Jvc Kb-700 User manual

Thank

you

for

pu

rchasing

JVC's KB-700 Stereo Keyboard.

To

use

the

KB-7DO correctly and extend its life, be sure

to

read these

instruc1:ions

carefully. After reading, retain this

manual

for

future

reference.

IMPORTANT

A voltage

selector

is

provided

on

the

rear as shown

in

the

illustration

on

page

3. Before connecting

the

mains supply

plug, check

that

i1:

is

set

to

correspond to your local power

voltage (120 V,

220

Vor

240

V).

For areas

where

the

voltage

is

between 110 V and 127

V,

set

to

the

120

V

position.

IMPORTANT

(In

the United Kingdom)

Mains Supply

(AC

240 V"v, 50 Hz

only)

Do

not

make

any

connection to

the

Larger Terminal

coded E

or

Green.

The wires

in

the

mains lead are

coloured

in

accordance

with following code:

Blue

to

N

(Neutral)

or

Black

Brown

to

L

(Live;

or

Red

If

these

colours

do

not

correspond with

the

terminal

identifications

of

your

plug,

connect

as

foliows:

Blue wire

to

terminal

coded N (Neutral)

or

colQured

Black. Brown

wire

to

terminal coded L (Live) or

coloured Red.

If

in

doubt

-

consult

a competent electrician.

WARNING

There are high

voltages

inside this unit. Before removing the

bottom

cover, be

sure

to

unplug

the

mains power supply cord.

CAUTION

To

prevent

electric

shock, do

not

remove screws, covers

or

cabinet.

No

user-5erviceable parts inside. Refer servicing

to

qualified

service personnel.

Note

Disconnect

the

mains

plug from the supply socket when not

in use.

WARNING:

TO PREVENT FIRE

OR

SHOCK

HAZARD, DO

NOT

EXPOSE

THIS

APPLIANCE TO

RAIN OR MOISTURE.

Eftersom denna

apparat

använda det sekundär ström-

knappsystem, konsumeras

en

liten mängd ström (ungefär

1

W)

även

om

POWE

R knappen star pa ON.

För

att

stänga av

strömen

helt

och

hallet, drag

ut

strömkontakten

-1-

FEATURES

•

Sound

quality

is

the

most striking feature

of

JVC Stereo

Keyboards; this

is

a development based

on

our

long experi-

ence

in

audio. The KB-700 has 12 Orchestral Preset Voioes

and

4 Solo Synthesizer Preset Voices.

• Key Split; this allows the keyboard

to

be divided into

two

parts. The melody keys played by

the

right hand can be

enhanced with

the

preset voioes while

the

left hand provides

the

string and bass accompaniment.

• Faseinating Chord

automatic

accompaniment

is

the

easiest

way a professional sound can

be

achieved with 4 bass line

patterns, 3 arpeggio patterns, 2 rhythmic accompaniments

(piano

or

guitar) and string chords.

• Auto

Rhythm

-

14

different rhythms plus 2 Intro & Fill

In

patterns.

• Key Transpose lets you transpose any key so

that

you can

play

in

C - this

is

convenient for playing

with

other

instru-

ments or vocalists.

• Compueorder stores

the

chord and bass progressions for up

to

64

bars

in

each of 3 tracks so

that

up

to

192 bars can be

replayed from memory.

• Ultra Chord adds harmony

to

a melody

fine

played by

the

right hand.

•

In

addition

to

the

JVC-<leveloped two-speaker stereo effect,

effect

controls are provided for Ensemble, Presence,

Tremolo, Orchestral Sustain and Bass Sustain.

• Magie Foot switch controls Sustain, Intro & Fill

In

and

Pitch Bending.

• Stereo Pan Pot Mixer lets you create any acoustic image

with 7 sound

level

controlsand

5 panoramic potentiometers

giving all

the

functions of a recording studio.

•

MIC

input terminal allows

the

connection

of

an external

audio source a microphorie,

another

electric musical

instrument, a

tape

deck

or

a stereo system.

• Stereo

output

terminals are provided for the oonnection

to

other

equipment and for recording.

CONTENTS

Features

...............................

" 1

Names

of

Sections

..........................

2

Preparations

..............................

3

Stereo Pan Pot

Mixer.

. . . . . . . . . . . . . . . . . . . . . .

..

4

Key Spllt

................................

5

Accompaniment Strings and Bass. . . . . . . . . . . . . . .

..

5

Orchestral Presets and Solo Synthesizer Presets

.......

6

Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

..

7

Auto

Rhythm

.............................

8

Fascinating Chord

.......................

, .

..

9

Ultra Chord . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

..

11

Key Transpose

......................

, . . . .

..

12

Compucorder . . . . . . . . . . . . . . . . . . . . . . . . . . . .

..

13

Magic

Foot

Switch and Expression Pedal

............

15

Connection Terminals and Pitch Controls

.........

"

..

16

Troubleshooting . . . . . . . . . . . . . . . . . . . . . . . . . .

..

17

Safety Precautions

..........................

17

Specifications

.............................

18

NAMES

OF

SECTIONS

Control panel

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Side panel

o Bass Variation selectors (see pages 9 - 10)

To

seleet

the

automatie

aeeompaniment bass patterns,

..

Compucorder (pages

13

-14)

To store

accompaniment

ehords and bass lines

in

memory.

@)

Key Split mode selector (page

5)

This seleets

the

keys alloeated for

the

left hand accompani-

ment

and right

hand

melody. LEDs indieate the mode and

dotted

lines

the

key

split position.

o Key Transpose

switch

(page 12)

This

is

used

to

transpose

from any key

to

the

key of C.

• Accompaniment

tone

selector (pages 9 - 10)

To

seleet piano

or

guitar

tone

for automatie accompani-

ment

rhythmie

ehords.

G Arpeggio Variation selector (pages 9 - 10)

To seleet

the

automatie

aeeompaniment arpeggio pattern.

• Fascinating Chord mode selectors (pages 9 10)

To

seleet

the

automatie

aecompaniment mode.

G Chord Memory switch (pages 9 - 10)

To

eontinue

the

automatie aeeompaniment after

the

fingers are removed from

the

keyboard.

CI)

Beat Conductor (page

8)

LEDs whieh

show

the

tempo and beat

of

the

rhythm.

•

Auto

Rhythm

controls

(page

8)

This section ineludes

the

Rhythm Tempo slide eontrol,

the

Start

&

Stop

switeh,

the

Synehro Start switeh,

the

Intro

& Fill

In

switeh,

the

7 rhythm seleetors and

the

upper/

lower seleetor for selecting one

of

fourteen rhythms.

• Stereo Pan Pot Mixer (page

4)

This section eonsists

of

7 slide controls

to

adjust

the

sound

level

of

eaeh

of

the

keyboard's seven sounds.

48

Stereo Pan Pots (page

4)

Five

potentiometers

under

the

plastic cover adjust

the

position

of

the

acoustic image.

• Magic

Foot

selector (page 15)

To select

the

function

of

the

foot

switeh,

Rear panel

CD

Presence Control (page 7)

To regulate the stereo and ensemble effeets.

.,

Sustain control -Bass (page 7)

To adjust

the

time

the

bass

is

sustained.

.,

Sustain control -Orchestral (page

7)

To

adjust

the

time

the

Orchestral Presets are sustained.

• Ultra Chord mode selector (page 11)

Two types

of

harmony ean aecompany

the

right-hand

melody.

I)

Stereo/Ensemble selector (page 7)

The Ensemble effeet gives a softer, richer

tone.

6\)

Tremolo switch (page

7)

The Tremolo effeet can

be

used

to

enhanee

the

Organ

and Jazz Organ voices.

Ci)

Solo SynthesizErr Preset voices (page

6)

One

of

tour

voices ean be seleeted using

the

two

voiee

selectors and

the

upperflower selector.

Solo Keying and Solo Caneel switehes are also provided

in

this seetion.

• Orchestral Preset voices (page

6)

One

of

twelve voices can be selected using six voiee seleetors

and the upper/lower seleetor.

• Total Volume control (page 3)

To adjust

the

overall volume.

• Power switch (page

3)

The

LED

lights when

the

power

is

on.

• Microphone

Inputjack

(page 16)

.,

Microphone Volume control (page 16)

..

Solo Pitch control (page 16)

.,

Main Pitch control (page 16)

GI

Foot

switch terminal (page 15)

..

Power supply section (page 3)

e Headphone jack (page 16)

• Stereo Auxiliary

Output

terminals (page 16)

• Expression pedal terminal (page

15)

2-

PREPARATIONS

1 Power can

be

supplied

to

the

KB-700

in

any

of

three

ways; from

AC

mains, from a 12 V car battery

or

from eight R20 batteries.

Power cord

(provided)

p

Car

Adaptor

CN·332

(optional)

Mains supply

•

Be

sure

that

the

voltage selector

is

set correctly.

Insert a screwdriver into the slot and move

the

switch so

that

the

voltage

in

your area

is

displayed

in

the

selector.

(See

"IMPORTANT"

on

page

1)

• The

AC

STAND·BY lamp lights when the power cord

is

connected

to

an

AC

mains socket.

Batteries

• To insert batteries, turn

the

KB·700 upside down, open

the

battery compartment and insert eight R20 batteries.

•

If

the power indicator flickers when no sound

is

being

produced, it indicates

that

the batteries are almost ex-

hausted;

in

this condition,

the

KB-700 will

be

unable

to

achieve its full potential.

•

When

the KB-700

is

not

to

be used 10r a long time or when

it

is

used with mains power supply. remove the batteries

to

prevent damage due

to

corrosion.

Car

battery

.

• To avoid trouble

due

to

incorrect polarity, use the specified

CN-332 adaptor.

2 Setting

up

the

music stand

Flip up

the

transparent board covering the control panel;

this serves as

the

music stand.

00

not press it

too

far back.

3 Switch

on

the

power

Press the front of the

POWER

switch and adjust the overall

volume with the TOTAL VOLUME contro!. Slide up

to

in-

crease the volume and down

to

decrease.

Press the front of

the

POWE

R

button

to

switch on

the

power;

the

LED

will light.

• Adjust the overall volume

to

avoid distorted sound fram

the

KB-700 and equiprnent connected

to

the

output

terminals. When the KB-700

is

connected

to

a stereo sys-

tem, the TOTAL VOLUME

contra

I

of

the KB-700 should

be set

to

its mid

point

and the volume controlled from the

stereo system.

.dlilill.

..

TOTAL

c::::I

VOLUh1l€

f'OW€A

-3-

STEREO PAN POT MIXER

This consists

of

seven

mixer slide controls and five panoramic potentiometers under

the

plastic cover.

Mixers These

control

the

volumes

of

each

of

the

KB-700's Pan Pots These adjust

the

balance

of

various voices bass,

sound

systems:

auto

rhythm, bass, rhythmic accom- rhythmic accompaniment chords and arpeggios,

paniment

chord,

arpeggio, accompaniment strings, accompaniment strings and orchestral preset strings,

orchestral

presets and solo presets. orchestral presets (excluding String Ensemble) and

Their

arrangement

can be seen at a glance. solo synthesizer presets and microphone -between

the

left and right channels.

Slide

up

each control

to

increase

the

level

and down

to

decrease.

Turn clockwise

to

move

the

sound

to

the

right and

counterclockwise

to

move

the

sound

to

the

left.

The

Mixer

controls

should be used

to

adjust

the

balance;

use

the

TOT

AL

VOLUME control

to

adjust

the

overall

volume.

STEREO

PA~

POT

. . · . . . . . .

o 0

.c" o O0 .0

..

O·

..

0"

.

o " 0

I H (

f.l

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BASS

STR!NGS

Ot<:CI1ESTRAl

50;'0

SYNTHE

'"

M1C

STEREO

PAN POT

MIXER

AUTO

ACCOMP

CRCrlES-

sm.o

RHVfHM BASS

ACCOMP

ARPEGGiO

$TRINGS

TRAl

SYNTHE

4-

KEY SPLIT .

The 61-key

keyboard

of

the

KB-700 can be divided

in

two

ways

into

lett and right sections, each

of

wh

ich can have different tones.

With

the

right hand

playing

the

melody and

the

left

the

accompaniment, this allows

the

KB-700

to

be used as a two-keyboard

spinet-type electron

ic

organ.

Press

the

NORMAL button_

• This makes sure

that

the

automatie

accompaniment mode

is

released.

If

an automatie accom-

paniment mode

is

engaged,

the

left

of

the

split keyboard will produce a different

tone.

See

f-----.

pages 9

10

for details.

1.--+i---48111

Press

the

KEY

SPLIT

button

to

select

the

desired key split mode. Each

time

the

button

is

~

J

p""ed

th,

mOd"h",

..

in

th,

"qu'noe

F

UL

L,

" 2;

thi,

i,

indi''''d

by

th,

",hting

0'

LED"

I

rULLI

The Key Split

is

disengaged and

the

full

61

keys can be used for melody.

m

The

keysfrom

bottom

C

to

F#

one octave

above

wi

11

be

the

accompaniment keys

(up

to

dotted

line

[TI).

\.~-~

::::::~~~~~'j-"

Accompaniment

keys

Melody

keys

The keys from

bottom

C

to

8 onll octave

cce>

above will be

the

accompaniment keys

(up

to

dotted

line

~).

Accompaniment

keys

Tones available

from

: Orchestral preset voices, Solo syn- Tones available

from

: Strings, bass (For details, see below.)

melody keys thesizer preset voices. (For details, accompaniment keys

see page

6.1

ACCOMPANIMENT STRINGS AND BASS

Two voices can be used

with

the

accompaniment keys. Adjust

the

respective STEREO

PAN

POT MIXER controls for

the

required

response.

Strings

Bass

With the Fascinating Chord switched off, this produces

up

to

This

is

monophonie; only

the

note eorresponding

to

the

lowest

8 notes;

with

the

Fascinating Chord switehed

on,

it produees key pressed will be produced.

up

to

4 notes.

STEREO

PAN POT

MIXER

"'·"·"'0'4"13,,'"

1l;;fO

.o.CCOIAP

ORC>-tES

$01.0

AUTO "';::COM1"

DReHES

SOLO

qo.jl'!H~

SASS

AceO,",p

ARPEGG)O

ST"lINGS

"AAL

Sl'''ITHE.

RH'(T>l\A

SASS

AeCOM?

"'APEGGlO

S"tAINGS

Ha_L

S'l'''-THf.

-5

---

ORCHESTRAL

PRESETS AND SOLO SYNTHESIZER'PRESETS '

The

melody

keys

can

be

used

to

produce either

one

Orchestral Preset voice and one Solo synthesizer preset voice

or

both

at

the

same

time.

DRC;.;fS'RAl

PRESETS

;'i&i'''UE'

SOLO

SVNTI'lE

ORCHESTRAL PRESETS

These voices are

polyphonie

and can produce up

to

eight notes

at

one

time. (When

more

than

eight keys are pressed simultaneously,

the

eight highest notes will

be

pro-

duced.)

Twelve preset voices can be selected

with

the

six selectors and

the

upper/lower

selector

on

the

right.

The voices are as listed with

the

selector

in

its

in

(

~

) and

out

(

...

) positions.

ISTRING

I

ORGAN!

HARPSI-

VIBRA-

Upper I

: ENSEMBLE

PIANO

CHORD

TRUMPET

PHONE

!

.!

ITR~MBONE

ELECTRIC

I

JAZZ

HAWAIIAN

! i

CLARINET

JA

ZZ

i Lower '

i

PIANO

i

ORGAN!

GUITAR

FLUTEd

Use

the

ORCHESTRAL slide control of

the

STEREO

PAN

POT MIXER

to

adjust

the

relative

sound

level

of

the

Orchestral Preset voice.

SOLO SYNTHESIZER PRESETS

These voices are

monophonie

and,

when more

than

one

key

is

pressed, only

the

top

one

is

heard.

Four preset voices can be selected with

the

two voice selectors and

the

upper/lower

selector

on

the

right.

Upper

TRUMPET

GUITAR

•

Lower

PAN

FLUTE

SYNTHESIZER

TONE

SOLO CANCEL

SOLO KEYING

When this

is

pressed,

the

selected Solo Synthesizer Preset voice

is

cancelled and

is

not

produced. Pressing this

button

again reactivates

the

voice.

Since

the

Solo Synthesizer Presets are

monophonie,

only

the

high-

est

note pressed

is

produced.

If

the

right hand

is

removed when

playing with

both

hands,

the

highest note played by

the

left hand

is

produced. Solo Keying prevents this; when it

is

pressed,

the

highest note pressed by

the

left hand

is

not

produced

as long as

the

keys pressed by

the

left hand are

not

changed.

Use

the

SOLO SYNTHE slide control

of

the

STEREO

PAN

POT MIXER

to

adjust

the

relative sound

level

of

the

Solo Synthesizer Preset voice.

6-

EFFEC1S

~----'-,

-5IJSt,olIN-

PI'II;SENCE

CON"I'AOl

SASS

Ol'lCHES1RAl

....

STEREO

fRE.MOLe

ORCHESTRAL

susrAIN

.-..

ENSEMSLE

___

S,f!A€O

lREUOlO

OI'lCHfS"'QAl

SUSTAIN

..-.

ENSEUSl€

-sus"'"~~

~ESENCE

CONHWl

GASS

OFICHI

SfRAL

r

-.

STEREO

When

the

STEREO/ENSEMBLE

button

is

in

its

out

position,

the

KB-100 produces

stereo

sound.

The

expansion and

depth

of

the

stereo

effect can be

con-

trolled by

the

PRESENCE

CONTROL slider.

ENSEMBLE

Press

the

STEREO/EMSEMBLE

button

to

produce

the

rich

sound

of

many instruments

playing together.

The

depth

of

this

effect

can also be

controlled

by

the

PRESENCE

CONTROL

slider.

ORCHESTRAL SUSTAIN

PRF:SfNCE

CONr~

SASS

ORCHESTRAL

SlEi"EO

TREMOLO ORCHES7RAl..

SUST"'IN

ENSE~alf

TREMOLO

Pressing this

button

gives

the

ORGAN

and

JAZZ

ORGAN

ORCHESTRALPRESETSa

tremoloeffect,

which can

now

be achieved electronically.

With sustain,

sound

continues even

after

the

key

is

released

and

fades gradually. This

effect

can only

be given

to

the

Orchestral Presets.

Each Orchestral Preset voice has a sustain

that

makes as close as possible

to

the

natural

sound;

the

, ,

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. ,

:.

:

.

I"

,

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,

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~

...

o

ORCHESTRAL

SvSTAIN

___

ENse"'SlE

...

STEREO

TRE~

ORCHESTRAL SUSTAIN

button

and

SUSTAIN-ORCHESTRAL slide

control

can be used

to

vary

these

predetermined

sustain times. (Press

the

button

to

activate

the

function

and move

the

slide con-

trol

up

to

lengthen

the

sustain

time

and

down

to

shorten

it.)

Original sustain

time

of

Orches-

tral Preset Voice Press

To

vary

the

sustain

time

in

the

middle

of

a

tune,

preset

the

new sustain time

with

the

slide

control

before starting

the

tune

and

press

the

ORCHESTRAL SUSTAIN

button

in

the

middle

of

the

tune

to

switch over

to

the

new

sustain time.

BASS SUSTAIN

Slide

to

adjust

the

bass sustain time.

-1-

AUTORHYTHM

With

the

KB·700,

the

rhythmic effeets use

both

the

left and right ehannels

to

obtain

the

required results.

BEAT

CONOUCTORJ

STEREO

PAN

POT

MIXER

' 2 3 4 AUTO ACCOMP ORCHES- SOLO

[• C C

Cl

$YNCHRO

RHVTHM

BASS

ACCOMP

ARPEGGIO STRINGS

TRAl

SYNTH€

RHYTHM

TEMPO

S,ART

• Seleet one of

14

rhythms using

the

seven seleetors and the

upper/lower seleetor

on

the

right.

..

Use

the

AUTO RHYTHM slide eontrol

to

obtain

the

re·

quired relative volume

of

the

rhythm instruments.

•

Start

the

rhythm

by pressing one

of

buttons A, B

or

C.

® START &

STOP

Press

to

start

anormal

rhythmie aeeompaniment.

@ INTRO &

FILL

IN

Press this

for

Intro & Fill

In

for

the

first bar; normal

rhythm

starts from

the

seeond bar. (See item

Cf))

START

When this

is

pressed, normal rhythm starts when

the

first

aeeompaniment

key

is

pressed.

o

Use

the

RHYTHM TEMPO slide eontrol

to

adjust

the

tempo.

Slide up

to

speed

up

and down

to

slow down.

The tempo and beat are indieated by

the

BEAT CONDUC·

TOR LEDs.

Cf)

Use

the

INTRO & FILL

IN

button

to

vary

the

rhythm; it

varies

the

rhythm

image

of

the

bar being played and

is

most

effeetive

in

the

introduetion or between ehoruses.

..

To

stop

the

rhythm, press

the

START & STOP

button.

WALTZ

SAMBA

BOSSANOVA DISCO ROCK I

POLKA/MARCH

I

RHUMBA

TANGO

ROCK'N'ROLL

ROCK

II

1 Upper

REGGAE SWING i

.....

Lower

SLOW ROCK

SHUFFLE

..JIIIL.

8-

FASCINATING CHORD , - _

This

is

a JVC original

automatie

accompaniment

technique

using

the

latest

computer

teehnology.

III

~

NQRMAL

ONE

MUlJI

CHORO

FINGER

FINGER MEMORY

FASCINATONG

eHORD

o

t::::J

c:::J

0

1 2 3 AUTO

VARI

r--...

8A

•.

.....

5

5..

VAlIlAT.'

•..

O

•..

N

...

'...

:

10

g00

Aeeo","

...

",ANO

ARPEGGIO

.-.GUlTAR

\JARl

Press

either

the

NORMAL, ONE FINGER

or

MULTI-FINGER

button

to

seleet

the

mode.

NORMAL

The

automatic

aceompaniment

is

disengaged.

ONE FINGER Chords are

produeed

by playing

with

just

one

finger

of

the

left hand.

MULTI FING

ER

Select this position

to

play ehords with

the

left hand.

Fascinating Chord

is

used

together

with

the

Split Key funetion; select Split Key 1 or 2

with

the

KEY SPLIT

button

(See page 5).

The Fascinating Chord produees

the

following

four

types of accompaniment;

the

sound

level of each

is

adjusted with

the

corresponding STEREO PAN POT MIXER

slide

control.

• Bass

Four

bass line

patterns

are provided

for

eaeh

rhythm.

Select

one

of

these with

the

BASS VARIATION

buttons.

1 Basic

pattern

2 - Variation

of

basic

pattern

3 - Walking bass

AUTO VARI -

three

bars

of

pattern

1,

then

one bar

of

pattern

2.

Use

the

BASS slide

control

to

adjust

the

sound

level.

• Rhythmic

accompaniment

chords

These can have

two

tones,

piano or guitar; select with

the

upper/lower selector

(ACCOMP PIANO/GUITAR)

and

adjust

the

volume

with

the

ACCOMP. slide

control.

• Arpeggio

Three arpeggio

patterns

are provided.

Use

the

ARPEGG10 VAR I. switch

to

select

the

required

pattern

and

the

ARPEGGIO slide control

to

adjust

the

volume.

•

Accompaniment

strings

This provided a

continuous

string accompaniment; adjust

the

volume with

the

ACCOMP. STRINGS slide contro!.

The

rhythmie

accompaniment

chords and arpeggios are

not

output

until

the

Auto

Rhythm

is

started.

Up to

four

notes can be used for

accompaniement

strings and

the

bass

is

within one

octave (if

different

Cs

are pressed,

the

same C pitch will produced).

CHORD MEMORY

When this

button

is

pressed,

the

automatie

accompaniment

continues after

the

accom-

paniment

keys have been released.

NOFU"AL

ONE MUl1: CHORO

FINGER

F!NGEFI

MEMORY

FASCINATING

CHORO

-9-

Procedures

For

people

who

cannot play left-hand chords. For people

who

can

play left-hand chords.

Press ONE

FINGER

button.

Press

MULTI

FINGER

button.

Seleet Key

Split

mode 1

or

2.

(See

page

5.)

Select a

rhythm

and start

it.

(See

page

B.)

Play one

of

the

left

accompaniment keys.

(See

Note.)

MAJOR

CHOROS:

Example:

C

[llajor

Press

one

of

the

C keys and

the

C

major

chord

(Oo-Mi-

50

harmony)

is

produced,

as

shown

in

the

figure.

MINOR

CHOROS:

Example:

C

Minor

Press

the

C

key

together

with

any black

key

to

the

left

of

it.

SEVENTHS:

Example:

C7

Press

the

C

key

together

with

any

other

white

key

to

the

left

of

it.

MINOR

SEVENTHS:

Example:

Cm7

Press

the

C key together

with

any

black

key

and

aoy

white

key

to

the

left

(all

three

keys together)

With

the

left-hand finger(s) pressing the key(s),

adjust the sound levels

of

the accomoanying tones

,---J\..

using

the

corresponding slide controls

of

the

~

. STEREO PAN POT

MIXER.

Seleet the required

bass

pattern, arpeggio pat-

tern and

rhythmic

accompaniment tone.

I

.

'-----~-

I

Press

the

CHORD

MEMORY

button.

Now

you

can

. release

your

left-hand finger(s): The

same

chord

continues

until

you

I paniment key.

Playa

melody

with

right hand. changing chords

with

the

left

hand.

To

stop theautornaticaccompaniment and

rhythm,

press

the

Auto

Rhythm

START

& STOP

button.

Notes

Inthe

Fascinating Chord

MULTI-FINGER

mode,theKB-700's

The figure below shows the one-finger chords (majors) microcomputer can distinguish and play nine chords in every

produced

by

each accompaniment key. key. Chords ether than these nine basic chords

are

converted

into

one

of

them,

(See

page

14.)

KEY

5PLlT~

____

-J>I

Example (in the key

of

C)

Cm

...

..

.

~~

0;;

..

M, ;;; S;; Si

0;;

M,

&;'

Si'

M. ,,'

s.'

..

' Mi ,,"

So"

u

"

s;

.,

.,'

L.

S,

.,

F,'

,:~

..

~

": ~

~

""

KEY

SPLIT

[]

10

o

UcrRACHORD

.

When Key Split

mode

1

or

2

is

activated, ULTRA CHORD can be used

to

add harmony

to

a melody played with

the

right hand,

according

to

the

chord

chosen with

the

accompaniment keys.

• Ultra Chord

only

functions

in

the

Key Split modes. 1

or

2.

Use

the

ULTRA

CHO

RD switch (CLOSED!OFF!OPEN)

to

activate and select

the

mode.

CLOSED Tight

harmony

within

one

octave

is

produced OPEN A wide harmony covering more

than

an octave

is

giving a

piano

or

organ effect. produced giving a big band sound.

• •

CLOSED

OFF

OPEN •

Melody

keys

r---

---

--_.-

11

-

KEY TRANSPOSE '

This

function

makes

it possible

to

transpose

the

key

of

any piece; this

is

convenient when

the

vocalist sings

in

a different key from

that

in

which

the

piece

is

written; by transposing

to

the key of C,

you

can also avoid playing

so,

many black notes.

Press

the

KEY

TRANSPOSE

button,

and while keeping this depressed, press

the

note which

is

to

be moved

to

C.

Example

1:

If

you

want

to

sing a song written

in

the

key of C

in

the

key

of

D

O.e.

one

tone

higher'th.an

the

musicl, or when

you

want

to

playa

tune

written

in

D major or B minor (which

have

two

sharps)

wit:hout

playing so many black keys".

ABC

DEFGABC

Original

key

{C

majorl

A

minorl

•

J

u

Press

KEY

TRANSPOSE

and 0 simultaneously.

'"

•

1'R,r.NsPOSE

The

red

LEO

above

the

KEY

TRANSPOSE

button

will

light

indicating

that

the

operation

has

been

performed.

(* In

the

latter cases you may have

to

rewrite

the

music)

Example

2:

If

you

want

to sing a song written

in

the

key

of

C

in

the

key

of

Bb

(i.e. one

tone

lower

than

the

music), or when

you

want

to

playa

tune

written

in

Bb

major or G minor (which

have

two

flats)

without

playing

so

many black keys*.

ABC

0 E F

GAB

Original

key

(C

major/A

minor)

•

j

l)

Press

KEY

TRANSPOSE

and

Sb

simultaneously.

•

The

red LEO above

the

KEY

TRANSPOSE

button

will

light

indicating

that

the

operation

has

been

performed,

3 To shift back

to

the

original key, press

KEY

TRANSPOSE

on

its own;

the

LED

will

go

out.

• When G,

G#,

A, A#

er

B

is

transposed

to

C,

the

keys produce notes lower

than

the original; some

of

the

keys

on

the

left

of

the

keyboard will produce no sound

in

FULL Key Split mode because

the

KB·700 cannot produce notes lower

than

C2,

the

lowest

note

of

the

original keyboard.

-12-

Select ONE

FI

NGER

or

MULTI FINGER mode of

COMPUCORDER

..

. .

-"

When used

together

with

the

Fascinating Chord and

Auto

Rhythm,

the

Compucorder allows

the

accompaniments for up

to

three

tunes

to

be

stored

(RECORDed)

and

reproduced (REPLAYed).

Once a

tune's

rhythmic

accompaniment

is

stored

in

memory,

to

play back

the

complete

tune,

all

that

is

necessary is.to play

the

melody.

The

chords and bass

patterns

are stored

in

memory so

that

the

rhythm,

rhythm

tempo,

arpeggio, melody voices, effects and volumes

can

be

va

ried

to

produce

any required effect.

For recording,

it

is

either

possible

to

store chords and basses simultaneously or separately:

To

record

chords

and

bass simultaneously

the

Fascinating Chord. (See page 9)

Press

the

CHORD

RECORD

and

(The LEDs above

them

1/2/3

LEDs will

BASS RECORD

and

one

of

the

Press

the

SELECTOR

button

to

select

the

track

to

be

iO

recorded.

(The

LED corresponding

to

the

selected

track

lights.l

Select

the

accompaniment

tone

(ACCOMP. PIANO/

GUITAR)

and

rhythm

(AUTO RHYTHMI and adjust

their sound level using

the

STEREO PAN POT

MIXER slide

controls.

Press

one

of

the

BASS VARIATION

(1/2/3/AUTO

VARI)

buttons

to

select

the

bass

pattern.

'

r

,

Start

the

rhythm

to start recording. (See "Hints On

Playing"

belowl.

Play

the

chord progression

to

be

8 recor.

ded

and,

if required, vary

the

bass

pattern

using

the

BASS VARIATION select buttons.

Cl)

To

stop

recording, press

the

START & STOP

button.

(The LEDs will

turn

off.)

'---

..

_----------------------'

• With

two

chords per bar',

it

is

possible

to

record up

to

64

bars,

chords

plus bass,

on

each track.

When

the

recordi

ng

capacity

of

a track has been reached,

the

RECORD LEDs

turn

off and no more

is

recorded

although

the

accompaniment

can still

be

heard.

To record more

than

64

bars,

use

more

than

one

track

and

play

them

back

one

after

the

other

as described on

the

(

To

record the chords, then the bass )

~--------------------

Recording chords

o

Stop

the

rhythm.

8 Select a Fascinating Chord mode. (See 8

to

the

left)

Press

the

CHORD RECORD

button.

o Select

the

track

to

be recorded.

(See"

to

the left)

[

0se

..

lect

the

accompaniment

tone

and

rhythm.

(See

o

to

the

left)

....

V

Start

the

rhythm

to

start recording. (See "Hints On

Ci)

Playing" below)

Play

the

chord progression

to

be recorded.

8 After recording all

the

chords, press

the

START &

STOP

button.

Recording bass

Press

the

BASS

RECORD

button

and select

the

bass

o

pattern

to

be used

in

the beginning

of

the tune. (See

•

to

the

left)

Starting

the

rhythm starts replaying the. chords

that

o has been recorded, at

the

same time recording

the

bass.

Listening

to

the

replayed chords, press one

of

the

• BASS VARIATION (1/2!3/AUTO VARI) buttons

every time a change

in

bass pattern

is

required.

(D

When

all the recorded chords have been replayed,

the

LED

above the BASS RECORD

button

goes

off.

V···

4&

To

stop

recording, press

the

START & STOP

button.

(The LEDs will

turn

off.)

-13

-

C

To

repla y

the

recorded chords and bass )

~--------------------

rhythm.

Press

the

REPLAY

button.

(The

LED

above it and

one

of

the

SE

LECTO R's

1/2/3

LEDs will light.)

Press

the

SE LECTOR

button

to

select

the

track

to

be

replayed.

(The

corresponding

LED

lights.)

Select

the

accompaniment

tone

(ACCOMP. PIANO/

GUITAR),

rhythm

(AUTO RHYTHM) and preset

voices (ORCHESTRAL PRESETS, SOLO SYNTHE

PRESETS)

to

be used.

"Since

what

is

actually recorded are

the

chords and

bass,

other

elements can

be

freely selected when

replaying. V

r---------------

Start

the

rhythm.

The accompaniment recorded

in

the

selected

track

will be replayed repeatedly.

.,

Play

the

melody

to

the

accompailiment.

All

the

key-

board

can

now

be used for melody (FULL

KEY

SPLIT

mode).

To

stop

replaying, press

the

START & STOP

button.

To

disengage Compucorder, press

the

REPLAY but-

ton

so

that

the

LED

above it goes off.

• While

the

recording

is

made

in

a Key Split mode

(1

or

21.

melody

can

be

pJayed on

the

full keyboard (FULL).

• When

the

recording has been made

in

the

MULTI-F,INTER

mode

of

the

Fascinating Chord, some replayed chords may

be

different

from

those played originally; this

is

because

the

microcomputer recorded chords

other

than

the

nine basic

chords (majors, minors, sevenths, minor sevenths, aug-

mented, suspended fourths, minor diminished fifths, minor

sevenths diminished fifths, major seventhsl

by.

converting

them

into one

of

these nine basic chords. (See page 10)

HINT

ON

PLAYING

-------------,

. It

is

easier

if

the

recording

is

done

at

a slower

tempo,

then

playing it back

at

the

faster, required, tempo.

[:-

,

2.

If

the

rhythm

is

started using

the

SYNCHRO START

,

button

instead of

the

START & STOP

button,

re-

cording can be started when one of

the

accompani-

ment

keys

is

pressed.

3. If

the

CHORD MEMORY

button

is

pressed, recording

of

the

same chord continues even after

the

key

is

re-

leased.

I 2 3

c::::I

~c:::J

000

0

CHORD BASS SELECTOR

REF'LAY

-AECORO-

,

Cl]I':1PUC~

To

insert

the

Compucorder's replay into

apart

of

aper-

I formance (to start Compucorder's replay

in

the

middle

of

a tune)

1 Follow items 0 ,• and •

to

the

left.

2 Press

the

REPLAY

button

again so

that

the

LED

above goes off.

3

Start

the

rhythm and start playing without Compu-

corder.

4 At

the

point you want

to

start

the

accompaniment

replayed by Compucorder, press

the

REP

LA

Y

button:

The

LED

above lights qtld

the

accompaniment starts.

5 When you want

to

finish

theaccompaniment

replayed

by Compucorder, press

the

REPLAY

button

again:

The

LED

above goes

off,

the

accompaniment stops

but

the

rhythm

continues.

If you want

to

finish

the

performance

then,

press

the

START & STOP

button:

The rhythm also

To replay a

tune

with more

than

64

bars which has been

recorded

on

more

than

one track.

If

the

SE

LECTO R

button

is

pressed while replaying a

track,

the

replay

of

the

track stops and

the

next track

is

replayed from

the

beginning (in

the

order track 1 -

2.-

3 1 -

..

.). Using this function, it

is

possible

to

skip

+

64

from one track

to

the

thus

to

play its full

192 bars) continuously.

14 -

I

MAGie

FOOT

SWITCH AND EXPRESSION PEDAL

MAGie

FOOT

By

eonneeting

the

foot

switeh provided

to

the

FOOT

SW

terminal

on

the

side panel,

Sustain,

Piteh Bending

or

Intro &

Filiin

can

be

eontrolled

by

foot.

The

function

eontrolled

by

the

foot

switeh depends

on

the

setting

of

the

MAGIC FOOT (SUSTAIN/BEND/

FILL

IN)

selector.

MA,N

FOOT

LN

VOl

PITCH

sw

MIC

M'C

SOLO

\

~

~I

1 SUSTAIN

The

foot

switeh has

the

same fune-

SUSTAIN

Cl

CJ

tion

as

the

ORCHESTRAL SUS-

SEND

FILL IN TAIN

button.

When using

this

funetion with the

foot

switeh,

the

ORCHESTRAL SUSTAIN

button

should be switehed off.

3

INTRO

&

FILL

IN

The

foot

switeh has

the

same fune-

tion

as

the

INTRO &

FILL

IN but-

ton.

Press

the

foot

switeh

to

insert

the

Intro & Fill

In

rhythm

in

the

middle

of

a

tune

or

to

start a

tune

with

the

Intro & Fill In

rhythm.

2 SEND

This allows the piteh

to

be lowered

by

half a

tone;

it

is

partieularly eon-

venient

when

used

to

give a gliding

effeet

of

a Hawaiian guitar.

This

is

usually used

with

the

Solo

Synthesizer Preset voiee

but,

by

pressing

the

SOLO CANCEL but-

ton,

it works

with

all

the

tones

produeed

by

the

KB-700.

EXPRESSION

PEDAL

Sy

eonneeting

the

optional

Expression Pedal

to

the

EXP PEDAL terminal

on

the

rear panel,

the

overall volume

ean

be eontrolled

by

foot.

The

volume inereases

or

deereases aeeording

to

the

amount

by whieh

the

Expression Pedal

is

depressed.

• Use

the

KX-1

or

KX-2 Expression Pedal.

HEAD AUX OUT

PHONE

R L

-15

-

CONNECTION

TERMINAL AND PITCH CONTROLS

Q HEADPHONE

By

connecting stereo headphones you can enjoy private

listening

wh

ich

will not disturb

other

people.

AUX OUT

Connect

to

the

input terminals

of

a stereo system, etc. for recording

or

to

listen with

the

better

tone

provided

by

the

stereo system's speakers. To cut off

the

sound from

the

KB·700's speakers, insert a headphone plug (or Shorting plug, etc.) into

the

HEAD-

PHONE terminal.

Stereo system

Connection

cord CN-160

(stereo

phono

plugs stereo

phono

plugs)

(Extension

cord:

CN·163)

Connection

cord

CN-132

(stereo

phono

plugs

mono

miniplugl

•t I

c~~'~o

"d~

""~t"'OO.

i

~1I1JC]J:::.t>

C~:~~on,'-g-U-ita-r-a-'mp,

etc. Plug

Adaptor

Ap·l00

(mono

mini

plug

-

mono

phone plug)

VICTRON G series:

to

AUX

IN

jack

VICTRON Mseries:

to

EXP

IN

jack

CN·132

+

AP·l00

(The volume of

the

KB·700 can

be

controlled

(Plug

Adaptor)

with

the

Victron's Expression Pedal)

•

If

the

output

volume

of

the

KB-700

is

too

high, sound from

the

connected equipment may

be

distorted. To prevent this, set

the

TOTAL VOLUME control

to

about

the

mid-point and control

the

volume with

the

volume control

of

the

connected equipment.

SOLO PITCH

Use

this

to

adjust the overall pitch

of

Solo Synthesizer

Presets.

MAIN

PITCH

Use

this

to

adjust

the

pitch of voices other than Solo

Synthesizer Presets.

'--

_________

.....

___

~

_______

....J

~

With

both

controls, the standard pitch

is

A =442

Hz.

Turn clockwise

to

raise the pitch and counterclockwise

to

lower the pitch.

FOOT

SW

MIC IN

Connect

the

monaural input from a microphone,

other

electric instrument, etc. Adjust

the

level

with the

MIC

VOL contro!. With a microphone: The KB-700's various effects (Ensemble, Presence Control,

etc.) can

be

used

to

enhance vocals.

With an electric guitar, synthesizer, etc.: The KB·700 can be used

to

give addi-

tional stereo effects.

With

the

tape deck, stereo system, etc.: Playback

is

through

the

KB-700's

_ _

••

['!!3 speakers. This lets you play

or

sing atong with professional

..

-111111

I,

I musicians.

By

recording this performance you can make

multi-track recordings.

-16

-

TROUBLES

HOOTING

What seems

to

be a

matfunction

is

not

always serious;

in

case

of

trouble, check

the

following before calling for service.

is

not

audible.

arpeggio

nor

rhythmie

accompaniment

are

audible.

.

SOLO

SYNTHE

PRESETS

are

not

audible,

ße

input

to

the

MIC

IN

terminal

is

not

audible.

.

The

Fascinating

Chord

automatie

accompaniment

cannot

be

stopped.

The

Fascinating

Chord

automatie

aceompaniment

stops

automatically,

Is

the

corresponding slide

control

of

the

STEREO

PAN

its

battom

position?

(see

page

4)

Those sounds are produeed

only

during

automatie

aceompaniment

(Fascinating

Chord

ONE

FINGER,

MULTI-FINGER

or

Compueorder

REPLAY

mode) and when

the

Auto

Rhythm

is

started.

Is

the

SOLO

CANCE

L

button

depre5sed?

15

the

MIC

VOL

control

adjusted

The

CHORD

MEMORY

button

may be

rlelnr.,.

••

,rl

The

SYNCHRO

START

button

may be depressed and

the

CHORD

MEMORY

button

not:

In

this

case,

the

rhythm

and aecompaniment

continue

only

when

an

aceompaniment

key

is

depressed. (p.9)

r---~----

-~~-"'-----------I--------------------------"~------I

The

KEY

SPLIT

button

does

not

function.

Is

the

KB-700

using

the

Fascinating

Chord

or

Compueorder7

A

Key

Split

mode

(1

or

2)

is

always engaged

during

a Fascinating

mode

(ONE

FINGER

or

MULTI

FINGER).

(P. 9)

The

Key

Split

is

always

in

the

FULL

mode when replaying

with

Compueorder.

(p. 14)

Bass

and

arpeggio

of

the

Fascinating

Chord

MULTI

Possibly

the

chord

played

by

the

left

hand

is

other

than

the

nine basic

._F_I_N_G_E_R_m_o::e_~ar~e~n~o~~ne

In

recording, the

Compucorder

employs

both

the

Fascinating

Chord

and

Auto

Rhythm

functions.

It

is

thus necessary

to

start

the

rhythm

for

(p.13)

with

the

ch_o_r_d_s.

____

+-_c_h_o_rd_s_o_f_t_h_e_m_ic_ro_c_o_m_

p

'--u_t_e_r_

•

.;..(p,,-p_,

_1_4.:.-,

_'

0_1

-----------------1

Chords

replayed

by

the

Compucorder

are

so

me- Possibly

the

chords may be

other

than

tlTe

nine basic chords

of

the

times

different

from

those

played

orignally

when

microcomputer.

(pp, 14,

10)

Irecording.

Chords

a-re-n-o~t-re-corded

by

tOO

Compucorder,

The

Ultra

Chord

effect

functions

only

when

a

chord

is played

by

the

accompaniment keys, except when replaying

Compucorder

with

which

automatically.

(p.

11

)

The

Ultra

Chord

harmony

is

not

audible.

effect

is

executed

only

with

the

Organ end Jazz Organ

PRESETS.

(p.

7)

The

Tremolo

does

not

rurlcuon.

TheTOTAL

VOLUME

control

maybe

too

high; set a

little

lower,

(P. 3)

When sound

trom

connected equipment

Is

distorted,

also cheek

the

TOTAL

VOLUME

control

of

the

KB-700.

Keep

the

TOTAL

VOLUME

around

the

mid

position

and increase

the

lIolume

with

the

controls

of

the

connected

equipment.

(P.

161

.

Sound

is

distorted.

SOLO

SYNTHE

PRESETS

are

out

of

tune.

The

adjustment

of

SOLO

PITCH

control

may

not

match

that

of

the

MAIN

PITCH

control.

16)

SAFETY PRECAUTIONS

• Power should be supplied to

the

KB-700 from an ordinary

household

AC

outlet.

To avoid malfunctions or accidents,

use only

the

power cord provided.

• Carefully handle all power and connection cords:

• To disconnect, be sure

to

grasp

the

plug,

not

the

cord.

• Never handle cords

with

wet

hands.

• Avoid unnecessary or excessive bending

of

the

cords.

•

00

not

damage

the

cords.

• Never splice cords.

• Oisconnect

the

power cord immediately

in

the event

of

an electrical storm.

• Even

with

the power switched

off,

the

KB·700 uses a small

amount

of

current.

If

you do

not

use the instrument for

a long period

of

time,

disconnect

the

power cord for safety.

•

00

not

open the KB-700,

or

attempt

any adjustments

or

repairs

of

its internat components; a serious accident or

malfunction could result.

For maintenance

and

repairs, leave

the

matter to a qualified

JVC dealer.

• To prevent accidents or malfunctions, avoid using

the

KB-700 under

the

following conditions:

• Prolonged exposure

to

direct sunlight.

•

In

environments where the temperature exceeds 40°C or

falls below _5°C.

• Under high-humidity conditions.

• Near a heater, stove, fireplace or other heat source.

•

In

extremely dusty environments,

or

places subject

to

vibrations.

• Near a TV set.

• Never leave the instrument

in

a car

on

a hot day

as

mal-

functions or external damage may result.

• To clean

the

KB-700, use a dry cloth, or one moistened

with

water

or

a neutral detergent.

Never use benzine or thinner, as

they

may crack, discolor,

or otherwise damage

the

surface finish.

17 -

SPECIFICATIONS

Other

switches & :

Power

switch,

Total

volume

contral,

Mic

controls

volume

contral,

Solo

synthesizer

presets

pitch

control,

Main

pitch

contral

Terminals

& jacks : AC

input,

DC

input,

Stereo

auxiliary

out-

put,

Mic

input,

Expression pedal,

Foot

switch,

Headphones

Speakers

:

14

cm

x 2

Solo

Synthesizer

4,

with

upper/lower

selector

Amplifieroutput

: 4 W x 2 (AC

operation)

Presets

Weight :

9.3

kg

(without

batteries)

Dimensions : 950(W) x

330(0)

x

99(H)

mm

Rated

power

:

AC

120/220/240

V switchable,

50/60

Hz

Controls:

SOLO

CANCEL,

SOLO

KEYING

supply

OC

12

V (car

battery

or R20

batteries

x

8)

Orchestral

Presets:

12,

with

upper/lower

selector

Rated

power

:

45

W

Number

of

keys

61

Upper

String

Ensemble:

Piano

consumption

Battery

life : 2 hours

of

continuous

operation

at

maximum

output

Organ

Jazz Organ Provided :

AC

cord,

foot

switch,

owner's

manual,

Harpsichord

Hawaiian

Guitar

accessories

dust

cover

Trumpet

Vibraphone

Clarinet

Jazz

Flute

Options

: KC-20

KS-10

Soft

Carrying Case

Stand

Accompaniment

:

Bass,

String

ensemble

KX-l0

Expression Pedal

tones

KX-20 Expression Pedal

Effects

MAGIC

FOOT selector

(SUSTAIN/

HP-717

Stereo

Headphones

BEND/FILL

IN),

ULTRA

CHORD

HP-M7

Stereo

Headphones

selector

(CLOSED/OFF/OPENI.

SUSTAIN HP-Vl

Stereo

Headphones/Microphone

controls

(ORCHESTRAL,

BASS), Headset

PRESENCE

CONTROL,

STEREO/EN-

MD-260

Microphone

SEMBLE

selector,

TREMOLO

switch,

ORCHESTRAL

SUSTAIN

switch

Stereo

Pan

Pot

5 Pan

pots

(BASS, ACCOMP &

ARPEG-

Mixer G 10,

STRINGS,

ORCHESTRAL,

SOLO

SYNTHE

& MIC)

7 Mixer

controls

(AUTO RHYTHM, BASS,

ACCOMP,

ARPEGGIO,

ACCOMP Design & specifications are

subject

to

change

with-

STRINGS,

ORCHESTRAL,

SOLO

out

notice.

SYNTHE)

Auto

Rhythm

14,

with

upper/lower

selector

Electric

Piano

Rock'n'

Roll

:

Rock

11

Upper

Lower

Waltz

POlk-a-/M:--ar-c-h---1

Samba

Rhumba

Bossa-Nova

Tango

Controls:

START

& STOP,

SYNCHRO

START,

INTRO&

FILL

IN,

RHYTHM TEMPO,

BEAT

CON-

DUCTOR

Fascinating

3

modes

(NORMAL,

ONE FINGE R,

Chord

MULTI-FINGER),

CHORO MEMORY,

ACCOMP selector

(PIANO/GUITAR),

ARPEGGIO

VARIATION

selector

(1/2/3),

BASS VAR IATION selectors

(1,2,3,

AUTO)

KEY

SPLIT

selector

(FULL/l!2j,

KEY

TRANSPOSE

switch

Compucorder

RECORD

(CHORD, BASS),

SELECTOR,

REPLAY

18 -

JVC KB-700 User manual

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