The GY-HM650 further provides the H.264 high-quality 35Mbps
(MOV) recording mode used in HD SLRs, meaning higher bit rates for
even better image quality. The 35Mbps bit rate is high enough to
support full 1920 x 1080 encoding, resulting in stunningly detailed,
Flexible File-based Workow
Storage
Storage
Blu-ray
File
Server
Network
Blu-ray
File
Server
Network
QuickTime™ MOV File Workflow
Direct file access to Apple’s Final Cut Pro™
SDHC
SDXC
SDHC
SDXC
USB 2.0
SDHC Memory
Card Reader
SDHC Memory
Card Reader
XDCAM EX™ Compatible MP4 File
Workflow
Ingest MP4 clips to major NLE systems
USB 2.0
Avid
Adobe
Canopus
Apple
Avid
Adobe
Apple
Compatible NLE System
Apple Final Cut Pro™ 6.0.4 or later
Adobe Premiere Pro CS5 or later
Compatible NLE Systems
Adobe Premiere Pro CS4 4.0.1 or later
Avid Media Composer 3.5 or later
Avid News Cutter 3.5 or later
Grass Valley/Canopus Edius Pro 5.0 or later
Apple Final Cut Pro™ 6.0.4 or 7.0
Avid Media Composer 5.5 or later
Avid News Cutter 5.5 or later
Multiple File Formats for Native Workows
Record HD or SD footage directly in
ready-to-edit QuickTime™ MOV les,
the native le format of Apple’s Final Cut Pro™.
JVC has eliminated one of the main obstacles
to achieving a smoother, more streamlined
production workow. Native le recording
ensures your footage is ready to edit
the moment it’s shot, resulting in a more efcient
workow and no loss of image quality.
Additionally, with the MPEG-2 mode for
Windows editing environments, it is possible
to record in MP4 format (XDCAM EX™
workow-compatible) for direct editing in other
major NLE systems, including Avid Media
Composer, Adobe Premiere and Grass Valley
Edius Pro.
*H.264 UHQ/SD/Web MOV les can be edited by Grass Valley
Edius Pro.
Dual SDHC/SDXC Card Slots for Maximum Versatility
Dual SDHC/SDXC card slots make the GY-HM650 a truly versatile
camcorder, offering such benets as simultaneous recording and
relay recording with reliable and cost-effective media.
In relay recording mode, you can shoot continuously and seamlessly
over multiple cards. When one card is full, the camcorder switches
seamlessly and automatically to the other card. And because cards
are hot swappable, there is in effect no limit to the continuous
shooting time in any mode, even with lower capacity cards.
It is possible to start editing footage from one card while still shooting
to the other. With simultaneous recording, you can easily create
backup or duplicate les as you shoot without the need for any
external equipment—either for a client copy or simply for peace
of mind. Additionally, while the Rec trigger is used to pause and
unpause recording on one card, the other card can act as
a continuous backup that overrides the pause function.With the new
dual codec, it is now possible to record full HD les on one memory
card while simultaneously creating smaller SD or proxy les on
the other, providing the exibility for a range of workow possibilities.
SDHC/SDXC media offers the best combination of price, availability,
capacity, reliability and transfer speed. With no moving parts and no
pins or other extrusions, SDHC/SDXC cards are both durable and
reliable, and compare favorably with tape on a cost-per-minute basis.
* During simultaneous backup recording in HD mode, the duplicate le records in the same
le format and bit rate as the original.
6
Card 1
Change Change
Card 2
Card 3 Card 4
Slot A Slot B Slot A Slot B
HD File
HD File
or
SD File
or
Proxy File
HD, HD/SD or HD/Proxy
Dual Record
Relay Recording
Card 1
Card 2
While Card1 record continuously, Card2 independently perform Rec start /
Rec pause at Rec trigger.
Backup Recording
Rec
Start
Scene 1 Scene 2 Scene 3
Rec
Pause
Rec
Start
Rec
Pause
Rec
Start
Rec
Pause
broadcast standard HD images. In addition,
the onboard H.264 video format Web mode (0.8Mbps)
allows for quick on-location data transfers, allowing
footage to be delivered faster than ever.
MPEG-4/AVC H.264 Ultra High-Quality (UHQ) 35Mbps Recording Mode and Proxy Recording
UHQ
Ultra-High
Quality
** Backup Recording is not compatible with AVCHD mode.