HomeMix TT-1000M User manual

Pg1 Welcome
Pg2 Pack contents
Pg3 Before use
Pg4 Safety Instructions
Pg5 Features: TT1000
Pg6 Turntable setup
Pg7 Features: Mix 2 top panel
Pg8 Features: Mix 2 rear panel
Pg9 Setup diagram
Pg10-12 Getting going
Pg13-14 Troubleshooting
Specications
CONTENTS
WELCOME TO THE WORLD OF
Congratulations you have joined one of the many people who have chosen the HomeMix TT-1000M for all their mixing needs. As usual we ask you to
study this entire manual to familiarise yourself with the operating controls of the unit, however we also realise that most people only read this manual
when something goes wrong! So especially for you, we have provided the following easy to understand ‘fast set up diagram’, plus we have included a
separate ‘fast set up sheet’, which will ensure you are mixing in the fastest possible time. For further in depth knowledge of how to use the HomeMix
TT-1000M, please read the contents of this manual in its entirety, taking special note of the next two pages which list some very important safety
information.
1

1) 2 x HomeMix TT1000 turntables
containing:
• Turntable Platter
• Slip Mat, Dust Cover
• 45-RPM adaptor
• Counterweight
• Headshell
• RCA Phono + Ground Lead
2) 1 x Mix2 DJ Mixer containing
• 9v AC Power supply
• Replaceable Crossfader (tted)
• 4x Phono Shorting Plugs (tted)
3) HomeMix Cans1 Headphones
THIS TURNTABLE KIT MUST BE CONNECTED TO A SUITABLE
AMPLIFIER AND SPEAKERS FOR CORRECT OPERATION
PACK CONTENTS
2

BEFORE USE
The desired voltage may be set with the VOLTAGE SELECTOR switch on the chassis, using a
screwdriver. Do not twist the VOLTAGE SELECTOR switch with excessive force as this may
cause damage. If the VOLTAGE SELECTOR switch does not move smoothly, please contact a
qualied service centre.
A few points to note before you start setting up your system:
1) Do not connect the AC power plug before assembly has been completed.
2) Before turning on the power, check that the voltage setting is correct.
3) Read this manual carefully before using the unit and be sure to store the manual in a safe place
for future reference.
4) Select the installation location of your unit carefully. Avoid placing it in direct sunlight, or in
locations subject to vibration, excessive dust, heat, cold or moisture. Keep away from sources of
hum, such as transformers or motors.
5) Do not use this system where there are extreme temperatures (below 5°C or exceeding 35°C)
6) Be sure your hands are clean when handling vinyl. Never use a cracked or warped disc.
7) When disconnecting the power cord from the AC outlet always grasp it by the plug, never pull
the cord.
8) Do not use force when operating the switches and buttons.
9) Before moving the set, be sure to disconnect the power cord and all connecting cables.
10) Do not attempt to clean the unit with chemical solvents as this might damage the surface, simply
use a clean, dry cloth.
11) Keep this manual in a safe place for future reference.
12) If the unit malfunctions, do not open the cabinet and attempt to repair yourself as this might result in
damage to the set, or electrical shock. Always request services at an authorised service agent.
LINE VOLTAGE SELECTION
FOR SAFE AND EFFECTIVE OPERATION
3

SAFETY INSTRUCTIONS
PLUG FITTING INSTRUCTIONS (UK; TT1000 Only)
WARNING: UNDER NO CIRCUMSTANCES
MUST THE LIVE OR NEUTRAL WIRES BE
CONNECTED TO THE EARTH TERMINAL IN
A 3-PIN MAINS PLUG.
For your convenience a mains plug with a fuse has been tted to this appliance.
For your safety please observe the following information.
1. Should the fuse fail in the plug remove the plug from the wall socket and replace the fuse with a
3 Amp ASTA approved BS1 362 fuse.
2. Never use the plug without the fuse cover tted. Replacement fuse covers are available from
your dealer.
3. If the mains plug is cut off from the cable, rewire the replacement plug in accordance with the
instructions given in this manual.
• The wire which is coloured blue or black must be connected to the terminal with the letter N
or coloured black
• The wire which is coloured brown must be connected to the terminal which is marked with the
letter ‘L’ or coloured red. Only a 3 Amp fuse should be tted in the plug, or a 5 Amp fuse at
the distribution board.
4. CAUTION: Under no circumstances should the discarded plug be inserted into a mains socket.
To prevent a shock hazard, carefully dispose of the discarded plug. Do not leave the plug lying
around where children might nd it.
UK mains plug tted with 3 Amp fuse
4
CAUTION:DANGEROUS VOLTAGES EXIST INSIDE THIS UNIT. DO NOT REMOVE COVER
(OR BACK).NO USER SERVICEABLE PARTS INSIDE. REFER SERVICING TO
QUALIFIED SERVICE PERSONNEL.DISCONNECT FROM MAINS SUPPLY WHEN
NOT IN USE.

FEATURES: TT1000
1) Large spindle adaptor - for use with
records (vinyl) that have a large aperture.
2) Slip mat - gives protection between the
record and the platter, and provides an
interface to allow the record to be spun
backwards and forwards while the platter
is turning.
3) Centre spindle - for locating the centre of
the record.
4) Strobe dots - indication of the speed of the
platter via strobe light (5).
5) Strobe light.
6) Start/stop button - for starting and stopping
the platter spinning.
7) Headshell - holds cartridge at end of the
tonearm.
8) Speed select button - Change the speed of
the platter between 33 1/3 and 45 RPM.
9) Pitch control slider - allows the speed of
the platter to be changed by +/-10%, this
allows the change of the BPM of the music
for beat match mixing.
10) Tonearm - for exact placement of the
headshell onto the record.
11) Tonearm rest - for resting the tonearm when
not in use, also has a lock to secure the
tonearm when not using the turntable.
12) Cueing lever - for moving the tonearm
vertically up or down.
13) Anti-skate knob - to balance the sideways
momement of the tonearm in relation to the
tracking weight. (See page 6 point 3).
14) Counterweight - allowing the correct
tracking weight to be excerted on the stylus
(See page 6 point 3).
15) Headshell holder - used when changing
stylus or cartridges to locate the headshell in
position for ease and protection.
16) Lid hinge - when not using the turntable
place lid on these hdges, lid can be raised
or lowered.
17) Stereo phono outputs - for connecting to
PHONO input on DJ mixer.
18) GND connection - Connects to the terminal
earth connection on the rear of the DJ Mixer,
if not connected you will head an audible
buzz through the system.
5

1. Attach the belt:
Turning the platter over, connect the belt to the
turntable drive. Place the platter on the spindle
and spin the platter until the belt position holes
(the two larger holes nearest to the belt) are
showing the motor drive shaft in the top right
corner. When this is exposed, carefully stretch
the belt around the shaft, ensuring that the belt
does not twist. The platter should still spin freely,
but with slightly more resistance than before.
2. Attach headshell.
From the accessory pack, which is stored in
the packaging, remove the complete headshell
including cartridge and stylus, and place onto
the tonearm. This is a two handed operation,
one to hold the headshell and the other to hold
the tonearm locknut. As you insert the headshell
into the end of the tonearm, twist the locknut
anticlockwise and you will feel the headshell
being drawn into the locknut, take care not to
over-tighten as this will cause damage to the
headshell.
3. Attaching the counter weight.
Remove the stylus protector, do not touch the
stylus tip during the adjustment, and set the
cueing lever to the lower position. Release the
arm clamp and lift the tonearm from the arm
rest to free it. Rotate the counterweight until the
tonearm is approximately balanced horizontally
(oats freely). Refasten the tonearm with the arm
clamp, hold the counterweight stationary with
one hand and rotate only the stylus-pressure
ring to bring the number “0” of the ring into
TURNTABLE SETUP
12
34
alignment with the centre line on the tonearm
rear shaft. Rotate the counterweight clockwise
until the scale shows the value corresponding
to the pressure of the stylus used. The stylus
supplied with this system is rated at 3.5 grams.
It you use an alternative stylus/headshell
arrangement, then please follow the
manufacturer’s specied tracking weight.
4. Attach cover.
Position the protection cover over the hinges
found on the rear of the turntable, click these
into position. The cover should now freely close
onto the top of the turntable. It is advised that the
cover is lowered when not using the turntable.
6

FEATURES: MIX 2 TOP PANEL
1. Channel 1 gain - allows adjustment of the input level for different
sources to match signals before mixing.
2. Channel 1 treble & bass controls - allows adjustment of the high and
low frequencies of the music content.
3. Channel 1 input toggle switch - selects which input source you play
through channel 1 fader (selectable between phono1 and line1).
4. Channel 1 fader level - controls individual channel level in the mix.
5. Replaceable crossfader - allows a seamless mix between channel 1
and channel 2 by moving the crossfader from one side to the other.
(See: Using the crossfader; page 11)
Note: The crossfader is a user replaceable part. In case of failure simply
unscrew the two screws which hold it in place, lift it out and disconnect its
cable. Re-attach the new crossfader and screw the mounting plate back
onto the unit. Replacement crossfaders are avaliable by contacting the
Helpline on [phone].
6. Channel 2 gain - allows adjustment of the input level for different
sources to match signals before mixing.
7. Channel 2 treble & bass controls - allows adjustment of the high and
low frequencies of the music content.
8. Channel 2 input toggle switch - selects which input source you play
through channel 2 fader (selectable between phono2 and line2).
9. Channel 2 fader level - controls individual channel level in the mix.
10. Mic input – insert microphone with ” jack plug.
11. Mic level – adjusts microphone level.
12. Headphone output – Insert headphones with ” jack plug.
13. Cue level – adjusts volume heard through the headphones.
14. Channel cue - allows differentiation between Ch1 and Ch2 in the
headphones. Rotate knob fully anticlockwise to hear only Ch1, and fully
clockwise to hear Ch2. A combination of Ch1 and Ch2 can be heard if this
control is turned between these two positions.
15. Master fader - allows adjustment of the output signal to the amplifer.
7

16. Power connector - input socket to connect
9v AC power adaptor supplied.
17. Power switch – allows isolation of the power
when the unit is not in use.
18. Stereo main outputs - unbalanced RCA
sockets to connect output signal to amplier.
19. Channel 1 line inputs - unbalanced RCA
sockets for Ch1 connecting stereo audio from
line level sources such as CD players, cassettes,
minidiscs etc.
20. Channel 2 line inputs - unbalanced RCA
sockets for Ch2 connecting stereo audio from
line level sources such as CD players, cassettes,
minidiscs etc.
21. Channel 1 phono inputs – RCA sockets to
connect turntable, when these connectors are
not in use, please use shorting plug provided to
ground input (25).
22. Terminal earth (for turntables Channel 1) -
Grounding post for turntable connection. Always
FEATURES: MIX 2 REAR PANEL
8
use this connection when using turntables. Your
turntable cable should have a grounding wire, if
this is not connected you will hear a loud buzz
through this channel.
23. Channel 2 phono inputs – RCA sockets to
connect turntable, when these connectors are
not in use, please use shorting plug provided to
ground input (25)
24. Terminal earth (for turntables Channel 2) -
Grounding post for turntable connection. Always
use this connection when using turntables. Your
turntable cable should have a grounding wire, if
this is not connected you will hear a loud buzz
through this channel.
25. Shorting plugs - due to the sensitivity of the
phono inputs, it is necessary to ground these
when not in use to avoid unecessary noise on
this channel.

The Mix2 will allow you connect two turntables
and two line input sources.
It is necessary to connect the Mix2 to an external
amplier for correct sound reproduction.
Study this setup diagram. Make sure all faders
are at “zero” and all devices are off. First,
connect all input sources and processors.
Next, connect your microphone and monitor
headphones. Finally, connect the stereo outputs
to the power amplier(s). Plug your mixer
into AC power. Now you are ready to switch
everything on.
IMPORTANT: When switching your audio
equipment on, please follow the following
procedure:
Always switch on your audio input sources
such as turntables or CD players rst, then
mixer and nally any ampliers. When
turning off, always reverse this operation by
turning off ampliers, then your mixer, and
then input devices.
SETUP DIAGRAM
 
FRONT
9

PRODUCING SOUND
FROM THE TT1000M Having ensured that all connections to the Mix2 and TT1000s are correct, and that a record (vinyl) is
playing on the TT1000, you are now able to produce sound from the system.
Initially we suggest that the master level control (15, Pg 7) is adjusted to approximately 10 o’clock
(a third of its travel). This will give enough sound to be heard, but is not enough volume to damage
speakers should an accidental overload result.
Please ensure that the crossfader (5, Pg 7) is in the central position.
Ensure that the input selector switches (3, Pg 7) & (8, Pg 7) are set to phono.
By pushing up the Channel 1 fader (4, Pg 7), music should now be heard coming from the speakers.
By pulling down Channel 1 fader (4, Pg 7), and by pushing up channel 2 fader (9, Pg 7),
the sound of the other channel can now be heard.
The further the channel faders are pushed up, the louder the music source will be heard.
ADJUSTING THE
TONE OF THE MUSIC
The Mix2 is equipped with 2 band tone equalisation on each music channel. These controls can be
used for creative mixing once basic mixing techniques have been mastered.
Initially the tonal qualities of the music can be adjusted by rotating the bass and treble controls
anti-clockwise to decrease these frequencies, or clockwise to increase them.
The tone of the music is generally down to individual taste, however we would not recommend that
these controls are not used in the maximum position for prolonged lengths of time, especially at high
volumes, or damage to associated equipment will probably result.
GETTING GOING
10

USING THE CROSSFADER
Tip: If the beats are not matched the resulting sound can sometimes be a mismatch of beats that actually sounds dreadful; this
is what’s called in the trade 'Crashing the mix'
USING THE HEADPHONES
Important: Permanent hearing damage
can result from long-term exposure to
high music levels.
Care should be taken to avoid prolonged
exposure, or precautionary measures
should be taken to protect your hearing.
The Mix2 is equipped with a user replaceable crossfader (5, Pg 7).
The function of the crossfader is to allow a seamless mix from one music channel to the other by
moving the crossfader from one side to the other. If the crossfader is placed in its central position both
Ch 1 and 2 can be heard. If the crossfader is moved to the left, it will only allow sound from Ch 1 to be
heard through the speakers. If the channel 2 fader (9, Pg 7) is pushed up to attain some sound, with
the cross fader in this position, no sound from channel 2 can be heard.
If the crossfader is now moved from this left position over to the right position, the sound from channel
1 will reduce, and the sound from channel 2 will increase.
Conversely if the crossfader is now moved back to the left position, sound from channel 1 will reduce,
and sound from channel 2 will increase.
The crossfader can be used to great effect if beat matching is practised so that when the crossfader
is moved from left to right or vice-versa, the beats of the relative tunes are matched, and a uid mix
is achieved.
The Mix2 is tted with a progressive cue mix arrangement. The idea of a cue facility is to allow a new
track to be lined up or manipulated before it is required to be played. The volume of the headphones
is controlled by the level control (13, Pg 7). The Mix2 is tted with a powerful headphone amplier for
use in heavy volume environments, however please ensure that headphones are used at safe listening
levels.
Tip: Always ensure that either the relevant channel fader is down, or the crossfader is away from the channel that you wish to
cue in your headphones. Failure to do this will result in the music that you are cueing up in your headphones to be output from
the speakers on top of the track which you are playing.
The Mix2 allows you to listen to each channel individually before the music is required in your performance.
By turning the cue mix control (14, Pg 7) completely anti-clockwise, only music played in by channel 1
can be heard in the headphones. By turning the cue mix control (14, Pg 7) completely clockwise, only
the music in channel 2 can be heard in the headphones. By having the control somewhere between
these two positions you are able to mix the two music channels within the headphones only.
This is a progressive cue mix control, which allows you to sample the action of the crossfader within
your headphones prior to doing it for real. You will be able to determine if your beat matching is correct,
and will be able to assess the quality of your mix before broadcasting it.
GETTING GOING
CH-1
11

Having plugged the microphone in to the socket (1, Pg 7) on the front of the Mix 2,
it is now ready for use.
There is one control on the Mix2 which will effect the microphone:
Mic level control (11, Pg 7).
Ensure that the Mic level control (11, Pg 7) is completely off (turned completely anti-clockwise), and that
if the microphone is tted with a switch, ensure that this is pushed to on.
Talk softly into the mic and at the same time raise the microphone level control (11, Pg 7)
to a point where the desired level of sound is heard.
More or less volume from the microphone can be gained by adjusting this control respectively.
Once you have adjusted your microphone to a satisfactory working level, the tone of the microphone
can be adjusted in line with your requirements.
USING THE
MICROPHONE
GETTING GOING
Tip: Do not turn the level of the mic up to such a degree that feedback starts to occur. Feedback is an instantly recognisable howl
of high-pitched sound emanating from the speakers, and can be reduced by turning the mic level down. Moving the speakers
as far from the mic as possible can reduce feedback. Nobody likes feedback, so try and avoid it like the plague!
12

This section of the manual is designed to help you if you are experiencing problems with the
HomeMix TT1000M mixing kit unit:
PRODUCTS DO NOT POWER UP
• check to ensure the mains plug is pushed rmly into the wall, and the other end is secure in the back
of the turntable and mixer.
• check to ensure that the power switch (8, Pg 8) on the rear of the Mix2 is on.
• check the fuse in the mains plug is OK.
NO SOUND IS COMING FROM THE TT1000M
• ensure that all necessary signal wires are connected properly between turntables, mixer and external
amplier.
• ensure that the speaker wires are connected properly to the back of the respective amplier, and
into the rear of the speaker cabinets.
• ensure the power switch (8, Pg 8) on the rear of the Mix2 is switched on.
• ensure that a phono or line input is playing into at least one channel.
• ensure that the channel input switch (3 or 8, Pg 7) corresponds to the music input source that you
are playing (phono or line)
• ensure that the channel volume slide (4 or 9, Pg 7) is pushed up and the cross fader is set to the
channel playing, or located centrally.
• ensure that the master output level control (15, Pg 7) is turned up.
• ensure that the speaker volume is turned up on respective amplier.
SOUND FROM TT1000M IS DISTORTED
• check to ensure that all connecting signal cables are free from damage.
• check to ensure that no bare speaker wires are touching from the rear of the amplier, or on entry
to the loudspeakers.
• check to ensure that the headshell is located properly on to the tonearm, and that the stylus is
fastened securely.
• check to ensure that excessive dust/uff has not accumulated beneath the stylus.
TROUBLESHOOTING
RECORD (VINYL) DOES NOT PLAY
• ensure that the drive belt is connected between the turntable platter and motor drive shaft.
• ensure that you have pressed start/stop (6, Pg 7) and that the turntable is rotating.
• check to ensure that the headshell is located properly on to the tonearm, and that the stylus is
fastened securely.
13

TROUBLESHOOTING
TURNTABLE HAS BUZZING NOISE
• ensure earth wire is connected to earth grounding post on TT1000 (18, Pg 5) and Mix 2
(24 or 22, Pg 8).
• ensure headshell is tight on turntable.
• ensure that all wires are connected between the cartridge and headshell.
HEADPHONES DO NOT WORK
• ensure that the headphone plug is pushed rmly in to the headphone socket (6).
• ensure that the headphone volume (13, Pg 7) is turned up.
• ensure that the headphone mix control (14, Pg 7) is positioned to the channel that you require.
• ensure that either record is playing on turntable, or line input source is present.
MICROPHONE DOESN'T WORK
• ensure that the microphone plug is pushed rmly into the microphone socket (10, Pg 7) on the
front of the Mix 2.
• ensure that the switch on the microphone is on.
• ensure that the mic level (11, Pg 7) is raised.
These are basic troubleshooting areas, if you are still experiencing problems with your HomeMix unit,
then please call our helpline where an operator will be happy to assist:
In the UK: 01327 340601 Outside of the UK: [phone]
Please note that this telephone line is operational between 09:00hrs and 16:30hrs Mon to Fri.
We are please that you have decided to purchase an Acoustic Solutions product, and we thank you
for your custom.We are keen to constantly improve our service and products and therefore would
welcome any comments you may have. Please feel free to write or telephone us with any ideas that
you feel could improve our products.
Please write to:
Acoustic Solutions Limited
Weedon Bec,
Northampton,
United Kingdom
Tel.: [phone]
Fax: [phone]
Email: [email protected]
Don’t forget to check out our web page: http://www.homemix.com
GET IN TOUCH
14

SPECIFICATIONS
MIX 2
SENSITIVITY OF INPUT (LEVEL/IMPEDANCE):
LINE -14dB / 12KΩ ±3dB
PHONO -50dB / 47KΩ ±3dB
MIC -54dB / 3KΩ ±3dB
OUTPUT (LEVEL/IMPEDANCE):
MASTER (RCA) 0dB / 47KΩ ±3dB
PHONES (LOAD=32Ω) -3dB / 33KΩ ±3dB
MAX. OUTPUT (LOAD=47K, THD=5%)
MASTER (RCA) MORE THAN 18dB (8V)
PHONES (LOAD=32Ω) MORE THAN 5dB (1.8V)
CHANNEL BALANCE WITHIN 3dB
FREQUENCY RESPONSE:
LINE 20-20KHz +2 / -3dB
PHONO 20-20KHz +2 / -3dB (RIAA)
MIC 20-20KHz +2 / -3dB
OUTPUT NOISE (IEC-A WEIGHTED)
LINE LESS THAN -75dB
PHONO LESS THAN -65dB
MIC LESS THAN -55dB
TOTAL HARMONIC DISTORTION:
MASTER OUTPUT (LOAD=47KΩ) LESS THAN 0.2%
PHONES OUT (LOAD=32Ω) LESS THAN 0.3%
CROSSTALK MORE THAN 50dB AT 1KHz
BETWEEN L & R CHANNEL.
EQUALIZER:
LOW +15 / -22dB ±3dB AT 70Hz
HI +15 / -19dB ±3dB AT 13KHz
POWER SOURCE AC 9v
DIMENSIONS (W x D x H) 236 x 192 x 82 mm
WEIGHT 2.8Kg
TT1000
POWER SUPPLY AC 115/230V~, 50/60Hz
POWER CONSUMPTION 8 Watts
DIMENSIONS (W x D x H) 450 x 350 x 150 mm
WEIGHT 3.75 Kg
For improvement purposes, specications and design may be changed without notice.
15 1-001 REV1.0