LD LAX8D User manual

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LD LAX8D
8 CHANNEL MIXER WITH DSP
USER´S MANUAL
BEDIENUNGSANLEITUNG
MANUEL UTILISATEUR
MANUAL DE USUARIO
INSTRUKCJA OBSŁUGI

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Thank you for choosing LD-Systems!
We have designed this product to operate reliably over many years. Therefore LD-Systems guarantees for high
quality products with its name and many years of experience as a producer.
Please, take a few moments to read these instructions carefully, as we want you to enjoy your new LD-Systems
products quickly and to the fullest.
For information about LD-Systems check out our website WWW.LD-SYSTEMS.COM
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LD LAX8D
8 CHANNEL MIXER WITH DSP
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1. Please read the attached safety instructions as well as the following instructions carefully.
2. Please keep all the instructions.
3. Please use the device only as intended.
4. Please respect the valid waste management rules. Please deliver the packaging divided into plastic and
paper/ cardboard to the recycling management.
5. Please refer all servicing to qualified personel only if the device is damaged, exposed to liquid/rain or if it does
not operate normally.
6. Please, do not expose to any kind of heat such as ovens, radiators, or any other devices (incl. amplifiers).
Please check for enough distance between amplifiers and walls, racks, etc. to prevent overheating.
7. After connection please check the wiring to prevent any kind of accident or damage.
Please never use any kind of damaged cable and wiring.
8. Only use authorized and stable stands, brackets, shelfs, tables etc.. for installations. Please check for
adequate stability against collapse.
CAUTION:
To reduce the risk of electric shock, do not remove cover (or back). No user serviceable parts inside. Refer
servicing to qualified personnel.
The lightning flash with arrowhead symbol within an equilateral triangle is intended to alert the
user to the presence of uninsulated “dangerous voltage” within the product´s enclosure that may be
of sufficient magnitude to constitute a risk to persons.
The exclamation mark within an equilateral triangle is intended to alert the user to the presence of
important operating and maintenance (servicing) instructions in the literature accompanying the
appliance.
CAUTION
RISK OF ELECTRIC S HOCK
DO NOT O PEN
PREVENTIVE MEASURES:
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FEATURES:
The 8-Channel Mixing Console is designed for professional application. It will provide the following features:
• 4 MIC Input Channels with gold plated XLRs and balanced Line Inputs.
• 24-bit DSP effect built in.
• 2 Stereo Input Channels with balanced TRS Jacks.
• Ultra-low noise discrete Mic Preamps with +48V Phantom Power.
• 2 additional multi-functional Stereo Line Inputs.
• Extremely high headroom offering more dynamic range.
• Balanced Inputs for highest signal integrity.
• Warm , natural 3-band EQ on each channel.
• Peak LEDs and switchable low-cut Filter on each Channel.
• 2 AUX Sends per channel for external effects and monitoring.
• Balanced TRS and XLR outputs , Control Room and Headphone Outputs.
• 2-Track Inputs assignable to Main Mix , Control Room / Headphone Output.
• Highly accurate 12 segment Bar graph Meters.
• Inserts on MIC channels.
• Performance and excellent noise gures
• Rugged construction ensures long life even under the most demanding conditions
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READY TO START:
Please check the AC voltage available in your country before connecting your mixer to the AC socket.
Be sure that the main power switch is turned off before connecting the mixer to the AC socket. Also, you should
make sure that all input and output controls are turned down. This will avoid damage to your speakers and avoid
excessive noise.
Always turn on the mixer before the power amplifier; turn off the mixer after the power amplifier.
Before connecting and disconnecting the unit from the power source always turn off the unit.
Do not use solvents to clean your mixer. A dry and clean cloth will be OK.
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CONTROL ELEMENTS:
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CONTROL ELEMENTS:
1MONO MIC/LINE CHANEL
These are channel 1~4. You can connect balanced, low impedance microphones
or a low level signal to the XLR socket. On the 1/4“ phone jack you can connect
either a microphone or a line level instrument such as synthesizers, drum
machines, effect processors or any other line level signal.
Note: You shall never connect an unbalanced microphone to the XLR socket if
you do not want to damage both the microphone and the Mixer. Also, it is not
possible to simultaneously use both the MIC & LINE inputs on the same channel,
use only one of them for the appropriate source on each channel.
PHANTOM POWER +48 Volts
It is available only on the XLR input sockets.
Do not connect non-phantom equipment to the MIC input when phantom power
is on.
2INPUT LEVEL SETTING
This control is provided with 2 different indication rings: one is for the MIC input
and the other for the LINE input. When you use a MIC input you shall read the
OUTSIDE ring (0~40dB); when you use a LINE input you shall read the INSIDE
ring (+15~-25dB). For optimum operation you shall set this control in a way that
the PEAK LED will blink only occasionally in order to avoid distortion on the input
channel.
3LOW CUT SWITCH
By pressing this button you will activate a 75Hz low frequency lter with a slope
of 18dB per octave. You can use this feature to reduce the hum noise caused by
the mains power supply, or the stage rumble while using a microphone.
4STEREO INPUT (CH5~CH8)
They are organized in stereo pair and provided with 1/4“ TRS sockets. Use the left input to connect a mono
input signal to the STEREO INPUT-this way the signal will appear on both left & right sides. This trick is called
„jack normalling“.
LINE IN 1
BAL OR
UNBAL
LINE
MIC
+15dB -25dB
0dB 40dB
LOW CUT
75Hz 18dB/Oct
MIC 1
1
2
3
LINE IN 5/6 LINE IN 7/8
LEFT(MONO)
RIGHT RIGHT
LEFT(MONO)
4
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53-BAND-EQUALIZER
HI
This is the treble control. You can use it to get rid of high frequency noises or to
boost the sound of cymbals or the high harmonics of the human voice.
The gain range goes from -15dB to +15dB with a center frequency of 12kHz.
MID
This is the midrange control. It can affect most fundamental frequencies of all
musical instruments and human voice. An attentive use of this control will give
you a very wide panorama of sound effects. The gain range goes from -12dB to
+12dB and the center frequency is 2.5kHz.
LOW
This is the bass control. It is used to boost male voice, kickdrum or bass guitar.
The gain range goes from -15dB to +15dB and the center frequency is 80Hz.
6AUX-CONTROL
These two controls are used to adjust the level of signal sent to AUX bus 1&2,
and this adjustment doesn‘t affect the main mix output signal at all.
AUX1 is congured as PRE fader, the signal is sent out before the channel fader
and will not be affected by the channel fader, AUX2 is congured as POST
fader, the signal is sent out after the channel fader and will be affected by the
channel fader. However, it can also be configured as PRE fader through internal
modification.
7PAN
This is the PANORAMA control, or balance control. You can adjust the stereo
image of the signal via this control. Keep this control in center position and your
signal will be positioned in the middle of stage. Turn this control fully counter-
clockwise and the signal will be present only on the left speaker and vice-versa.
8PEAK-LED
Inside your 8-Channel Mixing Console the audio signal is monitored in several
different stages and then sent to the PEAK LED. When this LED blinks, it warns
you that you are reaching signal saturation and possible distortion. The PEAK
LED will blink with a level that is 6dB before actual clipping.
9LEVEL
This fader will adjust the overall level of this channel and set the amount of signal sent to the main output.
10 MAIN MIX LEVEL
This fader is used to set the amount of signal sent to the MAIN MIX OUTPUT and TAPE OUT.
CONTROL ELEMENTS:
¡
10
dB
-5
-10
-15
-20
-30
-40
-60
0
5
HI
12kHz
EQ
+15
0
-15
PAN
L R
2
POST
(PRE)
8
-
0
+15
DFX
0
+15-15
0
+12-12
LOW
80Hz
MID
2.5kHz
AUX
10
+15
8
-
PRE
PEAK
1
5
6
7
8
9
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CONTROL ELEMENTS:
11 PHONES/CONTROL ROOM
This fader sets the amount of signal sent to
the CONTROL ROOM OUTPUT and PHONES.
12 2-TRACK SIGNAL PATH
If you push down the 2TK TO CONTROL
ROOM button, the 2 TRACK IN signal will be
routed into the CONTROL ROOM OUTPUT
and the level will be adjusted by the
PHONES/CONTROL ROOM knob.
If you push the 2TK TO MIX button the 2
TRACK IN signal will be routed into the MAIN
MIX OUTPUT and will be adjusted by the
MAIN MIX LEVEL knob.
Note: you can push down these two buttons
simultaneously, the 2 TRACK IN signal will be
rounted into both CONTROL ROOM OUTPUT
and MAIN MIX OUTPUT, and the level of two
output signals will be adjusted by respective
control knob.
13 OUTPUT LEVEL LED DISPLAY
This stereo 12 segments LED meter will indi-
cate the level of overall output signal.
14 AUX RETURN CONTROL
This switch routes the signal that is present
at the AUX RETURN 2 jacks to AUX 1 output
so that the effect can be heard in the
monitor mix.
15 EFX TO AUX
These two controls adjust the level of the
signal present at the AUX RETURNS 1&2
jacks. The signal is summed, or mixed into
the main L/R mix bus.
16 PHANTOM-LED
This LED indicates when the Phantom Power
is switched on.
10
dB
-5
-10
-15
-20
-30
-40
-60
0
5
-2
0
-4
-7
-10
-20
+2
-30
OUTPUT LEVEL
LR
CLIP
+10
+7
+4
PWR
PHANTOM
DFX MUTE
PEAK/MUTE
PROGRAM (PUSH)
AUX RTN 1
8
-
0
+15
2
AUX RTN 2
8
-
0
+15
EFX TO AUX 1
1
DFX
MAIN MIX
CONTROL ROOM
2TK TO
00-09 Echo
10-19 Echo+Verb
20-29 Tremolo
30-39 Plate
40-49 Leslie
FUNCTION
50-59 Vocal
60-69 Rotary
70-79 Small Room
80-89 Flange+Verb
90-99 Large Hall
10
dB
-5
-10
-15
-20
-30
-40
-60
0
5
MAIN MIX
LEVEL
PHONES
CONTROL ROOM
8
8
1011
12
13
15
14
17
16
20 21
1918
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CONTROL ELEMENTS:
17 PWR-LED (POWER)
This LED indicates when the Power is on in your mixer.
18 BIT DIGITAL EFFECTS
Displays the selected preset.
19 PRESETS SELECTOR
Adjust this knob to select the right effect you wish to perform. There is a total of 100 presets available: Echo,
Vocal, Plate and versatile two-effect combination. When you found the right preset, please push this knob to
confirm this selection.
20 PEAK/MUTE-LED
This LED lights up when the input signal is too strong. In case of the digital effect module being muted, this
LED also lights up.
21 DFX MUTE-TASTE
This switch is used to activate/deactivate the effect facility. Sometimes, you can also use the DFX FOOT
SWITCH for convenient operation.
22 STEREO AUX RETURNS
Use these stereo 1/4“ sockets to return the sound of an effect unit to the main mix. You can also use them as
extra auxiliary inputs, but they are primarily used to connect the output of external effect processors. Note:
The AUX RETURN2 (DFX) is connected with the output of the internal digital effects, but, this signal ow will
be broken, if you have any external signal inserted from these 2 sockets of AUX RETURN2.
23 AUX SENDS
These 1/4“ sockets are used to send out the signal from the
AUX bus to external devices such as effects and sound
processors, they also can be used as monitoring outputs by
connecting a power amplifier and monitor speaker.
24 FOOT SW
This socket is used to connect external footswitch for a convenient operation, it has the
same function as the DFX MUTE button.
25 PHONES
This socket will be used to send out the mix signal to a pair of headphones.
LEFT
LEFT(MONO)
RIGHT
STEREO AUX RETURNS
2
1
RIGHT
22
AUX SENDS
1
2
23
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CONTROL ELEMENTS:
2-TRACK IN/OUT
26 TAPE IN
Use the Tape input if you wish to listen to your mixer from a Tape Recorder or DAT. You
can assign the signal coming from the Tape Recorder(or DAT) either to CONTROL ROOM
OUTPUT or to the MAIN MIX OUTPUT by using the 2TK TO select button.
27 TAPE OUT
These 1/4“ RCA sockets will route the main mix into a Tape
Recorder.
PHONE
FOOT SW
24
25
TAPE IN TAPE OUT
2-TRACK IN/OUT
R
L
26 27
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BACK PANEL:
28 POWER ON/OFF SWITCH
This switch is used to turn the Main Power ON and OFF.
29 AC INPUT CONNECTOR
This connector is used to connect the supplied AC adapter.
30 PHANTOM ON/OFF SWITCH
This switch will apply +48 Volt Phantom Power only to the 6 XLR inputs sockets. When these XLR sockets are
connected with devices that do not require Phantom Power, please make sure the Phantom Power is turned
off, otherwise, this may damage the device and mixer.
31 MAIN MIX OUTPUT
The stereo output is supplied both XLR and 1/4“ TRS sockets, which are used to send the audio signal to an
amplier. Through the main mix level control, you can adjust the output level from - to +15dB.
32 CONTROL ROOM OUTPUT
These 1/4“ phone sockets will be used to send the signal to studio monitor speakers or to a second set of
PA.
33 INSERT
Insert sockets are provided for each mono MIC channel. It can allow you patch external signal processing
devices into signal path via a TRS connector, the signal will be taken out after the input gain control (TRIM),
and sent to an external processor such as a compressor-limiter, then returned into the same channel
immediately before the EQ section.
Note: Usually, insert connections require a special stereo-splitting Y-cord to be connected, known as TRS
connector (Tip Send/Ring Return).
INSERT INSERT INSERT INSERT
LEFT
RIGHT
R
CTRL ROOMOUTPUT
4 321
L
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
WARNING: SHOCK HAZARD
AVIS: RISQUE DE CHOC ELECTRIQUE
- DO NOT OPEN
- NE PAS OUVRIR
POWER
ON OFF
PHANTOM
AC INPUT
R
L
MAIN MIX OUTPUT(BAL/UNBAL)
SERIAL
MODEL
30
29 31 32 3328
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WIRING CONFIGURATION:
Ok, you have got to this point and you are now in the position to successfully operate your 8-Channel Mixing
Console. However, we advise you to read carefully the following section to be the real master of your own mixer.
Not paying enough attention to the input signal level, to the routing of the signal and the assignment of the signal
will result in unwanted distortion, a corrupted signal or no sound at all. So you should follow these procedures for
every single channel:
• Before connecting mics or instruments, make sure that the power of all your systems components including
the mixer is turned off. Also, make sure that all input and output controls of your mixer are turned down. This will
avoid damage to your speakers and avoid excessive noise.
• Properly connect all external devices such as mics, power ampliers, speakers, effect processor etc.
• Now, turn on the power of any peripheral devices, then power up the mixer.
Note: the power amplifier or powered monitors shall be turned on after the mixer and turned off before the mixer.
• Set the output level of your mixer or the connected power amplier at no more than 75%.
• Set the CONTROL ROOM/PHONE level at no more than 50%.
• Position HI, MID and LOW EQ controls on middle position.
• Position panoramic (PAN/BAL) control on center position.
• While speaking into the mic(or playing the instrument), adjust the channel Level control so that the PEAK LED
will blink occasionally, in this way you will maintain good headroom and idea dynamic range.
• You can shape the tone of each channel by adjusting the equalizer controls as desired.
• Now repeat the same sequence for all input channels. The main LED could move up into the red section, in this
case you can adjust the overall output level through the MAIN MIX control.
• You can select desired DSP sound effects via the PRESET and VARIATION controls.
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WIRING CONFIGURATION:
You can connect unbalanced equipment to balanced inputs and outputs. Simply follow these schematics.
1
2
3
1
2
3
Sleeve
Sleeve
Sleeve
Strain Clamp
Strain Clamp
Hot (+) Hot (+)
Cold (-) Cold (-)
Ground/Screen Ground/Screen
Strain Clamp
Tip
Tip
Tip
Ring
Ring
Ring=Right Signal
Ring=Return Signal
Tip=Left Signal
Tip=Send Signal
Tip=Signal
Sleeve=Ground/Screen
Sleeve=Ground/Screen
Sleeve=Ground/Screen
Use for Headphone, Stereo Return
1/4“ Stereo (TRS) Jack Plug
Use for Pre-Gain Channel Inserts
1/4“ Stereo (TRS) Jack Plug
Use for Balanced Mic Inputs
(For unbalanced use, connect pin 1 to 3)
3-pin XLR male plug
(seen from soldering side)
Use for Main output
(For unbalanced use, leave pin 3 unconnected)
3-Pin XLR line socket
(seen from soldering side)
Use for Mono Line In, Mono 1/4“Jack Plugs
1/4“ Mono (TS) Jack Plug
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WIRING CONFIGURATION:
Sleeve
Tip=Signal
To Tape or
FX Input
To Channel
Insert
To Processor
Input
To Channel
Insert
To Processor
Output
Tip
Ring Ring=Return Signal
Ring=Return Signal (Connected together)
Tip=Send Signal
Sleeve=Ground/Screen
Sleeve=Ground/Screen
Sleeve=Ground/Screen
‚Tapped‘ Connection Direct Output Lead (Enables the Insert to be used as a Direct Output while maintaining the
channel signal flow)
Y-Stereo lead for insert Connection
(To be used when the processor does not employ a single jack connection for the In/Out Connections)
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PRESET LISTE:
No. PRESET DESCRIPTION PARAMETER
00 - 09 Echo Reproduce the sound in input
on the output after a lapse of
time or delay.
Delay Time: 145 ms - 205 ms
10 - 19 Echo & Verb Echo with Room effect. Delay Time: 208 ms - 650 ms
Decay Time 1.7 s - 2.1 s
20 - 29 Tremolo Amplitude modulation of the
signal.
Rate: 0.6 Hz - 5 Hz
30 - 39 Plate Simulate the sound of classic
EMT plate reverb.
Decay Time: 0.9 s - 3.6 s
40 - 49 Chorus Recreate the illusion of more
than one instrument from a
single instrument sound.
Rate: 0.92 Hz - 1.72 Hz
50 - 59 Vocal Simulate a small space with
slight reverberation.
Rev. decay time: 0.8 s - 0.9 s
Pre-delay: 0 ms - 45 ms
60 - 69 Rotary Simulate the sound effect
achieved by rotating horn spea-
kers and a bass cylinder.
Modulation depth:
20 % - 80 %
70 - 79 Small Room Simulate a bright studio room. Decay Time 0.7 s - 2.1 s
Pre-delay: 20 ms - 45 ms
80 - 89 Flanger &
Verb
Classic flanger effect in combi-
nation with reverb.
Decay Time: 1.5 s - 2.9 s
Rate: 0.8 Hz - 2.52 Hz
90 - 99 Large Hall Simulates a large room rever-
berated sound 3.6-5.4 s.
Pre-delay: 23 ms - 55 ms
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MONO INPUT CHANNELS
Microphone input: electronically balanced, discrete
input configuration.
Frequency response: 10 Hz … 45 kHz, +/-3 dB
Distortion (THD+N): 0,005% @ +4 dBu, 1 kHz
Gain range: 0 dB … 40 dB (MIC)
SNR (Signal to noise ratio): 100 dB
Line input: electronically balanced
Frequency response: 10 Hz … 45 kHz, +/-3 dB
Distortion (THD+N): 0,005% @ +4 dBu, 1 kHz
Gain range: +15 dBu … -25 dBu (LINE)
STEREO INPUT CHANNELS
Line input: asymmetric
Frequency response: 10 Hz … 45 kHz, +/-3 dB
Distortion (THD+N): 0,005% @ +4 dBu, 1 kHz
IMPEDANCES
Microphone input: 3,6 kOhm
All other inputs: 10 kOhm or greater
Tape out: 1 kOhm
All other outputs: 120 Ohm
EQUALIZATION
Hi Shelving: +/-15 dB @ 12 kHz
Mid Bell: +/-12 dB @ 2,5 kHz
Low Shelving: +/-15 dB @ 80 Hz
DSP-SECTION
A/D and D/A converters: 24 Bit
DSP resolution: 24 Bit
Type of effects: Echo, Echo+Verb, Tremolo, Plate,
Chorus, Vocal, Rotary, Small Room, Flanger + Verb,
Large Hall
Presets: 100
Controls: Preset-Selector, Effect Bypass
MAIN MIX SECTION
Noise (Bus noise): Fader 0 dB, channels muted: -100
dBr (ref. +4 dBu)
Fader 0 dB, all input channels assigned and set to
Unity Gain: -90 dBr (+4 dBu)
Max output: +22 dBu (XLR, balanced ); +22 dBu (6.3-
mm jack, unbalanced)
AUX Returns, Gain: OFF … +15 dB
AUX-Sends, max. : +22 d Bu
POWER SUPPLY (AC/AC Adaptor)
Main voltage
USA/Canada 100 – 120 V, ~60 Hz,
Europe 210 – 230 V, ~50 Hz
U.K / Australia 240 V, ~50 Hz
Power consumption: 18 W
PHYSICAL
Dimensions (WxDxH): 352 x 272 x 80/40 mm
Gewicht: 3,4 kg without AC adapter.
Since all our products are constantly controlled and
improved, technical changes are possible without
prior notice.
SPECIFICATIONS:
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MANUFACTURER´S DECLARATIONS:
LIMITED WARRANTY
This Limited Warranty applies to the Adam Hall, LD Systems, Defender, Palmer and Eminence branded products.
The statutory warranty rights towards the seller are not affected by this guarantee. In fact, it justifies, additional
independent warranty claims towards Adam Hall.
Adam Hall warrants that the Adam Hall product you have purchased from Adam Hall or from an Adam Hall autho-
rized reseller is free from defects in materials or workmanship under normal use for a period of 2 or 3 years from
the date of purchase.
The Limited Warranty Period starts on the date of purchase. In order to receive warranty services you are required
to provide proof of the purchase date. Your dated sales or delivery receipt, showing the date of purchase, is your
proof of the purchase date. Should products of the brands named above be in need of repair within the limited war-
ranty period, you are entitled to warranty services according to the terms and conditions stated in this document.
This Limited Warranty extends only to the original purchaser of this Adam Hall branded product and is not trans-
ferable to anyone, who obtains ownership of the Adam Hall branded product from the original purchaser. During
the Limited Warranty Period, Adam Hall will repair or replace the defective component parts or the product. All
component parts or hardware products removed under this Limited Warranty become the property of Adam Hall.
In the unlikely event that your Adam Hall product has a recurring failure, Adam Hall, at its discretion, may elect to
provide you with a replacement unit of Adam Hall´s choice that is at least equivalent to your Adam Hall branded
product in hardware performance.
Adam Hall does not warrant that the operation of this product will be uninterrupted or error-free. Adam Hall is not
responsible for damage that occurs as a result of your failure to follow the instructions included with the Adam
Hall branded product.
This Limited Warranty does not apply,
- to wear parts (e.g. accumulator)
- to any product from which the serial number has been removed or that has been damaged or rendered defective
as the result of an accident
- in case of, misuse, abuse, or other external causes
- by operation outside the usage parameters stated in the user´s documentation shipped with the product
- by use of spare parts not manufactured or sold by Adam Hall
- by modification or service by anyone other than Adam Hall
These terms and conditions constitute the complete and exclusive warranty agreement between you and Adam
Hall regarding the Adam Hall branded product you have purchased.
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LIMITATION OF LIABILITY
If your Adam Hall branded hardware product fails to work as warranted above, your sole and exclusive remedy
shall be repair or replacement. Adam Halls’ maximum liability under this limited warranty is expressly limited
to the lesser of the price you have paid for the product or the cost of repair or replacement of any hardware
components that malfunction in conditions of normal use.
Adam Hall is not liable for any damages caused by the product or the failure of the product, including any lost
profits or savings or special, incidental, or consequential damages. Adam Hall is not liable for any claim made by
a third party or made by you for a third party.
This limitation of liability applies whether damages are sought, or claims are made, under this Limited Warranty
or as a tort claim (including negligence and strict product liability), a contract claim, or any other claim. This limi-
tation of liability cannot be waived or amended by any person. This limitation of liability will be effective even if
you have advised Adam Hall of an authorized representative of Adam Hall of the possibility of any such damages.
This limitation of liability however, will not apply to claims for personal injury.
This Limited Warranty gives you specific legal rights. You may also have other rights that may vary from state to
state or from country to country. You are advised to consult applicable state or country laws for a full determina-
tion of your rights.
REQUESTING WARRANTY-SERVICE
To request warranty service for the product, contact Adam Hall or the Adam Hall authorized reseller from which
you purchased the product.
EC-DECLARATION OF CONFIRMITY
These devices meet the essential requirements and further relevant specifications of Directives 2004/108/EC
(EMC) and 2006/95/EC (LVD). For more information, see www.adamhall.com.
CORRECT DISPOSAL OF THIS PRODUCT (ELECTRICAL WASTE)
(Applicable in the European Union and other European countries with separate collection systems)
This marking shown on the product or its literature, indicates that it should not be disposed with other household
wastes at the end of its working life. To prevent possible harm to the environment or human health from uncon-
trolled waste disposal, please separate this from other types of wastes and recycle it responsibly to promote the
sustainable reuse of material resources.
Household users should contact either the retailer where they purchased this product, or their local government
office, for details on where and how they can recycle this item in an enviromentally friendly manner.
Business users should contact their supplier and check the terms and conditions of the purchase contract. This
product should not be mixed with other commercial wastes for disposal
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