KALI AUDIO IN-5-C User manual

KALI AUDIO IN-Series 2nd Wave Studio Monitor User’s Guide 1
Project Independence
3-Way Coincident Studio
Monitors
IN-5/IN-5-C/IN-8 v2
User’s Guide

KALI AUDIO IN-Series 2nd Wave Studio Monitor User’s Guide 2
Table of Contents
IMPORTANT SAFETY INFORMATION………………….................…………….….3
ABOUT YOUR STUDIO MONITOR.…………..……….....................…………….….5
FEATURES/2ND WAVE.......................................................................................7
FULL SPECIFICATIONS………………………………...……......................……...….……8
INPUTS AND CONTROLS……………………………...………....................……..………9
DIP SWITCHES........................................................………...….................………….12
CLIMATE CONSIDERATIONS..........................................................................15
STANDBY MODE.................................................................................................15
FIRST TIME SETUP……………………..…………………..........................…...…….…....15
TROUBLESHOOTING…………………………..………….....................…...………..…...16
WALL/CEILING MOUNTING............................................................................17

KALI AUDIO IN-Series 2nd Wave Studio Monitor User’s Guide 3
Important Safety Information
1. Read these instructions.
2. Keep these instructions.
3. Heed all warnings.
4. Follow all instructions.
5. Do not use this apparatus near water.
6. Power the product down, and unplug it from power before cleaning.
7. Clean only with a dry cloth.
8. Do not block any ventilation openings.
9. Keep ventilation opening free of dust or other matter.
10. Do not install near any heat sources such as radiators, heat registers, stoves, or other
apparatus (including ampliers) that produce heat.
11. No naked ame sources (such as lighted candles,) should be placed on the product.
12. Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized
plug has two blades, with one blade wider than the other. A grounding-type plug has
two blades and a third grounding prong. The wide blade or the third prong are provided
for your safety. If the provided plug does not t into your outlet, consult an electrician for
replacement of the obsolete outlet.
13. Protect the power cord from being walked on or pinched, particularly at plugs, recep-
tacles, and at the point where they exit the apparatus.
14. Use only attachments and/or accessories specied by the manufacturer.
15. Use only with a cart, stand, tripod, plate, bracket, or table specied by the manufac-
turer. When a cart is used, use caution when moving the cart/apparatus combination to
avoid injury from tip-over.
16. Unplug this apparatus during lightning storms or when unused for long periods of
time.

KALI AUDIO IN-Series 2nd Wave Studio Monitor User’s Guide 4
Important Safety Information
17. Refer all servicing to qualied service personnel. Servicing is required when:
A. The apparatus is damaged in any way
B. The power supply cord or plug is damaged
C. Liquid or other objects have fallen into the product
D. The product has been exposed to rain or moisture
E. The product does not operate normally
F. The product has been dropped
18. This apparatus shall not be exposed to dripping or splashing.
19. No object lled with liquids, such as a vase or a glass, should be placed on the appara-
tus.
20. This apparatus is to be used in a moderate climate. Do not expose to extremely high
or low temperatures.
21. High sound pressure in excess of 85 dB can cause hearing damage and/or loss. Do
not expose yourself to high sound pressure levels.
The lightning bolt with arrowhead symbol within an equilateral triangle
is intended to alert the user to the presence of uninsulated “dangerous
voltage” within the product’s enclosure that may be of sufcient magni-
tude to constitute a risk of electric shock to persons.
The exclamation point within an equilateral triangle is intended to alert
the user of the presence of important operation and maintaining (servic-
ing) instructions in the literature accompanying the appliance.

KALI AUDIO IN-Series 2nd Wave Studio Monitor User’s Guide 5
About Your Studio Monitor
Congratulations on your Kali Audio IN-Series Studio monitors! These monitors were de-
signed to deliver exceptional accuracy in all sorts of recording, mixing, and production
applications. The unique coincident architecture of the midrange and tweeter make the
IN-Series an extraordinarily innovative system. Combining reference level accuracy, very
low distortion, and wide bandwidth with a hyper-realisitic 3-D image, the IN-Series will
reveal an exceptional level of detail in every mix.
Where does “IN” come from?
The ofcial name of this product line is “Project Independence.” Kali names all of our
product lines after towns in California. Independence is a town in the Eastern Sierra. On
the map, it is “one up” from Lone Pine. As the IN-Series shares many components with,
and offers many improvements over, our Lone Pine series of monitors, we thought it was
a fun way to distinguish the two products.
Features
3-Way Coincident Architecture
The IN-Series features an 5-inch woofer in the IN-5, and an 8-inch woofer in the IN-8. Both
have a 4-inch mid-range driver, and a 1-inch soft dome tweeter. The mid-range driver and
the tweeter are coincident, meaning that they share the same acoustic center. You might
have heard the terms “coaxial” or “concentric” to describe this arrangement. Those terms
are technically correct as well.
Because of the coincident placement of the mid-range and tweeter, and the crossover of
the woofer to the mid-range IN-Series monitors act as an acoustic point source. This gives
them an ideal directivity characteristic for a studio monitor. You will be able to hear a very
lifelike stereo image, with details placed clearly and consistently. Off-axis lobing that is
unavoidable in a 2-way system is virtually eliminated with the IN-Series monitors
Substantial work was done to optimize the mid-range driver not only for its own acoustic
performance, but also for its role as the waveguide for the tweeter. The shape is very pre-
cise to allow for controlled directivity at mid range to tweeter crossover, ensuring accurate
summing both on- and off-axis. Excursion on the midrange is limited to less than 1mm
peak to peak, so that the oscillation of the mid-range does not have a negative effect on
the tweeter.

KALI AUDIO IN-Series 2nd Wave Studio Monitor User’s Guide 6
Features
Output
The IN-5 and IN-8 are designed to have a continuous output of 85 dB at 2.2 and 3.5 me-
ters, respectively, with 20 dB of dynamic headroom. This makes the IN-5 ideal for most
near-eld monitoring applications, and the IN-8 ideal for near-to-mid-eld applications.
20 dB of headroom ensures that momentary peaks in sound pressure level, including
instruments like kick drum and effects like gunshots or explosions, can be reproduced
accurately and with minimal distortion.
The IN-Series monitors are equipped with a limiter circuit that will protect the speakers
from unsafe voltage levels. This will be plainly audible as distortion, indicating that the
speaker is receiving too much input signal. If this is the case, it is recommended to reduce
the volume of the playback material.
Low Noise Port Tube
The IN-Series monitors share port tube technology with Kali’s LP-Series, which was de-
signed to deliver all the benets of a front-ring port tube, without any drawbacks associ-
ated with noise.
On most port tubes, air leaves at different speeds from different points of the opening,
creating noisy turbulence. This turbulence can be heard as “chufng,” or an audible air
sound coming from the monitor. This sound will add to the noise oor and obscure the
details of the low end.
The port tube on Kali’s speakers was designed to ensure that all of the air leaves the port
tube at the same velocity. This helps add to the low end response of the speaker, while
keeping the bass clean, tight, and devoid of extra noise.
DSP
The IN-5 and IN-8 are equipped with digital signal processing (DSP.) The DSP on the
IN-Series controls the loudspeaker’s tuning, the limiter function, the crossover, the
boundary EQs, and user denable HF and LF trim.
About Your Studio Monitor

KALI AUDIO IN-Series 2nd Wave Studio Monitor User’s Guide 7
Features
Boundary Compensation EQs
Kali’s team came up with boundary compensation EQ settings at The Village Studios in
Los Angeles to help you get the optimum sound for where you need to put your speakers.
Combined with the LF and HF trims, this will ensure that the speakers sound their best
no matter what room you’re mixing in.
A full listing of the different boundary EQ settings and how to use them can be found on
page 12 of this manual.
2nd Wave
The IN-Series uses Kali’s 2nd Wave technology platform, which realizes several advantages
over our older products. All IN-5s are part of the 2nd Wave, and IN-8s now have two ver-
sions: the current 2nd Wave version and the original version. The 2nd Wave version was
launched on May 17, 2021, so if you bought your IN-8 before that date, it is an original ver-
sion. Documentation for the original version can be found at KaliAudio.com/Product-His-
tory. This user’s manual does not apply to the original version.
To learn more about our 2nd Wave platform, and to check whether an IN-8 you have is
the original version or 2nd Wave, visit KaliAudio.com/secondwave.
About Your Studio Monitor

KALI AUDIO IN-Series 2nd Wave Studio Monitor User’s Guide 8
Specifcations
IN-5 IN-8
Powered: Yes
Amplier Class: D
Power Conguration: Tri-Amped
HF Power: 40W (Continuous)
Midrange Power: 40W (Continuous)
LF Power: 80W (Continuous) 60W (Continuous)
Total Power: 160W (Continuous) 140W (Continuous)
HF Driver: 1” Textile Dome
Mid-Range Driver: 4” Optimized Prole, Paper
LF Driver: 5-Inch Paper 8-Inch Paper
Crossover (LF to Mid-Range:) 280 Hz 280 Hz
Crossover (Mid-Range to HF:) 2800 Hz 2800 Hz
Frequency Response: (-10dB) 39 Hz - 25 kHz 37 Hz - 25 kHz
Frequency Range: (+/-3 dB) 47 Hz - 21 kHz 45 Hz - 21 kHz
Recommended Listening Dis-
tance:
.5 - 3 Meters .5 - 4 Meters
Max SPL (Peak @ 1M): 115 dB 117 dB
System THD
(IN-5 85dB SPL @1m
IN-8 90 dB SPL @1m):
<2% from 50 Hz - 220 Hz
<1% from 220 Hz - 6800 Hz
<0.5% above 6.8 kHz
<1% from 50 Hz - 250 Hz
<0.5% from 250 Hz - 400 Hz
<.3% above 400 Hz
Unbalanced Inputs: 1 x RCA
Balanced Inputs: 1 x XLR, 1 x TRS
TRS/XLR Input Sensitivity: 97dB SPL @1m (anechoic) for +4dBu input.
RCA Input Sensitivity:` 97dB SPL @1m (anechoic) for -10dBV input.
Enclosure: Front Ported
Height: 15.1 Inches (38.2 cm) 17.75 Inches (45.1 cm)
Depth: 11.2 Inches (28.2 cm) 11.25 Inches (28.5 cm)
Width: 8.2 Inches (20.6 cm) 10 Inches (25.4 cm)
Weight: 19 lbs (8.43Kg) 23 lbs (10.4 Kg)

KALI AUDIO IN-Series 2nd Wave Studio Monitor User’s Guide 9
Inputs and Controls

KALI AUDIO IN-Series 2nd Wave Studio Monitor User’s Guide 10
XLR Input (+4 dBu Sensitivity)
The XLR input is for use with professional audio devices like mixers, interfaces, and
controllers. Depending on your device, it will either use XLR or ¼” TRS outputs,
and either can be used with this speaker. However, do not connect both XLR and
TRS to the same speaker at the same time.
Inputs and Controls
DIP Switch Quick Reference Guide
The quick reference guide on the back of the speaker can help you set the DIP
switches to the appropriate positions for your application without needing to con-
sult this manual.
DIP Switches
The DIP switches control Boundary EQ, HF and LF Trim, and power to the RCA in-
put. A full explanation of the operation of the DIP switches can be found on page
11.
RCA Input (-10 dBV Sensitivity)
The RCA input is for use with consumer devices like record players, laptops, smart
phones, and media players. Commonly, the playback device will either have an
RCA or a 3.5mm (Aux) output. Cables from either of these outputs to RCA are easy
to nd.
By default, the RCA input on the speaker is OFF. This is to prevent interference
when that input is not being used. When connecting to the RCA input, enable it
by moving switch #8 on the DIP switches UP to the ON position. If the RCA input
is no longer being used, be sure to move switch #8 back DOWN to the OFF posi-
TRS Input (+4 dBu Sensitivity)
The TRS input is for use with professional audio devices like mixers, interfaces, and
controllers. Depending on your device, it will either use XLR or ¼” TRS outputs,
and either can be used with this speaker. However, do not connect both XLR and
TRS to the same speaker at the same time.
Unbalanced, TS 1/4-inch cables should not be used.

KALI AUDIO IN-Series 2nd Wave Studio Monitor User’s Guide 11
Inputs and Controls
Volume Control
The volume control allows users to adjust the output of the speaker from -∞ to
+6 dB. There is a center detent at the +0 dB setting, and this is where Kali recom-
mends you leave the volume setting, adjusting the level instead from your device.
Two notable exceptions to this recommendation are:
1. If you are working in an asymmetrical room, it may be necessary to have
one monitor louder than the other to achieve balance.
2. If your playback device does not have an independent volume control, it
Power Input
Connect the provided power cord to this input. The IN-Series speakers have an
international switch-mode power supply, so there is no need to set the speaker for
your local voltage
On/Off Switch
Power the speaker on and off. Be sure to power the speaker off when connecting
or disconnecting the power cable, during lightning storms, or during extended
periods of disuse.

KALI AUDIO IN-Series 2nd Wave Studio Monitor User’s Guide 12
Boundary EQs & DIP Switch-
One of the most innovative features of the IN-Series monitors are the boundary compensation EQs. These
EQs were made to compensate for low frequency interactions that the speakers will have with various sur-
faces in many common placements.
Each set of DIP switches controls one aspect of the speakers performance, independent of the other
switches. For this reason, the explanations of the different DIP switch settings will only reference the set of
switches currently applicable.
You’ll notice that position 8 is for an speaker that is sitting horizontally on a console bridge. If you’re using
your speaker horizontally in any other application, the regular boundary EQ is valid for both horizontal and
vertical placement.
Switches 1-3: Boundary Compensation EQs
Position 1: Free Space
The speaker is on a monitor stand, at least .5 meters (about 20 inches)
away from any walls. This is the ideal position for the loudspeaker.
Switch 1: DOWN
Switch 2: DOWN
Switch 3: DOWN
Position 2: On Stands, Close to a Wall
The speaker is on a monitor stand, and is within .5 meters (20 inches) of a
wall, without being butted right against one.
Switch 1: UP
Switch 2: DOWN
Switch 3: DOWN
Position 3, On Stands, Against a Wall
The speaker is on a monitor stand, and is as close to a wall as it can be
without pinching the cables on the back.
Switch 1: DOWN
Switch 2: UP
Switch 3: DOWN

KALI AUDIO IN-Series 2nd Wave Studio Monitor User’s Guide 13
DIP Switches
Switches 1-3: Boundary Compensation EQs
Position 4: Console Bridge, Vertically
The speaker is sitting vertically on a console bridge or meter bridge.
Switch 1: UP
Switch 2: UP
Switch 3: DOWN
Position 5: On a Desk, Away from Walls
The speaker is on a desk or table, and is more than .5 meters (20 inches)
away from any walls.
Switch 1: DOWN
Switch 2: DOWN
Switch 3: UP
Position 6: On a Desk, Close to a Wall
The speaker is on a desk or table, and is within .5 meters (20 inches) of a
wall, without being butted right against one.
Switch 1: UP
Switch 2: DOWN
Switch 3: UP
Position 7: On a Desk, Against a Wall
The speaker is on a desk or table, and is as close to a wall as possible with-
out pinching any cables.
Switch 1: DOWN
Switch 2: UP
Switch 3: UP
Console Bridge, Horizontally
The speaker is sitting horizontally on a console bridge.
Switch 1: UP
Switch 2: UP
Switch 3: UP

KALI AUDIO IN-Series 2nd Wave Studio Monitor User’s Guide 14
DIP Switches
Switches 4&5: Low Frequency Trim
The Low Frequency trim will add or subtract 2 dB from the Low Frequency response of the speak-
er. This can be done as a matter of personal taste, or if the room you’re mixing in requires addi-
tional adjustment beyond what is offered by the boundary compensation EQs.
Switch 4: Engage LF Trim
DOWN: LF Trim Disengaged
UP: LF Trim Engaged
Switch 5: Adjust LF Trim:
DOWN: -2 dB in Low Frequencies
UP: +2 dB in Low Frequencies
Note: Switch 5 does not function independent of switch 4. If switch 4 is
DOWN, the LF trim will be DISENGAGED, and switch 5 will have no effect.
Switches 6&7: High Frequency Trim
The High Frequency trim will add or subtract 2 dB from the High Frequency response of the
speaker. This can be done as a matter of personal taste, or if the room you’re mixing in requires
additional adjustment beyond what is offered by the boundary compensation EQs.
Switch 6: Engage HF Trim
DOWN: HF Trim Disengaged
UP: HF Trim Engaged
Switch 7: Adjust HF Trim:
DOWN: -2 dB in High Frequencies
UP: +2 dB in Low Frequencies
Note: Switch 7 does not function independent of switch 6. If switch 6 is
DOWN, the HF trim will be DISENGAGED, and switch 7 will have no effect.
Switch 8: RCA
Switch 8 turns the RCA input on and off. By default, the RCA input on the
speaker is OFF. This is to prevent interference when that input is not being
used. When connecting to the RCA input, enable it by moving switch #8
on the DIP switches UP to the ON position. If the RCA input is no longer
being used, be sure to move switch #8 back DOWN to the OFF position.

KALI AUDIO IN-Series 2nd Wave Studio Monitor User’s Guide 15
First Time Setup
• Before you plug the speaker in, make sure that the power switch is in the OFF position
• Plug the speaker in
• Connect audio cables
◊ If you’re connecting RCA, make sure that DIP switch #8 is switched UP to the ON posi-
tion
◊ If you’re connecting XLR or TRS, make sure that DIP switch #8 is switched DOWN to the
OFF position
◊ Do not connect more than one audio cable to the speaker at the same time.
• Turn the volume knob counter clockwise as far as it will go
• Turn the speaker on
• Start playing material from your playback device at a low volume
• Slowly turn the volume knob clockwise to the center detent, -0 dB position. Make sure you hear what
you’re playing
• Set the boundary EQ for your application. Refer to page 12 above.
• Repeat these steps for every speaker you’re using.
• Sit in your listening position, and turn the volume up on your playback device to the desired level
• Enjoy your new studio monitors!
Climate Considerations
The IN-series studio monitor’s enclosure is made of MDF wood and wrapped in vinyl, which is sensitive to
heat and humidity. The product should be kept and used in a climate-controlled environment. Exposure to
direct sunlight, moisture, or consistent humidity above 65% may cause the vinyl laminate to detach. Addi-
tionally, do not set anything on top of the speakers, as this can cause discoloration or warping of the vinyl.
This is not covered under warranty.
Standby Mode
The IN-series studio monitors do not feature a standby mode. If you wish to save energy when not using
the speakers, it is recommended to turn them off. Using an external switch, such as a surge protector,
lightswitch, or smart plug, will not harm the speaker.

KALI AUDIO IN-Series 2nd Wave Studio Monitor User’s Guide 16
Troubleshooting
1. I opened the speaker, and it is damaged.
If you received a speaker that is obviously damaged, please contact your dealer immediately.
2. The speaker is making no sound.
• Is the speaker plugged in?
• Is the speaker turned on? There should be a blue LED on the front of the speaker if it’s on. If this light is
off, the speaker is turned off.
• Is the volume turned up?
• Are all cables plugged in to both your playback device and the speaker?
• Are you passing audio via your playback device?
• Are you using RCA? If so, have you moved DIP switch #8 UP to the ON position?
If you’ve answered “Yes” to all the above and the speaker is still not making any sound, refer to number 5
below.
3. The speaker sounds distorted.
• Is the speaker playing too loud? Turn down the volume on the back of the speaker. If the distortion goes
away, you may be playing the speaker too loud. Besides the problem of distortion, this can be damaging
to your hearing if you are close to the speaker.
If you’ve turned down the volume on the speaker, and you’re still hearing distortion, refer to number 5
below.
4. I hear cracks, hums, or buzzing.
• Are you using RCA?
a. If “yes,” be advised that RCA is an unbalanced connection, and is prone to picking up noise as sig
nal travels through the cable. This is especially true if you are using very long RCA cables.
b. If “no,” be sure that the DIP switch # 8 is moved DOWN to the OFF position.
• Is the speaker close to electronics like a television, wireless router, phone, motor, or radio? If so, these can
interact with the speaker’s magnet in ways that cause unwanted noise. Try moving the speaker at least
.5 Meters (20 inches) from any such devices.
• Are there loose objects in the room that may be buzzing with the bass? Low frequencies can cause ob-
jects in a room to vibrate loudly. Make sure that small, hard objects like screws and other hardware are
secure.
If none of the above solves the problem, refer to number 5 below.
5. Isolate the problem
There are many issues in the signal path which might be causing any of the above problems. Before you
initiate a return, do your best to make sure that the problem isn’t with your cables or your playback device.
Here’s a simple way to check:
• Disconnect your speaker from your source.
• Plug in the problematic speaker and allow it to play for a minute. Take careful note of the problems
you’re hearing.
• Disconnect the problematic speaker, and plug that same cable into another speaker. If you’re hearing
the same issues, there is likely a problem in your signal path, and not the speaker.
If you’ve determined that your problem is with your speaker, contact your dealer to initiate a return.

KALI AUDIO IN-Series 2nd Wave Studio Monitor User’s Guide 17
Wall/Ceiling Mounting
The IN-5-C, as distinct from the IN-5, comes with an attached mounting bracket to facil-
itate mounting the unit on a wall or ceiling. Kali Audio only supports wall mounting the
IN-5-C; no other model is supported.
Do not use this product or any part of this product for any purpose or conguration not
explicity specied in these instructions. Kali Audio hereby disclaims any and all liability
for injury or damage resulting from incorrect assembly, mounting, or installation of this
product and its component parts.
The IN-5-C may be mounted directly to a wall, or attached to a 3rd party wall mount. If
mounting to a ceiling, a 3rd party mount that is rated for the IN-5-C’s weight must be
used. Kali Audio recommends the SM-1 mount from Triad-Orbit. The IN-5-C cannot be
ceiling mounted without additional hardware. Please contact Kali Customer Service re-
garding mounting instructions using Triad-Orbit’s solutions.
Please consult with a qualied installation contractor if:
1. You don’t understand these directions or you have any doubts about your ability
to perform a safe installation.
2. You are uncertain about the nature of your wall or mounting surface.
The IN-5-C has two sets of mounting holes:
1. The exterior oblong holes. These are in a 120mm x 53mm conguration. They
are 6.5mm tall and 13.5mm wide.
2. The interior circular holes. These are in a 42mm x 42mm conguration. They are
6.5mm in diameter.
Either set of these holes may be used to secure the unit to a wall or to a wall mount.
When mounting to a wall, it is highly recommended to screw directy into a stud, or to
use appropriate anchors for your specic mounting substrate. When attaching to a Tri-
ad-Orbit wall mount, use an M6x12 bolt, nut, and lock washer to secure the IN-5-C to the
wall mount.
The hardware that supports wall and ceiling mounting for the IN-5-C is not present in
the IN-5. The exterior bracket of an IN-5-C may not be tted to a regular IN-5 for mount-
ing. Aside from the mounting hardware, the IN-5-C is identical to a regular IN-5. There
are no acoustic or electronic differences between the two models.

KALI AUDIO IN-Series 2nd Wave Studio Monitor User’s Guide 18
IN-5-C Rear View IN-5-C Side View
Height: 15.1 Inches (38.2 cm)
Depth: 14.2 Inches (33.2 cm)
Width: 8.2 Inches (20.6 cm)
Weight: 20 lbs (8.93Kg)
IN-5-C Physical Dimensions

KALI AUDIO IN-Series 2nd Wave Studio Monitor User’s Guide 19
Warranty
What does this warranty cover?
This warranty covers defects in materials or workmanship for a period of one year (365
days) after the purchase date of the product.
What will Kali do?
If your product is defective (materials or workmanship,) Kali will replace or repair the
product at our discretion - free of charge.
How do you initiate a warranty claim?
Contact the retailer from whom you bought the product to initiate a warranty process.
You will need the original receipt showing the date of purchase. The retailer may ask you
to provide specic details about the nature of the defect.
What is not covered?
The following cases are NOT covered by this warranty:
• Damage from shipping
• Damage from dropping or otherwise mishandling the speakers
• Damage resulting from failure to heed any of the warnings outlined on pages 3 and 4
of the user’s manual, including:
1. Water damage.
2. Damage from foreign substances or substances entering the port tube.
3. Damage resulting from an unauthorized person servicing the product.
4. Damage to the outside covering of the speaker resulting from long-term ex
posure to heat and humidity.
5. Damage resulting from the product being left plugged in during an elecrical
storm.
The warranty applies only in the United States. International Customers should
contact their dealer about their warranty policy.