neuzeit instruments WarpEx User manual

Drone option
Constant minimum
volume level possible
(oscillator mode)
Loop option
Turns into
Attack-Hold-
Release then
Attack time
Decay time
Release time
Sustain level
Attack curve
Decay curve
Release curve
Drone (ENV1 only)
Loop (ENV2 only)
Mod
Matrix
SPD
CV input
SPD
Poten-
tiometer
Map amount
+-100%
Frequency
Waveform
Trigger mode
MIDI (with WarpEx Expander)
Aftertouch, tilt, pitchbend slew rate
Pitchbend amount
Master MIDI channel
MPE MIDI channels
ModWheel CC number
Legato On/Off
SPD
CV input
SPD
Poten-
tiometer
Map amount
+-100%
ADSR, fixed routing to
volume, post-filter.
ENV1
Modulation
ADSR, can be routed to all
targets in modulation matrix.
ENV2
LFO1
Both LFOs are identical.
LFO2 KEY
The voice's
current pitch
VELO
MIDI note
velocity
TILT
Any MIDI CC,
e.g. MPE Tilt
AFTR
MIDI
Aftertouch
Getting Started
Read Safety instructions and the full manual on
www.neuzeit-instruments.com/warp
1. While your rack is powered down,
mount Warp and eventually the WarpEx expander
and then power the rack back on.
2. Patch Warp's OUT1 and OUT2 jacks to your speakers.
3. Send a gate CV to Warp's TRIG input and a pitch voltage to its V/Oct input.
4. Experiment with the presets available on the SD-card and adjust the potentiometers to
explore different sounds.
NOTE: Presets contain all internal parameters, but not the position of the potentiometers.
5. If you wish to use Warp as an oscillator rather than a synth voice, navigate to
Settings > Global and activate oscillator mode. This ensures that Envelope 1 (volume)
maintains a consistent minimum output level whenever a new preset is loaded, allowing
Warp to produce output even without a TRIG signal.
GalaXY
Pool of
harmonic
spectra
Mix
Volume levels
and panning
Spec
complex
spectral
filter
calculates
a single-
cycle
waveform
Warp
lowpass
highpass
filter
Modulation sources
Internal: 2 x ADSR, 2x LFO, Key
External: OMNI CV input
MIDI & MPE: Velocity, After-
touch, Tilt or Modwheel (CC)
Route sources
to many
targets in the
signal chain
Modulation matrix
OUT1
OUT2
Voices 1-4
Neuzeit Instruments 2023, all rights reserved
Osc
dual
oscillator
with FX
Warp
wave-
table
effects
OMNI
High performance CV
input, flexible routing
in modulation matrix

Overtone spectrum = Base
frequency F1 + 127 overtones.
Filter shape type
Filter spectrum depth
Filter spectrum zoom
Filter as generator
Depth to gain
compensation
F1 F2 F3 F4 . . . F128
Shape the overtone spectrum
with a variable filter response.
Warp's GalaXY comprises a 32 by 16 grid of overtone spectra. Each voice begins by selecting
one spectrum, which forms the base for the subsequent signal path and defines the voice's timbre.
The resulting overtone
spectrum.
The overtone spectrum is
translated into a one-cycle
waveform. The Warp section
applies up to four effects
on the waveform.
Bend
Stretches the waveform
to one side.
Low- & highpass filter
resonance, 12 or 24 dB/Oct
- Balance of Osc 1/2
- Linear detune
- Frequency mod
- Amplitude mod
- Phase mod
- Filtered noise
Osc1
Osc2
POSY
POSX
Spec
GalaXY Warp
Drive
Analogue distortion
emulation.
Redux
Introduces steps in the
Y-axis, sounds like digital
bitreduction.
Fold
Sets a threshold where
the waveform is flipped.
10.0 Hz 22 kHz
Osc & Mix
Each of the 4 voices has a pair
of wavetable oscillators. They
can be individually adjusted for
pitch and volume and interact
through a range of effects.
SPEC
CV input
SPEC
Poten-
tiometer
Map amount
0-100%
Bend FX
Fold FX
Drive FX
Redux FX
Filter cutoff lowpass
Filter cutoff highpass
Filter resonance
Filter slope
Voice pitch
Osc1/2 mix
Osc2 pitch
Osc2 FX para
Osc FX type
Voice pan
Level & mute
GalaXY offset X/Y
MIDI pitchbend
Phase auto-reset
Glide
Quantization
Voice mix and pan
V1
V2
V3
V4
Out 1
Out 2
POSX/POSY
CV inputs
POSX/POSY
Poten-
tiometers
Mod Matrix
Pickup position
Mod
Matrix
WARP
CV input
WARP
Poten-
tiometer
Mod
Matrix
Map amount
0-100%
Map amount
0-100%
DETN
CV input
DETN
Poten-
tiometer
Mod
Matrix