4Introduction
is a super-flexible monophonic syn-
thesizer with classic analogue subtractive synthesis
and powerful digital control - giving huge modula-
tion possibilities.
• Fully analogue audio signal path
• Three analogue oscillators (VCOs) with freely mix-
able waveforms:
–triangle (oscillators 1, 2 and 3)
–sawtooth (oscillators 1, 2 and 3)
–variable width pulse (oscillators 1 and 3)
–square and sub-oscillator (oscillator 2)
• Oscillator hard-syncing
• Analogue phase modulation (oscillators 2 and 3)
• Analogue noise souce (white or pink)
• Internal audio feedback or external audio input
• 4 CV/gate inputs for analogue control
• Three independent analogue filters (VCFs) with
flexible routing:
–Low-pass resonant filter (6-pole with selectable
outputs and resonance character adjustment
–Second low-pass resonant filter (4-pole)
–High-pass filter (2-pole)
• Multiple output distortion options
• Powerful modulation architecture:
–4 global LFOs (Low Frequency Oscillators)
–4 global EGs (Envelope Generators)
–33 parameter-local LFOs
–33 parameter-local EGs
–Four freely configurable modulation
sources from MIDI and CV/gate inputs
• Quick-access buttons to 5 active patches
• Copy/reset/randomise feature
• Full MIDI control and USB MIDI interface
• Oscilloscope and spectrum analyser
• Flexible arpeggiator
• Built-in pattern sequencer
• Non-volatile internal memory for saving 500 patches,
56 patterns, 16 sequences and user settings
• High-resolution OLED graphic display
• Compact high-quality tabletop case
Analogue oscillators
has three analogue voltage-controlled
oscillators (VCOs) with various hard-sync, pulse-width
and phase-modulation options. These are true ana-
logue oscillators and not DCOs! The oscillators, ana-
logue noise source (with white/pink output option)
and an internal feedback routing or external audio
input all feed into a mixer before the filters.
Analogue filters
has very powerful filtering capabili-
ties. There is a 6-pole voltage-controlled low-pass
filter (VCF) with adjustable resonance to self-oscillation
(with selectable 1, 2, 3, 4, 5 and 6-pole outputs),
a 2-pole high-pass filter and a second 4-pole low-
pass filter with adjustable resonance to self-oscillation
(similar in design to the filter from a certain silver
box from the 1980s. . . )
The filters can be chained in parallel or in series and
the outputs are separately mixable giving huge sound-
creation potential. The final audio output has a va-
riety of clipping distortion options.
Modulation
Each analogue-controlled parameter has it’s own
dedicated LFO, EG and global modulation source
settings in addition to modulation control from the
global LFOs and EGs. This allows very flexible and
powerful control of the analogue sound.
Up to four global modulation sources can be freely
defined from incoming MIDI controller data and/or
analogue signals on the CV/gate inputs.
User Guide page 5
