
• Dolby Digital, Dolby Digital EX, ProLogic II, DTS, 
• Dolby Digital, Dolby Digital EX, ProLogic II, DTS, 
DTS ES, DTS NEO:6, Matrix 7.1, THX EX 5.1/6.1/7.1 
Decoding, Stereo Enhanced Stereo Surround Mode 
• Latest Generation Motorola DSP Processor
• NAD’s Proprietary EARS Surround Music Mode
• 24 bit/96kHz Compatible
• 24 bit Resolution DACs for all channels
• 10 Inputs: 6 Video (3 are full in/out), 4 Audio (1 is 
Tape Monitor In/Out loop)
• All Video Inputs are S-Video and Composite
• 6 Digital Inputs: 1 BNC, 3 Coaxial, 2 Optical; freely 
• 2 Digital Outputs: 1 Coaxial, 1 Optical
• Ext 5.1 Input for connection of DVD-A
• 3 x 12V Trigger Outputs 
• IEC Detachable Power Cable
• RS-232 Port for advanced control systems and 
• HTR-2 - 8 Device Illuminated Learning Remote with 
• ZR-2 Second Zone Remote 
The original S 170 was the  rst THX EX processor to reach 
the market nearly two years ago, and it still remains the 
benchmark for sonic performance in this price category. 
With the development of THX Ultra 2, DTS ES and Neo:6, 
and Dolby EX and ProLogic II it is logical that NAD would 
update the S 170 to include these new decoding formats. 
We are pleased to introduce the S 170i, offering all the 
latest decoding formats while maintaining the same elegant 
simplicity, style, and performance of the original.
Signi cantly, in these days of rapid digital format changes, 
the S 170i features a fully upgradeable digital processor 
on a separate plug-in circuit board. In fact owners of the 
S170 can have their unit upgraded to the “i” version for 
a fraction of the cost of purchasing a new unit, proving 
the value of this design concept. All DSP processing and 
operating system “intelligence” is located on a plug-in 
module, making major upgrades a fairly simple process. 
Minor upgrades are offered free of charge and can be 
implemented via download from a PC using the RS-232 
port located on the rear panel.
The modular processor dictates the use of a specially 
engineered, ultra-low-noise switch mode power supply, 
so that the S 170i achieves supply voltages of unexcelled 
stability and purity that remain totally independent despite 
varying demands on all eight channels, or even the 
requirements of future digital upgrades.
The bass management circuit of the S 170i offers 
tremendous  exibility, while still meeting all the Dolby and 
THX mandates for bass redirection and Low Frequency 
Effects (LFE) channel management. The crossover 
frequency can be adjusted in 10Hz increments from 40Hz 
to 200Hz (except in THX mode where 80Hz is speci ed), 
and individual channels can have their level tweaked in 
0.5dB increments allowing much  ner adjustment than that 
offered by most receivers and processors. Uniquely, the 
S 170i uses both digital and analogue  lter sections for a 
superior electronic crossover characteristic.
Despite its deceptively simple appearance, the S 170i 
is also fully equipped to serve as a very able master 
S 170i Surround Sound Preamp Processor
The S 170i is squarely focused on the individual 
who prizes sonic performance above all else, 
and appreciates the simplicity of the NAD 
approach. While you can  nd less expensive 
processors, and processors with a longer punch 
list of “features”, the S 170i offers a level of 
performance for money that is unmatched. 
Whether used as an analogue preamp in Stereo
Bypass mode, or used to decode the 
latest formats from Dolby, DTS, and THX,                 
the S 170i brings a purity and dynamic realism 
to every performance. This goes beyond 
specs or features and speaks to the real reason 
for spending this much money on a Hi-Fi: 
to create an experience that transports the 
listener/viewer to that special place created by 
the recording artist. Indeed, it is this ability to 
“make the machine disappear” that separates 
the great products from the merely good 
products. The S 170i is a great product.