ten track parameters. They show what the DATA ENTRY knobs control and also indicate the cur-
rent parameter values. Press and turn a knob to adjust its parameters in larger increments.
5. The currently active pattern. To the left you can see the active song row. A “_ _:” indicates that the
scratch pad row is active
6. Bar indicating the track level of the active track.
7. Track name.
You can use the [NO] key to close all windows.
Keys or knobs not used by an active menu retain their original function. For example, the
TEMPO menu makes use of the TRACK LEVEL knob, but you can still use the DATA ENTRY
knobs to control the parameters of the active track.
6.1 PARAMETER EDITING
The DATA ENTRY knobs are used to change the value of the track parameters. The physical location of
the knobs on the front panel correspond to the layout of the parameters on the screen. Press and hold a
[PARAMETER] key to see the values for all parameters on that PARAMETER page.
6.1.1 QUICK PARAMETER EDITING
If the DATA ENTRY knob is pressed down while being turned parameters will be adjusted in larger incre-
ments. This makes it much quicker to sweep through a whole parameter range.
6.1.2 PARAMETER VALUE JUMP
Keeping [FUNC] pressed while editing certain parameters will make the parameter values jump to rele-
vant positions. For example the oscillator tuning, which will jump in octaves.
6.2 [FUNC] KEY PRESS COMBINATIONS
The standard way to use the [FUNC] key in combination with other keys, is to press and hold [FUNC] and
then make a short press on the second key in the combination. For some key combinations it is also possi-
ble to access a sub-menu by pressing and holding [FUNC] + second key for a second.
6.3 QUICK SCROLLING
In most menus quick scrolling is available. Press [FUNC] + the [UP] or [DOWN] arrow keys to move the
cursor one menu page at a time.

6. THE USER INTERFACE
19
6.4 COPY, CLEAR AND PASTE
Copy, clear and paste commands are available in a lot of contexts. Press [FUNC] + [RECORD] to copy.
Press [FUNC] +[STOP] to paste. Press [FUNC] + [PLAY] to clear. Paste and clear operations can be
undone by repeating the key press combination. For more information, please see “10.12.12 COPY, PASTE,
AND CLEAR OPERATIONS” on page 49.
6.5 THE NAMING MENU
The naming procedure is identical for all the various naming menus.
The [LEFT] and [RIGHT] arrow keys are used to navigate between the letters. Turning the TRACK LEVEL
knob or pressing the [UP] or [DOWN] arrow keys select the letter. [FUNC] + [NO] will erase letters.
6.5.1 POP-UP MENU NAMING
While in a NAMING menu it is possible to open a pop-up menu displaying all available letters, symbols
and digits. Entering characters in the pop-up menu is often a considerably faster naming method. When a
NAMING menu is open, press the [FUNC] key to access the pop-up menu.
While keeping [FUNC] pressed use the [ARROW] keys to navigate to the character you want to insert,
then release [FUNC] to insert the character.
6.6 OVERBRIDGE
USB
The Overbridge software suite enables a tight integration between the Analog Four MKII and a computer
DAW software.
When using Overbridge, the user interface for the Analog Four MKII will present itself as a clearly laid out
plug-in window in your DAW. Access, edit, and automate parameters for sound shaping on screen. Always
find your device preset parameters in the same state as you left them when you return to your DAW project,
with the convenient total recall functionality.
Read more about Overbridge use and availability on the Elektron website: https://www.elektron.se/overbridge/

7. QUICK START
20
7. QUICK START
This quick start will guide you through some of the basic operations to allow you to start using the Analog
Four MKII right away. First, you need to connect it. For more information, please see “3.3 CONNECTING
THE UNIT” on page 14.
7.1 PLAYING THE FACTORY PRESETS
The Analog Four MKII is shipped with several preset patterns, kits, and Sounds. To immediately start experi-
menting with the Analog Four MKII, just follow the instructions below.
1. Switch on the Analog Four MKII.
2. Press [PLAY] to listen to pattern A01.
3. Press [BANK A] + [TRIG 2] to select pattern A02, which is the second demo pattern. Pattern A02 will
start to play when the currently playing pattern finishes. Pattern A03 is selected by pressing [BANK
A] + [TRIG 3] and so on.
4. Mute tracks by pressing [FUNC] + the [TRACK] key of the track you want to mute. Unmute by repeat-
ing the procedure.
5. Press [STOP] to stop playback.
7.2 PERFORMANCE MODE
The PERFORMANCE mode makes it possible for the DATA ENTRY knobs to control several PARAMETER
page parameters at once. These parameter mappings are called a parameter macro.
1. Make sure a pattern is playing.
2. Press the [PERF] key to access PERFORMANCE mode.
3. Turn the DATA ENTRY knobs and listen how the sound of pattern changes.
7.3 ADJUSTING PARAMETERS
Each track contains six PARAMETER pages. There you can find the parameters that aects the sound.
1. Make sure a pattern is playing.
2. Press one of the [T1–4] keys to select one of the four synth tracks.
3. To change the cuto of the ladder filter, press the [FLTR] key. The FILTERS page will open. The pa-
rameter labeled FRQ changes the cuto of the ladder filter. Turn DATA ENTRY knob Ato change the
parameter value.
4. Try out the rest of the PARAMETER page parameters to experiment with the sound shaping
possibilities.
5. To reload the Sound to its original state, press [NO] + [SND].
6. To reload the whole kit to its original state, press [NO] + [KIT].
7.4 CHANGING SYNTH TRACK SOUND
Each of the four synth tracks contain one Sound. You can use the SOUND BROWSER to preview and load
Sounds to the synth tracks.
1. Double-press [TRACK 1–4] key to open the SOUND BROWSER. The SOUND BROWSER can also be
accessed by pressing [FUNC] + TRACK LEVEL.
2. The SOUND BROWSER will show a list of all Sounds residing in either the +Drive Sound library or the
Sound pool. (You can press [TRIG 1–16] if you want to load a Sound from another Sound bank in the
+Drive Sound library). Turn the TRACK LEVEL knob or press [UP]/[DOWN] to scroll the list. You can
preview a Sound by highlighting it in the list and play the [KEYBOARD].
3. Press [YES] to load the highlighted Sound.